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Copyright of European Journal of Development Research is the property of Palgrave Macmillan Ltd. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Historia y Memoria is the property of Universidad Pedagogica y Tecnologica de Colombia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Brood & Rozen: Tijdschrift voor de Geschiedenis van Sociale Bewegingen is the property of AMSAB - Institute of Social History and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of International Forestry Review is the property of Commonwealth Forestry Association and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Continuity & Change is the property of Cambridge University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of International Forestry Review is the property of Commonwealth Forestry Association and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Issues in Ethnology Anthropology is the property of Issues in Ethnology Anthropology and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Aporia is the property of University of Ottawa, School of Nursing and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revue Française de Gestion is the property of John Libbey Eurotext Ltd. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Maria Deraismes uses her playwrighting skills to demonstrate the absurdity of the law and the prejudices that limit women. She demonstrates in her plays the rigidness and, at the same time, the absurdity of the patriarchal wall against which the needs, ambitions and dreams of women crash. In the play Retour à ma femme, Deraismes presents various forms of sexist oppression, reveals their inner workings, and encourages in-depth reflection on the patriarchal order that produces them. Undoubtedly, her primary concern is the inferior position of women, but it is evident that she also aims to improve society for both sexes. Deraismes creates female characters that viewers and readers can identify with and from whom they can draw the strength to change the world, as well as evolve themselves. [ABSTRACT FROM AUTHOR]

Purpose: Over the last decade, there has been an increasing interest in gender equity. The present study explored the gender gap in five leading anesthesiology journals worldwide, covering the period from 1980 to 2020., Methods: We included all articles published in Anaesthesia, the British Journal of Anaesthesia, Anesthesiology, Anesthesia & Analgesia, and the Canadian Journal of Anesthesia in the years 1980, 1990, 2000, 2010, and 2020, analyzing trends in women's authorship. We explored its association with variables including study type, subspecialty, continent of the corresponding author, number of authors, and gender of coauthors., Results: There was a significant increase in women's authorship across all positions (first, second, and last) over the years (P < 0.001). Despite this progress, a substantial gender disparity remains evident. Women's authorship positions were notably associated with the type of study, the subspecialty, and the continent of the corresponding author. There was a strong positive correlation (0.82) between the total number of authors and women's first authorship position, whereas the correlation was negative (-0.54) for women's last authorship position. Furthermore, women's first and last authorship, as well as first and second authorship, were strongly associated, with odds ratios of 2.13 and 1.99, respectively., Conclusion: The trajectory of women's authorship in anesthesiology shows an upward trend, yet women continue to be underrepresented in the field. Particularly noteworthy is the finding that, when a woman is either the first or last author, there is a notable increase in the probability of having a woman as the second or first author, respectively. Understanding these dynamics is crucial for fostering inclusivity and diversity within the discipline., (© 2024. Canadian Anesthesiologists' Society.)

Copyright of ERA Forum is the property of Springer Nature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Social Compass is the property of Sage Publications, Ltd. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of European Social Policy is the property of Sage Publications, Ltd. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of McGill Journal of Education is the property of McGill Journal of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Technological determinism and its contestational dialectic with social-cultural realms have reified that technologies are not passive apolitical tools but radical interactive systems modifying human cognition (Dascal 2006).In contemporary times, the institutionalization of content creation on social media platforms like YouTube has provided an independent space for content but also facilitated digital social spaces where offline misogyny and sexism are regularly reproduced. Scholars have analyzed how societal internalization of such systemic gendered processes—including promoting normative identities, policing women, and crafting hegemonic masculinity and femininity—is operationalized through parasocial relationships in and on social media platforms (Chen 2014). However, there is relatively sparse scholarship on how the nature of gendered polarization in the digital age distinguishes offline and online cultures, especially in the Global South.Bookended by digital humanities on one hand, and politics of popular music on the other, this project unpacks how intersectional identities are mediated through dominant cultural productions on digital platforms. This project critically analyzes the video aesthetics, lyrics, and extracted comments built around the music video “Lahu Di Awaaj” by Simiran Kaur Dhadli. The 1.3 million views on the song, alongside the content of reactionary videos, brings forth the production and reproduction of the dominant culture, as well as the positionality of women in our society. Using digital ethnography as a research methodology, this project highlights how the new media spaces contribute to cybercultures through what I would like to call existing techno-habitus. It further shows how, in a patriarchal society like ours, misogyny is operationalized in new media platforms with respect to the Punjabi diaspora.Le déterminisme technologique et sa dialectique contestataire avec les domaines socioculturels ont réaffirmé que les technologies ne sont pas des outils apolitiques passifs, mais des systèmes interactifs radicaux modifiant la cognition humaine (Dascal 2006).À l'époque contemporaine, l'institutionnalisation de la création de contenu sur les plateformes de médias sociaux comme YouTube a fourni un espace indépendant pour le contenu, mais a également facilité les espaces sociaux numériques où la misogynie et le sexisme hors ligne sont régulièrement reproduits. Des chercheurs ont analysé la manière dont l'internalisation sociétale de ces processus sexistes systémiques - y compris la promotion d'identités normatives, le maintien de l'ordre chez les femmes et la création d'une masculinité et d'une féminité hégémoniques - est mise en œuvre par le biais de relations parasociales dans et sur les plates-formes de médias sociaux (Chen 2014). Cependant, il y a relativement peu d'études sur la façon dont la nature de la polarisation sexuée à l'ère numérique distingue les cultures hors ligne et en ligne, en particulier dans le Sud global.S'inscrivant dans le cadre des humanités numériques d'une part, et des politiques de la musique populaire d'autre part, ce projet analyse la manière dont les identités intersectionnelles sont médiatisées par les productions culturelles dominantes sur les plateformes numériques. Ce projet analyse de manière critique l'esthétique de la vidéo, les paroles et les commentaires extraits de la vidéo musicale "Lahu Di Awaaj" de Simiran Kaur Dhadli. Les 1,3 millions de vues de la chanson, ainsi que le contenu des vidéos réactionnaires, mettent en évidence la production et la reproduction de la culture dominante, ainsi que la position des femmes dans notre société. En utilisant l'ethnographie numérique comme méthodologie de recherche, ce projet met en évidence la manière dont les nouveaux espaces médiatiques contribuent aux cybercultures par le biais de ce que j'aimerais appeler le techno-habitus existant. Il montre en outre comment, dans une société patriarcale comme la nôtre, la misogynie est rendue opérationnelle dans les nouvelles plateformes médiatiques en ce qui concerne la diaspora pendjabie.

