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Copyright of Journal of Latino-Latin American Studies (JOLLAS) is the property of Journal of Latino-Latin American Studies and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Agora (0211-6642) is the property of Universidad de Santiago de Compostela, Servicio de Publicaciones and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Tras la Guerra Civil española, se estableció un régimen político que recuperó los conceptos de patria y religión como principios ideológicos fundamentales. Este estudio analiza si las prácticas escolares del nacionalcatolicismo, centradas en el sacrificio individual por la patria y la religión, influyeron en la identidad de género de las alumnas. Para ello, se analizaron cuadernos escolares de la escuela femenina del Centro Museo Pedagógico de la Universidad de Salamanca. Los resultados confirman que el nuevo régimen desmanteló las políticas igualitarias republicanas, relegando a las mujeres a roles subordinados y convirtiéndolas en guardianas del discurso católico y de los valores conservadores del franquismo.

The article titled "Sport as a state tool to strengthen the image of Francoism: Politics in sports during the early Franco regime (1941-1948)" analyzes how General Franco used sports as a tool to legitimize his political regime during the period from 1941 to 1948. Sports became a way to mobilize and unite a fractured society after the Spanish Civil War and Spain's international isolation. The article also examines the role of sports in foreign policy, the role of women in sports, and the relationship between sports and national identity. Additionally, it analyzes Spain's participation in the 1948 London Olympics. [Extracted from the article]

In this article we intend to present some considerations (more than explanations) about the field of meanings of the words homeland and patriotism in Portugal in the aftermath of the Liberal Revolution of 1820. To this end, we will use as a reference a periodical called Patriota Portuense, published between January and December 1821 in Porto. The article is divided into two fundamental parts. Firstly, we will try to understand how the concepts of homeland and patriotism gained popularity in the educated and politicized circles of Enlightened Europe, especially in Spain, France and England. We chose these countries because of their preponderance in the experience of the first Portuguese liberalism and in the interpretations of the concepts under analysis, in the case of the last two even because of the experience and learning that exile will provide. In the second, we will focus on the revolutionary meaning that, with the military pronouncement of 1820, in Portugal, these terms definitively began to be enunciated through the Patriota Portuense. As we consider newspapers to be key analytical instruments for conceptual history, we will try to see, in an unstable political context, what meanings were attributed by this periodical to words and how it tried to act on reality. [ABSTRACT FROM AUTHOR]

In the existentialist conception, psychosocial suffering is a condition of human existence, just like joy and love. Suffering is a feeling that we go through in some moments of our life, and what we have to do is to perceive and deal with it, instead of trying to avoid it. However, the psychological aspects of the problem are the "manifestation of human subjectivity in the face of the disease, such as feelings, desires, speech, thoughts and behaviors, fantasies and memories, beliefs, dreams, conflicts, lifestyle and the style of getting sick. Objective: to know the psychosocial suffering of former combatants and veterans of the homeland. Methodology: This is a descriptive, exploratory study. For data collection, the technique was used as an interview and the Holmes and Rahe Social Readjustment Scale was applied as an instrument. The study sampling was census for both models (Quan-qual). The study was conducted in the Municipality of Malanje, Angola. Former combatants and veterans of the homeland with psychosocial problems of both sexes, aged between 50 and 85 years, were included. As for the exclusion criteria, former combatants and veterans of the homeland without psychosocial problems did not include. Findings: Regarding the levels of psychosocial problems, moderate to worrying prevailed for both sexes and marital status. It should be noted that all participants presented some level of psychosocial problem. [ABSTRACT FROM AUTHOR]

Copyright of Historia 396 is the property of Pontificia Universidad Catolica de Valparaiso, Instituto de Historia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

El siguiente texto analiza el sentido de patria que subyace en dos canciones populares peruanas del siglo XX, el vals “Contigo Perú”, de Augusto Polo Campos (Puquio 1932-Lima 2018), y el wayno “Viva la patria”, de Carlos Falconí (La Mar 1937, Huamanga, 2022). Si bien ambas composiciones ocupan temporalidades diferentes y fueron escritas en contextos distintos, el propósito de este artículo es afinar una mirada crítica a través del análisis discursivo sobre el paradigma de patria que construye un sector del criollismo a partir de una retórica del entusiasmo y la unidad de los peruanos en torno de un ideal de integración al Estado-nación, frente al de los músicos andinos, que no solo se sitúa lejos de esa narrativa romantizada sino que expresa frustración y amargura desde su propia experiencia social signada por la práctica de una violencia estructural e histórica en el contexto de la colonialidad, que se concentró especialmente durante el conflicto armado interno.

