Search

Le but de ce travail est d'explorer les multiples aspects du « Praecox Feeling » tels qu'il a été décrit par le psychiatre néerlandais H.C. Rümke et développé dans les suites par ses pairs. Nous proposons une présentation historique sur ce sujet allant des premières descriptions aux études les plus récentes. Nous proposons d'y associer des notions voisines telles que les processus de typification et le jugement expert (Gut feeling) en y intégrant des aspects épistémologiques. Le Praecox Feeling a été présenté par Rümke comme le moyen le plus sensible pour diagnostiquer une schizophrénie. Phénomène singulier de la rencontre clinique, il peut être décrit comme une expérience de bizarrerie ou d'étrangeté vécue par le clinicien au contact de son patient. Rümke conclut que le diagnostic de schizophrénie ne se fait pas strictement par une description précise des symptômes, mais en examinant son propre ressenti. De nombreux auteurs et chercheurs ont travaillé sur ce sujet et sont pour la plupart sensibles à une approche phénoménologique. Ainsi, Minkowski, Binswanger ou Tellenbach, parmi d'autres, ont permis d'affiner cette notion en parlant de « diagnostic par intuition », « diagnostic par pénétration » ou encore « diagnostic atmosphérique ». Malgré un abandon progressif de la subjectivité dans le processus diagnostique en psychiatrie, on retrouve dans la littérature contemporaine un regain d'intérêt de telles approches. On peut ainsi citer les processus de typifications ou encore le jugement expert (Gut feeling) qui proposent d'éclairer les mécanismes en jeu via une approche issue en partie des sciences cognitives et sociales. Ainsi, il apparaît que la question du diagnostic et de ses processus dépasse le strict champ psychiatrique pour rejoindre celui de la médecine au sens large. The aim of this review is to explore the multiple aspects of the « Praecox Feeling » as introduced and developed by the Dutch Psychiatrist H.C Rümke in 1941 and re-assessed over the following years by its peers. We present a historical review of this subject from the first description to the most recent research and proposed related notions like typification processes and gut feeling. The Praecox Feeling, as presented by Rümke, may be considered as the most sensible tool in order to diagnose schizophrenia. This phenomenon appears in the in-between of the clinical encounter (i.e. the intersubjective space). It may be felt by the clinician as an experience of bizarreness during the interaction with a patient suffering from schizophrenia. Those feelings suggest fundamental aspects of schizophrenia that can be recognized as a peculiar form of embodiment. Rümke finally concludes that schizophrenia is not diagnosed by strictly examining patients' symptoms, but psychiatrists' own feelings. The recognition of such feelings remains hard to describe explicitly, since it takes place in a very basic (« pre reflexive ») state. However, numbers of researchers tried to explore praecox feeling more accurately. A phenomenological approach, with Minkowski, Binswanger or Tellenbach among others, developed several related terms: "Diagnostic by intuition", "Diagnostic by penetration" or "Atmospheric diagnosis". Although the precocity of the diagnosis is mentioned in Rümke's original paper, it does not precisely define the Praecox Feeling, contributing to the misunderstanding of the Rümke's original formulation. The very notion of Praecox Feeling in terms of psychiatric diagnoses fell into disuse with the development and the widespread diffusion of criteriological approaches, with the risk of an impoverishment of the clinical diagnosis. However, the study of specific subjective perspectives showed a renewed interest over the last decade, especially with the contribution of cognitive and social neurosciences. Furthermore, studies on psychiatrists' daily-practice suggest that the Praecox Feeling is still relevant. Moreover, "the subjective tool" represented by the Praecox Feeling remains as used today as it was fifty years ago, in a pre-DSM III era. Temporal aspects have, nevertheless, lead to several studies suggesting that many clinical indices are identified during the first minutes of a clinical interview, especially for schizophrenia. In order to specify this very intuitive pathway, authors developed and worked on the typifications processes that lead to such feelings, involving diagnosis through prototypes. The passive synthesis of such subtle clinical clues may induce for the clinician a "pattern recognition" phenomenon that reminds a "gestaltic" diagnosis. This specific aspect of typification may not be specific of psychiatry. The "Guts Feeling" is a notion first developed by Dutchs physicians, particularly in General medicine but also among other medicals disciplines, theoretically very close from the notion of intuitive typification. It may allow benefits in term of diagnoses, reassurance or alarm sense. It suggests that clinical experience added to criteriology provides risks reductions. The crucial role of clinical experience in the diagnosis decision making tends to be underexplored, but still represents a crucial aspect of the evidence-based medicine as firstly described. [ABSTRACT FROM AUTHOR]

Ce travail, lié au projet de recherche Littérature et d’autres langages – relectures comparées et enseignement de la littérature, présente des résultats d’une recherche menée par des enseignants de langue et de littérature françaises du cours de Lettres portugais/français dans une université brésilienne, à partir d’une proposition de lecture littéraire subjective et comparée. Cette proposition se fonde sur des lectures de Rouxel (2018), Langlade (2007), Lemarchand Thieurmel (2014) et Bakhtine (1992,1997), entre autres. Les résultats obtenus à travers l'évaluation de carnets du lecteur démontrent, entre autres résultats, que l’utilisation de ces carnets, au cours du processus de lecture, contribue à la prise de conscience, chez le lecteur, de l'aspect littéraire subjectif.

