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This article from Quilting Arts Magazine provides a beginner's guide to using the Picsart app for photo editing and manipulation. The author shares their personal experience using the app and highlights its features, such as filters, cropping, effects, and the remove tool. The article also includes step-by-step directions for using Picsart on a mobile device. The author encourages readers to explore and experiment with the app's various tools and features to create unique digital images. [Extracted from the article]

Gary Tyler, an artist profiled in Quilting Arts Magazine, found solace and healing through quilting during his 41 years in Angola Prison in Louisiana. Despite being wrongly convicted of murder at the age of 16, Gary evolved and learned to survive in prison. He became involved in the prison drama club and worked in the hospice program, eventually discovering quilting through his involvement in the annual rodeo. Gary's quilts, which tell stories and depict personal experiences, gained popularity and showcased his unique self-taught skills. After his release from prison in 2016, Gary continued quilting and now hopes to inspire young people with his art. [Extracted from the article]

The article discusses the use of computerized longarm machines in quilting, specifically for creating art quilts. The author shares their experience of using quilting software and learning how to program it to create unique designs. They also provide tips for achieving better results, such as making high-resolution drawings and using drawing programs that allow for importing and tracing pictures. The author emphasizes the importance of having a clear idea or theme for the quilt design and highlights the engineering problem-solving aspect of the process. The article includes examples of the author's quilting designs, including one inspired by Greek mythology. [Extracted from the article]

This article from Quilting Arts Magazine explores the technique of digitally printing onto already quilted quilts. The author, a textile artist, discusses their process of using a wide-format printer and reactive dyes to print images onto quilted surfaces. They share their experiences creating large-scale quilts and experimenting with different designs and imagery. While this technique may be challenging for those without access to a wide-format printer, the article aims to inspire and showcase innovative approaches in the field of quilting. [Extracted from the article]

This article is a fictional story written by author Barbara Emodi exclusively for readers of Fons & Porter's Love of Quilting magazine. The story follows a woman who steals quilts and sells them as her own designs. She attempts to cross the border from Canada to the US with the stolen quilts but is caught by customs officers who recognize the value of the quilts. The story then shifts to a tea party at a retirement home where the stolen quilts are returned and the thief is apprehended. The article also provides information about the author and her other works. [Extracted from the article]

This article from Fons & Porter's Love of Quilting presents a pattern for a fall-themed quilt called "Fall Floral Fantasy." The quilt features a tessellating design using the Sew Easy Lesson™ Stitch-and-Flip technique. The pattern provides detailed instructions for cutting and assembling the quilt, as well as tips for quilt assembly and finishing. The article also includes a color option suggestion and a quote from the quilt designer, Heather Long, who shares her experience and enthusiasm for creating 3-yard quilts. [Extracted from the article]

This article from Fons & Porter's Quick + Easy Quilts presents a pattern for a quilt called "Scrappy Robot." The design was inspired by the simplicity of the Minecraft video game and features blocks made from 2½" squares with long strips between them. The author, Naomi Bombardi-Wilson, used a limited color palette of teals and purples, but the pattern allows for a scrappy and colorful approach. The article provides detailed instructions for cutting and sewing the quilt, as well as information about the fabric requirements. Naomi Bombardi-Wilson is an experienced quilter who has had her work featured in various publications and exhibitions. [Extracted from the article]

This article from Quilting Arts Magazine showcases a selection of quilts submitted by past Reader Challenge participants. The quilts featured in this article include a variety of techniques and styles, such as shibori, natural dyeing, hand stitching, and painting on fabric. The quilts represent diverse themes and inspirations, including nature, animals, landscapes, and personal experiences. Each quilt is described by the artist, highlighting the materials and techniques used in its creation. [Extracted from the article]

This article from Quilting Arts Magazine explores the use of used tea bags in fiber art. The author discovered that tea bag paper is great for stitching and can be incorporated into various art forms such as quilts, mixed-media art, and sculptures. The article provides step-by-step instructions on how to deconstruct tea bags and use them in different art techniques, including as backgrounds, machine-stitched or hand-stitched appliqué, bindings, and collages. The author encourages experimentation and provides tips on working with tea bags, including drying and dyeing them. [Extracted from the article]

