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El estudio de la percepción acelerada de nuestro día a día en la era digital es una corriente ya habitual en muchos campos de investigación. La implantación de Internet en el devenir diario, que conlleva un consumo infinito de imágenes, datos e información, ha propiciado en este universo multipantalla un sentir de la temporalidad fugaz, sin freno. Desde el campo del audiovisual esto se ha visto, si cabe, mucho más potenciado que en cualquier otro. El alimento en redes son ahora cientos de vídeos —productos audiovisuales— puestos a disposición del consumidor (o prosumidor, en cualquier caso), quien ya no surfea en la red, sino que se desliza en ese continuo bucle de datos digitales que la cultura red ofrece para él. El hecho expuesto nos lleva a preguntarnos cuál es la respuesta que ofrece tanto el campo del arte como el del audiovisual para él. El videoarte, desde su nacimiento en la década de los sesenta, surgió como medio subversivo y crítico hacia la televisión comercial, entre otros. Hoy en día, de manera análoga, algunos videocreadores utilizan este potencial crítico frente al exceso de imágenes y temporalidad acelerada de la era digital. En este estudio tomaremos algunos ejemplos de videocreadores españoles —como Tete Álvarez, María Cañas, Marta Negre o Daniel Canogar— para estudiar cómo, desde nuestro ámbito nacional, también existe una vertiente crítica —o, al menos, reflexiva— que señala estos comportamientos en la era red.

Copyright of Derecho Penal y Criminologia is the property of Universidad Externado de Colombia, Departamento de Derecho Penal y Criminologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

En este trabajo se indaga si es posible imputar a los jefes (militares o asimilados) o superiores jerárquicos de estructuras delictivas –o con tendencia delictiva– los excesos cometidos por sus subordinados. Para solucionar este problema jurídico, en primer lugar, se analizan ese tipo de estructuras a partir de distintos enfoques. En segundo lugar, se precisa brevemente qué se entiende por “excesos” en términos jurídico-penales. En tercer lugar, se plantea una propuesta de solución a partir de un enfoque metodológico de tres niveles en los que es preciso establecer, primero, el fundamento de la responsabilidad del individuo en el contexto de la acción colectiva, segundo, la calificación de su intervención y, tercero, el alcance de la imputación subjetiva del injusto.

This article aims to investigate the relationship between interdiction and transgression in Umberto Eco’s novel The Name of the Rose, aiming to demonstrate that this link is formed through dependence. The paper also seeks to analyze curiosity as one of the channels through which transgression manifests itself in the face of the bans imposed on Eco’s fiction, not as a way of denying them, but of overcoming them by enhancing them. It is understood that curiosity as a transgression is the result of a first interdiction, that of laughter, and it is evaluated as both curiositas and studiositas. This expression is considered, also, as excess, an excess that leads to death and destruction, highlighting the danger to the homogeneous world. The theoretical basis of this article is mainly composed of the works of Georges Bataille, with the support of Alberto Manguel and Georges Minois. [ABSTRACT FROM AUTHOR]

Copyright of Teología is the property of Pontificia Universidad Catolica Argentina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Filosofía (La Plata) is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Una inmediata y, por ello, la tesis más mediada ideológicamente sobre la pobreza, puede simplificar la problemática al reducirla un mero concepto negativo, en tanto que falta de posesiones materiales frente a la riqueza, y así dejando de lado la posibilidad de la pobreza como una forma-de-vida radicalmente redimida y liberada. Sin embargo, el cristianismo es la fidelidad al acontecimiento histórico del empobrecimiento o kenosis de Dios, el cual ofrece una perspectiva afirmativa sobre la pobreza, tal como enseñó el Apóstol San Pablo (2 Co 8, 9). Lucio Gera en «El misterio del pobre» (1962) reflexionó en torno a la pobreza como imitatio christi y en tanto que existencial reductio in mysterium. En la pobreza, los seres humanos se encuentran sin nada y, de esta manera, acceden al misterio y al don de poseerlo todo en Dios. Gera sostuvo que si la teología busca entender y clarificar la vida la comunidad eclesiástica, debe estudiar exhaustivamente el llamado a la pobreza de tal comunidad. La intimidad entre la confesión de fe y la pobreza como vocación propia de la comunidad cristiana es una tesis teológica, metafísica y política que es necesario elucidar. El articulo estudia la relevancia de la pobreza en la obra de Lucio Gera, con especial énfasis en el primer período de sus escritos.