Copyright of Goya is the property of Fundacion Lazaro Galdiano and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In Cervantes’ Don Quijote (1605), Dulcinea does not participate in any dialogue, and yet still appears a vivid character as real as the other female characters who do speak in the novel. Dulcinea, a figment of others’ imaginations, forms a sharp contrast with the character of Marcela, who fashions an authoritative self through dialogue with other characters. Marcela’s self, like Dulcinea’s, is relational to others’; however, her self-fashioning frees her from the objectification of Dulcineism and instead Marcela makes herself a character that transgresses conventional narratives, both cultural and literary. Likewise, a similar rejection of Dulcineism and a desire to craft her life story through her dialectical exchanges with the rest of the characters enables Miren, a principal female character in Aramburu’s Patria (2016), to fashion a self that actively contravenes the general perspective of her son’s supposed crimes as an etarra. In this analysis, I consider the Cervantine technique of rhetorical self-fashioning in characters such as Marcela and I trace this technique in the development of the character of Miren in Aramburu’s contemporary novel, Patria. Cervantes’ Marcela inaugurates the self-fashioning character in Western fiction, which is expanded by Aramburu four-hundred years later with his female character, Miren. Like Marcela, Miren must fashion herself against a polyphony of voices, frequently male, that provide a variety of narratives shaping the events of her life. I argue that Aramburu’s character, like Cervantes’, is empowered to author her own narrative to contravene an undesired outcome. Furthermore, both female characters use dialogue to reject the common literary tendency towards Dulcineism and, through relational rhetoric, disregard conventional narratives in favor of creating their own: a remarkable choice for female characters, both then and now.

Se presenta en este estudio descriptivo, retrospectivo y analítico, sobre la influencia o impacto de la inmigración de las personas extranjeras en la evolución de la pandemia causada por la COVID-19, cuyo agente etiológico en el nuevo coronavirus SARS-CoV-2. Los datos diarios de casos confirmados totales de costarricenses y extranjeros, demuestra que el regreso de las personas nicaragüenses, provenientes de su patria, después del periodo de la Semana Santa-05/04/2020 al 11/04/2020, incrementó el número de casos a partir de los meses de junio, julio, agosto de 2020. Para efectos prácticos en este estudio preliminar se analizan los datos que van desde el 10/03/2020 al 01/08/2020. Por otro lado, como autor de este estudio, considero conveniente acotar que el mismo se elaboró con el propósito de resaltar la importancia de la inmigración en la atención de la medicina preventiva y su vinculación luego, con la medicina curativa. Ante esto, aclaro ante el lector, que, aunque se corre el riesgo de calificar este estudio como xenofóbico, la realidad es que no lo es, por el contrario, todos sabemos el gran aporte de los hermanos nicaragüenses a la fuerza laboral de Costa Rica, pero, por otra parte, es menester en salud pública, siempre indicar la verdad con el propósito de tomar medidas correctivas en las próximas epidemias o pandemias.

Introducción: El papel de la mujer dentro de la labor periodística y literaria en Cuba es el hilo conductor del presente artículo, que se centra en la figura de Domitila García de Coronado, la primera en fundar una publicación periódica en la Isla. Métodos: Para ello se ha empleado la revisión bibliográfica-documental, toda vez que el tópico se ubica dentro de la historia de la literatura y de este modo se proporciona una visión sobre el estado del tema hoy. Resultados: Se recogen como aportes la visibilización de la mujer como creadora de contenido literario y periodístico, no solo mera lectora; se constata la vinculación de las letras y gestión editorial de García de Coronado con la causa independentista de la Cuba del siglo xix y se puntualiza que, con su extensa obra, entre libros, artículos, reseña, poesía y su contribución al mantenimiento de diversos medios de comunicación. Conclusiones: Domitila García de Coronado es una figura imprescindible dentro de la historia del periodismo y la literatura cubanas. A pesar del poco reconocimiento fue clave en la promoción del desarrollo de los medios de prensa y el espíritu anticolonialista. Además, visibilizó la obra de otras mujeres en la sociedad y dentro de la intelectualidad de la época.

