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The traditional view regarding valuation is established both in archives and in libraries, referring to their social and heritage values, however, within those same values, a topic that has been left forgotten is the study and determination of the economic value of the documentary resources that they have, which has resulted in a segmented perspective in relation to the heritage aspect that archive funds and library collections represent as part of the assets of the people and institutions to which they belong. In this sense, the objective is to show the economic valuation or appraisal as a highly specialized activity, which can be applied in Archives and Libraries, identifying in which cases or situations the different types of economic values can be used that from Accounting are allocate for the goods.

Taking as reference the classification of values made by Riegl for monuments and by Brandi for works of art in order to be able to evaluate them as heritage objects within the methodology used by Conservation-Restoration, an analytical crossing is made with the contributions made by Schellenberg and Wyffells from the Archival discipline; the first by formulating the notions of primary and secondary values, the second from the theoretical approach of the "Document Life Cycle". This analysis makes it possible to show the symbiotic relationship between the two disciplines, materialized in the valuation or identification of attribute values as a substantial part of the methodological component used by the two specialties when establishing the relevance of the objects of their field of study to decide regarding the final destination of the same.

The objective of the text is to present the arguments by which it is considered that the movie “Inside Out” contains several elements that are directly related to Archival, being the identified aspects: the memory / the archive; archival organization; the Archivists; the loan / consultation; the search and compilation of information and the documentary disposal. Each of these aspects has a relevant function within the plot that is recounted, which for most people, as they are not familiar with Archival Science, go somewhat unnoticed; Therefore, the text focuses on analyzing each of the referred aspects to support the argument that this film deserves to be considered by the archival guild as emblematic regarding the profession and its practice.

From the fact of noticing various documentary typologies that are mentioned in songs of some genres of commercial music in spanish, a reflection is made about the importance of this type of music as a social form of expression in everyday life and the impact of it in relation to documentary supports. This analysis makes it possible to inquire two situations: 1. The possibilities offered by the documentary records protected in the archival repositories as a valuable element for musical creation and, therefore, for the dissemination of the documents used; and 2. The relevance regarding the preservation by the Archives of musical products considered commercial, since these correspond to creations related to a specific socioeconomic context.

The objective of the text is to make visible, through several examples represented in the cinematography, the presence of aspects and situations related to documents, archives and archivists, with the purpose of obtaining elements that make it possible to identify the discourse that with respect to the profession is going building in the media and therefore, the way in which they build, present and disseminate a certain ideology regarding the exercise of the archival profession, which may be contributing to reproduce a negative image of it.

It is well known to all that mass media has a near-absolute power concerning its influence in public opinion; that is why, what (mass) media broadcasts and the way it is newscasted, has a very strong impact on the society; regarding files, archivists and supporting documents, the manner in which they are commonly showed contributes to maintain a negative image of them. The main idea of this paper is to draw attention to the fact that in few occasions there have been academic works related to the popular consciousness that mass media shows about supporting documents, putting emphasis on a negative image, associated with the hidden or evil.

The objective of the text is to present the arguments by which it is considered that the movie “Inside Out” contains several elements that are directly related to Archival, being the identified aspects: the memory / the archive; archival organization; the Archivists; the loan / consultation; the search and compilation of information and the documentary disposal. Each of these aspects has a relevant function within the plot that is recounted, which for most people, as they are not familiar with Archival Science, go somewhat unnoticed; Therefore, the text focuses on analyzing each of the referred aspects to support the argument that this film deserves to be considered by the archival guild as emblematic regarding the profession and its practice.

The present essay, written from the experience in the practice of the profession, has as central idea to present a critique of the federal legal instruments that regulate the practice and exercise of the Archival in Mexico, as well as the image that regarding Information science professionals have other professionals, with the aim of proposing options that allow diversifying the labor field of the specialists in administration and document management.

The objective of the text is to present the arguments by which it is considered that the movie “Inside Out” contains several elements that are directly related to Archival, being the identified aspects: the memory / the archive; archival organization; the Archivists; the loan / consultation; the search and compilation of information and the documentary disposal. Each of these aspects has a relevant function within the plot that is recounted, which for most people, as they are not familiar with Archival Science, go somewhat unnoticed; Therefore, the text focuses on analyzing each of the referred aspects to support the argument that this film deserves to be considered by the archival guild as emblematic regarding the profession and its practice.

The present essay, written from the experience in the practice of the profession, has as central idea to present a critique of the federal legal instruments that regulate the practice and exercise of the Archival in Mexico, as well as the image that regarding Information science professionals have other professionals, with the aim of proposing options that allow diversifying the labor field of the specialists in administration and document management.