This article examines the role that material belongings play in displacement processes. Following the evacuation of the housing complex Hannibal II in Dortmund (Germany), the displacement of its 753 tenants, and the conflicts that ensued over the belongings they were forced to leave behind, we ask how the governance of material belongings shapes processes and experiences of displacement. Through an approach that brings in dialogue the cultural and legal significance of material belongings, we focus on the practices governing relationships between subjects, things, and place in displacement processes. Drawing on interviews with tenants, the legal framework governing property and possessions, and the proceedings around the tenants' claims regarding their belongings, the findings disentangle a dual function of material belongings in displacement processes: First, they consider how belongings and their legal governance complicate the temporalities of displacement; second, they examine how the negotiation of the cultural significance of things has an impact on tenants' subjectivities. The paper concludes that in displacement processes, tenants' precarious claims to ownership over their stuff are, at the same time, voicing claims to social and spatial belonging that oppose broader domestic injustices. [ABSTRACT FROM AUTHOR]

Copyright of Cahiers Victoriens & Edouardiens is the property of Presses Universitaires de la Mediterranee and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Fondée sur l’activité du sujet lecteur, la lecture subjective peut se définir d’un point de vue épistémologique comme l’acte de co-création du texte par le lecteur. Durant le procès de lecture, celui-ci vit une expérience qui le transforme, élargit ses références, modifie ou précise ses valeurs. En termes de formation, la lecture subjective relève d’une didactique de l’implication qui sollicite l’initiative et l’expression des lecteurs et qui suscite les postures réflexives nécessaires à l’analyse des cheminements interprétatifs. La lecture subjective fait pleinement de la littérature un exercice de pensée.

Composé de quatre poèmes, de longueur variable, Symphonie musicale : pour une poévie de la Vie est un recueil de Jean-Baptiste Fondjo publié en 2022 aux éditions L’Harmattan de Paris. Cette œuvre poétique, essentiellement lyrique, se définit comme un hymne à la vie. Cette vie, si chère au poète, est célébrée à partir de la scène générique de la poévie, comme en témoigne le titre de l’œuvre. Mot-valise forgé à partir du morphème « poé », une troncation de la lexie « poésie » et du terme « vie », la poévie est un art poétique qui vise à promouvoir la vie, en mobilisant divers procédés d’écriture dont les plus représentatifs sont les déictiques, les marques suprasegmentales et la métaphore. Cette stratégie témoigne de la subjectivité du poète. Ces unités énonciatives donnent prise à l’analyse stylistique. Cette dernière se définit, en effet, comme une théorie et une méthode d’analyse structurale qui vise au décryptage et à l’interprétation des ressources langagières mises en œuvre par un écrivain, dans son texte. L’intérêt de cette étude est de montrer comment les outils de la linguistique de l’énonciation se prêtent à une interprétation stylistique de la poésie de Jean-Baptiste Fondjo.

The article analyzes collective dynamics as one of the ways to understand the precarious nature of the experiences lived currently by workers. The result of two analytical exercises is presented: the first refers to exploring the notion of precariousness associated with the concept of informality in the evolution of Latin American social thought and as an operator for the study of contemporary work and precarious work experiences, considering the subjective dimension. The second, to reflect on the multiple meanings of the collective in these experiences, presenting the findings of the review of research carried out in the last decade. As a result of the interplay of these (meta)analytical paths, it is concluded that collective dynamics occupy a key place in job insecurity and its possibilities for transformation. [ABSTRACT FROM AUTHOR]

We propose to systematize the reasons for our circumspection with regard to certain uses of the notion of "subjectivity", particularly in the analysis of the relationship with work activity. Although notoriously ambiguous, this notion, stemming from philosophy, has come to the fore in recent years, reactivating certain controversies. We analyze scientific productions that make use of this notion, particularly when it allows us to set out a "conceptualized panorama". Intervention models inspired by this approach are also reviewed, helping to clarify certain debates. Secondly, we discuss theoretical-methodological and intervention models that are part of an epistemic community founded on the conviction, emancipated from the notion of subjectivity, that advances in scientific disciplines defining work activity as their object of study, emerge from their encounter with experiential knowledge. The text insists on the heuristic character of comparative analyses. It also calls for vigilance in the face of the often-indiscriminate use of the notion of subjectivity. [ABSTRACT FROM AUTHOR]