Neste artigo discutimos aspectos da trajetória da Revista del Instituto Paraguayo que tangenciaram temas sobre a discussão da recondução da nacionalidade paraguaia do final do século XIX e início do XX, momento em que diversos intelectuais se esforçavam em forjar uma nova versão do país, que sofria as consequências nefastas da Guerra da Tríplice Fronteira (1864-1870). Desde seu surgimento, esse periódico se propôs ao debate, de maneira interdisciplinar, de um conjunto de temas e questões que englobaram repertórios fundamentais para a consolidação no despertar de uma consciência nacional. Destacamos como principal condutora dessa atuação a Geração de 900, formada por autores interligados por uma comunidade intelectual interessada na reconfiguração nacional, a partir da cultura, da pátria, da história nacional e do porvir. Esperamos contribuir para o debate sobre o protagonismo desta Revista como uma das plataformas essenciais que sintetizou aspirações que projetaram o país para o século XX.

In this article we discuss aspects of the trajectory of the Revista do Instituto Paraguayo that are related to themes about the discussion of the renewal of Paraguayan nationality in the late 19th and early 20th centuries, a moment when a number of intellectuals were striving to forge a new version of the country, which suffered the nefarious consequences of the War of the Triple Alliance (1864-1870). Since its emergence, this Journal has proposed the debate, in an interdisciplinary way, about a set of themes and issues that encompassed fundamental repertoires for the consolidation in the awakening of a national conscience. We highlight as the main leading of this performance the Generation of 900, formed by authors interconnected by an intellectual community interested in the national reconfiguration, based on culture, homeland, national history and the future. We hope to contribute to the debate on the role of this Journal as one of the essential platforms that synthesized aspirations that projected the country for the 20th century. [ABSTRACT FROM AUTHOR]

Copyright of Complutense Journal of English Studies is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Doxa Comunicación is the property of Fundacion Universitaria San Pablo - CEU and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Internacional de los Estudios Vascos is the property of Sociedad de Estudios Vascos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos de Filología Clásica: Estudios Latinos is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

La novela Patria, de Fernando Aramburu (2016), sobre el terrorismo en el País Vasco, ha trascendido la ficción y se ha introducido en la opinión pública, entreverándose en la conversación sobre la actualidad política y social española. Partiendo de los estudios que relacionan periodismo y memoria, nuestro objetivo es ofrecer un mapa de la recepción de la novela en la prensa nacional y regional vasca, examinar en qué medida hay relación entre la cobertura, tratamiento y valoración en prensa y el ámbito territorial e ideológico de las cabeceras, para, de ese modo, observar la contribución de la prensa a la memoria colectiva sobre el terrorismo en España. El estudio se ha realizado sobre 167 piezas periodísticas mediante un análisis de contenido.

In this article, I explore the use of cultural emotions in state-aligned post-ETA poetics by analysing the role that illness and disability play in post-ceasefire filmic – Fuego/Fire (Marías 2014) – and literary – Patria/Homeland (Aramburu 2016) – representations of the Basque national conflict. Recent critical discussions interpret disability in Spanish film and literature as harbingers of inclusivity and cultural pluralism (Fraser 2013; Marr 2013). However, if placed in the intensely polarized context for media and cultural representations of the Basque conflict in Spain, disability plays a less salutary role. Concretely, I argue that the possibility of post-ETA closure is often envisaged via the spectacularization (and thus the instrumentalization) of disabled and ill bodies, which are used to 'mobilize affect' towards a series of state-sanctioned positions with regard to victimhood, forgiveness and post-conflict reconciliation. [ABSTRACT FROM AUTHOR]

