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Previous studies have examined the various constructs of creative tourism, but the way travelers integrate the image of their self with a creative destination brand has not been taken into consideration. Therefore this study aims to conceptualize this integrity in a creative cultural destination in Iran. This survey involved 308 inbound travelers who revealed that destination uniqueness, perceived value, and interaction are strong predictors of creative cultural experience. Creative cultural experience also positively affects enjoyment and self-enhancement. These findings also accentuate that creative cultural experience and self-enhancement are strong determinants of Destination Brand Self-Congruence (DBSC). Nevertheless, there were no findings about the effect of perceived enjoyment on DBSC. [ABSTRACT FROM AUTHOR]

The UNESCO Underwater Cultural Heritage Convention was adopted in 2001 and entered into force in 2009. Since then, it has been ratified by a total of 72 parties, but Cambodia remains the only one of these parties located in Asia. Against this backdrop, this article presents the case of the Macao Special Administrative Region (SAR) of the People's Republic of China (PRC) located on the shores of the South China Sea. The Macao SAR has a strong economy, which relies primarily on the gaming services and tourist industries, but is seeking to diversify its economy in order to make it more sustainable. To this end, the article assesses the role of underwater cultural heritage in diversifying its economy and stresses the need for greater policy coherence both between different cultural policies but also between cultural, commercial and other policy areas. [ABSTRACT FROM AUTHOR]

The advent of digital platforms that allow creatives to showcase their portfolios in public has resulted in the transformation of these platforms into communication spaces that transcend the original model. There has been a shift in approach from mere exposure to a more commodified, but also more interactive, model that allows any creative to sell their brand and establish diverse links, just as they would on any other social network. The objective of this article is to identify the key elements and causes of this transformation, to explain their position in relation to other fields, and to draw out the implications or pending questions on which reflection is required in light of their rapid evolution. [ABSTRACT FROM AUTHOR]

This article explores the impact of mythology on urban planning within the creative economy framework. In an urban environment, mythology provides new potentials and introduces the possibilities of built heritage as well as its prose and narrative forms, historical contexts, and social relations. Activists, artists, and other cultural workers promote the culture of freedom of expression in this authentic space. Their bottom-up approach allowed Savamala to become one the most interesting quarters of Belgrade. Meanwhile, the Belgrade Waterfront project is nearing completion and the question whether it will preserve the cultural heritage of Savamala arises. This article investigates the role of mythology in Savamala's riverfront regeneration, the use of narrative myths and mythical spatial potentials, and the role of mythology in urban planning today. [ABSTRACT FROM AUTHOR]

The creative and cultural industries have been gaining importance in the generation and diffusion of value in economies over the last decades. However, there is still a gap regarding the definition of variables that could be used as production and innovation indicators for this sector. As such, we propose the use of trademark registers as indicators of the production and introduction of new goods and services in segments related to this sector. First, we provide a descriptive analysis of United States Patent and Trademark Office (USPTO) trademark registration data throughout the twentieth century. This analysis allows us to see that the trademarks registered in segments aligned with the creative and cultural industries have shown strong expansion, especially since the 1980s, which can be related to the technological and economic changes observed in the global market in this period. This movement is observable especially among the most technology-intensive segments, such as the production of software, digital games and music. Second, we analyse the factors associated with trademark registration in the period covered using ordinary least square estimates. The main results show that patent registration and revenue (a proxy for size) are strongly associated with trademark registration for companies in the creative economy. On the other hand, location in a developed country is not a determinant of the registration of trademarks in the sector, in contrast to the results obtained for the whole set of firms. In the case of low-tech firms in the creative economy, only revenue explains the registration of trademarks. [ABSTRACT FROM AUTHOR]

