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The article analyzes the relationship between exile and identity in Uruguayan poet Cristina Peri Rossi. Her poetry collection "Estado de exilio" is examined, and four moments in her journey are identified: pain, castration, integration, and love. Psychoanalysis is used to interpret these stages, highlighting how exile breaks the rigid structures of the subject. The importance of language and writing as ways to overcome the pain of exile is mentioned. The article concludes by emphasizing the possibility of reinventing identity through exile. [Extracted from the article]

This article analyzes the presence of the exile and memorialist issue in Maruxa Vilalta's short narrative. It focuses on three aspects of her work: the stories "Diferència" and "El meu dia foll" and the collection "El otro día, la muerte". These texts reveal different identity levels that range from post-memory to collective and multidirectional memory. The objective of the article is to highlight Vilalta's literary production in relation to her condition as an exile, an aspect that has been little studied in existing academic analyses about her. [Extracted from the article]

The article analyzes the use of dashes in the poetry of Cristina Peri Rossi and its connection with the poetry of Emily Dickinson. Both authors use dashes as a way to overcome the social limits of their respective exiles and sexual identities, as well as of poetic language. Dashes act as dislocation, a locus of eroticism, and dissent from official reading. They are studied in relation to litotes and as a mechanism to propose alterities, identities, and dissident epistemologies in two modalities of exile. [Extracted from the article]

The article reflects on the Chilean literary scene in exile between 1973 and 1982 and the presence of women writers in that context. During this period, women seem to disappear or dilute their presence, but by examining the material produced at the time, a significant number of women can be found as marginal notes. There is a void that makes it difficult to establish links and continuities between the literature prior to the coup and the proliferation of texts authored by women that emerged from 1983 onwards. The objective of the article is to contribute to filling this void and giving them a place in the historical narrative. [Extracted from the article]

This article analyzes the authorial projection of Venezuelan writer Karina Sainz Borgo through her novel "La hija de la española" and her public statements about it. It is highlighted that the protagonist, Adelaida, presents herself as morally superior to those who oppose her politically. Additionally, it is mentioned that the representation of immigrant characters focuses on highlighting their honesty and bravery. The novel is presented as a political critique of the Venezuelan system and presents two opposing ideologies. The author has been criticized for her ideological stance in the novel, although she herself has stated that she is not seeking to make propaganda. The relationship between the author and the work is also analyzed, as she shares the condition of being an exile with the protagonist and has expressed her personal connection to the context of Venezuela. [Extracted from the article]

This article analyzes the literary criticism of María Dolores Arana during her exile in Mexico. Arana collaborated in various periodical publications, including magazines founded by Spanish exiles, where she wrote critical articles and reviews of literary novelties. Her anti-Franco struggle and modern ideological approach are highlighted. Although her exile was definitive, it is argued that her participation in Papeles de Son Armadans marked her intellectual and authorized return to Spain. [Extracted from the article]

The article analyzes the narrative of Argentine writer Tununa Mercado and her relationship with exile. It focuses on her autobiographical texts about uprooting and examines their connection with time and space in exile. It highlights the importance of Mercado's writing as a female voice in the context of exile and mentions her books "En estado de memoria" (In a State of Memory), "La letra de lo mínimo" (The Letter of the Minimum), and "Narrar después" (Narrating Afterwards). The article also addresses the importance of memory and how exile affects the sense of belonging and the spatial and temporal continuity of individuals. It emphasizes the feeling of suspended time during exile and the difficulty of establishing roots in a new place. The text also analyzes the relationship between Mercado's writing and her experience of exile in Mexico, as well as the influence of Mexican culture on her perception of the world. It mentions the importance of minimal details in her writing and how they emerge after a process of incubation. Additionally, it highlights the importance of the everyday in her narrative as a form of subjective reconstitution. The article also raises the question of whether returning to the territory allowed for a re-rooting and the possibility of recovering roots, but points out that the return does not always meet expectations of closing the gaps and restoring pre-exile relationships. It emphasizes the difficulty of return and the feeling of foreignness experienced by exiles when returning to their country. Mercado's narrative reflects this process of return and nostalgia for what was left behind. Overall, the article analyzes the relationship between Mercado's writing and her experience of exile, highlighting the importance of writing as a way to reconstitute oneself and make sense of the experience of uprooting. [Extracted from the article]

