38 results on '"chinese ink"'
Search Results
2. Reproducing ancient Chinese ink depending on gelatin/chitosan and modern experimental methodology
- Author
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Zhen Liu and Kun Liu
- Subjects
Chinese culture ,Chinese ink ,Chitosan ,Gelatin ,Calligraphy ,Fine Arts ,Analytical chemistry ,QD71-142 - Abstract
Abstract Chinese ink has very special significance for presentation of artistic effects and preservation of works of art; however, wasted nonrenewable resources, potential toxicity, and complex and inefficient production technologies have limited the development of inks for traditional Chinese culture. Herein, environmentally friendly, practical and antibacterial Chinese ink was prepared by facile heating-stirring of gelatin and the natural polysaccharide chitosan. The internal composition, viscosity, morphology, particle size and antibacterial properties of the ink were characterized by Fourier transform-infrared spectroscopy, X-ray photoelectron spectroscopy, scanning electron microscopy and bacteriostatic zone tests. The results showed that commercial ink (CM) spread easily on Xuan paper and led to imperfect artwork, while the chitosan and gelatin ink (CG) showed good adhesion and stability on Xuan paper. Based on this study, we believe that the good performance of CG ink should be attributed to restrictions arising from its internal chitosan and gelatin network, which restrict diffusion. Finally, the author used CG ink to display traditional Chinese calligraphy and landscape painting and believes that it has significant application prospects and will be used in large-scale production.
- Published
- 2022
- Full Text
- View/download PDF
3. Investigation of the manufacture development of early Chinese ink in the Western Han dynasty.
- Author
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Ren, Meng, Guan, Li, Wang, Na, Xu, Changqing, Cui, Yaping, He, Donghong, Wang, Changsui, and Yang, Yimin
- Subjects
- *
WOOD pellets , *PYROLYSIS gas chromatography , *GAS chromatography/Mass spectrometry (GC-MS) , *ARCHAEOLOGICAL discoveries , *INK , *PLANT extracts ,HAN dynasty, China, 202 B.C.-220 A.D. - Abstract
Chinese ink, generally produced in a stick form, was often like pellets before the Western Han dynasty (202 bce–8 ce) according to literary records and a few archaeological discoveries. However, their composition and manufacture have not been scientifically analysed to date. In this study, the ink pellets roughly dated to 2000 years ago from two royal tombs of the Han dynasty (the Nanyue King's tomb and the Marquis of Haihun's tomb) were analyzed by micro‐/non‐destructive methods, including synchrotron radiation‐based micro‐computed tomography (SR‐μCT), Fourier‐transform infrared spectroscopy (FTIR) and pyrolysis gas chromatography mass spectrometry (Py‐GC/MS). The results reveal that they were made from pine soot, and the production technology of the later Haihun ink was more complex than that of the earlier Nanyue King ink. The microstructure of the ink pellets indicated that some kind of glue should be used in the Haihun ink, which is the earliest case of glue addition. Moreover, plant extracts, including borneol and cedar oil, were detected in the Haihun ink, reflecting another aspect of progress in ink production history. These technical breakthroughs imply that the Western Han dynasty is a critical period for the development of traditional ink manufacture, and the shape transformation of Chinese ink is closely related to the evolution of ink production technology during this specific period. [ABSTRACT FROM AUTHOR]
- Published
- 2022
- Full Text
- View/download PDF
4. Reproducing ancient Chinese ink depending on gelatin/chitosan and modern experimental methodology.
- Author
-
Liu, Zhen and Liu, Kun
- Subjects
- *
CHINESE painting , *GELATIN , *CHITOSAN , *X-ray photoelectron spectroscopy , *ART conservation & restoration , *LANDSCAPE painting - Abstract
Chinese ink has very special significance for presentation of artistic effects and preservation of works of art; however, wasted nonrenewable resources, potential toxicity, and complex and inefficient production technologies have limited the development of inks for traditional Chinese culture. Herein, environmentally friendly, practical and antibacterial Chinese ink was prepared by facile heating-stirring of gelatin and the natural polysaccharide chitosan. The internal composition, viscosity, morphology, particle size and antibacterial properties of the ink were characterized by Fourier transform-infrared spectroscopy, X-ray photoelectron spectroscopy, scanning electron microscopy and bacteriostatic zone tests. The results showed that commercial ink (CM) spread easily on Xuan paper and led to imperfect artwork, while the chitosan and gelatin ink (CG) showed good adhesion and stability on Xuan paper. Based on this study, we believe that the good performance of CG ink should be attributed to restrictions arising from its internal chitosan and gelatin network, which restrict diffusion. Finally, the author used CG ink to display traditional Chinese calligraphy and landscape painting and believes that it has significant application prospects and will be used in large-scale production. [ABSTRACT FROM AUTHOR]
- Published
- 2022
- Full Text
- View/download PDF
5. Chinese ink-facilitated fabrication of paper-based composites as electrodes for supercapacitors
- Author
-
Weili Yan, Zhuohao Xiao, Xiuying Li, Xiang Wu, and Ling Bing Kong
- Subjects
chinese ink ,carbon nanofibers ,paper-based ,electrodeposition ,supercapacitors ,Materials of engineering and construction. Mechanics of materials ,TA401-492 - Abstract
Commercial Chinese ink was employed to disperse pristine vapor-grown carbon nanofibers (VGCNFs) in aqueous suspensions via horizontal ball milling. The obtained suspension was used to fabricate conductive paper-based composites through filtration-deposition onto filter paper. It was found that the carbon black particles from the Chinese ink helped separate VGCNFs and acted as connection points between the VGCNFs, while the glue reinforced the conduction network. Thus, the VGCNF-ink/paper ternary composite showed sufficiently low sheet resistance. With merely 2.5 mg·cm−2 VGCNFs, the sheet resistance could be reduced to 4.5 Ω·sq−1. As a proof of concept, these paper-based composites were directly used as electrodes of solid-state symmetric electronic double-layer capacitors (EDLCs) and the substrate for the electrodeposition of MnO2 to achieve higher electrochemical performances. The EDLCs fabricated with 2.5 mg·cm−2 VGCNFs showed a specific capacitance of 224 mF·cm−2 at a current density of 1 mA·cm−2, which was retained by 86.4% after 10,000 charge-discharge cycles. Moreover, thanks to the high electrical conductivity and the porous structure, the MnO2 decorated paper-based composites exhibited dramatically enhanced specific capacitance. It is believed that our finding offers an idea to directly utilize commercial Chinese ink for the fabrication of electrode materials.
- Published
- 2021
- Full Text
- View/download PDF
6. Chinese ink-facilitated fabrication of paper-based composites as electrodes for supercapacitors.
- Author
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Yan, Weili, Xiao, Zhuohao, Li, Xiuying, Wu, Xiang, and Kong, Ling Bing
- Subjects
- *
SUPERCAPACITORS , *CARBON nanofibers , *ELECTRODES , *ELECTRIC conductivity , *FILTER paper , *CARBON-black - Abstract
Commercial Chinese ink was employed to disperse pristine vapor-grown carbon nanofibers (VGCNFs) in aqueous suspensions via horizontal ball milling. The obtained suspension was used to fabricate conductive paper-based composites through filtration-deposition onto filter paper. It was found that the carbon black particles from the Chinese ink helped separate VGCNFs and acted as connection points between the VGCNFs, while the glue reinforced the conduction network. Thus, the VGCNF-ink/paper ternary composite showed sufficiently low sheet resistance. With merely 2.5 mg·cm−2 VGCNFs, the sheet resistance could be reduced to 4.5 Ω·sq−1. As a proof of concept, these paper-based composites were directly used as electrodes of solid-state symmetric electronic double-layer capacitors (EDLCs) and the substrate for the electrodeposition of MnO2 to achieve higher electrochemical performances. The EDLCs fabricated with 2.5 mg·cm−2 VGCNFs showed a specific capacitance of 224 mF·cm−2 at a current density of 1 mA·cm−2, which was retained by 86.4% after 10,000 charge-discharge cycles. Moreover, thanks to the high electrical conductivity and the porous structure, the MnO2 decorated paper-based composites exhibited dramatically enhanced specific capacitance. It is believed that our finding offers an idea to directly utilize commercial Chinese ink for the fabrication of electrode materials. [ABSTRACT FROM AUTHOR]
- Published
- 2021
- Full Text
- View/download PDF
7. Metanalysis: A connected-wall video installation based on the movement of traditional Chinese ink painting
- Abstract
The authors present the visual display installation as the basis for creating the artwork series 'Metanalysis'. The work explores the visual algorithmic representation of traditional Chinese ink painting and provides a video installation designed to showcase this visualization project. Exploring these visual representations is an attempt to understand and modernize expressions in the developing digital age visually. These visual displays are rendered in real-time and produced one after another in a continuous overlap and accumulation of black ink lines to reflect the specific random and malleable characteristics of the ink. They were eventually using mathematical algorithms to generate synthetic images that mimic the process of staining ink. The value of this paper lies in the fact that it proposes a new path for the expression of traditional Chinese ink painting and aims to bring the nonvitality classic art back to the stage through digital forms and to provide contemporary artists with new ideas to promote traditional culture. © 2022 IEEE.