The aim of the work is to study the legislative support for the development of creative industries in the Russian Arctic using the example of the Murmansk Oblast. The following tasks have been solved: the legislative framework of the federal level, providing the development of creative industries in Russia as a whole, has been studied; the regional legislative framework has been studied on the example of the Murmansk Oblast; the measures of support for the development of Arctic creative industries at different levels of government have been analyzed. It was revealed that until 2021 the creative sector of the economy was reflected in legal acts of all levels through the concepts of “small and medium-sized businesses”, “self-employed citizens” and “individual entrepreneurs”. The concept of “creative industries” received legislative recognition with the adoption at the federal level of the “Concept for the development of creative industries and mechanisms for the implementation of their state support in large and major urban agglomerations until 2030” in 2021. The Concept and the Action Plan for its implementation, adopted in 2030, laid the regulatory and legal basis for the development of this sector of the economy, but the legislative framework for the development of creative industries in the Russian Federation has not yet been fully formed. The study showed that in the Arctic zone of the Russian Federation the situation with regulatory support for the development of creative industries is similar. Using the example of the Murmansk Oblast, it was revealed that the regional legislative framework for this promising area is currently in the nascent stage, and the first normative-legal acts directly related to the development of the Arctic creative industries began to appear only in 2023. It was concluded that it is necessary to develop a concept for the development of Arctic creative industries in the Russian Arctic in order to ensure uniform approaches, consistency of actions and coordination of measures for the development of this sector of the economy in the Russian Arctic. The need to use the term “creative industries” in various legal acts in order to avoid discrepancies and to ensure the uniformity of legal support for this sector of the economy is substantiated.

Talent is a long-term competitive advantage for companies in the creative economy. At the same time, talents are one of the most expensive resources that are necessary for the realization of the company’s strategy, so the efficiency of their use depends on the right talent development strategy.This study presents the results of analyzing effective practices aimed at developing talent within creative economy enterprises.Objectives: to identify the strategic importance of talent for creative economy enterprises; to strategically analyze the best practices for talent development in the fashion industry.The article is based on the theory of strategy and strategy methodology developed under the under the scientific supervision of Foreign Member of the Russian Academy of Sciences (Life-time), Dr. Sc. (Econ.) V. L. Kvint.Results: the strategic role of talents is revealed. Conclusions: without talent strategizing creative economy enterprises are doomed to lack of long-term development.

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Copyright of Revista Foco (Interdisciplinary Studies Journal) is the property of Revista Foco and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This study aims to design a model for the relationships between the indices of a creative city and creative economy development in the creative city of Rasht, Guilan Province, Iran. In this research, the grounded theory was employed to conduct a qualitative analysis, and semistructured interviews were carried out for data collection. For this purpose, eight interviews were given to senior and middle-ranking city managers on the research topic. Based on Strauss and Corbin’s systematic approach, a model was proposed for the relationships between the indices of a creative city and creative economy development through open coding, axial coding, and selective coding. The results of coding the interviews indicated that the creative economy was the axial category in the model. Creative economy development included eight components with different weights, among which “creative industries” and “creative citizens” had pivotal roles. According to the experts, different factors such as the characteristics of a creative city affect creative economy development, and urban management is considered to play a key role in this process. [ABSTRACT FROM AUTHOR]

This contribution develops previous work analysing forms of misconduct by knowledge-intensive professional business services (P-KIBS) firms, globally located and client-interactive on all five continents. Here we focus on accountancy partnerships, having previously investigated management consultancies. In the former, the infractions range from condoning systematic cheating at accountancy examinations, to unchecked client accountancy estimates signed-off as satisfactory, to covering up inflated budgetary estimates, to advising clients on fraudulent practice, to advising on tax evasion, to acting complicitly in corrupt government practices, including engaging in 'state capture' by channelling internal state revenue into private holding bank accounts. Because the litany of misconduct is too enormous for encompassing in a single contribution and in the spirit of this task, the spotlight is only on a few cases that represent typical 'creative economy' companies contracted to 'Big 4' accountancy P-KIBS in relation to sustainability and social equity issues. For interpretation of data discovery, we utilize evolutionary 'pattern recognition' methodology set within a 'Thirdspace-assemblage' theoretical framework. As a test, we sketch the 'sustainability' complexities of the Pacific Gas & Electricity (PG&E) and Deloitte/Lloyds Register relationship. Among the 'creativity' studies reported are the PWC-Walt Disney, KPMG-Conviviality and their EY-KPMG-Google, Apple, Facebook and Amazon scandals. [ABSTRACT FROM AUTHOR]