We propose in this article to contribute to the expansion of the interpretation of Oedipus the King, by Sophocles, beyond the Freud's indication that it anticipated the Oedipus Complex. We will argue that this play has an important political and religious content as well as a psychological one, as Hölderlin defends based on a highlight of a moment in the plot that Freud quotes with a little mistake: it was not the oracle that associated the plague with the murder of Laius, but Oedipus, who could have read the advice to "Ban out the blemish of the city" as a simple statesman, but he did so too infinitely. Thus, his "hamartia" (error) was to have been driven by the "nefas" (excess) of wrathful curiosity, which led him to mix religion (infinite) and politics (finite), and to mischaracterize both domains. We will also disagree with Freud that there is an "opposition between destiny and will" in the myth: there is, rather, an identity between them. [ABSTRACT FROM AUTHOR]

Copyright of Universum is the property of Instituto de Estudios Humanisticos Juan Ignacio Molina, Universidad de Talca and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This essay relates philosophy to mysticism, while taking into account their different understandings, based on the underlying concepts of excess and gift. To accomplish this, it brings together the contributions of Maurice Blondel on the subject and offers the contemporary inspirations of certain philosophers situated within so-called French phenomenology. [ABSTRACT FROM AUTHOR]

Copyright of Aforismos is the property of Dykinson SL and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

El recurso a otros lenguajes que caracteriza el “giro teológico” implica para Ricoeur y Henry el caso de las parábolas. Para el primero, las parábolas constituyen expresiones límites que remiten a experiencias límites de apertura. Para Henry, significan modos de acceso a las relaciones trascendentales de la Vida, que ponen de manifiesto la insuficiencia de la metáfora. El artículo explora estas significaciones a la luz de los textos evangélicos y de las obras de los filósofos mencionados, en dirección a una fenomenología de la excedencia.

Copyright of Dicenda: Cuadernos de Filologia Hispanica is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Cuadernos de Literatura del Caribe e Hispanoamerica is the property of Revista Cuadernos de Literatura del Caribe e Hispanoamerica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Este trabajo se propone analizar cómo la novela de Carlos Busqued Bajo este sol tremendo (2009) se apoya en la representación de vidas desechadas, basura y todo tipo de restos para instalarse en una tensión entre orden y exceso. La narración plantea una lógica en la que la basura, en lugar de constituirse en un indicio que posibilite la reconstrucción del paisaje social, exhibe lo desbordante, lo inasimilable y los vacíos de sentido. En el mundo que nos presenta Busqued lo viviente se vuelve resto en la medida en que encarna una heterogeneidad irreductible a cualquier estructura social y productiva. This paper analyzes the way in which Carlos Busqued's novel Bajo este sol tremendo (2009) is based on the representation of discarded lives, garbage, and all kinds of remains and thus proposes a tension between order and excess. The narration raises a logic in which garbage, instead of constituting an indicator that allows for the reconstruction of the social landscape, exhibits the overflowing, the unassimilable, and the voids of meaning. In the world that Busqued presents, the living becomes a remainder because it embodies an irreducible heterogeneity with regards to any social and productive structure.

Nos encontramos en una época en la que es común el incremento de cuerpos desbordados por su peso, en muchos casos ocasionado por la hiperingesta de alimentos, esto es, sostenido bajo la insignia del exceso; padecimiento que puede presentarse como un modo de respuesta ante algo de lo propio, de carácter doloroso, a falta de recursos simbólicos que permitan otras formas de responder, menos estragantes, a esa sensación de malestar vinculada con la pérdida; condición en la que se torna fundamental la función simbólica que el Otro hace operar a través del vínculo con el alimento, en tanto precedente en el que se gestan los recursos psíquicos para simbolizar el malestar. El presente texto se elabora como parte de los avances de un proyecto de investigación doctoral.

