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Copyright of Journal of the Institute of Croatian History / Radovi Zavoda za Hrvatsku Povijest is the property of Zavod za Hrvatsku Povijest, Filozofski Fakultet and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Rasprave Instituta za Hrvatski Jezik i Jezikoslovlje is the property of Institute of Croatian Language & Linguistics / Institut za Hrvatski Jezik i Jezikoslovlje and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Historical Journal / Historijski Zbornik is the property of Drustvo za Hrvatsku Povjesnicu and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Historical Journal / Historijski Zbornik is the property of Drustvo za Hrvatsku Povjesnicu and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of the Institute of Art History is the property of Radovi Instituta za Povijest Umjetnosti and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Croatica et Slavica Iadertina is the property of University of Zadar, Department of Croatian & Slavic Studies and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Radovi Zavod za povijesne znanosti HAZU u Zaru is the property of Zavod za Povijesne Znanosti HAZU and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Rasprave Instituta za Hrvatski Jezik i Jezikoslovlje is the property of Institute of Croatian Language & Linguistics / Institut za Hrvatski Jezik i Jezikoslovlje and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Studia Ethnologica Croatica is the property of Studia Ethnologica Croatica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of the Institute of Art History is the property of Radovi Instituta za Povijest Umjetnosti and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Radovi Zavod za povijesne znanosti HAZU u Zaru is the property of Zavod za Povijesne Znanosti HAZU and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Radovi Zavod za povijesne znanosti HAZU u Zaru is the property of Zavod za Povijesne Znanosti HAZU and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Croatica: Magazine for Croatian Language, Literature & Culture is the property of University of Zagreb, Faculty of Humanities & Social Sciences and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Croatica: Magazine for Croatian Language, Literature & Culture is the property of University of Zagreb, Faculty of Humanities & Social Sciences and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Croatica: Magazine for Croatian Language, Literature & Culture is the property of University of Zagreb, Faculty of Humanities & Social Sciences and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Contributions / Prilozi is the property of Institute for History, University of Sarajevo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The paper presents the activities of the project Discovering the Old Dubrovnik Cathedrals in the period 2020–2022, including the activities of the newly estab- lished collaborations with Croatian institutions and international consortia. The main goal of the project is the expert and scientific analysis of all movable monuments and archaeological finds from the site of Dubrovnik Cathedral, which was archaeologically excavated in the 1980s. After 80% of all movable finds were analysed in the previous phases of the project (mainly the stone sculpture and the plaster of the wall paintings of the two churches preceding the Baroque cathedral), the collecting and analysing of data for the in situ finds was initiated in 2020. This refers primarily to the preserved parts of the earliest basilica, its sanc- tuary, and the side aisles. We present the preliminary results of integrating data for pre-Romanesque stone sculpture and different layers of plaster in situ, laying the foundations for a chronological determination of particular phases of church-furnishing that differs from the current ones. The obtained results will be complemented by the AMS 14C analysis of the samples of plaster and bones from the graves collected on the site, and by the OSL and archaeomagnetism analysis of the samples of mortar from the sanctuary wall and of the soil from the area of the main aisle of the church, which are all in progress. It is of great importance for further interpretation of the finds that the site was documented using contemporary methods: photogrammetric images of the sanctuary and individual burial units, and multispectral images of painted scenes and drawings from the side aisles of the church. [ABSTRACT FROM AUTHOR]

The travelogue Lacroma was written in 1892 by Stephanie, the widowed Crown Princess of Austria (1864-1945). It offers a description of Dubrovnik's island of Lokrum, including its cultural and natural riches, as well as the former Benedictine monastery, adapted by Maximilian into a summerhouse. Anton Perko (1833-1905), a seascape painter at the court and a personal secretary to the princess, illustrated the booklet with landscapes and details of the imperial residence, which offers a unique insight into the relatively recent history of the island and its appearance at the time when it served as an imperial summer residence. This paper analysis the textual and visual segments of the travelogue and discusses its importance for our knowledge of the recent history and artistic legacy of the island. [ABSTRACT FROM AUTHOR]