The function of coffee shops and cafes nowadays is not only used for hanging out activities but also for doing assignments or working. Seeing that many companies are implementing WFA (work from anywhere), the function of coffee shops and cafes is getting wider, being used as a place to work.The generation that likes to adopt a work from café culture is the millennial generation and Generation Z. However, the problems faced by customers appear. They cannot access information completely about ambiance, facility, or anything that can support their work performance. There is no specific study that analyze the problems mentioned as well. Therefore, the purpose of this study is to develop one-stop information media regarding coffee shops/café for work from café (WFC) using design thinking. The design thinking stage used consists of five stages,namely problem definition & redefinition, need findings & synthesis, ideation, prototyping, and testing. The result is a tested prototype of a one-stop information media application that solved the problem they face. [ABSTRACT FROM AUTHOR]

The research aims to assess the potential for regional taxes and levies generated through city tourism and the creative economy. It further seeks to analyze both the opportunities and challenges associated with integrating city tourism with the creative economy within Balangan Regency. Additionally, the study measures the extent to which the potential for PAD can develop from taxes and levies related to tourism and the creative economy in the region. This research uses a descriptive qualitative method by focusing on the efforts made by Regional Government Organizations as well as the factors that encourage or inhibit the development of taxes and levies to increase the PAD of Balangan Regency. The analysis techniques used by researchers are data analysis before going to the field, data analysis using the Miles and Huberman model, feasibility analysis through Potential and Constraints, and data calculation analysis. The results of this research show that Kebun Raya Balangan, with a potential visitor count of 7,477 per year, could increase PAD by Rp 48,579,480 based solely on natural and educational tourism. However, this potential can rise to Rp 51,829,980 with the integration of the creative economy. Taman Hijau Balangan, which scored the highest in the survey, has the potential to enhance PAD by Rp 69,770,692, and with its development into a rest area and creative community space, PAD could increase to Rp 81,003,192. Meanwhile, Taman Palidangan Sanggam could boost PAD from Rp 38,349,377 to Rp 41,581,877 with the addition of natural tourism facilities and a wedding venue. [ABSTRACT FROM AUTHOR]

Copyright of Marketing Science & Inspirations is the property of Comenius University in Bratislava, Faculty of Management and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The comparative study of cultural policies in the Arab region remains a relatively underexplored domain, particularly in how these policies influence nation branding and nation-building efforts. This exploratory study seeks to contribute to this nascent field by adopting a comparative lens to examine the cultural policies of three Arab nations: the United Arab Emirates (UAE), Saudi Arabia and Egypt. Through a document analysis of key policies from these countries, this research unveils the intricate ways cultural strategies are employed to articulate and disseminate national, ethical and political ideologies. The article articulates how each country's approach to cultural policy—commodification in the UAE, securitisation in Egypt and religionisation in Saudi Arabia—reflects and is shaped by unique local, regional and global power dynamics. By contextualising these policies within broader frameworks of market forces, security concerns and religious influences, the study offers insights into the complex interplay between cultural policymaking and nation branding in the Arab world. [ABSTRACT FROM AUTHOR]

While the impacts of the COVID-19 pandemic on the live music industry have received much attention, little consideration has been given to regional music production clusters more broadly. Evaluating the impacts of the pandemic on the music economy of North West England, this paper identifies key areas of support required as music businesses transition into a digitally-orientated post-COVID period. Findings demonstrate the ways in which the pandemic encouraged or forced music businesses to innovate with new digital ways of showcasing, promoting and distributing music. Yet, while digitalisation offers many opportunities, these are often difficult for businesses to capitalise upon. The paper argues the need to place business support at the heart of local cultural policy. More specifically, the paper makes the case for a soft institutionalist approach whereby local policymakers, the market and civil society work together to generate and distribute crucial resources of human, financial and social capital. [ABSTRACT FROM AUTHOR]