This article from Quilting Arts Magazine discusses the importance of value in creating successful quilts, particularly in representational art quilts. The author provides rules and guidelines for maintaining consistent design throughout the artwork, with a focus on highlight, midtone, and shadow. The article includes step-by-step instructions for applying this technique to a specific orchid design, as well as tips for selecting a suitable photo for the project. The author also mentions exceptions to the highlight, midtone, shadow rule, and provides additional resources for further learning. [Extracted from the article]

This article from Quilting Arts Magazine titled "Color Me!" provides three techniques for creating artful cloth through surface design. The author, a lifelong artist, shares their love for fabric and the joy of creating fiber art. The techniques discussed include spray dyeing using lace as a stencil, small-swatch dyeing for variegated blends of color, and deconstructed screen printing for unpredictable and unique fabric designs. The article emphasizes the versatility of these techniques and their potential use in various forms of fiber art. [Extracted from the article]

This article from Quilting Arts Magazine provides instructions for creating a long and skinny quilt with a simple, organic motif such as a leaf, tree, or vegetable. The author suggests using paper-backed fusible web, cotton fabrics, wool-rayon blend felt, and acrylic felt in contrasting colors for the project. The motif is created by drawing an outline on butcher paper, transferring it to fabric using fusible web, and adding detail with fabric and quilting. The quilt is then assembled by layering the motif onto a background of craft felt and topstitching the layers together. The article also provides information on different types of felt and tips for working with them. [Extracted from the article]

QuiltCon 2024, presented by the Modern Quilt Guild, took place in Raleigh, North Carolina and showcased a collection of modern quilts by MQG members. The winning quilts, featured in the article, demonstrate innovative designs, craftsmanship, and artistic expressions. The Best in Show quilt, titled "What We Will Use as Weapons: A List of School Supplies," highlights the perspective of teachers on school shootings. Other award-winning quilts include "Anechoic," "White Bubbles," "Solomon's Stripes," "Cloudy Night Sky," "Candy Pop," "Scrappy Manhattan," and "Reconceived." QuiltCon 2025 is already being planned for Phoenix, Arizona. [Extracted from the article]

The article discusses the genre of minimalist quilting and highlights the work of two modern quilters, Audrey Esarey and Carson Converse. Minimalist quilting involves reducing color, pattern, and seams to create a visually simple yet impactful design. The artists emphasize discipline, a limited vocabulary of geometric shapes, and a restricted color palette to achieve their minimalist aesthetic. They also emphasize the importance of editing and careful consideration of design elements. The article showcases examples of minimalist quilts and emphasizes the beauty and innovation of this genre in modern quilting. [Extracted from the article]

This article from Quilting Arts Magazine features the work of Sharon Emerson, an artist who creates art quilts depicting bird idioms. Emerson, a retired evolutionary biologist and avid bird watcher, uses her interest in nature as inspiration for her quilts. Each quilt represents the literal meaning of a common bird idiom and includes a mix of familiar and exotic bird species. Emerson's quilts have been well-received and she plans to continue creating interactive art, including a new series called "Getting Together." [Extracted from the article]

This article from Quilting Arts Magazine discusses a technique for free-motion quilting that involves starting with a square of fabric and using the designs already present in the fabric as inspiration for the quilting. The author explains how to create a quilt sandwich, mark the perimeter of the working area, and choose and adhere a portion of the fabric as the starter square. They then provide instructions for quilting the motif and the rest of the quilt, as well as tips for thread selection and background quilting designs. The article also includes suggestions for choosing a starter square fabric and tips for success in the quilting process. [Extracted from the article]

This article from Fons & Porter's Love of Quilting discusses three different ways to quilt spirals using a walking foot. The first method is called Square Spirals, which is a simple and straightforward way to finish a log cabin quilt. The second method involves quilting irregular polygons, which requires marking the center of each corner to guide the stitching. The third method is circular spirals, which start in the center and gradually work outwards. The article also provides tips for quilting spirals and suggests using alternative feet or sole plates for more intricate details. The author, Catherine Redford, is an award-winning quilter and teacher. [Extracted from the article]

This article is a profile of artist Lisa Thorpe, who began her artistic journey as a child sewing clothes for her Barbie dolls. She later pursued a degree in Design with an emphasis in textiles and wearable art. After a period of focusing on other mediums, Thorpe rediscovered fabric as her primary medium and began experimenting with various techniques. She started sharing her discoveries through articles and workshops, primarily with quilt guilds and art quilters. The pandemic and a move to Little Rock, Arkansas, provided Thorpe with an opportunity to express herself through her art, resulting in a series of art pieces titled "Shift Happens" and larger works exploring themes of doors, shadows, and personal transformation. Thorpe's work is deeply personal and universal, reflecting her observations and experiences in her new surroundings. [Extracted from the article]