- Published
- 2023
8. Chinese ink-promoted co-assembly synthesis of 3D hierarchically structured and porous MoCx/C nanocomposites for highly efficient hydrogen evolution reaction.
- Author
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Fan, Xueliang, Zhang, Hongbin, Gao, Boxu, Lu, Haiyang, Zheng, Luyao, Yang, Xue, Zhang, Yahong, Gao, Qingsheng, and Tang, Yi
- Subjects
- *
HYDROGEN evolution reactions , *NANOCOMPOSITE materials , *POROUS materials , *CHEMICAL energy , *PLASMA sheaths , *ENERGY storage - Abstract
To explore high-performance carbide catalysts for hydrogen evolution reaction (HER), the rational design of hierarchically porous catalyst benefitting active-site exposure and fast mass transport is extremely demanded. Herein, Chinese ink (CI), used for writing and drawing for thousands of years, is adopted to promote the formation of co-assembly of carbon nanoparticles and Mo-based lamellar organic-inorganic hybrids, which, after pyrolysis in Ar atmosphere, is further converted to 3D hierarchically structured and porous MoC x /C nanocomposites (HSP-MoC x /C) for high-efficient HER. Their skeleton structure, porosity, carbon amounts, phase composition and active species dispersity are well modulated by simply tuning the CI dosage in starting mixture, and its mechanism is monitored via a series of physicochemical characterization techniques. The optimal composite exhibits remarkable HER activity with low overpotentials of 112 and 86 mV at current density of 10 mA cm−2, and the small Tafel slopes of 52 and 50 mV dec−1 in 0.5 M H 2 SO 4 and 1 M KOH solution, respectively. Such performance stems from the combined effects of enhanced ion/mass transport, abundant exposed active sites and high conductivity due to the 3D hierarchically skeleton architecture of catalysts. This work paves a new strategy to design hierarchically porous materials for chemical conversion and energy storage. Image 1 [ABSTRACT FROM AUTHOR]
- Published
- 2020
- Full Text
- View/download PDF
9. Solar-driven interfacial evaporation based on double-layer polylactic acid fibrous membranes loading Chinese ink nanoparticles.
- Author
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Ding, Qin, Guan, Changfeng, Li, Haoyi, Shi, Meinong, Yang, Weimin, Yan, Hua, Zuo, Xiahua, An, Ying, Ramakrishna, Seeram, Mohankumar, Palanisamy, and Zhang, Fenghua
- Subjects
- *
POLYLACTIC acid , *FIELD emission electron microscopy , *POLYACRYLONITRILES , *REVERSE osmosis process (Sewage purification) , *SALINE water conversion , *FOSSIL fuels , *ALTERNATIVE fuels , *SEWAGE - Abstract
• An innovative interfacial evaporation module was prepared by electrospinning. • The evaporation rate is 1.29 kg m−2 h−1 under sunlight irradiation with 1 sun. • The evaporation efficiency is 81.0% under sunlight irradiation with 1 sun. • The fibrous membranes exhibiting the long-term durability and good reusability. Freshwater is a crucial resource for human life existence, diminishing freshwater resources and ever-increasing water demand had sprouted interest in desalination and water recycling. Solar energy has been utilized as an alternative to fossil fuels for energy requirements in water recycling. Efficient photo-thermal conversion materials and evaporation module are indispensable for such systems. In the current study, an innovative double-layer interfacial evaporation module of polylactic acid (PLA) fibrous membrane loaded with Chinese ink nanoparticles is synthesized. Electrospun layer of micro-scale diameter with enhanced hydrophilic properties is employed as water transport layer, while solution of electrospun layer of nano-scale diameter fiber loaded with Chinese ink nanoparticles functioned as evaporation interface. Ideal dispersion of Chinese ink nanoparticles in the PLA nanofiber is ensured with Field Emission Scanning Electron Microscopy (FE-SEM). Experiments with designed evaporation module indicates that double-layer membrane with 2 wt% Chinese ink nanoparticles has achieved an evaporation rate of at 1.29 kg cm−2 h−1 at 81.0% efficiency under simulated sunlight with a illumination intensity of 1 sun (1 sun = 1 kW/m2), which is significantly higher than the pure water and conventional membranes without Chinese ink nanoparticles. The developed fibrous membrane is able to retain its enhanced characteristics even after 20 cycles under same operating conditions during the durability test. The designed evaporation module is a promising candidate for conversion of waste water to clean water. [ABSTRACT FROM AUTHOR]
- Published
- 2020
- Full Text
- View/download PDF
10. Inspiration From Chinese Painting: A Feasibility Study of Using Chinese Ink as Pigment Colorant for a Wearable Art Collection.
- Author
-
Zhang, Ling, Xiang, Chunhui, and Sanders, Eulanda A.
- Abstract
Pigments are the most commonly used colorations, due to their ease of accessibility, and have been used for textile printing and pad-dyeing processes for many decades. This research on pigment dyeing was conducted as part of a wearable art design project inspired by the techniques and aesthetics of traditional Chinese painting. To preserve the spirit of the Chinese paintings, silk and cotton fabrics were used in submersion pigment dyeing and direct painting experiments with Chinese ink to determine their color strength, colorfastness, and fabric properties. Due to the results, the researchers were confident in the viability of using Chinese ink as the pigment colorant for dip dyeing and direct silk painting in the wearable arts. This research was also intended for students and designers as an example of how to use practical concepts of textile testing in innovative apparel design projects. [ABSTRACT FROM AUTHOR]
- Published
- 2019
- Full Text
- View/download PDF
11. Chinese ink-facilitated fabrication of paper-based composites as electrodes for supercapacitors
- Author
-
Ling Bing Kong, Zhuohao Xiao, Xiang Wu, Xiuying Li, Weili Yan, and School of Materials Science and Engineering
- Subjects
Supercapacitor ,Chinese Ink ,supercapacitors ,Fabrication ,Aqueous solution ,Materials science ,Materials [Engineering] ,Inkwell ,Carbon nanofiber ,chinese ink ,paper-based ,Carbon Nanofibers ,Mechanics of Materials ,Electrode ,carbon nanofibers ,electrodeposition ,TA401-492 ,General Materials Science ,Composite material ,Suspension (vehicle) ,Materials of engineering and construction. Mechanics of materials ,Ball mill ,Civil and Structural Engineering - Abstract
Commercial Chinese ink was employed to disperse pristine vapor-grown carbon nanofibers (VGCNFs) in aqueous suspensions via horizontal ball milling. The obtained suspension was used to fabricate conductive paper-based composites through filtration-deposition onto filter paper. It was found that the carbon black particles from the Chinese ink helped separate VGCNFs and acted as connection points between the VGCNFs, while the glue reinforced the conduction network. Thus, the VGCNF-ink/paper ternary composite showed sufficiently low sheet resistance. With merely 2.5 mg·cm−2 VGCNFs, the sheet resistance could be reduced to 4.5 Ω·sq−1. As a proof of concept, these paper-based composites were directly used as electrodes of solid-state symmetric electronic double-layer capacitors (EDLCs) and the substrate for the electrodeposition of MnO2 to achieve higher electrochemical performances. The EDLCs fabricated with 2.5 mg·cm−2 VGCNFs showed a specific capacitance of 224 mF·cm−2 at a current density of 1 mA·cm−2, which was retained by 86.4% after 10,000 charge-discharge cycles. Moreover, thanks to the high electrical conductivity and the porous structure, the MnO2 decorated paper-based composites exhibited dramatically enhanced specific capacitance. It is believed that our finding offers an idea to directly utilize commercial Chinese ink for the fabrication of electrode materials.