Copyright of ESSACHESS is the property of ESSACHESS and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Résumé L’une des transformations sociales majeures portées par la Covid-19 au Cameroun avec l’outil internet est le développement des activités commerciales d’e-shop. Au centre de cette mouvance se situent les femmes dont les profils socioéconomiques montrent qu’elles sont en situation de vulnérabilité financière. Les domaines d’intervention commerciales de ces femmes vont de l’industrie de l’habillement à l’industrie agro-alimentaire, en passant par la cosmétique, la restauration ou les produits naturels de santé. Si leurs motivations s’inscrivent dans une dynamique de développement personnel qui est liée à leurs parcours, la plupart de ces femmes font des plateformes numériques des espaces de rentabilité économique pour une sortie de leur état de précarité. S’appuyant sur un réseau de fournisseurs grossistes basé en Chine, en Turquie ou dans les grands centres commerciaux des villes de Yaoundé et de Douala, les vendeuses participent à la dématérialisation des espaces de vente pour leur numérisation. Cela s’explique par des nombreux avantages qu’offre le phénomène : le paiement du loyer qui se substitue en paiement de forfait internet pour les diverses transactions. Cette forme d’accumulation utilitariste du capital numérique renseigne non seulement sur la transformation socio-économique du Cameroun par des cadets sociaux mais aussi sur le sens des rapports entre ces vendeuses en ligne, leur clientèle et leurs fournisseurs et la structure patriarcale du système social. Le présent travail a pour objectif de comprendre au-delà d’un environnement précaire, la capacité des femmes entrepreneures dans le secteur d’économie non structurée, à surmonter les changements induits par la Covid-19. Pour ce faire, la démarche analytique est structuraliste, elle s’appuie à la fois sur un réseau de relations symboliques qui rendrait possible l’analyse politique de, la position des femmes au Cameroun, la situation de crise et leur autonomisation. Mots-clés : Femmes entrepreneures, gouvernement, résilience, cadets sociaux

Résumé: Dans cette analyse sur l'évolution de l'écart salarial entre hommes et femmes, l'autrice évalue le rôle de la variation du rendement salarial des compé‐tences professionnelles «cérébrales» (cognitives et interpersonnelles) et «physiques» (compétences motrices et force musculaire). Utilisant une série harmonisée sur six pays européens et des données comparables sur les États‐Unis, elle montre que l'effet du prix des compétences professionnelles est très variable selon les pays. Toutefois, dans tous les pays de l'échantillon, une proportion considérable de l'évo‐lution de l'écart de rémunération entre hommes et femmes reste inexpliquée par l'évolution de ce prix. [ABSTRACT FROM AUTHOR]

Copyright of Management international / International Management / Gestiòn Internacional is the property of Management International and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of African Journal on Land Policy & Geospatial Sciences is the property of African Journal on Land Policy & Geospatial Sciences and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Constituted in 1978 and still very active on the international scene, the Partiya Karkerên Kurdistan (PKK) welcomed tens of thousands of militants into its ranks, a large part of whom joined the guerrilla. In order to propose a socio-demographic study of these actors, we carried out a qualitative sociological survey which enabled us to meet 64 of them. What are the paths of engagement and the reasons for involvement in the Kurdish armed struggle over these forty years of existence? How have interactions with the Turkish state influenced the militant trajectories? What were the effects of the PKK’s strategic and ideological changes on these recruits? These are the questions that this article will attempt to elucidate on the basis of the field survey carried out in 2016-2017. [ABSTRACT FROM AUTHOR]

Copyright of Litera: Journal of Language, Literature & Culture Research is the property of Litera: Journal of Language, Literature & Culture Research and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)