This article from Quilting Arts Magazine explores the concept of fabric haiku, which are small quilts inspired by the traditional Japanese poetry form. The author discusses how the structure and limitations of haiku can be applied to art quilting, emphasizing the importance of play and experimentation. The article provides step-by-step instructions for creating fabric haiku, including selecting fabrics, creating backgrounds and middle grounds, and adding focal points. The author also highlights the impact of fabric haiku on larger works and the benefits of observing nature for inspiration. [Extracted from the article]

This article from Quilting Arts Magazine showcases the results of the 'Good Intentions' Reader Challenge, where quilters were encouraged to complete unfinished projects. The article features a gallery of completed works, including pieces inspired by nature, personal experiences, and artistic techniques. The quilters share their stories and the creative processes behind their finished quilts. The article demonstrates the joy of completing long-awaited projects and the diverse inspirations that drive quilters to create. [Extracted from the article]

The article discusses an exhibition called "Beyond the Mirror" that features artwork by various artists. The juror of the exhibition, Andra F. Stanton, selected artwork based on how well the artists went beyond superficial societal roles and explored deeper thoughts and feelings. The artwork showcased in the exhibition explores themes such as self-doubt, imperfections, grief, and the complexity of identity. The article provides descriptions of some of the artwork included in the exhibition, highlighting the techniques and materials used by the artists. [Extracted from the article]

This article from Quilting Arts Magazine discusses the process of block printing and stitching to create wholecloth art quilts. The author shares their experience with block printing and provides step-by-step directions for creating these quilts. The article includes information on faux dyeing the fabric, block printing designs, and embellishing the design with machine stitching and hand embroidery. The author also provides tips and suggestions for materials and techniques to use. Overall, this article provides a detailed guide for creating block-printed and stitched art quilts. [Extracted from the article]

This article from Quilting Arts Magazine provides instructions for creating whimsical quilts using sheer fabrics. The technique involves layering sheer fabrics to create colorful effects and using free-motion quilting to add texture. The article includes step-by-step directions for preparing the background, creating the scene with flowers and leaves, and completing the piece with free-motion stitching. The author also includes tips for quilting a simple wavy line background and provides instructions for repurposing a jean jacket into wearable art. The article encourages experimentation and creativity, making it suitable for quilters of all skill levels. [Extracted from the article]

This article from Quilting Arts Magazine showcases a selection of quilts submitted by readers for a special gallery. The quilts featured in the gallery cover a range of themes and styles, including nature-inspired designs, abstract compositions, and depictions of architectural scenes. Each quilt is accompanied by a brief description from the artist, explaining their inspiration and creative process. The article aims to inspire and challenge quilt artists to create something unique and outside of their comfort zone. [Extracted from the article]

This article explores the misconception that modern quilts are solely the work of young people and challenges the notion that older women are no longer creative or capable of innovative work. The author highlights the historical evidence of older women's creativity in quiltmaking, showcasing examples of 19th and early 20th-century quilts that demonstrate originality and rule-bending. The article also discusses influential quilters over the age of 50 who have shaped the modern aesthetic, such as Gwen Marston and Nancy Crow. It emphasizes the contributions of older women to the modern quilt movement and calls for recognition of their inventiveness and skill. [Extracted from the article]

This article provides 10 tips for collaborating with a longarm quilter. It suggests that before working with a longarm quilter, individuals should consider the style they are looking for and review the quilter's previous work. It also advises on how to prepare the quilt top and backing, choose the right batting, and discuss the cost and type of quilting desired. The article emphasizes the importance of communication and finding a quilter whose style aligns with the individual's preferences. It concludes by showcasing examples of different quilting styles and encouraging readers to find a quilter who is passionate about their work. [Extracted from the article]

The article explores the history and significance of quilts in Australia. It highlights the story of the Rajah Quilt, made by female convicts in 1841, which is now a popular exhibit at the National Gallery in Canberra. The article also discusses the Westbury Quilt, made by the Hampson family in the early 20th century, and its representation of rural Australian life. Additionally, it mentions the use of quilts as a form of expression and comfort during times of war, such as the Sunflower Quilt for Ukraine. The article emphasizes the cultural and emotional value of quilts as well as their ability to bring communities together. [Extracted from the article]