- Published
- 2021
12. Chinese ink: High performance nanofluids for solar energy.
- Author
-
Wang, Han, Yang, Weimin, Cheng, Lisheng, Guan, Changfeng, and Yan, Hua
- Subjects
- *
SOLAR thermal energy , *NANOFLUIDS , *OPTICAL dispersion , *SPECTROPHOTOMETERS , *RAW materials , *METAL nanoparticles - Abstract
Nanofluids have shown competitive performance on solar thermal collection. This work proposes the application of Chinese ink as nanofluid in solar photo-thermal conversion. The dispersion stability of the nanofluid was characterized by spectrophotometer. Compared with reported Cu, CuO nanofluids, that of Chinese ink has shown more satisfied stability of dispersion. The obtained results reveal that the nanofluid of Chinese ink has surprisingly higher efficiency of photo-thermal conversion than that of Cu and CuO nanoparticles. Carbon black is determined for Chinese ink nanofluid to convert solar photo to heat. Bone glue coated on the surface of Chinese ink nanoparticle also plays a significant role that it prevents the carbon black nanoparticles from aggregation and deposition. The preparation process of Chinese ink is pretty simple and the raw materials are cheap and widely available, which promises the large-scale industrial applications of Chinese ink for solar thermal collections. [ABSTRACT FROM AUTHOR]
- Published
- 2018
- Full Text
- View/download PDF
13. Ilustración de Relatos: Un acercamiento visual a los escritos de E.A.Poe
- Abstract
[ES] El proyecto trata la creación de 10 ilustraciones basadas en diversos relatos del autor estadounidense Edgar Allan Poe, conocido renovador de la novela gótica y precursor del relato corto; estas láminas de dibujo pretenden reflejar el lado misterioso y poético de este género, dando un acompañamiento visual a estos escritos. El planteamiento es producir una ilustración por relato en un tamaño A4, que funcionará como página inicial de cada uno de estos, y así mismo como lámina independiente de dibujo. El acercamiento metodológico pensado es que, de forma mayoritaria, se utilice la técnica tradicional de la tinta china con plumilla, y en menor medida el digital, este sobre todo será utilizado para bocetos, retoque y maquetación; esta última será una simulación texto-imagen, que proporcionará un acercamiento a una futura producción editorial., [EN] The project involves the creation of 10 illustrations based on various stories by the American author Edgar Allan Poe, a well-known renovator of the gothic novel and precursor of the short story; these drawing sheets aim to reflect the mysterious and poetic side of this genre, providing a visual accompaniment to these writings. The approach is to produce one illustration per story in A4 size, which will function as the initial page of each story, and also as an independent drawing sheet. The methodological approach is that, for the most part, the traditional technique of Chinese ink with nib will be used, and to a lesser extent digital, which will be used mainly for sketches, retouching and layout; the latter will be a text-image simulation, which will provide an approach to a future editorial production.
- Published
- 2021
14. Ilustración de Relatos: Un acercamiento visual a los escritos de E.A.Poe
- Abstract
[ES] El proyecto trata la creación de 10 ilustraciones basadas en diversos relatos del autor estadounidense Edgar Allan Poe, conocido renovador de la novela gótica y precursor del relato corto; estas láminas de dibujo pretenden reflejar el lado misterioso y poético de este género, dando un acompañamiento visual a estos escritos. El planteamiento es producir una ilustración por relato en un tamaño A4, que funcionará como página inicial de cada uno de estos, y así mismo como lámina independiente de dibujo. El acercamiento metodológico pensado es que, de forma mayoritaria, se utilice la técnica tradicional de la tinta china con plumilla, y en menor medida el digital, este sobre todo será utilizado para bocetos, retoque y maquetación; esta última será una simulación texto-imagen, que proporcionará un acercamiento a una futura producción editorial., [EN] The project involves the creation of 10 illustrations based on various stories by the American author Edgar Allan Poe, a well-known renovator of the gothic novel and precursor of the short story; these drawing sheets aim to reflect the mysterious and poetic side of this genre, providing a visual accompaniment to these writings. The approach is to produce one illustration per story in A4 size, which will function as the initial page of each story, and also as an independent drawing sheet. The methodological approach is that, for the most part, the traditional technique of Chinese ink with nib will be used, and to a lesser extent digital, which will be used mainly for sketches, retouching and layout; the latter will be a text-image simulation, which will provide an approach to a future editorial production.
- Published
- 2021
15. Ilustración de Relatos: Un acercamiento visual a los escritos de E.A.Poe
- Abstract
[ES] El proyecto trata la creación de 10 ilustraciones basadas en diversos relatos del autor estadounidense Edgar Allan Poe, conocido renovador de la novela gótica y precursor del relato corto; estas láminas de dibujo pretenden reflejar el lado misterioso y poético de este género, dando un acompañamiento visual a estos escritos. El planteamiento es producir una ilustración por relato en un tamaño A4, que funcionará como página inicial de cada uno de estos, y así mismo como lámina independiente de dibujo. El acercamiento metodológico pensado es que, de forma mayoritaria, se utilice la técnica tradicional de la tinta china con plumilla, y en menor medida el digital, este sobre todo será utilizado para bocetos, retoque y maquetación; esta última será una simulación texto-imagen, que proporcionará un acercamiento a una futura producción editorial., [EN] The project involves the creation of 10 illustrations based on various stories by the American author Edgar Allan Poe, a well-known renovator of the gothic novel and precursor of the short story; these drawing sheets aim to reflect the mysterious and poetic side of this genre, providing a visual accompaniment to these writings. The approach is to produce one illustration per story in A4 size, which will function as the initial page of each story, and also as an independent drawing sheet. The methodological approach is that, for the most part, the traditional technique of Chinese ink with nib will be used, and to a lesser extent digital, which will be used mainly for sketches, retouching and layout; the latter will be a text-image simulation, which will provide an approach to a future editorial production.
- Published
- 2021
16. Ilustración de Relatos: Un acercamiento visual a los escritos de E.A.Poe
- Abstract
[ES] El proyecto trata la creación de 10 ilustraciones basadas en diversos relatos del autor estadounidense Edgar Allan Poe, conocido renovador de la novela gótica y precursor del relato corto; estas láminas de dibujo pretenden reflejar el lado misterioso y poético de este género, dando un acompañamiento visual a estos escritos. El planteamiento es producir una ilustración por relato en un tamaño A4, que funcionará como página inicial de cada uno de estos, y así mismo como lámina independiente de dibujo. El acercamiento metodológico pensado es que, de forma mayoritaria, se utilice la técnica tradicional de la tinta china con plumilla, y en menor medida el digital, este sobre todo será utilizado para bocetos, retoque y maquetación; esta última será una simulación texto-imagen, que proporcionará un acercamiento a una futura producción editorial., [EN] The project involves the creation of 10 illustrations based on various stories by the American author Edgar Allan Poe, a well-known renovator of the gothic novel and precursor of the short story; these drawing sheets aim to reflect the mysterious and poetic side of this genre, providing a visual accompaniment to these writings. The approach is to produce one illustration per story in A4 size, which will function as the initial page of each story, and also as an independent drawing sheet. The methodological approach is that, for the most part, the traditional technique of Chinese ink with nib will be used, and to a lesser extent digital, which will be used mainly for sketches, retouching and layout; the latter will be a text-image simulation, which will provide an approach to a future editorial production.