Se trabajó en áreas de bosque mesófilo de montaña de los estados de Puebla, Hidalgo y Veracruz, ubicadas dentro de la región Huasteca. Por su naturaleza, el bosque mesófilo de montaña es un buen captador de agua. Pero su cobertura forestal ha disminuido como consecuencia de las actividades antropogénicas, impactando de manera negativa en la captación de agua. Se asoció la evolución temporal (1979-2015) del índice de humedad de las áreas donde existe bosque mesófilo de montaña con los cambios en su cobertura de 1997 a 2016. Los resultados muestran que de 1979 a 2004 el índice de humedad disminuyó como consecuencia de más del 29% de deforestación. De 2005 a 2016 la tasa de deforestación no superó el 1% y el índice de humedad presentó una tendencia creciente. Se recomienda la conservación de este ecosistema como prioritario para mejorar la cantidad de agua en la región.

El presente artículo explora un componente poco atendido en el campo de la filosofía del lenguaje, a saber: la voz. Por medio del aparato teórico de representantes del denominado psicoanálisis esloveno, Slavoj Žižek y Mladen Dólar especialmente, se pretende mostrar que la voz es un componente de la comunicación que se resiste a su inscripción dentro de la cadena significante y por el contrario se presenta como un límite y, a la vez, un exceso en el significado, lo cual abre posibilidades para pensar la forma en la cual se da la integración de los sujetos en el orden social existente. De este modo la voz encierra en su núcleo un componente que muestra la brecha antagónica de lo social, lo cual permitiría renegociar los sentidos que ordenan lo social. El trabajo constituye una reflexión filosófica de carácter dialéctico sobre el fenómeno de la voz, ya que explora aspectos especulativos, éticos, políticos y educativos concernientes a este fenómeno, lo que pretende aportar a una comprensión de la oralidad por encima de sus aspectos instrumentales en la comunicación. Es decir, en lugar de comprender la voz como un fenómeno secundario en la comunicación orientado a servir de medio para transmitir un mensaje, la voz aparece como aquello que posibilita, interrumpe y excede las intenciones comunicativas de los sujetos que participan en el diálogo comunicativo. Finalmente, el artículo se sirve de ejemplos tomados del contexto educativo contemporáneo, en los que se muestra la manera en que la voz irrumpe en la educación como un elemento de naturaleza eminentemente política

Este artículo se propone analizar los modos como dos ficciones latinoamericanas contemporáneas, Sebregondi retrocede (1973) de Osvaldo Lamborghini e Impuesto a la carne (2010) de Diamela Eltit, problematizan las relaciones entre los saberes sobre los cuerpos y las políticas de gobierno de la vida. En la postulación de un lenguaje que desborda la normatividad del biopoder, estas ficciones interrogan los dispositivos de producción de cuerpos y subjetividades, a la vez que configuran una estética del exceso que reinventa la materialidad de lo viviente a partir de la potencia afectiva de la carne. This article aims to analyze the modes in which two contemporary Latin American fictions, Sebregondi retrocede (1973) by Osvaldo Lamborghini and Impuesto a la carne (2010) by Diamela Eltit, problematize the relationships between knowledge about bodies and politics of government of life. From a language that overflows the normativity of biopower, these fictions interrogate the technologies of production of bodies and subjectivities, at the same time that they configure an aesthetics of excess that reinvents the materiality of the living through the affective potency of the flesh.

El presente artículo pretende interpretar la relación que se entabló entre Perón y los trabajadores desde una perspectiva estrictamente política, discutiendo con los marcos interpretativos sociológicos o sociologicistas. En este marco echaremos mano a ciertas nociones de la teoría del discurso político de Ernesto Laclau (2013) y Chantal Mouffe (2011) y sostendremos que la intervención de Perón en la arena política nacional constituyó política y subjetivamente al movimiento obrero -antes de la intervención de Perón difícilmente se podría hablar de “movimiento obrero” por lo que argumentaremos en lo posterior-. Por otro lado, nos interesa poner en escena la lógica de constitución política del peronismo, es decir la forma que adquirió la política -lógica que años más tarde va a ser reproducida, en parte, por el kirchnerismo-; aquí la denominaremos lógica del exceso, en tanto amplía y fuerza la expansión de los límites comunitarios como así también desborda el imaginario de lo posible -a partir de una imposibilidad-necesaria-.