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The purpose of this article is to analyse Elena Garro's poetry compiled in Cristales de tiempo (2008) from a hermeneutical point of view. For biographical reasons, the Mexican author's lyrical production has been relegated to a second line within the 20th century Latin American poetics. For this reason, in this paper we examine some of her most significant poems, highlighting her adherence to a surrealist aesthetic in which the lyrical voice finds no possible refuge other than escape to other realities. [ABSTRACT FROM AUTHOR]

Many of the networks created among women in Latin America in the early 20th century were significant for the development of feminisms in countries in the region. This article examines the links between the Peruvian María Jesús Alvarado Rivera and Argentinean women involved in female emancipation struggles, and their effects during Alvarado's exile in Argentina (1925-1936). From a theoretical-methodological point of view, we begin with the concept of social network, encompassing various forms of connection between social actors. The study analyzes how links forged through a common interest in the feminist struggle impacted the personal trajectory of María Jesús Alvarado. This study also provides an opportunity to view material from the personal archives of María Jesús Alvarado Rivera, with restricted, limited access, held by the Flora Tristán Peruvian Women's Center in Lima. [ABSTRACT FROM AUTHOR]

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Copyright of Andares: Revista de Derechos Humanos y de la Naturaleza is the property of Quito Universidad Andina Simon Bolivar, Sede Ecuador and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article deals with the presence of poetry and poets in the exiled magazine Encuentro de la Cultura Cubana, directed by Jesús Díaz, and published in Madrid from 1996 to 1999. The article takes a tour of the various issues of the publication to approach the space dedicated to poetry and the tribute made to authors such as Gastón Baquero, Dulce María Loynaz, Roque Dalton, Heberto Padilla, Eliseo Diego, Fina García Marruz, Rafael Alcides, among others. Based on these texts, and also appealing to the novel by Jesús Díaz Las palabras perdidas (1992), and one of its protagonists El Rojo, the role played by poetry and poets in the magazine is traced. This function would be twofold: on the one hand, to unite that broken body and divided what is the island of Cuba and, on the other, to highlight the total disagreement between poetry and politics. [ABSTRACT FROM AUTHOR]

María Teresa León's Las peregrinaciones de Teresa is a short story collection published in 1950. This article examines two of its stories from the perspective of the neologism transmemoria, which the author presents in her introduction, with the aim of exploring its critical potential for analyzing the essential meaning of the stories. This allows us to question the use that Hirsch, Young and Bedingfield have made of the concepts of postmemory and transmemory since the early 21st century to highlight the value of the production of "vicarious" discourses about the past by the second generation of exiles and immigrants based on their own reinterpretation of the trauma suffered by their parents. From the analysis of the two narratives and León's use of the term transmemoria, this article argues for an alternative model of memory in which the resulting narratives have an emancipatory role and in which utopia prevails over trauma and experience over inheritance. [ABSTRACT FROM AUTHOR]

Copyright of Estudios Internacionales is the property of Instituto de Estudios Internacionales de la Universidad de Chile and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Orbis Tertius is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This study examines Violeta Serrano's narrative, which depicts her experiences as a young migrant during Spain's 2008 economic crisis, through the lens of Maria Zambrano's concept of "crisis". However, this proposition is not straightforward. Disparities and a temporal gap separate the crises faced by Serrano and Zambrano, as well as the migration flows they are associated with. This raises the question: can Zambrano's concepts serve as a unifying framework for understanding autobiographical literature authored by different types of migrants, transcending traditional barriers between migration movements?" [ABSTRACT FROM AUTHOR]

I will present a reflection that seeks to address part of the work of the Chilean writer Patricio Manns motivated by highlighting his poetics of exile. Manns is a writer whose political commitment to resistance and opposition to the dictatorship of the genocidal Augusto Pinochet, who had to face exile and clandestinity, is known. This political fact accentuates his poetics of exile not only due to the spiritual conditions but also due to the historical events that occurred in the collective sphere of Chilean society. Part of the approach to his cantological writing will be from an epistemological perspective that includes the category of the subaltern thinker. [ABSTRACT FROM AUTHOR]