This article is a theoretical study arising from the umbrella research project, Psychoanalytic Investigation of Clinical Phenomena in Depression in the Context of COVID-19, by the Laboratory for the Investigation of Contemporary Psychopathologies (UFF. Volta Redonda Campus), in an inter-institutional partnership with the Graduate Program in Psychology at UFRJ. The aim of the research is to demarcate and define the effects of the contemporary mutation of the social bond on subjectivity, based on the recognition that humanitarian/sanitary emergencies are catastrophic for subjective functioning. In this paper, we will present the Freudian démarche that led us to recognize melancholization as the main impact of humanitarian/sanitary emergencies on subjective functioning. The paper recalls the use of the term catastrophe and its epistemological status within the framework of psychoanalysis. This term is fundamental to our research hypothesis: humanitarian/sanitary emergencies are a catastrophe because they produce the civilizational ruin of guarantees for the affected population and the suspension of the functioning of subjective defences and sublimatory strategies for dealing with the condition of helplessness. By considering humanitarian/sanitary emergencies as a catastrophe, the paper highlights, in the line of argument developed by Sigmund Freud, the emergence of the affect of despondency or melancholization as pathos in dark times of humanitarian/sanitary emergencies. [ABSTRACT FROM AUTHOR]

Copyright of Estilos da Clínica is the property of FEUSP - Faculdade de Educacao da USP - Universidade de Sao Paulo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Estilos da Clínica is the property of FEUSP - Faculdade de Educacao da USP - Universidade de Sao Paulo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of M@n@gement is the property of AIMS - Association Internationale de Management Strategique and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Cette réflexion se donne pour objectif, afin de creuser la question de la place de la création dans le processus psychique courant, d'examiner l'articulation de la métapsychologie psychanalytique avec le fond somatique des expériences vécues. Elle repose sur l'hypothèse selon laquelle le travail d'intégration de l'expérience subjective enregistrée au plan somatique suppose la création d'une forme compatible avec le fonctionnement psychique. Elle repose donc sur une méthodologie spécifique des recherches sur les modélisations métapsychologiques dont l'axe majeur consiste à essayer de dégager pas seulement tel ou tel énoncé de celles-ci, mais surtout le processus de théorisation que le fil des textes (de Freud) permet de repérer. En ce sens elle se présente comme une « clinique de la théorie ». L'analyse du processus de théorisation, s'il s'attache bien sûr aux propositions dont Freud égrène ses textes, est surtout centrée sur une analyse de leur enchaînement et, partant d'une certaine forme d'associativité. Cette méthode de lecture, fondée donc sur une prise en compte de l'associativité des textes, suppose l'hypothèse d'un « transfert » de Freud sur la « sorcière métapsychologie », transfert qui témoigne de ce que Freud continue le travail auto-analytique amorcé dans l'interprétation des rêves. Pour ce travail, elle trouve des appuis épistémologiques aussi bien dans des travaux et recherches issues de la psychologie du développement que de certains énoncés issus des neurosciences. Pour articuler davantage la métapsychologie psychanalytique dans le fond somatique de l'expérience subjective, il est nécessaire de déconstruire l'hypothèse d'un système perception-conscience – hypothèse née d'une illusion du Moi en lien avec la rapidité des processus cérébraux – pour souligner que la perception est un processus somatique hautement organisé par la complexité des opérations cérébrales qui en déterminent la forme. Le fait de rendre à la perception sa place dans le soma oblige aussi à faire évoluer la conception de la pulsion dont la poussée ne saurait être séparée de l'impact de l'expérience subjective sur le vécu du sujet. Enfin, cette inflexion paradigmatique permet de creuser le rôle et la fonction des enveloppes-noyaux du Moi pour en souligner la dialectique dans le travail de création des formes compatibles avec le fonctionnement psychique. L'enjeu de l'évolution paradigmatique ainsi impliquée est d'ouvrir la voie à une prise en compte nouvelle des processus archaïques très actifs dans toute une série des souffrances narcissiques-identitaires, elle devrait ainsi ouvrir sur un type de travail de construction-reconstruction des premières expériences vécues et de leur impact sur la suite du développement psychique, mais aussi des expériences traumatiques qui présentent de nombreux points communs avec celles-ci. La métapsychologie est vivante et elle évolue à la fois sous la pression de la clinique mais aussi de l'évolution de nos savoirs aussi bien en psychologie du développement précoce (et de la vie fœtale) que de celle des neurosciences. Grâce à cette évolution, il semble de plus en plus nécessaire et heuristique de parfaire son articulation avec le fond biologique du fonctionnement humain. The aim of this study is to examine the relationship between psychoanalytic metapsychology and the somatic background of lived experience, in order to explore the question of the place of creation in the current psychic process. It is based on the hypothesis that the work of integrating subjective experience recorded at the somatic level presupposes the creation of a form compatible with psychic functioning. It is therefore based on a specific methodology for research into metapsychological modeling, the main thrust of which consists in trying to identify not just one particular statement, but above all the process of theorization that can be identified throughout Freud's texts. In this sense, it is presented as a "clinical theory." The analysis of the process of theorization, while of course focusing on the propositions that Freud spells out in his texts, is above all centered on an analysis of their sequence, and hence of a certain form of associativity. This method of reading, based on a consideration of the associativity of the texts, assumes the hypothesis of a "transference" from Freud to the "metapsychological witch," a transference that testifies to the fact that Freud is continuing the self-analytical work begun in the Interpretation of Dreams. For our purposes here, this methodology is epistemologically supported by both work and research from developmental psychology and in certain statements from the neurosciences. In order to articulate psychoanalytic metapsychology more closely to the somatic background of subjective experience, it is necessary to deconstruct the hypothesis of a perception-consciousness system – a hypothesis born of an illusion of the ego in relation to the speed of cerebral processes – in order to emphasize that perception is a somatic process that is highly organized by the complexity of the cerebral operations that determine its form. Giving perception back its place in the soma also requires us to change our conception of the drive, the thrust of which cannot be separated from the impact of subjective experience on the subject's life. Finally, this paradigmatic inflection allows us to delve deeper into the role and function of the ego's core-envelopes, highlighting their dialectic role in the creation of forms compatible with psychic functioning. The challenge of the paradigmatic evolution thus implied is to open the way to a new consideration of the archaic processes that are very active in a whole series of narcissistic suffering. It should thus open the way to a type of construction-reconstruction work on early experiences and their impact on the rest of psychic development, but also on traumatic experiences that have many points in common with them. Metapsychology is alive and evolving under the pressure of both clinical and neuroscientific developments, as well as the evolution of our knowledge in early developmental psychology (and in fetal psychology). Thanks to this evolution, it seems increasingly necessary and heuristic to perfect its articulation with the biological basis of human functioning. [ABSTRACT FROM AUTHOR]