India has long been known for its film industry and remains by far the largest film producer in the world, surpassing other film-producing superpowers like the US and China. A major factor in India’s dominance in the global media landscape is the outsourcing of film production, especially within Europe. Although there are studies trying to explain the context and mechanisms of foreign settings being incorporated into Indian filmmaking, this knowledge remains scattered and unsystematic. The objective of this paper is to comprehensively examine the evolutionary, spatial, and collaborative dynamics of Indian filmmaking in Europe by analysing statistical data from IMDb as the world’s largest film database. Our findings show that Indian filmmakers appeared relatively infrequently in Europe until the mid-1990s. The British Isles and Western Europe, with London and the Swiss Alps as the main centres, became the first and most popular destinations for outsourcing Indian films. However, this trend has changed in the last two decades, with the focus shifting to other areas in Southern, Central, Eastern, and Northern Europe as well in recent decades. The initial wave of Bollywood productions has gradually been followed by other regional cinematographies. The increasing presence of Indian film shooting in Europe has also led to growing co-production between filmmakers on both (sub)continents. The paper provides a solid basis for further exploration of socio-economic linkages between India and Europe, especially in terms of job creation, local economic development, tourism, and cultural exchange. [ABSTRACT FROM AUTHOR]

This paper seeks to conduct a comprehensive literature review analysing governmental initiatives, particularly public policies, pertaining to the needs of the creative economy (CE). The uniqueness of this paper lies in its unprecedented examination of literature on governmental actions for the CE. The methodology involved executing a rigorous systematic review of literature drawn from multiple credible research sources. The primary objective was to identify the stimuli, impediments and formulation processes across various sectors within the CE. The findings uncover a wide array of stimuli that policymakers can employ to foster the CE. We offer recommendations for constructing a policy framework. [ABSTRACT FROM AUTHOR]

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Problem definition. Solving the problems of an unfavorable investment climate and attracting the necessary investment resources for the reconstruction and recovery of Ukraine is impossible without implementing a thoughtful and effective investment policy. The purpose of the article. Objective of the article is to analyze Ukraine's investment policy in conditions of full-scale Russian aggression and to justify possible directions for its improvement based on modern foreign approaches. Results, scientific novelty, practical significance. Over the past two years, Ukraine has taken several important steps that, even in the conditions of a full-scale war, ensure the inflow of investments into the state's economy ($4.25 billion in 2023). Firstly, priority sectors and industries for stimulating investment have been identified. These sectors ensure the livelihoods of citizens and strengthen the state's defense capabilities and, in the future, will become the locomotive for the recovery of the Ukrainian economy. Among them are military-tech (high-tech weapons), metallurgy, mining, and mechanical engineering; agriculture and food industry; IT sector and startups. Additionally, the energy sector, construction industry, retail, housing, and communal services, and production engaged in mobilization orders, medicine, are extremely important. Secondly, a series of measures have been taken to insure investments against war risks: 1) agreements on risk insurance from international organizations with such practices, particularly the Multilateral Investment Guarantee Agency (MIGA) and the International Finance Corporation (IFC); 2) support from partner countries that provide guarantees to their businesses investing in Ukraine (from the USA, Poland, Germany, the United Kingdom, Denmark, and others); 3) a bill on insurance of investments (including domestic ones) against war and political risks through the Export Credit Agency of Ukraine (ECA). Thirdly, work has been done to provide investors with reliable information about the country's investment potential, including creating an information platform for attracting foreign investments "Advantage Ukraine," which gathers over 500 investment projects and opportunities worth over $400 billion in ten economic sectors. Fourthly, the investment activity infrastructure is constantly developing and improving. The Government of Ukraine pays special attention to industrial parks, for the use of which foreign investors are offered significant tax benefits. As of 2024, there are 76 industrial parks in Ukraine. Among other measures of state investment policy are the resumption of privatization, deepening deregulation processes, harmonization of Ukraine's current legislation with EU norms, particularly regarding the improvement of the customs and tax systems, creating conditions for quick investments, amending the law on so-called "investment nannies," expanding the range of potential investors, etc. Also, several important steps have been taken that positively impacted the state's investment image. Ukraine acquired the status of an EU candidate member; the EU countries and some other countries canceled tariffs and quotas on Ukrainian exports; a transport visa-free regime with the EU was introduced; deferral of tax and customs payments, as well as reporting submission, was implemented; digitization of public services was carried out; the Ukrainian energy system was included in the unified European energy system; Ukrainian businesses demonstrated a high level of flexibility and adaptability, and the country – high resilience and loyalty, etc.