The indignados movement has suggested that the roots of Spain's political and economic bankruptcy are to be found in the 'Regime of 78', allowing Francoist ills to continue after the Transition to Spain's parliamentary democracy. This article critically accesses how and why two recent television series – Fariña/Cocaine Coast (2018) and Patria/Homeland (2020) – depict drugs and terrorism, major blights to everyday lives in Galicia and the Basque Country, respectively, during the post-Franco period. The article asks how these twenty-first-century screen narratives rewrite canonical accounts of the Transition during a time of crisis in which the success of local television drama has provided a rare light of optimism – Fariña was bought by Netflix and Patria is the first Spanish drama to be produced by HBO Europe. [ABSTRACT FROM AUTHOR]

The main aim of this work is to raise awareness of the figure of Gertrudis Segovia, a Sevillian writer of the early 20th century. Her work had a notable impact, but throughout the years, it fell into oblivion, as happens with the legacy of many women writers. To bring her figure back, we propose to analyse the different sources from that period (especially journalistic ones, dedicated to her) and we will approach her poetic production mainly through her work Poesías (1911). An analysis of her verses allows us to establish the three fundamental axes around which her poetic universe revolves: family, patriotism and regionalism, and religion. The approach to her work involves highlighting the importance of her literary creation, which has been unjustly forgotten, and reconstructing part of the literary heritage of Andalusian women writers. [ABSTRACT FROM AUTHOR]

Copyright of Ámbitos: Revista de Estudios de Ciencias Sociales y Humanidades is the property of Asociacion de Estudios de Ciencias Sociales y Humanidades and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

El presente artículo expone las reflexiones socioculturales difundidas en la prensa cusqueña a propósito de la celebración conmemorativa del Centenario de la Independencia Nacional en el Cusco de 1921, con el objetivo de conocer cuáles fueron los principales temas abordados por una generación de académicos locales frente a la realidad nacional de la época. Específicamente se destaca el rol de los intelectuales cusqueños que formaron parte del Centro Científico del Cusco (1897-1907), la Comisión Histórica Eclesiástica, la Revista Universitaria de la Universidad de San Antonio Abad del Cusco por entonces dirigida por el Dr. Albert A. Giesecke, la prensa local y el Arzobispado del Cusco, quienes asumen una postura positivista conservadora frente a un acontecimiento de repercusión nacional que propició un escenario ideal para exponer argumentos críticos sobre la composición sociocultural

El nacionalismo católico dice tener el sustento teórico de sus principios en la misma doctrina católica. En este sentido, Tomás de Aquino, considerado el Doctor Común de la Iglesia, suele ser uno de los autores más citados al respecto, sobre todo cuando habla de la virtud de la piedad en la “Suma de Teología”. Sin embargo, en este trabajo se intenta mostrar que por lo menos en la letra de Tomás no aparece ni explícita ni implícitamente la idea de nacionalismo como una forma especial de la virtud de la piedad, ni tampoco la idea de patria tal como la entienden algunos exponentes del nacionalismo católico argentino.

El presente artículo se propone analizar la apuesta por la resemantización de la idea de patria en el partido político español Podemos durante el período 2014-2016. Para ello, este trabajo realiza un análisis de un corpus compuesto por diez discursos electorales correspondientes a tres campañas electorales diferentes: los comicios europeos de 2014, las elecciones generales de 2015 y la repetición electoral de 2016. Asimismo, este trabajo recoge la evaluación de una entrevista en profundidad realizada a Iñigo Errejón, principal estratega del partido en el período estudiado. A partir del examen de estos materiales, el artículo se pregunta por los motivos que conducen al partido a emprender esta labor de resignificación, por la manera en que se desarrolla esta actividad semiótica, por los contenidos que moviliza y por la promesa implícita de una mayor cohesión territorial.

Willa Cather’s novel My Ántonia (1918) gives a profound insight into the life stories of the newcomers, people of different origin who came to America, their new patria, in search of brighter future and better prospects. For many of them the vast and “merciless” Nebraskan prairie would become their new home. Therefore, the grass of the plain, the demanding farm life and the barren land, the language as well as the class and nationality barriers, the “pioneers” who succeeded to hold out due to their heroic perseverance and self-reliance, vivid memories of their far-away, mostly European, homeland, present some of the major issues Cather masterfully discusses in the aforementioned novel. The aim of this paper is to highlight the “Vergilian sentiment” of nostalgia and melancholy with a special emphasis on the protagonists, primarily the main heroine, a strongwill woman “pioneer” who endures the hardship of life from her childhood and who, despite all the challenges and obstacles on her path, proudly proves to be “a rich well of life”. [ABSTRACT FROM AUTHOR]