Cette contribution s’attachera d‘abord à examiner la manière dont la notion de contexte joue un rôle central dans l’histoire du numérique et de l’IA d’un côté et dans celle du droit relatif à la protection des données personnelles de l’autre, pour examiner ensuite la manière dont elle rejoue la conception de la subjectivité, de la normativité et de l’éthique. Nous montrerons comment cette évolution est parallèle à la mise en place de la gouvernementalité néolibérale ou de celle qualifiée plus récemment d’algorithmique, et comment il nous confronte à la portée non seulement éthique mais aussi politique de l’IA ubiquitaire. Notre démarche vise deux apports : une proposition complémentaire de classification des IA, qui repose sur l’évolution du rôle que le contexte joue dans l’action et l’éthos de l’utilisateur ; une heuristique renouvelée afin de saisir l’articulation entre l’opérationnalisation des systèmes et le maintien de l’autodétermination informationnelle ou, en d’autres mots, entre l’efficacité technique et la normativité sociale.

Le présent article vise l’analyse de la subjectivité dans un dossier journalistique sportif. Celui-ci fait partie des genres informationnels dits objectifs. Or, aujourd’hui l‘objectivité énonciative est contestée par les linguistes qui voient que la subjectivité est intrinsèquement liée à la langue. Nous inscrivons ce travail dans la perspective de l’analyse du discours, ainsi que dans le cadre de l’approche énonciative. Celle-ci vise la description des relations entre le discours du locuteur et les différents éléments qui constituent le cadre énonciatif.

Notre article propose de discuter l’évolution de la pensée de Greimas en évaluant notamment quelques principes qui ont permis l’émergence de mouvements épistémologiquement différents, à partir de son héritage. A partir du réexamen d’ouvrages « critiques » des années 80-90 : le Tome 2 du Dictionnaire (Greimas ; Courtés, 1986), De l’imperfection (Greimas, 1987) et Sémiotique des passions (Greimas ; Fontanille, 1991), nous mettront en évidence les concepts portant en germe les tournants « post-greimassien ». Plus particulièrement, nous montrerons que les développements des modalités (Greimas, 1983) ont orienté la sémiotique vers le sujet et la subjectivité, l’énonciation et, finalement, une approche existentielle préfigurant la sémiotique du discours. Notre proposition critique cherchera à questionner la cohérence du modèle théorique greimassien comme cadre unique, stable et partagé de la communauté sémiotique.