Introduction. Globalization affects cultural management and the creative economy, creating new opportunities and challenges through international integration and technological innovation. The development of effective management strategies in a global environment is becoming increasingly relevant in view of its scientific novelty and practical significance. Purpose and methods. The purpose of the study is to provide a deeper understanding of the impact of globalization on cultural management and the creative economy by analyzing the interactions between global processes and cultural industries. The study focuses on a comprehensive analysis of the impact of globalization on cultural management and the creative economy. In particular, it is based on an integrative approach and the use of system analysis methods. Results. The results of the study show that globalization affects cultural industries, creating new challenges and opportunities. The analysis of globalization processes has shown that changes in the global economic and cultural landscape shape the prospects for the creative sector. In particular, the aspects of digital transformation, intellectual property protection, the role of cultural diversity and international collaboration were explored. Conclusions. The article summarizes the impact of globalization on cultural management and the creative economy, highlighting its role as a catalyst for change that generates challenges and new opportunities in these areas.

ABSTRACT This study systematically reviews Brazil's organizational creativity literature and discusses emerging themes that will enable the field's continued development. Creativity is related to developing and enhancing ideas and has been investigated over a broad scope of perspectives. A search was conducted in the SPELL electronic library from a gap identified in literature review research in the country. The results showed that the field is still young and endogenous, with few partnerships between authors. However, it was also evidenced that the research has gained strength in the last decade, with a tendency to grow. The most investigated themes were organizational creativity and team creativity. In addition, emerging themes such as sociomateriality, artificial intelligence, distributed creativity, polyarchism and ambidexterity, which can leverage the impact of organizational creativity research, are discussed. Finally, specific conditions of the Brazilian context are discussed and presented as a way for national research to contribute for theories of creativity in organizations. We used only the Scientific Periodics Electronic Library (SPELL). Thus, articles from national journals not part of this database were excluded. Further studies may expand research bases and focus on how the themes identified in the article impact organizational creativity and performance.

To advance the understanding of the nature and dynamics of creative entrepreneurship in specific contexts, this paper explores how creative entrepreneurship both shapes and is shaped by its peripheral context. This paper adds to the growing work that is helping us understand that when looking at the periphery through the lens of cultural and creative practice we find a much more nuanced set of relations between place and practice. We focus on geographically separate regions facing the same obstacles of geographic peripherality. Underpinning the findings are semi-structured interviews reflecting the experience of creative entrepreneurs in North East Iceland, Västernorrland in Mid Sweden and the western region of Ireland. While we recognise that problems still exist in the creative industries policy domain, we argue that policy supports would be best designed in line with the characteristics of the sector in particular places. This work also helps to develop knowledge of the multifaceted role of the creative entrepreneur in peripheral societies and economies. [ABSTRACT FROM AUTHOR]