- Published
- 2021
17. Ilustración de Relatos: Un acercamiento visual a los escritos de E.A.Poe
- Author
-
Pons Navarro, Patricia
- Subjects
Dibujo ,Illustration ,Stories ,Chinese ink ,Edgar Allan Poe ,Layout ,Drawing ,Grado en Bellas Artes-Grau en Belles Arts ,Ilustración ,Relatos ,Maquetación ,Tinta china - Abstract
[ES] El proyecto trata la creación de 10 ilustraciones basadas en diversos relatos del autor estadounidense Edgar Allan Poe, conocido renovador de la novela gótica y precursor del relato corto; estas láminas de dibujo pretenden reflejar el lado misterioso y poético de este género, dando un acompañamiento visual a estos escritos. El planteamiento es producir una ilustración por relato en un tamaño A4, que funcionará como página inicial de cada uno de estos, y así mismo como lámina independiente de dibujo. El acercamiento metodológico pensado es que, de forma mayoritaria, se utilice la técnica tradicional de la tinta china con plumilla, y en menor medida el digital, este sobre todo será utilizado para bocetos, retoque y maquetación; esta última será una simulación texto-imagen, que proporcionará un acercamiento a una futura producción editorial., [EN] The project involves the creation of 10 illustrations based on various stories by the American author Edgar Allan Poe, a well-known renovator of the gothic novel and precursor of the short story; these drawing sheets aim to reflect the mysterious and poetic side of this genre, providing a visual accompaniment to these writings. The approach is to produce one illustration per story in A4 size, which will function as the initial page of each story, and also as an independent drawing sheet. The methodological approach is that, for the most part, the traditional technique of Chinese ink with nib will be used, and to a lesser extent digital, which will be used mainly for sketches, retouching and layout; the latter will be a text-image simulation, which will provide an approach to a future editorial production.
- Published
- 2021
18. Calligraphy and Kirigami/Origami-Inspired All-Paper Touch-Temperature Sensor with Stimulus Discriminability.
- Author
-
Liu X, Sun J, Tong Y, Zhang M, Wang X, Guo S, Han X, Zhao X, Tang Q, and Liu Y
- Abstract
The use of cost-effective renewable raw materials to develop electronic devices has been strongly demanded for sustainable and biodegradable green electronics. Here, by taking inspiration from the traditional calligraphy and kirigami/origami arts, we show a novel cuttable and foldable all-paper touch-temperature sensors fabricated by simply brushing the carbon black ink onto the cellulose paper followed by a layer-layer lamination strategy. The use of environmentally friendly common commodities in daily life including carbon black ink and cellulose paper as the main component materials of sensors effectively lowers the cost and has positive impacts on the environment and health. The sensors can be freely cut or folded into the targeted shapes and can even reversibly morph between 2D and 3D configurations without affecting device function. Additionally, the sensors show a discrimination capability toward pressure and temperature. Our fabrication strategy provides a promising approach for creating the low-cost eco-friendly sensors with a versatile pattern design and a morphing shape without sacrificing the global structural integrity and device functionality.
- Published
- 2023
- Full Text
- View/download PDF
19. Fabrication and characterization of smart fabric using energy storage fibres.
- Author
-
Zhang, Ruirong, Xu, Yanmeng, Harrison, David, Fyson, John, Southee, Darren, and Tanwilaisiri, Anan
- Subjects
ENERGY storage ,ELECTROTEXTILES ,FIBERS ,SUPERCAPACITORS ,SMART materials ,ELECTRIC capacity - Abstract
Fibre supercapacitors were designed and manufactured using a dip-coating method. Their electrochemical properties were characterized using a VersaSTAT 3 workstation. Chinese ink with a fine dispersion of carbon and binder was coated as the electrode material. The specific capacitance per unit length of a copper fibre supercapacitor with the length of 41 cm reached 34.5 mF/cm. When this fibre supercapacitor was bent on rods with a diameter of 10.5 cm, the specific capacitance per length was 93% of the original value (without bending). It showed that these fibre supercapacitors have good flexibility and energy storage capacity. Furthermore, the fibre supercapacitor in the fabric showed the same capacitance before and after weaving. [ABSTRACT FROM AUTHOR]
- Published
- 2015
- Full Text
- View/download PDF
20. 131 TWN.Incorporación de la tinta china a la pintura con acrílico
- Abstract
[ES] El objetivo que persigue el siguiente trabajo de fin de grado titulado 131 TWN. Incorporación de la tinta china a la pintura con acrílico, es el de participar en la divulgación intercultural a través de la pintura. Para ello, han sido escogidos y estudiados ciertos rasgos que inspiran el arte tradicional de China. Además, retrata la actualidad sociocultural de la actualmente conocida como Taiwán. Desembocando todo esto en un proyecto el cual, a través de una técnica considerada como contemporánea, como es el acrílico, se fusiona con la tinta china, una técnica milenaria, unificando ambas técnicas y experimentando de este modo un lenguaje propio. De esta forma, se muestran al espectador algunos rasgos de la actual sociedad de Taiwán. Todo esto bajo la interpretación de la autora, quien pese a no pertenecer a esta cultura, ha tenido la oportunidad tanto de aprender como de convivir en la misma., [EN] 131 TWN. Incorporation of Chinese ink into acrylic paint. Pursues the objective of participate into the intercultural divulgation through the painting. Some characteristics of traditional Chinese art have been studied. Furthermore, this project shows some aspects of today's Taiwan's culture and society. This project reflects the use and mix of a millenary technique which is the Chinese ink with the use of a technique which has been considered part of the contemporary art, the acrylic paint. Even though the artist doesn't belong to Taiwan's society, all this exploration has been done under the self-experience of the author of this project in Taiwan.
- Published
- 2020
21. 131 TWN.Incorporación de la tinta china a la pintura con acrílico
- Abstract
[ES] El objetivo que persigue el siguiente trabajo de fin de grado titulado 131 TWN. Incorporación de la tinta china a la pintura con acrílico, es el de participar en la divulgación intercultural a través de la pintura. Para ello, han sido escogidos y estudiados ciertos rasgos que inspiran el arte tradicional de China. Además, retrata la actualidad sociocultural de la actualmente conocida como Taiwán. Desembocando todo esto en un proyecto el cual, a través de una técnica considerada como contemporánea, como es el acrílico, se fusiona con la tinta china, una técnica milenaria, unificando ambas técnicas y experimentando de este modo un lenguaje propio. De esta forma, se muestran al espectador algunos rasgos de la actual sociedad de Taiwán. Todo esto bajo la interpretación de la autora, quien pese a no pertenecer a esta cultura, ha tenido la oportunidad tanto de aprender como de convivir en la misma., [EN] 131 TWN. Incorporation of Chinese ink into acrylic paint. Pursues the objective of participate into the intercultural divulgation through the painting. Some characteristics of traditional Chinese art have been studied. Furthermore, this project shows some aspects of today's Taiwan's culture and society. This project reflects the use and mix of a millenary technique which is the Chinese ink with the use of a technique which has been considered part of the contemporary art, the acrylic paint. Even though the artist doesn't belong to Taiwan's society, all this exploration has been done under the self-experience of the author of this project in Taiwan.
- Published
- 2020
22. 131 TWN.Incorporación de la tinta china a la pintura con acrílico
- Abstract
[ES] El objetivo que persigue el siguiente trabajo de fin de grado titulado 131 TWN. Incorporación de la tinta china a la pintura con acrílico, es el de participar en la divulgación intercultural a través de la pintura. Para ello, han sido escogidos y estudiados ciertos rasgos que inspiran el arte tradicional de China. Además, retrata la actualidad sociocultural de la actualmente conocida como Taiwán. Desembocando todo esto en un proyecto el cual, a través de una técnica considerada como contemporánea, como es el acrílico, se fusiona con la tinta china, una técnica milenaria, unificando ambas técnicas y experimentando de este modo un lenguaje propio. De esta forma, se muestran al espectador algunos rasgos de la actual sociedad de Taiwán. Todo esto bajo la interpretación de la autora, quien pese a no pertenecer a esta cultura, ha tenido la oportunidad tanto de aprender como de convivir en la misma., [EN] 131 TWN. Incorporation of Chinese ink into acrylic paint. Pursues the objective of participate into the intercultural divulgation through the painting. Some characteristics of traditional Chinese art have been studied. Furthermore, this project shows some aspects of today's Taiwan's culture and society. This project reflects the use and mix of a millenary technique which is the Chinese ink with the use of a technique which has been considered part of the contemporary art, the acrylic paint. Even though the artist doesn't belong to Taiwan's society, all this exploration has been done under the self-experience of the author of this project in Taiwan.