Copyright of Croatica: Magazine for Croatian Language, Literature & Culture is the property of University of Zagreb, Faculty of Humanities & Social Sciences and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The Romanesque Cathedral at Dubrovnik was built on the site of an older Byzantine church and it existed until 1667 when it was destroyed by an earthquake referred to locally as the Great Quake. After that, a new Baroque basilica was constructed above the remains of its Romanesque predecessor. In 1949, M. Rajković discussed what the Romanesque Cathedral may have looked like on the basis of the way it was depicted in paintings and reliefs produced prior to the Great Quake. The paintings of Dubrovnik which show the Cathedral from the period before the catastrophic earthquake of 1667 were also the subject of a 1999 study by V. Gjukić-Bender. However, the actual remains of the Romanesque structure were unearthed only during the 1980s by J. Stošić. His excavation provided us with a reliable ground plan of the basilica and the way its constructive and architectural elements were arranged. The author of this paper integrates the information obtained from the physical remains of the Cathedral with the information that can be gathered from the depictions of the Cathedral before the Great Quake. He focuses his attention on the 1486 drawing of Dubrovnik by Konrad von Grünemberg of Konstanz, which was unknown to the scholars in the mid-twentieth century. It shows a basilica which closely corresponds to the way the Cathedral was depicted in the model of Dubrovnik held by the town's patron St Blaise on a silver relief dated to the 1450s. Equally important are the descriptions of the Cathedral, for example, the one written in 1440 by Philippus de Diversis of Lucca, and the 1494 one by Pietro Casola of Milan. Additional visual evidence is found in the model of Dubrovnik held by St Blaise in the painting by Lovro Dobričević from the second half of the fifteenth century, in the east end of the Cathedral depicted as part of a similar model in the hands of the same saint in a triptych painted by Nikola Božidarević around 1500, and in the lateral wall and east end of the Cathedral as seen on the model of Dubrovnik held by St Blaise in a triptych from Lopud which was painted by Pietro di Giovanni. [ABSTRACT FROM AUTHOR]

Medicine and physicians in Dubrovnik during the last two centuries, i.e. in the period after the dissolution of the Republic of Dubrovnik by Napoleon's Army, have attracted less interest among medical historians. In this paper, the lives and medical careers of two physicians from Dubrovnik, father and son, Baldo and Ante Bibica, have been reconstructed from the end of the nineteenth and the first half of the twentieth century by searching through the contemporary medical journals and newspapers as well as private archives of the members of family Bibica. Baldo Bibica graduated medicine in Vienna and spent the whole professional life as a municipal physician, at first, in the places in the vicinity of Dubrovnik and from 1903 in Gruž. Ante Bibica studied medicine in Graz and in Zagreb to become the first person from Dubrovnik promoted at the School of Medicine, Zagreb University. He specialized in dermatovenereology in Vienna and worked, as a specialist, in Dubrovnik. They both were active in the professional medical societies (at local and national levels) and were influential in the social life in Dubrovnik. [ABSTRACT FROM AUTHOR]

Copyright of Historical Journal / Historijski Zbornik is the property of Drustvo za Hrvatsku Povjesnicu and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Contributions / Prilozi is the property of Institute for History, University of Sarajevo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper is dedicated to the branch of the National Bank built between 1935 and 1936 in Dubrovnik. It is analyzed in the context of Dubrovnik architecture between the wars, Yugoslavia and Bogdan Nestorović's opus for the National Bank. So far, this representative palace has been occasionally mentioned in the scientific historiography. [ABSTRACT FROM AUTHOR]