The study explores the complex dynamics of cultural and creative industries and their potential to contribute to the achievement of the Sustainable Development Goals (SDGs). The dual nature of these industries is reviewed, recognizing their potential to have a positive impact on sustainable development while addressing the risks they pose, including environmental threats and the potential for increased social inequality. The main goal of the study was to identify the determinants of asymmetric shocks that influenced the development of cultural and creative industries. To achieve the goal, we used an integrated modeling approach based on panel models with fixed and random effects, as well as a two-stage dynamic panel model. The results of the study made it possible to identify asymmetric shocks that influenced the development of cultural and creative industries, such as the consequences of the pandemic and the war in Ukraine, which led to the energy and migration crises, slower economic growth and increased inflation. The results obtained indicate that the influence of the selected factors on sustainable development is complex and depends on time dynamics. [ABSTRACT FROM AUTHOR]

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The Covid-19 pandemic has precipitated a shift in business transactions from offline to online, presenting opportunities for growth in Semarang City's creative economy sectors such as Applications and Games, Music, Culinary, Fashion, and Crafts. Despite these opportunities, the development of the creative economy in Semarang City appears fragmented and lacks clear direction, compounded by challenges in accessing comprehensive development data. This study aims to identify the factors influencing the inclusive and sustainable development of Semarang City's creative economy. Utilizing primary data from direct surveys and Focus Group Discussions (FGD), alongside secondary data from Semarang City's regional government and the Central Bureau of Statistics (BPS), this research employs the Partial Least Squares (PLS) Analysis Method to analyze these factors. Findings reveal significant ongoing development across Semarang City's creative industries, with culinary (22.9%), music (20.8%), product design (7.08%), fashion (9.91%), and crafts (9.2%) emerging as key subsectors. The study identifies academician and government support as directly influencing the competitive advantage of Semarang City's creative economy, while private sector, community, and media involvement show indirect effects. The model proposes that a collaborative approach involving academicians, government, private sector, community, and media--a Penta Helix framework--is crucial for fostering further growth and mobilizing Semarang City's creative economy. [ABSTRACT FROM AUTHOR]

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The purpose of this paper is to explore the praxis of creative social entrepreneuring as a vehicle for creative emancipation. The main research question asks how the knowledge and practice of entrepreneuring intersects with creative practice, process, and production in the development of a creative social enterprise. This study contributes to entrepreneurship and creative industries literature highlighting the actions of entrepreneurship in connection with concepts of emancipation and empowerment. Additionally, this paper contributes knowledge about the impact of entrepreneurial activities within the context of the creative economy. The study takes a deep-context autoethnographic approach towards the praxis of entrepreneuring by a creative social entrepreneur. Research using an autoethnographic approach of an individual creative social entrepreneur contributes to creative and cultural entrepreneurship research by illuminating the unique challenges and opportunities they face as they navigate entrepreneurship dynamics within the creative economy and uncover the factors that contribute to social innovation. This study aims to illuminate the practices of entrepreneuring that create sustainable opportunities for creative emancipation. This paper addresses calls for contextually embedded studies on entrepreneurship in the creative economy. Ultimately, this paper serves as a catalyst for transdisciplinary studies in the areas of entrepreneurship and the creative economy. [ABSTRACT FROM AUTHOR]

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Periplo Sustentable is the property of Yanelli Daniela Palmas Castrejon and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Periplo Sustentable is the property of Yanelli Daniela Palmas Castrejon and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Periplo Sustentable is the property of Yanelli Daniela Palmas Castrejon and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The relevance of the research topic is that the philosophy of the smart economy as an integration of creativity, creativity, innovation in the context of globalization and the digital era explores the transformation of the modern economy. The focus is on the smart economy, which combines creativity, innovative solutions and entrepreneurship, creating new opportunities for the development of society under the influence of digital technologies and creative thinking. The purpose of the study is to conceptualize the philosophy of the smart economy as an integration of creativity, innovation, and creativity in the context of globalization and the digital era. We try to define the smart economy as an engine of innovation and a basis for economic development that has an impact on entrepreneurial activity. We also analyze the integration of creativity, innovation, and entrepreneurship, which contributes to the formation of a competitive and sustainable economic model. Attention is paid to social and environmental aspects, which are an integral part of a smart economy focused on sustainable development. Methodology. The analysis is based on the importance of a comprehensive approach to economic development that takes into account not only technological innovations but also human capital, social responsibility and environmental sustainability; systemic, structural, and institutional analysis. The results of the study indicate the prospects for the development of a smart economy as an integrative model capable of responding to modern challenges and ensuring the long-term development of society. The scientific novelty is based on the idea of integrating creativity, innovation, and entrepreneurship as key elements of economic growth. Creativity becomes the driving force behind innovation, which in turn stimulates entrepreneurship. This integration allows for the creation of new business models and products that meet the requirements of the modern market. The practical significance of the study is that it has been proven that in a smart economy, new management approaches based on the use of digital technologies, such as artificial intelligence, data analytics, and process automation, are emerging. These approaches help to increase management efficiency, optimize decision-making processes, and ensure the organization's flexibility in the face of rapid change. [ABSTRACT FROM AUTHOR]