In the context of endeavors within social and cultural geography to conceive new models of subjectivity outside the classical model of the subject, this paper explores the possibility of a writing of subjectivity outside of the anthropocentric grammars that centralize the human subject as the locus of thought and action. To do so, we turn to the literary work Tropisms by French author Nathalie Sarraute for its expression of unconscious and impersonal 'micromovements' that evoke a mode of subjectivity that is no longer that of a given human individual. Sarraute's work, with its attentiveness to and amplification of surreptitious yet forceful events that influence how we think and how we act, its rejection of individualized psychological ideas about human experience and its experimentation with what literature can do, creates singular portraits of socio-spatial life in its unfolding and thus evokes different kinds of subjectivities – what we term a 'subjectivity without subjecthood'. To extrapolate from Sarraute's writing, we turn to Félix Guattari's theorization of subjectivity through a 'machinic' unconscious. In doing so, we draw out three dimensions of subjectivity as portrayed in Sarraute's work: its collective, asignifying and non-linear character. [ABSTRACT FROM AUTHOR]

Cet article étudie comment les joueurs investissent leur avatar au sein du jeu de rôle massivement multijoueur (MMORPG) et la manière dont cela contribue à la construction de soi. Cet espace potentiel particulier conduit les joueurs à la création d'identités narratives, nourries par les échanges et les expériences partagés avec les pairs. Cette identité est l'objet de projections de fragments de soi et de son histoire personnelle qui vont être mis en scène par le biais de l'image, de l'acte et du langage. Quatre participants ont été recrutés grâce à une annonce déposée sur les serveurs d'échanges de différentes communautés du même jeu en ligne. Les hypothèses ont été évaluées à travers une série de deux entretiens semi-directifs en distanciel reposant sur une grille de dix thèmes. Les résultats montrent que le jeu de rôle est investi comme un outil de réécriture de l'histoire personnelle grâce auquel les participants peuvent réparer fantasmatiquement blessures et traumatismes individuels et familiaux. Nous observons également que la transparence digitale favorise la spontanéité des communications de par sa fonction désinhibitrice : le jeu de rôle dans les jeux en ligne se révèle être un réel espace potentiel de créativité où les participants peuvent interagir par essai-erreur sans crainte d'être mis en échec et exprimer leurs émotions et désirs sans détruire l'autre ou être détruits, car il s'agit de faire-semblant. Ainsi, ils développent leur subjectivité et tentent un meilleur accordage affectif avec la possibilité d'une meilleure intégration au sein de la communauté humaine virtuelle et matérielle. La transparence digitale, incite les participants à investir le jeu de rôle en tant que lieu de projection et de mise en scène de leurs contenus psychiques sous la forme d'une répétition symbolique où l'histoire familiale, voire le roman familial, sont réinterprétés et deviennent des facteurs de transformation, de réconciliation ou d'émancipation. Les identités narratives sont un véritable reflet des préoccupations des participants et sont investies pendant et en dehors des séances de jeu. À travers une position de narrateur, les participants échangent et tissent des liens de sens et d'amitié avec les autres joueurs. Ils cherchent à donner un sens à un vécu subjectif partagé qu'ils inscrivent dans leur patrimoine de soi ainsi que dans la mémoire collective du groupe. Ici, le jeu de rôle fournit une forme de contenance pour les éventuels affects dépressifs et détourne l'attention des angoisses, tel le divertissement pascalien. Cet espace pourrait d'abord servir de sorte de prothèse technologique substitutive de fonctions psychiques défaillantes pour certains joueurs qui peinent à exprimer leurs émotions et à tisser des liens. Mais au fil des années, ceux-ci paraissent plutôt se saisir de l'étayage fourni par cette orthèse psychique, de lien et de liaison, pour réécrire leur histoire, aller à la rencontre de l'Autre et d'eux-mêmes. Dans ce lieu où les espaces potentiels se chevauchent, les joueurs tentent d'orienter leur propres vies en s'étayant sur les expériences qu'ils ont pu co-construire à travers une narrativité individuelle et commune, présentée comme à la fois étrangère et propre à soi. Ainsi, ils peuvent se sentir mieux armés pour affronter cette intersubjectivité parfois vécue comme décevante ou menaçante que peut être le theatrum mundi. The purpose of this research is to study how the way in which players use their avatar in Massive Multiplayer Role-Playing Games (MMORPG) contributes to self-construction. This particular space leads the players to the creation of a specific narrative identity, nurtured by interactions and experiences shared with peers, onto which they project fragments of themselves and their personal history that will be staged through image, action, and language. Four participants were recruited through a notice published on communication servers belonging to different communities of the same online game. The hypotheses were assessed through a series of two semi-structured remote interviews based on a grid of ten themes. The results show that role-playing is used as a tool for rewriting personal history, enabling participants to heal, on the level of the fantasy, their individual and family wounds and trauma. In this study, we also noticed that digital transparency supports the spontaneity of communications thanks to its disinhibiting function. Thus, online role-playing games turn out to be a potential space of real creativity where participants can interact by trial and error without fear of failure, where they can be destroyed and can express their own emotions and desires without destroying the other, because it's just pretend. In this way, they develop their subjectivity and try to develop a better affective attunement in order to integrate into the virtual and material human community. Digital transparency also facilitates participants' investment in online role-playing as a place of projection and staging of their psychic contents in a symbolic repetition where the family history, even the family romance, are reinterpreted and become factors of transformation, reconciliation, or emancipation. Narrative identities are true reflections of the participants' concerns and are invested during and outside game sessions. Through the position of narrator, the participants talk and develop meaningful friendships with other players. They try to give meaning to a shared subjective experience that they record as their own heritage as well as the group's collective memory. In this study, role-playing provides a form of containment for possible depressive affects and diverts attention from anxieties, like Pascal's entertainment. At first, this space could serve as a kind of technological substitute, a "prosthesis" for some players with defective psychic functions, who struggle to express their emotions and to bond with others. But over the years, they seem rather to seize upon the support provided by this "psychic orthosis" that links and connects to rewrite their own history, to seek out and to come to terms with others and themselves. In these overlapping potential spaces of creation, players try to orient their own lives by relying on the experiences they have been able to co-construct through a common narrative, presented as both foreign and unique to themselves. They may feel better equipped to face an intersubjectivity that could sometimes be experienced as disappointing or threatening. [ABSTRACT FROM AUTHOR]