Copyright of Endoxa is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Diversas fuentes aragonesas de época moderna mencionan la idea de patria, entendida como lugar de nacimiento, pero también como comunidad política. En el segundo caso, la noción está ligada a la existencia de un ordenamiento jurídico y un sistema institucional propios, así como a referentes simbólicos como las «cuatro varas de sangre» representadas en el escudo del reino de Aragón. Estas construcciones culturales se enmarcan en el proceso de definición de una identidad colectiva aragonesa, asunto que será objeto de análisis en el presente artículo. Para ello se atenderá a los contenidos con que trató de perfilarse dicha identidad, a los promotores de su elaboración, a los mecanismos de creación y difusión que utilizaron y a la extensión que sus formulaciones alcanzaron en la población. Y también se subrayará que el esfuerzo por definir tal identidad cultural se produjo de forma simultánea a la inclusión del reino de Aragón en una unidad política de dimensiones universales, en la que se estaban produciendo fenómenos similares. De hecho, se procurará establecer comparaciones con otros casos, como el navarro o el catalán, con los que la identidad aragonesa compartió referentes históricos e ideológicos.

The present work aims to establish a critical dialogue of appropriations and substitutions of the concepts of public opinion and homeland elaborated by the newspapers El Imparcial de Pedro Estala (1809), El Telégrafo Americano de Juan López Cancelada (1811-1812) and the participation of creole men of letters such as José Miguel Guridi Alcocer in El Redactor General (during the year of 1812). We are interested in analyzing the rhetorical-discursive appropriations that Creole men of letters made of some topics of the francized press in order to give another look at the particular link between the American emancipatory position and Spanish liberalism.

En el present article es du a terme una anàlisi quantitativa i semàntica de les aparicions del concepte pàtria contingudes en els dietaris institucionals del Consell de Cent de Barcelona i de la Diputació del General de Catalunya. La cronologia analitzada correspon als anys 1700-1714, una època conflictiva per als habitants de Catalunya, ja que en aquest període tingué lloc la mort del sobirà hispànic Carles II d’Àustria (1700) i la consegüent Guerra de Successió per la monarquia d’Espanya (1702-1715), que es lluità al Principat de Catalunya al llarg d’una dècada. Els resultats d’aquesta recerca ofereixen respostes a alguns aspectes del debat historiogràfic desfermat per la celebració del tercer centenari del setge a Barcelona dels anys 1713 i 1714, de manera que els esmentats resultats no només responen a la qüestió de quina fou la pàtria per la qual lluitaren els defensors de Barcelona en la rememorada jornada de l’11 de setembre de 1714, sinó que, en fer-ho, posen en relleu com n’estava de lligat el concepte pàtria al dret públic històric de Catalunya.

Catholic nationalism claims to have the theoretical support of its principles in the same catholic doctrine. In this sense, Thomas Aquinas, considered the Common Doctor of the Church, is usually one of the most cited authors in this regard, especially when he speaks of the virtue of godliness in the "Suma of Theology". However, in this work attemps to show that at least in the letter of Thomas neither explicitly nor implicitly appears the idea of nationalism as a special form of the virtue of godliness, nor the idea of homeland as understood by some exponents of Argentine Catholic nationalism. [ABSTRACT FROM AUTHOR]