Copyright of Investigaciones Historicas is the property of Universidad de Valladolid, Facultad de Filosofia y Letras and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article focuses on the exile following the October 1934 events in the department of Maine-et-Loire, specifically in its capital, Angers, and the nearby town of Trélazé. Utilizing French primary sources - both departmental and local - and the limited existing bibliography, it sheds light on the political refugees, their challenges, and their survival strategies in exile with the support of leftist organizations and the Spanish immigrant community. The article also presents the response and discourse of French authorities and public opinion, who were generally opposed to the presence of these refugees. [ABSTRACT FROM AUTHOR]

Botto’s aestheticism, abundantly emphasized by two of the critics most committed to pointing out the qualities of his poetry, Fernando Pessoa and José Régio, constitutes one of the most relevant aspects of his lyricism and stems from the desire to create beauty through art. To this incessant search for beauty corresponds a constant experience of exile. The purpose of this presentation is to highlight at least three different meanings for both the term “beauty” and the term “exile” invoked in the title. Both can be read in a more abstract sense of an ideal of life, which hovers above the hardships of the real world. Both can be related to the poet’s work, in search of a singular language that effectively expresses his lyrical identity, his worldview and aesthetically identifies his work. And both can be related to the search for an effective space in which a human being seeks to find the necessary conditions for a dignified life, even far from his country of origin. All these connotations will be woven into this text. [ABSTRACT FROM AUTHOR]

This paper seeks to demonstrate how the recognition and study of women's exile narratives could bring new analytical and reflexive registers to the field of philosophical work on political punishment. In order to do this, first of all, a review of its classical, Greek and Roman origins is made, pointing out that, although the exile has varied over the centuries, there are certain constituent elements that are maintained in its contemporary applications. This leads us to observe the way that these constitutive elements of exile are present in a particular way in women's exile narrative writing - especially those of the last civil-military dictatorships of the Latin American Southern Cone. To recognise and include these women's experiential narratives in a highly masculinised textual and analytical corpus allows for new approaches and reflexive projections to the field of philosophical studies on exile. [ABSTRACT FROM AUTHOR]

Copyright of Secuencia: Revista de Historia y Ciencias Sociales is the property of Instituto de Investigaciones - Dr. Jose M. Luis Mora and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ayer: Revista de Historia Contemporánea is the property of Asociacion de Historia Contemporanea and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Itinerarios (1507-7241) is the property of University of Warsaw and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Lingüística y Literatura is the property of Universidad de Antioquia, Facultad de Comunicaciones and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Aurora: Papeles del Seminario María Zambrano is the property of Seminario Maria Zambrano and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Americanía. Revista de Estudios Latinoamericanos is the property of Revista Americania - Universidad Pablo de Olavide and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article aims to analyzing and projecting María Zambrano's representation of Antigone's myth within contemporary debates about the recovery of the bodies of human victims in post-violence contexts. Beyond the mythic-religious framework in which The Tomb of Antigone seems to be located, it will be unraveled the different semantic and philosophical layers underlying Zambrano's re-reading of the Theban heroine. This will pave the way towards highlighting the subversive political potential of Antigone's gesture by embracing historical subjects traditionally marginalized from the public space. [ABSTRACT FROM AUTHOR]

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Love, corporality, and eroticism, oscillating in their ethical and aesthetic configuration between tradition and modernity, are present throughout the seven decades of poetic production of the Catalan poet Ana María Martínez Sagi (1907-2000). It is so in her pre-war work, Caminos (1929) and Inquietud (1932) and, more prominently, in her work of exile and return to the homeland, on which this paper focuses on. Although Sagi's love poetry demonstrates her complex and contradictory debt to both the Castilian love tradition and modern poetics, it is through her approach to eroticism, the corporality and the subject's identity from where she definitively distances herself from them. She approaches heterodox spaces that destabilize that normative framework in which the critics of her time placed her. In her aesthetics, in her heritage, and worldview, Sagi demonstrates great modernity and relevance as a renovator, since the 1930s, of an alternative intimacy: profoundly queer. [ABSTRACT FROM AUTHOR]

The military coup of September 11, 1973, implied the exile of tens of thousands of citizens in order to save themselves from the on-going repression. Sweden soon was one of the main countries to providing protection to the politically persecuted, partly thanks to the concern of the government of Olof Palme and his ambassador to Chile Harald Edelstam. This article presents the main characteristics of the Chileans in Sweden from the military coup until now, reflecting on the political and social implications that have been taking place. [ABSTRACT FROM AUTHOR]