- Published
- 2020
23. 131 TWN.Incorporación de la tinta china a la pintura con acrílico
- Author
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Valero Garcia, Angela
- Subjects
Sociedad ,Acrylic painting ,Chinese ink ,DIBUJO ,Tradición ,Orientalism ,Multicultural ,Grado en Bellas Artes-Grau en Belles Arts ,Arte ,Society ,Orientalismo ,Pintura acrílica ,Art ,Multiculturalidad ,Tinta china ,Tradition - Abstract
[ES] El objetivo que persigue el siguiente trabajo de fin de grado titulado 131 TWN. Incorporación de la tinta china a la pintura con acrílico, es el de participar en la divulgación intercultural a través de la pintura. Para ello, han sido escogidos y estudiados ciertos rasgos que inspiran el arte tradicional de China. Además, retrata la actualidad sociocultural de la actualmente conocida como Taiwán. Desembocando todo esto en un proyecto el cual, a través de una técnica considerada como contemporánea, como es el acrílico, se fusiona con la tinta china, una técnica milenaria, unificando ambas técnicas y experimentando de este modo un lenguaje propio. De esta forma, se muestran al espectador algunos rasgos de la actual sociedad de Taiwán. Todo esto bajo la interpretación de la autora, quien pese a no pertenecer a esta cultura, ha tenido la oportunidad tanto de aprender como de convivir en la misma., [EN] 131 TWN. Incorporation of Chinese ink into acrylic paint. Pursues the objective of participate into the intercultural divulgation through the painting. Some characteristics of traditional Chinese art have been studied. Furthermore, this project shows some aspects of today's Taiwan's culture and society. This project reflects the use and mix of a millenary technique which is the Chinese ink with the use of a technique which has been considered part of the contemporary art, the acrylic paint. Even though the artist doesn't belong to Taiwan's society, all this exploration has been done under the self-experience of the author of this project in Taiwan.
- Published
- 2020
24. Chinese Ink
- Author
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Gooch, Jan W. and Gooch, Jan W., editor
- Published
- 2011
- Full Text
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25. Rheological properties of deionized Chinese ink
- Author
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Kimura, Hiroshi, Nakayama, Yasushi, Tsuchida, Akira, and Okubo, Tsuneo
- Subjects
- *
DEFORMATIONS (Mechanics) , *BINDING agents , *VISCOSITY , *COLLOIDS - Abstract
Abstract: Rheological properties for Chinese ink in exhaustively deionized aqueous media were carefully examined. In the steady shear measurement, the shear viscosities of the ink could be well explained by considering the “effective” volume fraction of the particles in the ink including the electrical double layers and by using Einstein''s equation for dilute suspension viscosity, when the particle volume fraction was substantially low. In the case that the volume fraction was higher, the shear viscosities showed extremely higher than those from Einstein''s prediction, though the ink remained a Newtonian liquid. In the stress-strain measurement, the shear moduli were observed at strain smaller than 0.2. The “weak” aggregation among the particles in the ink under no shear or low shear rates was supported. It should be noted that the glue in the suspension plays an important role for the good liquidity of the ink and for the “weak” bridges among the particles resulting its good dispersion stability. [Copyright &y& Elsevier]
- Published
- 2007
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26. Image-Based Color Ink Diffusion Rendering.
- Author
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Chung-Ming Wang and Ren-Jie Wang
- Subjects
COMPUTER graphics ,DIGITAL image processing ,CHINESE ink painting ,INK painting ,INK ,DIFFUSION ,OPTICAL images - Abstract
This paper proposes an image-based painterly rendering algorithm for automatically synthesizing an image with color ink diffusion. We suggest a mathematical model with a physical base to simulate the phenomenon of color colloidal ink diffusing into absorbent paper. Our algorithm contains three main parts: a feature extraction phase, a Kubelka-Munk (KM) color mixing phase, and a color ink diffusion synthesis phase. In the feature extraction phase, the information of the reference image is simplified by luminance division and color segmentation. In the color mixing phase, the KM theory is employed to approximate the result when one pigment is painted upon another pigment layer. Then, in the color ink diffusion synthesis phase, the physically-based model that we propose is employed to simulate the result of color ink diffusion in absorbent paper using a texture synthesis technique. Our image-based ink diffusing rendering (IBCIDR) algorithm eliminates the drawback of conventional Chinese ink simulations, which are limited to the black ink domain, and our approach demonstrates that, without using any strokes, a color image can be automatically converted to the diffused ink style with a visually pleasing appearance. [ABSTRACT FROM AUTHOR]
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- 2007
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27. Experimental Study of Chinese Ink as a New Type of Dye Tracer in Sentinel Lymph Node Biopsy.
- Author
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CAO, Qinhong, WANG, Shui, XU, Kun, LIU, Xiaoan, and LIU, Lijia
- Abstract
Objective: To investigate the potential clinical value of Chinese ink as a tracer in dye-directed sentinel lymph node biopsy. Methods: Forty-two female rabbits were randomly divided into 7 groups. The breast drainage lymphatic vessels and nodes in axilla were exposed by surgery. Under the papillae of the second pair of breast, 0.1 mL Chinese ink dilution at concentrations of 0.1%, 1%, 10%, 50% and 100% and isosulfan blue (IB, 1.0%) were injected. The movement of ink in lymphatic chain was investigated, and the number of stained nodes and their staining and washout time ware recorded. The first stained lymph node that was followed through lymphatic drainage was identified as the sentinel lymph node (SLN). The SLNs were dissected and prepared for histological observation 5 min, 1 h and 2 weeks after stained. Blood samples were harvested and tested before and 2 weeks after injection. The hearts, lungs, livers and kidneys were dissected after a period of post-operation observation and sent for pathologic examination. Results: No obvious differences were observed among the staining time of SLNs and the second lymph node using ink at different concentrations (P>0.05). But they were obviously longer than that of IB (P<0.05). The mean number of nodes obtained was nearly the same (P>0.05). It was too light for gross visual inspection when nodes were stained by ink at the concentration of 0.1%. Nodes stained by IB faded 33.9 min after stained. And carbon staining seemed permanent without any visible decline after 2 weeks. Carbon particles were found to be in the sinus of lymph nodes that were obtained 5 min after stained, and then was phagocytosed by macrophages (MΦ) 1 h later. The density of carbon obscured the microscopic observation of lymph nodes when they were stained using Chinese ink at concentration of higher than 20.0%. No obvious changes were investigated in blood test and vital organ pathologic examination. Conclusion: Chinese ink is potentially a novel type of dye tracer in SLN biopsy. [ABSTRACT FROM AUTHOR]
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- 2006
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28. Reversible suppression of action potentials of Xenopus tactile nerve fibers to Nd:YAG laser irradiation with and without Chinese ink
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Yanagisawa, Takashi, Asanuma, Atsushi, Yamamoto, Akiyo, Sekine, Akiko, Kobayashi, Kazuyuki, Sakuraba, Eiichi, Yamaguchi, Hiroyasu, Gomi, Kazuhiro, Yanagisawa, Keiji, and Arai, Takashi
- Subjects
- *
DENTISTRY , *ANESTHESIA - Abstract
We have reported that pain could be effectively relieved by Nd:YAG laser irradiation in dental or periodontal treatment, and that painting Chinese ink on the mucogingival surface reinforces the efficacy of anesthesia with laser irradiation. However, the effect of Chinese ink on nerve action potentials (a.p.) in this pain relief is not clear. In this study Xenopus tactile nerve fibers were used to clarify this efficacy. Dorsal surface skin was removed with fine tactile nerve bundles, and was put on the filter paper absorbed physiological buffer solution, and fastened on the rubber mat. From a bundle, a.p. with tactile stimuli on the skin surface were recorded by a silver electrode, and counted by the spike counter. After noncontact Nd:YAG laser irradiation (15 pps, 100 mJ, 60 s), with or without Chinese ink painting, tactile responses were periodically recorded. Results were as follows: (1) The conduction of a.p. was reversibly suppressed in the bundle; (2) Chinese ink painting has a considerable effect on reversible suppression; and (3) the suppressive effect was not certain in nerve bundles without Chinese ink painting. These results endorse that Chinese ink painting is effective for patients on dental or periodontal pain control using laser irradiation. [Copyright &y& Elsevier]
- Published
- 2003
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29. Análisis del efecto de la α-Solanina en las características citomorfológicas de células vivas adheridas y su relación con la expresión del gen Shroom3
- Author
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Ordóñez Vásquez, Adriana, Zarante Montoya, Ignacio Manuel, De La Garza-Ramos, Myriam Angélica, Garavito Aguilar, Zayra Viviana, Ortiz López, Rocio, Gutiérrez Gómez, María Lucía, Pérez Cardona, Olga Yanet, and Lattig Matiz, María Claudia
