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This article presents an experience report about the difficulties faced by an undergraduate student of the bachelor's degree in Geography at the Federal Institute of Bahia (IFBA), to elaborate her final term paper, addressing the theme of gender issues, particularly on domestic violence against women. Given the need to seek for transforming and combating some conceptions rooted in this patriarchal, chauvinist, sexist and racist society, it is essential to put in the center of the academic discussions and reflections issues that afflict women, since the University is an important space for the deconstruction of paradigms. In this sense, this article aims to "provoke" Geography teachers and students to think/research on this subject. Such themes are not only important, but fundamental and should be treated/discussed in academic spaces, especially in the context of teacher training programs in Geography, which has as its object of study the geographical space and the relations between human beings and their environment. even demanding, therefore, that people who act as teachers be professionals prepared/formed to deconstruct "patriarchal" models and patterns that subdue and subjugate women. [ABSTRACT FROM AUTHOR]

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Societies, throughout history, have created codes with the aim of guiding relations between groups and people. In Brazil, manuals of etiquette and civility were used with the pretense of forming an emerging bourgeoisie, desirous of appearing good manners, especially in the early decades of the twentieth century. This article is a result of research on women's daily life from 1940 to 1960. Four civility and etiquette manuals were used as empirical sources, aiming at a historical review of aspects of women's life, in the context of Brazil, with the purpose of recovering a history based on invisibility. The analyzed manuals were consulted by elite women who mirrored themselves in them to perform behavioral roles in society and allowed to describe sparse fragments of women's lives by the large number of social rules that normalized their behavior. [ABSTRACT FROM AUTHOR]

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Copyright of Revista Latinoamericana de Geografia e Gênero is the property of Revista Latinoamericana de Geografia e Genero and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Revista Latinoamericana de Geografia e Gênero is the property of Revista Latinoamericana de Geografia e Genero and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Latinoamericana de Geografia e Gênero is the property of Revista Latinoamericana de Geografia e Genero and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Latinoamericana de Geografia e Gênero is the property of Revista Latinoamericana de Geografia e Genero and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Latinoamericana de Geografia e Gênero is the property of Revista Latinoamericana de Geografia e Genero and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this paper I analyse the role of prostitution in creating the image of the city of Amsterdam. The presence of prostitution in the city, mainly since its flourishing in the 1970s as a sex industry, was fundamental to create the image of Amsterdam as a liberal and progressive city m the international tourism market. This specific industry helped to attract tourists interested m the Red Light District not only because of the sex work but also for the consumption of the image that was attached to it. Then I highlight the contradictions involving prostitution m Amsterdam from the perspective of urbanism to demonstrate that recent actions aim at changing the city's image. In conclusion. I show that prostitution is a constant battleground as there is a plethora of political and economic interests regarding this neighbourhood. [ABSTRACT FROM AUTHOR]

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Copyright of Revista Latinoamericana de Geografia e Gênero is the property of Revista Latinoamericana de Geografia e Genero and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Latinoamericana de Geografia e Gênero is the property of Revista Latinoamericana de Geografia e Genero and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article presents an account of the experience of the academic trajectory of a trans and black woman and aims to examine the challenges of inclusion and permanence experienced within the academic space. This paper does not aim to affirm that all trans and black women undergo the same situations, but rather to reflect on how these experiences can act as mechanisms of oppression, resulting, for the trans woman, in feelings of weakness and discouragement. My research is largely based on selfethnography, understood here as a writing method which allows to study researcher's personal experience, opposing the hegemonic discourses that exclude the experiences of self, and stands in the perspective of objectresearcher, and still keeping the distancing between them. [ABSTRACT FROM AUTHOR]

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Unlike in other times, the immigrant today continues to maintain ties and close and continuous relationships with their country of origin, exerting an important psychosocial and cultural role in both countries. This paper examines, in particular, resonances of transnationalism in subjectivity, taking as object of analysis an Angolan song that portrays feelings of estrangement of a woman, because of the attitudes and behaviors of her husband, who had newly returned from Brazil. In the lyrics, the woman complains that her husband returned quite brazilianized, expressing in the relationship with her habits that she considers weird, inappropriate and offensive, according to local customs and morality. It is possible, according to this song, to see how the theme of emigration towards Brazil is present in the minds of Angolans and how they feel affected by the transubjectivity of their countrymen who return to home and instill foreign and transgressive elements in the innermost intimacy of their culture, here represented by the affective and sexual life of a couple. [ABSTRACT FROM AUTHOR]

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Copyright of Revista Latinoamericana de Geografia e Gênero is the property of Revista Latinoamericana de Geografia e Genero and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)