Copyright of Radovi Zavod za povijesne znanosti HAZU u Zaru is the property of Zavod za Povijesne Znanosti HAZU and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The purpose of this paper is to critically examine the history and the present state of the Jesuits Library in Dubrovnik, as well as to give some considerations about its further development. The outstanding historical importance of the Library is founded on its firm connections with the College of the Company of Jesus, once the most important educational and pedagogical institution of the Dubrovnik Republic. The paper deals with the complex circumstances related to the College foundation and the development since the arrival of the Jesuits in Dubrovnik in the 16th century. After the abolishment of the Jesuits order and the College in 1773, the library holdings were relocated to several places. Thus, we know that today a part of the collections is situated in the Science library and the Franciscan monastery Mala bra}a in Dubrovnik. The destiny of the rest of the rich library collections hasn't been much explored so far and therby is rather unknown. However, the analyses of the print catalogues in the Library of the Jesuit Residence in Dubrovnik (1993), has shown that a considerable number of the library books had originated from the former library of the Jesuit College. The hypothesis that the present library of the Residence of the Company of Jesus in Dubrovnik is the real and legitimate "heiress" of the library of the Jesuit College is founded on this fact, as well as on the historical implications pointed out in this work. Further researches, which could possibly prove this hypothesis, should have strong impact on the future actions directed to the preservation and maintenance of the valuable national cultural heritage of this library, as stated in the paper conclusions. [ABSTRACT FROM AUTHOR]

Copyright of Kemija u Industriji is the property of Croatian Society of Chemical Engineers and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Glasnik Zastite Bilja is the property of Zadruzna Stampa D.D. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Collected Papers of the Faculty of Law in Split / Zbornik Radova Pravnog Fakulteta u Splitu is the property of Split Faculty of Law and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Archaeologia Adriatica is the property of Sveuciliste u Zadru and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Maritime traffic in the aquatic region of Dubrovnik is on the increase each year. During summer months it reaches its peak loads and the risk of marine accidents is imminent incurring possible hard consequences. The analysis of the risk of Dubrovnik aquatic area has comprised the passenger port of Dubrovnik and its marine area and the Old City port with lokrum anchorage. The paper has shown the identification of risks, incidence and the consequences in this aquatic area. Two collisions of cruising vessels which occurred at Lokrum anchorage have been analysed. The scheme of manoeuvering of a large cruising vessel in the Bay of Gruž in adverse conditions has been presented by means of simulation. In order to increase the safety of sailing and manoeuvering of vessels in this aquatic area, various measures of precautions concerning traffic regulation and traffic control must be taken. At the same time the decrease of peak loads should be considered and the introduction of the system of safety control of navigation and the organization of the acceptance of ships. [ABSTRACT FROM AUTHOR]

The paper examines the application of the ‘dispersed hotel’ model on Pustijerna, a part of the historic centre of Dubrovnik, which offers a possibility of reversibility to the original state. The model relies on concession thus ensuring economic feasibility. After the concession period expires, buildings can be restored to their previous states and subjected to architectural and urban planning procedures which will give the final appearance to the historic part of town. [ABSTRACT FROM AUTHOR]

This paper gives an analysis of the historic doors in Dubrovnik as an important but neglected architectural element of the built heritage. More than a hundred doors have been analysed out of which three have been selected as a basis for a proposal of a methodology concerning documentation and analysis. Documentation of the doors is a prerequisite for conducting further scientific research, devising methods of protection and making comparative analyses of the doors from other east Adriatic coastal towns. [ABSTRACT FROM AUTHOR]

Copyright of Ars Adriatica is the property of Sveuciliste u Zadru (University of Zadar) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Croatica: Magazine for Croatian Language, Literature & Culture is the property of University of Zagreb, Faculty of Humanities & Social Sciences and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cris is the property of Historical Society of Krizevci and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ars Adriatica is the property of Sveuciliste u Zadru (University of Zadar) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of the Institute of Art History is the property of Radovi Instituta za Povijest Umjetnosti and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cardiologia Croatica is the property of Croatian Cardiac Society and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article offers information on the 26th Annual General Meeting (AGM) of the European Lubricating Grease Institute (ELGI) to be held in Dubrovnik, Croatia in 2014.

Copyright of Medianali is the property of University of Dubrovnik and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)