- Subjects
Solanine ,Morphology ,Shroom ,Chinese ink ,Mesenchymal ,Solanina ,Doctorado en ciencias biológicas - Tesis y disertaciones académicas ,Morfología ,Morfología de las células ,Tinta china ,Célula ,Mesenquimal ,Expresión génica - Abstract
Dado el actual interés de diferentes investigadores hacia la α-solanina como potencial sustancia anticancerígena y la controversia que existe en la literatura científica sobre la posible citotoxicidad de la α-Solanina, así como las alteraciones que la sustancia provoca sobre diferentes células, se consideró de gran interés analizar los efectos que el glicoalcaloide produce en Células Troncales de Medula Ósea (CTMO). Con este fin se propuso la siguiente hipótesis de investigación; La observación y análisis de los cambios morfológicos resultado de la exposición de las CTMO a diferentes concentraciones y tiempos, permitirá proponer un modelo reproducible y unos patrones de comparación cualitativa que permitan analizar cambios de citotoxicidad básica mediante microscopia óptica en células vivas en cultivo. Este trabajo se realizó cumpliendo tres niveles de resolución: el primero, resolución macro, que corresponde a presentar la importancia de la α-solanina para la salud humana y expone la importancia de su análisis (Artículo publicado). En segundo lugar, resuelve dos problemas con los que nos enfrentamos al examinar el efecto morfológico que ocasiona el glicoalcaloide en este tipo de células mesenquimales inmunotipificadas, vivas y adheridas. Por un lado, no estaba descrita una técnica colorimétrica sencilla que permitiera visualizar en células vivas adheridas el efecto producido por el glicoalcaloide y por otro la ausencia en la literatura revisada, de la descripción de los rangos no letales, de concentración y tiempo de exposición al glicoalcaloide. Por estas razones se propuso validar la utilización de la tinta china como alternativa directa, nítida, económica y viable en el análisis del efecto ocasionado por la exposición de las células troncales de medula ósea de rata (CTMO) a dos concentraciones del glicoalcaloide, contenidas entre los rangos de experimentación resultado del análisis de referencias bibliográficas. (Artículo publicado). Por otro lado, no había evidencia en la literatura de las concentraciones del glicoalcaloide que permitieran evidenciar en este tipo de células mesenquimales, cambios morfológicos básicos ; 1. Cambios de forma de las células (Homogeneidad y Heterogeneidad celular predominante), 2. Cambios en tamaño y condensación intracitoplasmática, 3. Visualización o no de la membrana celular, 4. Presencia de prolongaciones o espículas modificadas en número y longitud, 5. Características de Núcleos, 6. Número de Nucléolos y 7. Presencia o no de vacuolas intracitoplasmáticas. (Artículo Publicado). Los cambios morfológicos evidenciados con la técnica propuesta y a las concentraciones sugeridas, fueron entonces validados en células vivas adheridas mediante la observación de la proteína globular actina, por medio de microscopia confocal y en células no adheridas, por medio del análisis de viabilidad (MTS-utilizando espectrofotometría), proliferación (CFSE) y apoptosis (Anexina V/7AAD) utilizando Citometría de Flujo. Los resultados demostraron que la α- Solanina produce cambios morfológicos visibles en microscopia convencional mayormente en las células tratadas durante 24 h con α- Solanina a una concentración de 2 μM, modificando parámetros relacionados con citotoxicidad basal, como forma, tamaño y longitud de espículas (Artículo Sometido) , así como también produciendo efectos característicos en núcleo, efectos característicos en la distribución de los microfilamentos de actina e inhibiendo la proliferación celular, promoviendo la apoptosis, y la autofagia (Artículo en revisión). Para el tercer nivel de resolución, se propuso el análisis de la posible relación entre el glicoalcaloide α-solanina y la expresión del gen Shroom3 descrito como regulador de la morfología celular en más de veinte tipos celulares incluidas las mesenquimales. Para esto, se expusieron células troncales de medula ósea de rata a dos concentraciones diferentes del glicoalcaloide y se realizó extracción de ARN y reacción cuantitativa en cadena de la polimerasa en tiempo real (qRT-PCR). Los resultados obtenidos en esta parte del trabajo proponen un vínculo entre el gen Shroom3 y la exposición a la α-Solanina, debido a que se encontró que el glicoalcaloide regula negativamente la expresión del gen de una manera dependiente de la concentración y del tiempo. En todos los niveles de resolución del trabajo se utilizaron células troncales de medula ósea de rata hembra cepa Lewis entre 2 y 4 meses de edad de la cepa Lewis alojadas en la Sala de Experimentación Animal de la Facultad de Odontología de Pontificia Universidad Javeriana. Estas células fueron obtenidas, extraídas, inmunotipificadas, caracterizadas y cultivadas en el Centro de Investigaciones Odontológicas bajo sus propios protocolos (en proceso de publicación según sus investigadores Jaramillo L., Duran C.). La α-solanina fue obtenida comercialmente. Pontificia Universidad Javeriana Given the current interest of different researchers towards α-solanine as a potential anti-cancer substance and the controversy that exists in the scientific literature about the possible cytotoxicity of α-Solanine, as well as the alterations that the substance causes on different cells, it was considered great interest to analyze the effects that the glycoalkaloid produces in Bone Marrow Truncal Cells (CTMO). To this end, the following research hypothesis was proposed; The observation and analysis of the morphological changes resulting from the exposure of the CTMO at different concentrations and times, will allow to propose a reproducible model and qualitative comparison patterns that allow to analyze changes of basic cytotoxicity by optical microscopy in living cells in culture. This work consider three levels of resolution: the first, macro resolution, which corresponds to presenting the importance of α-solanine for human health and exposes the importance of its analysis (Article published).Secondly, it solves two problems that we face when we examine the morphological effect caused by the glycoalkaloid in this type of immunotyped, alive and adherent mesenchymal cells. On the one hand, a simple colorimetric technique was not described that allowed to visualize in live adhered cells the effect produced by the glycoalkaloid and on the other hand the absence in the reviewed literature, of the description of the non-lethal ranges, of concentration and time of exposure to the glycoalkaloid. For these reasons it was proposed to validate the use of Chinese ink as a direct, clear, economical and viable alternative in the analysis of the effect caused by the exposure of rat bone marrow stem cells (CTMO) to two concentrations of glycoalkaloid, contained between the ranges of experimentation resulting from the analysis of bibliographic references. (Article published). On the other hand, there was no evidence in the literature of the concentrations of the glycoalkaloid that allowed to show in this type of mesenchymal cells, basic morphological changes; We observe 1. Changes in the shape of the cells (Homogeneity and predominant cellular heterogeneity), 2. Changes in size and intracytoplasmic condensation, 3. Visualization or not of the cell membrane, 4. Presence of prolongations or spicules modified in number and length, 5. Characteristics of Nuclei, 6. Number of Nucleoli and 7. Presence or not of intracytoplasmic vacuoles. (Article Published). The morphological changes evidenced with the proposed technique and the suggested concentrations were then validated in living adhered cells by observing the globular actin protein, by means of confocal microscopy and in non-adherent cells, by means of viability analysis (MTS-using spectrophotometry), proliferation (CFSE) and apoptosis (Annexin V / 7AAD) using Flow Cytometry. The results showed that α-Solanine produces visible morphological changes in conventional microscopy. Mainly in cells treated for 24 h with α-Solanine at a concentration of 2 μM, modifying parameters related to basal cytotoxicity, such as shape, size and length of spicules ( Submitted Article), as well as producing characteristic effects in nucleus, characteristic effects in the distribution of actin microfilaments and inhibiting cell proliferation, promoting apoptosis, and autophagy (Article under review). For the third level of resolution, we proposed the analysis of the possible relationship between the glycoalkaloid α-solanine and the expression of the Shroom3 gene described as a regulator of cell morphology in more than twenty cell types including mesenchymal. For this, we expose rat bone marrow to two different glycoalkaloid concentrations and we do RNA (qRT-PCR). The results obtained in this part of the work propose a link between the Shroom3 gene and exposure to α-Solanine, because found that the glycoalkaloid negatively regulates the expression of the gene in a manner dependent on concentration and time. At all levels of resolution we used stem cells of bone rat marrow female Lewis strain between 2 and 4 months of age of the Lewis strain housed in the Animal Experimentation Room of the Faculty of Dentistry of Pontificia Universidad Javeriana. These cells were obtained, extracted, immunotyped, characterized and cultured in the Dental Research Center under their own protocols (in publication process according to their researchers Jaramillo L., Duran C.). α-Solanine was obtained commercially. Doctor en Ciencias Biológicas Doctorado