The purpose of the present work is to show that the “there is” or the neuter existence which constitutes one of the most recurrent themes broached by Levinas in his early works of the late forties (De l´evasion, De l´existence à l´existant y Le temps et l´autre) belongs thoroughly to the category described by Jean Luc Marion´s phenomenology of giveness under the name of “saturated phenomenon” or “paradox”. In order to make clear such belongingness, the four figures or attributes that define the excess of intuitive giveness are examinated according to their degree of coincidence with the way in which Levinas describes the singular experience of exposition to the neutrality of the existence without existents. This postulated identification between both elements means a potentially productive extension of the phenomenological horizon from the point of view of a possible overcoming of the traditional metaphysics.

Copyright of Instantes y Azares: Escrituras Nietzscheanas is the property of Instantes y Azares: Escrituras Nietzscheanas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Edad de Oro is the property of Departamento de Filologia Espanola de la Universidad Autonoma de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this research based on the studies of the Discourse Analysis, we propose to analyze how students from a Language and Literature Course of Universidade Federal do Rio Grande (FURG) move their discourses over the Portuguese language. The corpus has been collected for nine years, always on the first day of class, when they were invited to write about why they chose to study Language and Literature in the University. Through this theme, the ideological issue, the power relations, and the senses effect present therein are observed by triggering three key concepts studied by Ernst (2011): the lack, the excess and the strangeness. Therefore, from the marks left in the discourses of those university students as well as from their identifications with certain discourse formations, gestures of interpretation are mobilized. Such will allow us to analyze the ways of saying and notsaying about/in the language and, ultimately, how the sense effects in those specific discourses are produced. [ABSTRACT FROM AUTHOR]

The article aims to identify and comprehend the marks of the excess present in the hate discourse of the haters. By using the power of social media's information diffusion on the internet, the haters appropriate of such spaces to disseminate ideologies related to violence, intending to generate more hate. Among the strategies utilized by this group, there is the excess. However, it is necessary to understand the subject's social and historical contexts and the meanings of their discourse in these environments. As the corpus, we start off the analysis from the attacks towards the actress Taís Araújo occurred on Facebook. As shown by the results, the excess is perceived on authority demonstrations, on the repetition of ideals and onto the search of values such as visibility, popularity (among participants of the networks and the media), authority and reputation (inside the hater's group of belonging). [ABSTRACT FROM AUTHOR]

In March 2016, the former president Lula was conducted through a coercive way by the Federal Police in order to depose about his involvement in suspect activities related to Operation Lava Jato. The shooting or any other register of this coercive conduction have been forbidden, thus the national media became to work in the verge of this "denied image". In this paper, we investigate the process of meaning production about this "absent image" through other images and materialities that circulate in the media discourse game regarding the destabilization/ stabilization of evidences about the March fourth current events. Therefore, the concept of lack, excess and strangeness, established by Ernst, were fundamental. We started by the hypothesis that, answering the lack of imagetic register, it was established a profusion of other imagetic, audiovisual and/or verbal discourses. [ABSTRACT FROM AUTHOR]

This work has as its starting point the concepts developed and operationalized by Ernst (2009) in the text "Lack, excess and strangeness in the constitution / interpretation of the discursive corpus". Of the three notions developed by Ernst in her work, I pay attention to those of lack and excess, and I propose to examine these concepts through the bias of punctuation. With this purpose, I choose as an analytical corpus the poem "José", by Carlos Drummond de Andrade, and, particularly, the formulation "And now, José?", present throughout the poem. My goal is to work on the notions developed by Ernst, evidencing the discursive functioning of punctuation and seeking to expand my own reflections. [ABSTRACT FROM AUTHOR]

Considering the notions of "lack", "excess" and "strangeness", from the perspective of materialist discourse analysis, I sustain that those three elements are constitutive of the construction process of a methodological framework that considers the prosodic materiality of the voice to be significant. I present the construction of a discursive object of research in which I intend to analyse the discourse of the Minister-Rapporteur during the trial of the "Mensalão" by the Brazilian Supreme Court. I also show how, from the first file reading and listening gestures, I end up with the "reported speech" as the regularity of that discourse, marked by the presence of another in the linguistic linearity. In conclusion, I discuss three concerns during the construction of the framework: the transcript of the speech of the Minister audios; the status given to the "reported speech" in the research; and the balance between horizontal exhaustiveness and vertical exhaustiveness. [ABSTRACT FROM AUTHOR]