It was intended to analyze mediation strategies (defense and coping) of Venezuelans to deal with experiences of suffering at work, reflecting about the impacts on their mental health. It is a qualitative, cross-sectional and exploratory research with 16 Venezuelan migrants living in the southern region of Brazil. A sociodemographic questionnaire and a semi-structured interview were used, with data interpreted by Content Analysis. The defense strategies were denial, control, isolation, and rationalization. Those coping were support at work, learning and leaving the company. Mental health at work was linked to feelings of belonging, appreciation, and growth, dialoguing with the meaning of work, while pathological suffering appeared mainly in unemployed women, with depressive symptoms and suicidal thoughts. It is noticed that work is central to them, their identities, and subjectivities. COVID-19 has increased vulnerabilities, especially among the unemployed. Crucial points that need greater attention were highlighted, providing clues that can support clinical practices and public policies. [ABSTRACT FROM AUTHOR]

Copyright of Sur le Journalisme, About Journalism, Sobre Jornalismo is the property of Sur le journalisme, About journalism, Sobre jornalismo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Sur le Journalisme, About Journalism, Sobre Jornalismo is the property of Sur le journalisme, About journalism, Sobre jornalismo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Akofena is the property of Universite Felix Houphouet Boigny and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Enfances, Familles, Generations is the property of Enfances, Familles, Generations and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Miedzy Oryginalem a Przekladem is the property of Ksiegarnia Akademicka Sp. zo.o and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Akofena is the property of Universite Felix Houphouet Boigny and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article depicts feminine subjectivity among women of the millennial generation. Content analysis of an open question relating to the answers of 623 Israeli participants reveals perceptions of femininity as at once gender conscious and non-political. Respondents express a strong sense of entitlement to gender equality yet retain an essentialized perception of gender differences. They are aware of the contradictory demands directed at women, but avoid problematizing them, instead priding themselves on their capacity to encompass both feminine and masculine traits without losing femininity. We identify in the women's framing a strong commitment to a harmonious worldview and a non-political outlook and trace it to the influences of the global, late-modern generational preoccupation with personal transformation, self-governmentality, and positive thinking. [ABSTRACT FROM AUTHOR]

The article presents the construction of a theoretical-clinical model in psychoanalytic psychopathology about the structural determinants of drug use in psychosis and in schizophrenia. We start from Lacan's thesis about the effects of adherence to autoerotic jouissance resulting from the rupture with phallic jouissance, which poses the problem concerning the status of this rupture in drug addiction and the role of drug use on the effects of this rupture. Our hypothesis is that the use of drugs follows an attempt at instinctual refusion with catastrophic consequences. We conducted a survey of Freud's texts that are organized around the drive economy, both in his approach to the use of drugs and in his approach to the etiology of psychosis and the reparative function of delusion. As a result, we obtained the structural indices for the diagnosis of drug use in psychosis. [ABSTRACT FROM AUTHOR]