- Published
- 2019
30. Developing laser-induced glaucoma in rabbits.
- Author
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Johnson, House, Morgan, Sun, Yu, and PhD
- Subjects
- *
GLAUCOMA , *EYE diseases , *PATHOLOGY - Abstract
Purpose: An animal model of glaucoma is necessary for the study of its pathogenesis and treatment. The purpose of this study was to create open-angle glaucoma using a laser in rabbits. Methods: The trabecular meshwork of anaesthetized, adult, pigmented and albino rabbits was ablated internally using a diode laser via a gonioscopy lens, or externally through the limbus. In albino rabbits we used Chinese ink to pigment the angle and methylcellulose to open the iridocorneal angle. The eyes were examined weekly and histological assessment was performed. Results: The success rate of intra-ocular hypertension was low (15%) and a result of synechial angle closure. A narrow angle prevented access of the laser beam to the trabecular meshwork and promoted damage to the ciliary processes located on the posterior iris. Conclusions: Due to the unique anatomy of the rabbit eye, laser-induced glaucoma is difficult to achieve. To create a successful model it is necessary to widen the iridocorneal angle, selectively damage the trabecular meshwork and reduce inflammation. [ABSTRACT FROM AUTHOR]
- Published
- 1999
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31. Three Treasures of Chinese Culture: Chinese Painting. Chinese Opera. Chinese Medicine
- Author
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Lemenkova, Polina, Phonesaly, Soonvilerth, Sommali, Phetphanthong, Xin, Fang, and Shwe, Honew
- Subjects
Chinese Painting ,Chinese Silk Painting ,Opera ,Chinese Ink ,Chinese Opera ,Chinese Music ,Chinese Arts ,Chinese Beauty ,Chinese Calligraphy ,Beijing Opera ,Silk Painting ,Chinese culture ,Chinese Aesthetics - Abstract
Current presentation discusses question of the Chinese culture. Among others, calligraphy has been discussed. Painting and calligraphy are of the same origin and are regarded as two treasured arts in China. They are both liked with free movement and distribution of lines in expression . Together with music and chess, they formed the four skills for a learned scholar to pursue in ancient China. They have also been held as a good exercise to temper one’s character and cultivate one’s personality. Chinese painting has a long history and excellent tradition. Through thousands of years, it has developed its own style, its own techniques, and a complete system of art which expresses the aesthetics of the nation. Through its unique style and features, it has established supremacy in the world of art. Chinese painting emphasizes the point that “Inspiration comes from close observation and understanding of Nature.” Traditional Chinese painting is the art of painting on a piece of Xuan paper or silk with a Chinese brush that was soaked with black ink or colored pigments. It is regarded as one of the three “quintessence of Chinese culture”. Chinese paintings are usually in the form of hanging pictures or of horizontal scrolls, in both cases they are normally kept rolled up. The latter paintings, often of great length, are unrolled bit by bit and enjoyed as a reader enjoys reading a manuscript.There is no fixed or standard viewpoint or perspective. Chinese painting is far less concerned with notions of symmetry, balance and proportion than its European counterpart. Because it lacks a single focal point, Chinese artists are free to paint on long strips of paper (or silk) and can compose pieces of amazing complexity in a rather comic book-like manner.Artists could paint a whole chain of pictures to depict continuous scenery. Many pictures include objects that are both far away and near, but they are depicted as being of the same size. It is more likely that the artists were trying to paint life exactly as they saw it. The most popular topics have been human figures, landscapes , animals, fishes, birds and flowers—the last two being frequently combined as “flower and bird painting”. Figure painting, landscape painting, birds and flowers painting are the three major classifications according to subject matter. Figure painting, which reached maturity during the Warring States Period, flourished against a Confucian background, illustrating moralistic themes. From the Han Dynasty to the end of the Tang Dynasty, the human figure occupied the dominant position in Chinese painting, as it did in pre-modern European art. Symbolism used in Chinese landscape painting often insludes mountains, rivers, plants, animals, birds, flowers, etc., can all be chosen for their traditional association as much as for their inherent beauty. Chinese painting is inseparably associated with literature and other arts, such as poetry and calligraphy.The painter’s carefully placed signature, inscription (often a poem) and seals are an integral part of the composition. Many of the painters were poets; some, like Wang Wei, were equally distinguished in both arts. 2nd part of the presentation discusses traditional Chinese opera, a popular form of drama and musical theatre in China with roots going back to the early periods in China. It is a composite performance art that is an mix of various art forms that existed in ancient China. It evolved gradually over more than a thousand years, reaching its mature form in the 13th century during the Song Dynasty. An early form of Chinese drama is the Canjun Opera (, or Adjutant Play) which originated from the Later Zhao Dynasty (319–351). In its early form it was a simple comic drama involving only two performers, where a corrupt officer, Canjun (adjutant), was ridiculed by a jester named Grey Hawk (). These two characters in Canjun Opera are the forerunners of the fixed role categories of later Chinese opera. Various song and dance dramas developed during the Six Dynasties period. These forms of early drama were popular in the Tang Dynasty where they further developed. For example, by the end of the Tang Dynasty the Canjun Opera had evolved into a performance with more complex plot and dramatic twists, and it involved at least four performers. By the Song Dynasty, Canjun Opera had become a performance that involved singing and dancing. During Song Dynasty actors strictly adhered to speaking in Classical Chinese onstage, while during the Yuan Dynasty actors speaking or performing lyrics. In the Yuan poetic drama, one person sang for the all four acts, but in the poetic dramas that developed from Nanxi during the Ming Dynasty (1368–1644), all the characters were able to sing and perform. A playwright Gao Ming late in the Yuan Dynasty wrote an opera called Tale of the Pipa which became highly popular, and became a model for Ming Dynasty drama as it was the favorite opera of the first Ming emperor Zhu Yuanzhang. In the 21st century, Chinese opera is publicly staged in formal Chinese opera houses. It may also be presented during the lunar seventh month Chinese Ghost Festival in Asia as a form of entertainment to the spirits and audience. More than thirty famous forms of Chinese opera continue to be performed today are came from Kunqu, including Journey of the West, Romance of Three Kingdom, the Peony Pavilion, and the Peach Blossom Fan. These masks were based on the ancient face painting tradition where warriors decorated themselves to scare the enemy. In 2001, Kunqu was recognized as Masterpiece of Oral and Intangible Heritage of Humanity by UNESCO.