This paper placed in Michel Pêcheux's discourse analysis has the purpose to analyze the statement "EU SOU SARTORI E MEU PARTIDO É O RIO GRANDE" pronounced by the candidate to the Rio Grande do Sul's government, José Ivo Sartori, during his campaign in 2014. With this investigation, we intend to offer reflections around issues that can, in the verticality of the discourse, help in the comprehension of the excess and the lack both present in the discursive operation in focus. These notions are conceived as limits and interdictions that are imposed on the subject, being the excess, the part that allows the effect of truth and the lack what works as forgetfulness policy. These operations establish meaning effects that can displace, transform, preserve and/or delete senses. [ABSTRACT FROM AUTHOR]

The article discusses the issue of lack, excess and strangeness, with the discursive materiality of the legal discourse of the defense in a jury trial. The theoretical model that underlies this discussion is the French Discourse Analysis. In the chosen legal discourse there was a very articulate argument in an attempt to make the discourse transparent and objective. We also noticed two things that stand in the argument: the imaginary formations that try to predict who the caller is and the forgetfulness number one and number two, which provide the illusion that the subject articulates its creative and unique way of speech, and the great goal of the discursive subject of defense is to destroy the arguments of his opponent. From these findings we started our analysis, and Ernst's theoretical contribution, which presents possible paths for the discourse analyst, was essential considering the choice of the corpus. [ABSTRACT FROM AUTHOR]

The article discusses the issue of lack, excess and strangeness, with the discursive materiality of the legal discourse of the defense in a jury trial. The theoretical model that underlies this discussion is the French Discourse Analysis. In the chosen legal discourse there was a very articulate argument in an attempt to make the discourse transparent and objective. Wealso noticed two things that stand in the argument: the imaginary formations that try to predict who the caller is and the forgetfulness number one and number two, which provide the illusion that the subject articulates its creative and unique way of speech, and the great goal of the discursive subject of defense is to destroy the arguments of his opponent. From these findings we started our analysis, and Ernst's theoretical contribution, which presents possible paths for the discourse analyst, was essential considering the choice of the corpus. [ABSTRACT FROM AUTHOR]

We are in an era in which it is common the increase of bodies exceeded by its weight, in many cases caused by the hyper-intake of food, that is, held under the mark of excess. This suffering that can be presented as a way of responding to something of the own, of a painful nature, in the absence of symbolic resources that allow other ways of responding, less destructive, to that feeling of discontent related to the loss. This is a condition in which the symbolic function that the Other operates through the link with food becomes essential, as a precedent in which the psychic resources are generated to symbolize the discontent. This paper is elaborated as part of the advances of a doctoral research project. [ABSTRACT FROM AUTHOR]

Aristotle admits the possibility of many vices opposed to one virtue, but insists that there are always at least two, related as deficiency and excess. The doctrine that virtue is in a mean is thus both true and useful.

La extensa obra de Galeno de Pérgamo, médico del estoico Marco Aurelio, incluye diversos tratados de corte filosófico, especialmente éstos en que analiza las causas de las pasiones y de los errores del alma, cuyo objetivo general es comprender de un modo amplio la naturaleza humana y plantear pautas apropiadas para su mejoramiento moral. Galeno divide la exposición de las cuestiones referentes al diagnóstico y tratamiento de las pasiones y los errores del alma de cada uno, porque su tesis principal, que la estructura del alma es tripartita (racionalidad, emociones vehementes o pasiones y deseos), así se lo exige. En su opinión, el tratamiento de las pasiones difiere del tratamiento de las fallas cognitivas a que se refieren los errores del alma; cuya causa pueden ser pasiones y deseos inmoderados y falsas opiniones sobre bienes y males; que median, finalmente, en la elección de una vida mesurada o, por el contrario, inmoderada. El hilo que une el tratado sobre las pasiones y el tratado sobre los errores del alma son precisamente las falsas opiniones, que incrementan la violencia ejercida por nuestras pasiones cuando no hemos revisado las causas (creencias y deseos) de nuestra conducta excesiva, ni los juicios de valores con que estamos acostumbrados a juzgar las circunstancias cotidianas de la propia vida. El poder de las opiniones consiste en incrementar, precisamente, el cuantum de fuerza de las emociones, haciéndolas inmoderadas e indómitas, o moderables.