What are the ways in which our imposed and asserted identities work in tandem to undermine a shared politics, by obfuscating the various political projects in which these identity positions are grounded? This essay examines the work that Severo Sarduy—novelist, poet, playwright, painter, critic—produced toward the end of his life to consider the uses and usefulness of simulation as an exercise counter to the assimilation projects of the nation. In entangling the modes of autobiography, cultural reportage, and literary criticism, “Simulation Game” also looks at a poetics for migrants and their children to understand exile and extant cultural dislocation. What I am interested in is not the elaboration of a theory so much as putting its conjectures to the test of flesh; and moreover, to return this practice to the body of the text, to accommodate a narrative form that can run alongside our thoughts. [ABSTRACT FROM AUTHOR]

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Copyright of Versants: Revista Suiza de Literaturas Románicas is the property of University Library of Bern and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Esther Seligson (1941-2010), a writer who belongs to the turbulent generation of the years after 1968, uniquely addresses philosophical and ontological issues with a personal and intimate tone. This work studies in three of her literary creations the ideas that the author makes about Jewish identity, memory and exile, the notion of God, and the question of time. The works discussed are the novel La morada en el tiempo (1981), the memoirs Todo aqui es Polvo (published posthumously in 2010), and the collection of poems Negro es su rostro (2010). For this study, several approaches are used that allow diverse perspectives to the rich and complex network of elements that Seligson captures in her texts. These approaches are those of the philosopher Emmanuel Levinas regarding exile, Claudio Guillén’s on the “literarización” and “tematización” of the concept of exile, and Eduardo Milán’s on the poetics of writing as a form of exile. [ABSTRACT FROM AUTHOR]

In this essay I will focus on the ways in which the Judeo-Mexican poet Gloria Gervitz (1943- 2022) appropriates the Judeo-Christian mystical tradition and inscribes it in her poetic work gathered under the title of Migrations. In The Footprint of the Other, Emmanuel Levinas contrasts the mythical figures of Ulysses and Abraham, finding there something like a basic difference between Greek thought and Jewish thought. Unlike Ulysses, who will manage to return to his native Ithaca transformed, Abraham leaves his birthplace to throw himself into a radical exile with no turning back. Thus, the figure of the wandering subject becomes a defining feature of that floating, vague and elusive nation of Judaism. It is in this specific direction that I am interested in enlightening the ways in which Gervitz’s poetry hosts the concrete and metaphorical experiences of diasporas and displacements of a female genealogy claiming the denied paths and itineraries of the women in the family. [ABSTRACT FROM AUTHOR]

A menudo, los monólogos dramáticos de Luis Cernuda difieren de otros usos más ortodoxos del género al no crear la suficiente distancia entre la máscara y la voz. En "Silla del rey" elige como personaje al monarca español Felipe II. La representación del rey no es perfecta, y el autor rompe a veces la máscara de Felipe II para enseñar su propio rostro a través de la introducción de comentarios metapoéticos más propios de un escritor que de un rey. Además, este personaje es un paradójico correlato de Cernuda, puesto que el rey y El Escorial eran reconocidos símbolos de la retórica franquista. En este ensayo, ayudándome de las teorías críticas de Edward Said y Hayden White, analizo "Silla del rey" y la presencia meta-poética e irónica de Cernuda en el poema para desvelar las estrategias retóricas con las que critica el discurso historiográfico franquista. Luis Cernuda designs his own version of the dramatic monologue, since he does not create enough distance between his characters and his own voice. In "Silla del rey," Cernuda chooses as a character King Philip II, who meditates in the poem on the construction of El Escorial. This representation is not perfect, and Cernuda breaks the mask of Felipe II to show his own skin, usually by expressing metapoetic musings more akin to the author than to the king. Furthermore, this character seems a paradoxical correlate to Cernuda, since the king and El Escorial were well-known symbols of an essentialist rhetoric with which Francoist historiography told Spanish history. In this essay, I read "Silla del rey" and analyze the metapoetic presence of Cernuda in Felipe II as a rhetorical strategy to undermine Francoist historiographical discourse. [ABSTRACT FROM AUTHOR]

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Copyright of Conexão Letras is the property of Conexao Letras and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)