Este artículo atiende a la representación del soldado en siete cuentos de Clarín publicados entre 1892 y 1896 como estrategia discur-siva para tratar los diferentes usos de la palabra patria en el contexto de luchas coloniales y pérdida territorial. Estos cuentos rompen con la imagen recurrente del soldado idealizado para revelar el sentido demagógico-doctrinario de la patriotería y contraponerlo al sentido emotivo y espiritual del término patria. Sostengo que, en su representación del soldado, Clarín se sirve del factor de clase social para forjar un sentido de solidaridad fraternal entre oprimidos y lograr así una mayor identificación con el Otro. Aunando la pérdida de las colonias a la sombra del desahucio que amenaza a las familias de los soldados en la metrópolis, muestro cómo el autor problematiza la alegoría nacional. This article focuses on the portrayal of soldiers in seven short stories by Clarín published between 1892 and 1896 as a narrative strategy to treat different uses of the term patria in the context of colonial struggle and territorial loss. These short stories break with the recurrent image of the idealized soldier to reveal the demagogical and doctrinaire sense of patriotería while contrasting it with the emotional and spiritual sense of patria. I argue that in his representation of the soldier, Clarín deploys social class components to forge a sense of fraternal solidarity among oppressed people to reach a higher identification with the Other. By establishing connections between the loss of the colonies and the eviction of the soldiers from their family homes in the metropole, the author problematizes the national allegory of the family. [ABSTRACT FROM AUTHOR]

El libro de Liliana María López Lopera es, sin duda, un aporte sustancial a la comprensión de nuestro siglo xix. Su principal valor radica en cuestionar y deconstruir algunos de los presupuestos categoriales que soportan diciplinas como la Ciencia Política, el Derecho y algunas corrientes historiográficas. Más aún, por esta vía plantea una crítica profunda a las bases sobre las cuales se ha construido nuestro relato nacional.

The publication of Patria calls forth a particular case study concerning the complex and fruitful relationship between narrative fiction and social and political reality. Following the concept of worldmaking along with the possible worlds theory, this investigation studies the way in which Patria looks into some of the socio-ethical aspects related to the experiences of the victims of ETA's terrorism. The rain is always present in the novel in three types of events: memory, death and social exclusion. Thus, it becomes a structural element of the persecution endured by El Txato and of Bittori's return. [ABSTRACT FROM AUTHOR]

Copyright of Roca: Revista Científico-Educacional de la Provincia de Granma is the property of Universidad de Granma, Departamento Editorial and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Itinerarios (1507-7241) is the property of University of Warsaw and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Patria (2016), de Fernando Aramburu, supone una reelaboración literaria de los llamados “años de plomo” del terrorismo de ETA. Este artículo analiza los procedimientos ficcionales utilizados para elaborar, en base a unos hechos históricos, una obra artística autónoma: el afán de totalización en la selección del contenido, la configuración de un código simbólico basado en la lluvia, la fragmentación y la fotografía; y la utilización de puntos de vista múltiples en la narración. Patria (2016), Fernando Arambururena, ETAren terrorismoaren “berun-urteak” deitutakoen berregite literarioa da. Artikulu honek, gertakari historiko batzuetan oinarrituz obra artistiko autonomo bat egiteko erabilitako fikziozko prozedurak aztertzen ditu: totalizazio-ahalegina edukien hautespenean; eurian, fragmentazioan eta argazkian oinarritutako kode sinboliko baten eraketa; eta ikuspuntu askoren erabilera narrazioan. Patria (2016), by Fernando Aramburu, is a literary reconstruction of the so-called “years of lead” of ETA terrorism. This article reflects on the technique used for the creation of an autonomous artistic work based on historical facts: the totalization in content selection, the configuration of a symbolic code based on rain, fragmentation, and photography; and the use of multiple points of view in the narrative.

Il saggio analizza la figura di Guareschi e la sua opinione circa il secondo conflitto mondiale, avendolo vissuto in prima persona in qualità di deportato. Vuole riportare in auge quelli che per lui sono i valori fondamentali di Dio, famiglia e madre patria in un periodo, quello del secondo dopoguerra, in cui con l'avvento dei nuovi mezzi di comunicazione, viene meno l'educazione tradizionale e quindi tutti quei valori a lui cari.

El presente trabajo, esencialmente política-histórica, se realizó dentro del marco de un enfoque cualitativo, a través del método inductivo y estudio descriptivo – explicativo, aplicados para reconstruir el paisaje histórico nacional, correspondiente, en este caso, a la matriz ideológica del Nacionalismo Paraguayo en el período 1936-1989. Se parte de la Teoría de la causalidad histórica, la misma apunta a explicar y comprender los acontecimientos históricos. Esto se llevó a cabo mediante la investigación bibliográfica (libros, revistas, artículos, periódicos y decretos de gobierno) a partir de las fuentes primarias y secundarias, y la interpretación de las mismas, lo que permitió tener una comprensión del proceso histórico vivido en el país entre 1936–1989 y las repercusiones que tienen hasta la actualidad.