- Published
- 2017
32. Chinese ink enabled wood evaporator for continuous water desalination.
- Author
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Zhang, Xiong-Fei, Wang, Zhongguo, Song, Lian, Feng, Yi, and Yao, Jianfeng
- Subjects
- *
SOLAR thermal energy , *EVAPORATORS , *SALINE water conversion , *COATING processes , *THERMAL efficiency , *INK - Abstract
Solar-driven water desalination is considered as an efficient and sustainable approach to produce clean water. In this work, a bilayered evaporator composed of black Chinese ink layer and wood sheet substrate for continuous desalination is rationally designed. Millimeter-sized hole arrays were drilled within the wood substrate. The ink coating on the wood surface offers strong and broad light absorption. The hierarchical channels in the wood itself functions as thermal insulator and promotes water transport. In addition, the drilled hole arrays provide salt-rejection pathways and enable the wood evaporator with antifouling property. The wood evaporator (H-C-Wood) shows a stable solar thermal conversion efficiency of 74% and an evaporation rate of 1.6 kg m−2 h−1 under simulated 1 sun irradiation. Such ink deposited solar steam generation device is low cost and has a self-regenerating ability. Unlabelled Image • Chinese ink was utilized as solar absorber for desalinization. • Wood substrate has a good water transport ability and low thermal conductivity. • Hierarchal wood channels endow the evaporator surface with salt-resistant property. • The evaporator with drilled holes has a solar thermal conversion efficiency of 74%. • Such wood-based solar steam evaporator is renewable and cost-efficient. [ABSTRACT FROM AUTHOR]
- Published
- 2020
- Full Text
- View/download PDF
33. Fabrication of a superhydrophilic PVDF membrane with excellent chemical and mechanical stability for highly efficient emulsion separation.
- Author
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Wang, Ming, Xu, Zewen, Hou, Yingfei, Li, Peng, Sun, Haixiang, and Niu, Q. Jason
- Subjects
- *
CHEMICAL stability , *EMULSIONS , *MEMBRANE separation , *CONTACT angle , *PERVAPORATION , *NANOPARTICLES , *POLYVINYLIDENE fluoride , *COMPOSITE membranes (Chemistry) - Abstract
• Chinese ink is used to engineer a hydrophobic PVDF membrane. • The membrane exhibits superior separation efficiencies for oil/water emulsions. • The membrane exhibits a superior recyclability for gasoline-in-water emulsion. • The ink coating shows excellent chemical stability and mechanical robustness. The separation and recovery of oil from oily wastewater was still challenging due to the limitations of conventional separation techniques in its limited application fields, high operation cost and low separation efficiency. Membrane separation was a novel candidate to satisfy various separation tasks. Seeking for an efficient and facile strategy to manipulate the membrane performance was urgently needed. Chinese ink was a promising material to functionalize the membrane by virtue of the self-adhesion and intrinsic hydrophilicity. Herein, a composite polyvinylidene fluoride (PVDF) microfiltration membrane was fabricated via a facile rub-coating strategy. The micro/nano structures derived from the nanoparticles in Chinese ink readily facilitated the membrane with the superhydrophilicity and underwater superoleophobicity (underwater various oils contact angle above 150°, underwater dichloromethane roll off angle ~ 3°). The composite membrane exhibited a high permeation flux, a considerable separation efficiency for separating various oil-in-water emulsions and a superior recyclability for separating gasoline-in-water emulsion in ten cycles. Moreover, the membrane maintained a desirable underwater dichloromethane contact angle (above 145°) after respectively being immersed in pH = 1 HCl, pH = 13 NaOH and 3.5 wt% NaCl solutions for one week, and a sandpaper abrasion test, demonstrating an excellent chemical stability and a robust mechanical durability. [ABSTRACT FROM AUTHOR]
- Published
- 2020
- Full Text
- View/download PDF
34. Solar Steam: Chinese Ink: A Powerful Photothermal Material for Solar Steam Generation (Adv. Mater. Interfaces 1/2019).
- Author
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Yang, Hao‐Cheng, Chen, Zhaowei, Xie, Yunsong, Wang, Jie, Elam, Jeffrey W., Li, Weihua, and Darling, Seth B.
- Subjects
PHOTOTHERMAL effect ,CHINESE ink painting ,POROUS materials ,VISCOSITY ,ATOMIC layer deposition - Abstract
Traditional calligraphy ink possesses an unusual confluence of properties rendering it highly effective for sunlight‐driven water evaporation. Ability to wet diverse porous substrates with sufficient viscosity to prevent over‐penetration, combined with broad light harvesting and efficient photothermal conversion is key. Its one drawback is solubility in water, but encapsulation with transparent oxide via atomic layer deposition circumvents this challenge. More details can be found in the article number 1801252 by Hao‐Cheng Yang, Seth B. Darling, and co‐workers. [ABSTRACT FROM AUTHOR]
- Published
- 2019
- Full Text
- View/download PDF
35. Chinese Ink: A Powerful Photothermal Material for Solar Steam Generation.
- Author
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Yang, Hao‐Cheng, Chen, Zhaowei, Xie, Yunsong, Wang, Jie, Elam, Jeffrey W., Li, Weihua, and Darling, Seth B.
- Subjects
ATOMIC layer deposition ,CHINESE ink painting ,PHOTOTHERMAL effect ,THERMAL conductivity ,WATER - Abstract
Solar steam generation holds great promise in alleviating fresh water crises, particularly in regions with accessible seawater and abundant insolation. Affordable, efficient, and environmentally friendly photothermal materials are needed to fabricate sunlight‐driven evaporation devices. Herein, Chinese ink, a carbon‐based paint used in traditional painting and calligraphy, is readily coated on diverse substrates and stabilized by atomic layer deposition (ALD) for solar steam generation. The ALD/Chinese ink coating exhibits strong and broad light absorption from the NIR to UV regions. Both ALD/Chinese‐ink‐coated membranes and wood display excellent photothermal properties and superior evaporation performance under simulated sunlight. This study demonstrates the potential of ALD/Chinese ink coating to achieve higher evaporation rate and efficiency by utilizing substrates with rough, structured surfaces and low thermal conductivity. Chinese ink is applied on diverse materials and stabilized by atomic layer deposition to fabricate solar steam generation devices. The encapsulated ink has excellent photothermal properties and evaporation efficiency under simulated sunlight, holding great promise in solar evaporation device applications. [ABSTRACT FROM AUTHOR]
- Published
- 2019
- Full Text
- View/download PDF
36. Fabrication and characterization of smart fabric using energy storage fibres
- Author
-
Ruirong Zhang, Darren J. Southee, Yanmeng Xu, John Fyson, David Harrison, and Anan Tanwilaisiri
- Subjects
Supercapacitor ,Chinese ink ,Control and Optimization ,Materials science ,Fabrication ,Nanotechnology ,Energy storage ,Characterization (materials science) ,Artificial Intelligence ,Control and Systems Engineering ,Gel electrolyte ,Supercapacitors ,media_common.cataloged_instance ,European union ,Flexible ,media_common ,Energy storage fibre - Abstract
Fibre supercapacitors were designed and manufactured using a dip-coating method. Their electrochemical properties were characterized using a VersaSTAT 3 workstation. Chinese ink with a fine dispersion of carbon and binder was coated as the electrode material. The specific capacitance per unit length of a copper fibre supercapacitor with the length of 41 cm reached 34.5 mF/cm. When this fibre supercapacitor was bent on rods with a diameter of 10.5 cm, the specific capacitance per length was 93% of the original value (without bending). It showed that these fibre supercapacitors have good flexibility and energy storage capacity. Furthermore, the fibre supercapacitor in the fabric showed the same capacitance before and after weaving. The European Union Seventh Framework Programme (FP7/2007–2013) under grant agreement no. [281063].
- Published
- 2015
37. A Case Study of An Earthen Vessel with A Letter in Chinese Ink
- Subjects
Chinese Ink ,Earthen Vessel - Published
- 2002
38. Fabrication and characterisation of energy storage fibres
- Author
-
David Harrison, Darren J. Southee, Anan Tanwilaisiri, Ruirong Zhang, John Fyson, and Yanmeng Xu
- Subjects
Supercapacitor ,Chinese ink ,Fabrication ,Materials science ,chemistry.chemical_element ,Bending ,Capacitance ,Dip-coating ,Energy storage ,Rod ,chemistry ,Gel electrolyte ,Supercapacitors ,Composite material ,Carbon ,Flexible ,Energy storage fibre - Abstract
Fibre supercapacitors were designed and manufactured using a dip coating method. Their electrochemical properties were characterised using a VersaSTAT 3 workstation. Chinese ink with a fine dispersion of carbon and binder was coated as the electrode material. The specific capacitance per unit length of a copper fibre supercapacitor with the length of 41 cm reached 34.5 mF/cm. When this fibre supercapacitor was bent on rods with a diameter of 10.5 cm, the specific capacitance per length was 93% of the original value (without bending). It proved that these fibre supercapacitors have a good flexibility and energy storage capacity.
- Published
- 2014
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