This article from Quilting Arts Magazine features an artist Q&A with Elizabeth Ferry Pekins, a quilter who uses her work as a form of storytelling. Pekins discusses her journey into quilting, her process of creating autobiographical quilts, and her use of materials found in everyday life. She also shares her artistic goals and how she sees her artwork evolving in the future. Pekins emphasizes the therapeutic and healing nature of her art and the importance of personal expression. [Extracted from the article]

The article discusses the Women Who Run With Scissors (WWRWS) art quilt group, which started in 1997 in Denmark, Wisconsin. The group, comprised of self-taught artists with diverse perspectives, meets regularly to share ideas and inspire each other. They incorporate various construction methods and techniques in their work, such as fusing, painting, and piecing. The group also collaborates with other organizations and offers workshops to teach and learn from each other. They have upcoming exhibitions and challenges to encourage artistic growth and unity within the group. The article also provides tips for starting an art quilting group. [Extracted from the article]

This article provides a behind-the-scenes look at the production of the television show "Quilting Arts TV." The host, Susan Brubaker Knapp, plans the next season a year in advance and carefully selects guest artists who can explain and demonstrate their techniques. The show requires a large team of professionals, including camera operators, sound technicians, and video editors. The article also highlights some memorable moments from the show, such as when a guest artist shared a cherished sewing box made by her mother. The show aims to inspire and educate viewers about art quilting. [Extracted from the article]

This article from Quilting Arts Magazine provides instructions for two techniques to create altered and enhanced backgrounds for fabric. The first technique involves using a commercial print fabric and transforming it with white opaque paint, string, and paper cutouts. The second technique starts with a piece of white fabric and uses clear aloe vera gel and liquid fabric paint to create a colored and textured background. The article includes step-by-step directions for both techniques, as well as tips for working with painted backgrounds. These techniques can be used to add dimension and interest to art quilts or other fabric projects. [Extracted from the article]

This article from Quilting Arts Magazine provides instructions for creating small porch flags using recycled materials. The project involves painting and stiffening cheesecloth and T-shirt necks, as well as deconstructing a T-shirt to use for embellishments. The materials needed for the project include cheesecloth, a deconstructed T-shirt, liquid fabric stabilizer, lightweight fusible web, polyester roving, stiff interfacing, acrylic paint, and hand stitching needles. The article also includes instructions for creating a spiral hand-stitched circle and preparing the background using flattened bubble wrap. The porch flag is assembled by placing the hand-stitched T-shirt neck circle and spiraled circle onto the background layers and stitching them in place. Finally, a hanging sleeve is created and a strip of knit T-shirt material is used as a hanging device. [Extracted from the article]

This article from Quilting Arts Magazine provides tips and techniques for free-motion quilting on collage projects. The author suggests starting with a quilt sandwich to practice moving and stitching in all directions. They also provide advice on machine setup, density of stitching, dealing with thread tails, and choosing stitch patterns. The article emphasizes the importance of considering the subject matter and theme of the quilt when selecting stitch patterns. The author encourages readers to experiment, practice, and have fun with their free-motion quilting projects. [Extracted from the article]

This article from Quilting Arts Magazine discusses the concept of abstract art and provides a technique for creating abstract landscapes using fabric strips. The author explains that abstract art does not depict anything in the natural world, but instead focuses on colors, shapes, size, and scale. The technique involves fusing fabric strips onto a padded backing to create a simple landscape, with the horizon line serving as the focal point. The article also provides tips on composition and design elements to consider when creating abstract art. The author suggests using fabrics that read as solids and sorting them into color families for a cohesive composition. [Extracted from the article]

The article titled "SCARP VORTEX!" from Quilting Arts Magazine discusses a quilting technique called the Scrap Vortex. The author shares their experience of creating a long scrap vortex quilt using their collection of fabric scraps. They provide tips on how to compose the quilt, including using different piecing techniques and incorporating orphan blocks. The author also suggests ways to create a blended or segmented look depending on the desired outcome. They emphasize the freedom and fun in this technique and encourage readers to explore their own creativity with their scrap fabrics. [Extracted from the article]

This article from Quilting Arts Magazine showcases the results of the 'Into the Wild' reader challenge, where participants were asked to create quilts inspired by wild animals, birds, and insects. The quilts featured in the gallery range from abstract to representational, and some even have a whimsical or fanciful touch. Each quilt is accompanied by a description from the artist, explaining their inspiration and the techniques used. The article celebrates the beauty of nature and the creativity of the readers' artwork. [Extracted from the article]

