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Copyright of Cadernos EBAPE.BR is the property of Fundacao Getulio Vargas, Escola Brasileira de Administracao Publica e de Empresas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Gerais: Revista Interinstitucional de Psicologia is the property of Gerais: Revista Interinstitucional de Psicologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Eptic Online is the property of Revista Eptic Online and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Brazilian Business Law Journal / Administração de Empresas em Revista is the property of Administracao de Empresas em Revista and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cadernos EBAPE.BR is the property of Fundacao Getulio Vargas, Escola Brasileira de Administracao Publica e de Empresas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Brasileira de Estudos Urbanos e Regionais is the property of Associacao Nacional de Pos-Graduacao e Pesquisa em Planejamento Urbano e Regional and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Conjuntura Austral is the property of Conjuntura Austral and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Estudos em Jornalismo e Mídia is the property of Universidade Federal de Santa Catarina, Departamento de Jornalismo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Internacional de Folkcomunicação is the property of Rede Folkcom Rede de Estudos e Pesquisas em Folkcomunicacao and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Vortex is the property of Escola de Musica e Belas Artes do Parana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Internacional de Relaciones Públicas is the property of Instituto de Investigacion en Relaciones Publicas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article aims to introduce reflections on post COVID-19 crisis trends for the Creative Economy sector. The main argument is that the trends have changed due to coronavirus pandemic, causing a strong global economic crisis. For this purpose, a desk research was carried out - both bibliographical, regarding the central themes, for the construction of the theoretical reflection presented, and of documents (newspaper and magazine articles) about the COVID-19 pandemic impact on the Creative Economy sector and alternatives that Brazilian and foreign entrepreneurs had to find in order to circumvent the crisis caused by COVID-19. [ABSTRACT FROM AUTHOR]

Copyright of Políticas Culturais em Revista is the property of Politicas Culturais em Revista and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Eletrônica de Estratégia & Negócios is the property of Revista Eletronica de Estrategia & Negocios and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Eletrônica de Estratégia & Negócios is the property of Revista Eletronica de Estrategia & Negocios and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Comunicologia: Revista Eletrônica de Comunicação e Epistemologia da Universidade Católica de Brasília (UCB) is the property of Comunicologia: Revista Eletronica de Comunicacao e Epistemologia da UCB and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Administrative Sciences / Revista Ciências Administrativas is the property of Journal of Administrative Sciences / Revista Ciencias Administrativas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Conhecimento Online is the property of Universidade Feevale and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Creative industries have raised increasing interest in political and academic fields, with greater necessity of universal measures and methodologies to assess and compare their dimension across countries and regions. This paper critically reviews the existing measurement models of creative industries in literature, presenting a thorough mapping according to relevant worldwide industry-based approaches: DCMS, WIPO, Concentric Circles and UNCTAD. Then a measurement analysis is undertaken on the creative industries’ employment in Brazil and for each Brazilian state, with the latest data available (year 2013). These estimates are confronted with results from other countries that used comparable approaches, in order to provide a critical assessment of methodologies and results. The outcomes for the creative industries’ employment revealed to be contrasting, depending on the emphasis of each approach, varying from 0.82% of total Brazilian employment (DCMS approach) to 2.80% (WIPO model). According to the Concentric Circles model, the estimates achieved 2.20% of the national employment, while using the UNCTAD model, a more modest outcome of 1.46% was obtained. These variations suggest the importance of pondering which model(s) can better describe the creative economy of each country, region or state, taking into account the specificities of regions and the focus of each approach. [ABSTRACT FROM PUBLISHER]

During the last decade, Brazil has experimented with two different cultural policy discourses. The creative economy policy was inspired by international experiences and places emphasis on the commercialisation of culture, while, by contrast, the 'Cultura Viva' initiative is an autochthonous policy discourse that stimulates access to the cultural consumption and production of lower-income sectors of the population. Both cultural policy discourses speak of the contributions of culture to 'development'. However, this shibboleth delineates different projects. This article shows the different connections these two policy discourses make with 'development' and describes a number of disparities between them. [ABSTRACT FROM AUTHOR]

The paper attempts to assess and analyze the economics of Brazilian contemporary theatre, focusing on financing and employment indicators. It was considered only the official data published by public institutions. The reason for it is as economic as cultural: although Brazilian theatre is at least 500 years old and is inseparable part of Brazilian culture, it has never been a subject of an in-depth economic analysis. [ABSTRACT FROM AUTHOR]

Copyright of Revista Eletrônica de Estratégia & Negócios is the property of Revista Eletronica de Estrategia & Negocios and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Passagens: International Review of Political History & Legal Culture is the property of Passagens: International Review of Political History & Legal Culture and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The Brazilian Men's Football Championship is an annual competition that involves the 20 best teams in Brazil and, in 2021, it was broadcast on 5 different platforms, with each broadcaster having its own way of illustrating match information through its graphic package. In this sense, the present research aims, through a qualitative survey, to analyze the responses of consumers of the most popular soccer competition in the country about the ability to identify the championship through its graphic elements applied in live broadcasts, whether on television. or streaming platforms. With the result obtained, the need to create a visual identity manual was based, thus bringing an assertiveness in the applications of the brand in its support elements in any transmission that involves its content, making the consumer loyal to the tournament brand, thus creating a proximity between her and the fan. [ABSTRACT FROM AUTHOR]

This article explains the situation on the cultural formation of the Brazilian people from their miscegenation during the formation of the country and how this miscegenation resulted in a country where adaptability to other cultures, the environment and the lack of rules turned out to create a feature personality of the Brazilian people, the "Brazilian way", which, in a sphere of practical application of creativity to solve material problems with immediacy translates into "question of problem" which, in a higher level of workmanship and technology can result in more evolved examples of applied creativity, generating innovative products and services. [ABSTRACT FROM AUTHOR]