Despite having "mental" in its name, as far as professionals engaged in daily services for persons with mental disorders are concerned, there is not much scrutiny about the theoretical assumptions involved in characterizing and delimiting the field of mental health. What is "mental" in mental health? In order to strengthen the interdisciplinary aspects of this field, we will carry out an analysis of the theory by Terrence Deacon, a contemporary evolutionary biologist who studies the emergence of life and mind, and will offer this discussion as an essential formative aspect as yet neglected in mental health practice. In conclusion, we will consider how Deacon's view entails an approach to mental health in which cannot be conceived devoid of normative, subjective and environmental aspects. [ABSTRACT FROM AUTHOR]

Copyright of Ethnologie Française is the property of Presses Universitaires de France and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cadernos de Pesquisa is the property of Fundacao Carlos Chagas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of e-Scripta Romanica is the property of Wydawnictwo Uniwersytetu Lodzkiego and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this paper, in a Foucauldian argument, I draw attention to how psychotherapy is both produced and productive. I argue how psychotherapeutic theories and practices can contribute to generate hegemonic versions of subjectivity that limit the scope of alternative ways of living and feed into individualism. As Rose contends, the psy sciences, including psychotherapy, are highly influential in informing how we make sense of ourselves, and thus in how we produce ourselves. Psychotherapy – through assuming that its theories only reveal psychic mechanisms and that psychotherapeutic practice only helps people to know themselves better and develop – becomes extremely powerful in producing subjectivities whilst believing that it is only a matter of self-discovering. On this basis, I stress the need for questioning psychotherapy. In particular, I explore how engagement with authors associated with the so-called 'post' theories can transform psychotherapeutic theories and practices, including questioning the very existence of psychotherapy. As a psychotherapist myself, I attempt to stay uncomfortable and to allow myself to be moved while I grapple with what psychotherapy might become. [ABSTRACT FROM AUTHOR]

Le présent article comprend l'anorexie mentale comme une stratégie visant à se produire soi-même, en modelant le corps d'une manière déterminée, afin d'obtenir une reconnaissance intersubjective. Il s'agirait plus précisément d'une stratégie permettant de systématiser la réussite de trois objectifs caractéristiques de l'existence sociale moderne où les individus sont appelés à se réaliser au moyen de leurs propres ressources, en s'émancipant de toute tutelle. Soumis à l'injonction d'être « quelqu'un », et d'accomplir une performance individuelle remarquée, le sujet anorexique serait singulièrement sensible aux risques d'échec constitutifs de ces deux idéaux sociaux. Ainsi, 1) la maigreur permettrait au sujet anorexique de faire l'économie de la question de son identité, en produisant à travers le corps maigre un type d'identité plutôt qu'une véritable subjectivité. Effrayée à l'idée de ne pas parvenir à cerner les frontières et facultés du « soi », la personne anorexique se retrancherait derrière le type d'identité que suggère une apparence très amincie. 2) Travaillant sur son corps, le sujet anorexique échapperait aux aléas des formes conventionnelles de travail et d'accomplissement de soi, en choisissant un matériau – son propre corps – sur lequel il a un pouvoir immédiat et qui a priori ne met à l'épreuve que sa volonté, en supprimant tout aléa extérieur immaîtrisable. 3) Conscient des représentations sociales dont la maigreur est investie, le sujet anorexique contrôlerait le genre de jugement porté sur lui par les autres : il échapperait ainsi au risque, normalement structurel, de ne pas être reconnu par les autres sujets conscients, ou d'être incompris d'eux. This article understands anorexia nervosa as a strategy for self-production, shaping the body in a certain way to achieve intersubjective recognition. More precisely, it would be a strategy to systematically achieve three objectives characteristic of modern social existence, where individuals are called upon to achieve themselves through their own resources, freeing themselves from any authority. Subjected to the injunction to be "someone", and to achieve a remarkable individual performance, the anorexic subject would be singularly sensitive to the risks of failure that constitute these two social ideals. Thus, 1) thinness would allow the anorexic subject to avoid the question of his or her identity, by producing through the thin body a type of identity rather than a true subjectivity. Scared at the idea of not being able to define the borders and faculties of the "self", the anorexic person would hide behind the type of identity suggested by a very slim appearance. 2) Working on their body, the anorexic subject would escape the hazards of conventional forms of work and self-actualization, by choosing a material – their own body – over which they have immediate power and which a priori only tests their will, by suppressing any external, unmanageable hazard. 3) Conscious of the social representations with which leanness is invested, the anorexic subject would control the kind of judgment made on them by others: they would thus escape the risk, normally structural, of not being recognized by the other conscious subjects, or of being misunderstood by them. [ABSTRACT FROM AUTHOR]