Resumen: El presente artículo tiene como objeto analizar la forma en la cual el ideal patriótico fue tramitado por jóvenes conscriptos argentinos en tres casos de movilización militar: la destitución del presidente de facto Juan Carlos Onganía(1970), el llamado “Operativo Independencia”(1975) y el “Operativo Soberanía”(1978). En los tres casos seleccionados, se desarrollaron una serie de concepciones acerca del esfuerzo que la patria demandaba de los jóvenes que cumplían con su deber cívico dentro del servicio militar obligatorio. A su vez, en lo cotidiano, la experiencia bélica matizó tales lineamientos a la luz de la propias concepciones que los conscriptos tenían de lo que implicaba el deber. Partiendo de la metodología que aporta el campo de la historia de las emociones, se buscará entonces, comprender el cruce entre los esfuerzos por condicionar las experiencias emotivas de los jóvenes y la formación de contradiscursos y espacios de contra hegemonía. Asimismo, la puesta en valor de conceptos tales como “nacionalismo banal” permitirá debatir sobre las diversas formas que la identidad nacional se constituyó, en tres coyunturas particulares que incentivaron a la instauración de un fervor bélico nacional.

La doble identidad clase/nación no ha sido un objeto de conocimiento privilegiado de la historiografía social, aunque haya constancia de que, como procesos de construcción identitaria, operen habitualmente en paralelo. La idea de clase no era una cuestión central en el pensamiento anarquista cuyo discurso emancipador, universalista y cosmopolita, se dirigía a la humanidad en su conjunto y no sólo a los trabajadores. Sin embargo, la idea de nación, como la de patria, y sus expresiones derivadas, nacionalismo y patriotismo, formaban parte del discurso anarquista de impugnación del Estado y sus instituciones. Pero en ambos casos, la cuestión de las identidades adquiría formulaciones muy diversas e, incluso, aparentemente contradictorias.

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Copyright of Historia Contemporanea is the property of Historia Contemporania and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The present research is devoted to the concept 'patria' (homeland) analysis in the Nobel Prizewinning Guatemalan writer Miguel Angel Asturias's novel El señor presidente (Mister President). The verbalizations of the studied concept in the novel are counted and their linguistic context is analysed. The totalitarian society described by the writer is not fully fictional. The dictatorship of Estrada Cabrera, though unnamed in the novel, is depicted. The linguistic realization of the studied concept is based on two groups of antithesis. The perception of homeland by real patriots, who are now considered the traitors of their homeland, and that of the people, who conform to the current conditions, but it is obvious that they are the ones who are ready to betray. The second antithesis is the fear of the president and calling the president the honoured citizen, the father and the defender of the homeland. The analysis of the linguistic means used to verbalize the concept 'homeland' in the studied novel shows that the said concept can be used by a totalitarian society as a tool of manipulation. Further analysis of the concept 'homeland' in other literary works by the authors writing in Spanish and belonging to different Hispanic countries will reveal the linguistic differences of the national variants of Spanish. [ABSTRACT FROM AUTHOR]

This essay reviews Ramón López Velarde's contribution to El Maestro, a very important magazine from the Vasconcelista education project. There are two works by López Velarde published in it in 1921: the essay Novedad de la Patria (News from homeland) and the poem La Suave Patria (The Soft Land). Both are the poet's response to the poetic wave of patriotism unleashed by the upcoming commemoration of the centenary of Mexico's political independence and with whom he calls to pay attention to the unheard, the minutiae in which he finds poetry. His version of the nation was intimate and not historical or political, it came through quotidian sensations and reflections. This new homeland was a loving, prodigal, vivacious and careful mother: more a sensation than an idea, more emotions than abstract concepts. The work of this magazine, El Maestro, is part of the educational task of Álvaro Obregón's government that seek to build a national culture based on the work of teachers throughout the country that were emerging from the battles of the Mexican Revolution and undertook task of reconstruction. López Velarde does not pay in the idea of a heroic and military country, he undertakes a different path. [ABSTRACT FROM AUTHOR]