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This article introduces a conceptual model aimed at nurturing the creative economy within waterfront cities, spotlighting Palembang and Surabaya in Indonesia as case studies. The model seeks to uncover underlying trends that fortify creative economic endeavors in these localities, presenting them within a conceptual framework diagram. The research underscores the significance of establishing a conceptual model for optimal practices in creative economy development, specifically tailored to fortify the waterfront areas of Palembang and Surabaya. This study utilized qualitative methods in a sequential approach to assess current field conditions, develop a conceptual model, and integrate diverse data sources, including literature, focus group discussions, and in-depth interviews. The article explores the crucial contributions of various stakeholders -- academia, businesses, communities, government, and media -- in driving the growth of the creative economy within waterfront cities. It also emphasizes essential dimensions such as human resources, technology, geography, policy, and sustainability as pivotal factors in strengthening programs that foster the creative economy in waterfront city areas in Indonesia. [ABSTRACT FROM AUTHOR]

The modern information society is marked by the predominant role of the knowledge-based economy, which is based on the synergy of intellectual and creative assets, new ideas and concepts, knowledge, and innovative discoveries. Simultaneously, emerging trends in sustainable growth are primarily manifested in the creative economy. Concurrently, the development of the information society in the context of the digital revolution, being the driver of the growth of the modern economic system, creates specific risks of social inequality due to the presence of digital parity. This article fills the gap by highlighting the significance of the potential for participation of youth and older people in the creative sector in the context of overcoming the risks of social exclusion in the context of the development of the information society. The hypotheses posed in the study were confirmed based on the use of economic and mathematical modeling. The information transformation of society with the strengthening of factors for the development of the creative economy creates new opportunities and new solidarities for sustainable development, making it possible to mitigate the risks of social exclusion of young people and older people. [ABSTRACT FROM AUTHOR]

Despite the huge development of creative industries, 92.37 % of creative industry players in Indonesia are autonomously self-supported and are not supported by any external financing, especially banking credit. Indonesian Government has taken progressive measures through the issuance of Law Number 24 / 2019 on Creative Economy and Government Regulation Number 24 / 2022 on the Implementation of Creative Economy Law to support the Indonesian creative economy businesses by formulating Intellectual Property (IP)-based financing. This study aims to examine the preparatory steps, the procedure of collateral binding and registration that must be carried out by notaries also examine the requirement concerning legal, procedural and technical support in the implementation IP-based financing in Indonesia from notaries perspective. The study shows that several crucial points need to be followed up through synergy and collaboration related to the scope of the notary's role in making authentic deeds for IP-based financing and collateral binding in the form of legal infrastructure, procedural guidelines and technology facilitation in the form of the reliable digital infrastructure that provides comprehensive databases that can carry out the inventorying function, verification, and recording of registered IPs, IP as fiduciary collateral, and IP-based collateral through the synergy of relevant ministries, financial service authority, banking institutions and notaries themselves. [ABSTRACT FROM AUTHOR]

Copyright of Diálogo com a Economia Criativa is the property of Dialogo com a Economia Criativa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)