This article from Quilting Arts Magazine discusses a technique called "Textural Photo Transfers using Paper Solvy." The author explains how to create unique textured photographs with undulating edges using this transfer technique. The transfers are made on various substrates such as cheesecloth, tissue paper, or pattern paper. The article provides step-by-step instructions on how to use Paper Solvy, a water-soluble stabilizer, to print images and transfer them onto different surfaces. The author also suggests various ideas for experimentation and further exploration of this technique. [Extracted from the article]

Isabelle Wiessler is a renowned fiber artist known for her work in quilting, painting, and pencil art. Born in Paris and now based in Germany, Isabelle's artistic journey began with traditional quilting but evolved towards more creative and abstract art quilts. She incorporates various materials like Lutradur®, Tyvek®, and acrylic felt to add texture and structure to her work. Isabelle draws inspiration from nature and aims to create art that evokes positive emotions and connects with viewers. She is currently working on new projects for an upcoming exhibition and plans to offer workshops from her studio in the future. [Extracted from the article]

This article is a profile of artist Pat Bishop, who discusses her journey as a quilter and artist. Bishop grew up in a family that valued self-sufficiency and sewing, which influenced her creativity and problem-solving skills. She began quilting in the 1970s and has since expanded her artistic skills to include rosemaling, watercolors, and painting on fabric. Bishop is a member of various art quilting groups and has exhibited her work internationally. She draws inspiration from nature and personal photos, and her work often incorporates recycled fabrics and repurposed materials. Bishop also enjoys teaching and sharing her knowledge with others. [Extracted from the article]

The article titled "PRIMAL FORCES: WIND" discusses an exhibition called "Primal Forces: Wind" organized by SAQA (Studio Art Quilt Associates). The exhibition showcases various art quilts that explore the theme of wind and its impact on the natural world. The artworks depict different aspects of wind, such as its invisibility, its interaction with the environment, and its power. The exhibition features a diverse range of quilts that highlight the complexity and beauty of wind. [Extracted from the article]

This article from Quilting Arts Magazine features an artist named Judith Ahlborn, who combines her passions for art, sewing, and computer design in her work. Ahlborn's creativity was nurtured by her family, which included a quilter grandmother, an artist father, and a seamstress mother. She began incorporating digital design into her quilting after taking a class on working in a series, and she has since created bird-themed pieces using layers of fabric, stitch, and paint. Ahlborn draws inspiration from bird art, architecture, street scenes, and 19th-century European art. She is currently focusing on kaleidoscopes and tile designs, using design programs and Photoshop to create her pieces. Ahlborn hopes that her art brings joy and beauty to the world and evokes a sense of longing for new places to visit. [Extracted from the article]

Kim used the Hey Bootiful Trick-or-Treat panel by My Mind's Eye for the 16½" squares, but you could use an assortment of fun Halloween fabrics instead for this fast and fa-boo-lous quilt. Coping strips are fabric strips used to adjust the size of a section to fit the pieced area next to it. PATTERNS My inspiration for this quilt was the Trick-or- Treat panel. [Extracted from the article]

The path to quilt judging for me was born out of a personal desire to improve myself. Not only will judges differ from show to show, but some shows can be stacked with win-worthy quilts and others not. [Extracted from the article]

How Do I Love Thee: Why I like ice dyeing If you've worked with Procion MX dyes before, you know that some of the colors are "pure" dyes, made from a single hue. • If dyeing multiple pieces, I'll repeat the same dyes on three towels, then move on to the next three in different colors. • To get an idea of how a dye will "split" and the complexity of colors you might get, lightly sprinkle a tiny bit of dye on a damp paper towel. [Extracted from the article]

Design & stitch We love our pets, if you don't believe me just look at social media and see how many of us feature our furry friends in our posts. Use the photo printed on cotton to select accompanying fabrics for the collage background and foreground elements. When choosing a furry friend subject for your work, using a photo from your phone is the easiest, but if you want to make a gift for a friend you can save a photo from their social media feed and get permission to use it. [Extracted from the article]

In profile & gallery The faces in Beverly Smith's work command your attention first. Minerva was Beverly's great-great-great grandmother Moriah's twin. Graphite, vintage flour sacks, ticking fabric, vintage Bow Tie quilt pattern, Drunkard's Path and patchwork quilt designs. [Extracted from the article]