The Duty of Memory in the Light of Autobiography and History in L'Amour, la fantasia by Assia Djebar ABSTRACT: In L'Amour, la fantasia, the memory is declined from the compromising ordeals of the childhood and youth of Assia Djebar. Djebar's writing, which connects Algerian history and autobiography, is based on personal and collective memory, as well as on female subjectivity. If the "we" of the narrator traces a collective past in the form of various biographies, it is individualized to report the memories of the author. It is through the presence of women-witnesses, their anonymous voices and their stories that their creator writes the story of her life. This plural writing in French language calls upon the Berber and Arabic language to reconstruct a new identity. RÉSUMÉ : Dans L’Amour, la fantasia, la mémoire est déclinée à partir des épreuves compromettantes de l’enfance et de la jeunesse d’Assia Djebar. L’écriture djebarienne, qui relie l’Histoire de l’Algérie et l’autobiographie, s’appuie sur la mémoire personnelle et collective, ainsi que sur la subjectivité féminine. Si le « nous » de la narratrice retrace un passé collectif sous forme de biographies diverses, il s’individualise pour rapporter les souvenirs de l’auteure. C’est à travers la présence de femmes-témoins, leurs voix anonymes et leurs récits que leur créatrice écrit le récit de sa vie. Cette écriture plurielle en langue française interpelle la langue berbère et arabe pour reconstruire une nouvelle identité.

Copyright of Aequitas: Journal of Human Development, Disability & Social Change / Revue de Développement Humain, Handicap et Changement Social is the property of Reseau international sur le Processus de production du handicap, RIPPH and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Based on the field of Communication and Health, this work seeks to present some of the ways in which rights in Brazil, in particular those associated with access to information and to communication as inseparable from the right to health, are obstructed, compromising the exercise of citizenship. To do so, we employ the estheticexpressive paradigm in the (re)construction of that which represents a kind of continuum of knowledge production, sustained by the metaphors of typography and the guillotine, impacting on the reconfiguration of the category of truth. With this movement, what guides the centrality of the present reflection is the false opposition between emotion and reason, producing subjective effects which interfere in the relationship between social actors and Brazil's Unified Healthcare System (SUS). To conclude, we outline the extent to which narrative strategies structure not only the way in which social subjects perceive the world, but also their actions on it. [ABSTRACT FROM AUTHOR]

The emergence of the Internet brought about significant changes that altered the hypermodern life experience. Faced with this new scenario, how are subjectivities produced? This paper seeks to reflect on the current exposure of the digital image of the body and its relation to the processes of subjectivation. Based on studies on digital culture carried out in Latin America and their interlocution with Jacques Lacan's theory of the mirror stage, it delves into the dimension of virtuality and its impact on subjectivity, which is addressed regarding its aspect of extimacy and liquid plurality and is constructed from a digital body produced for the gaze. [ABSTRACT FROM AUTHOR]

Copyright of Quaestiones Disputatae is the property of Universidad Santo Tomas, Seccional Tunja and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Collectivus. Revista de Ciencias Sociales is the property of Universidad del Atlantico and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Rendre compte de la construction, par G. Lantéri–Laura, philosophe et historien de la psychiatrie, d'une phénoménologie de la psychiatrie vouée à l'élucidation critique de ses fondements, indissociable de l'approche concrète de son histoire, appréhendée avec les méthodes du structuralisme. Les étapes en sont résumées et référées au parcours de leur auteur, non sans rendre hommage à sa personne et à son œuvre. Cette phénoménologie du fait psychiatrique privilégie l'étude du signe , de ses effets de sens, et requiert la clarification des conditions de sa production, dont le savoir et le savoir-faire qu'elle suppose. Prolongeant les travaux d'E. Minkowski grâce aux principes du structuralisme, G. Lantéri–Laura considère la structure de la sémiotique de la psychiatrie et effectue de nombreux apports à sa sémiologie, notamment du langage. Tenant l'investigation de sa praxis pour inséparable de son histoire, il en forge une périodisation en divers paradigmes, conforme à l'épistémologie de Th. Kuhn et à la conception de l'histoire de Cl. Lévi–Strauss. Il noue à cette phénoménologie une approche de la subjectivité qui conserve le vœu d'évidence de Husserl, mais sans rejeter l'inconscient, en se gardant de la tendance hégémonique et totalisante de toute psychopathologie par l'élucidation rigoureuse de la sémiotique de la psychiatrie et l'accent mis sur les caractères régional, pluriel et historique de son épistémologie. G. Lantéri–Laura a proposé une épistémologie phénoménologique de la psychiatrie, inséparable des trois dimensions de la sémiotique, de la subjectivité et de son histoire. The article aims to give an account of the construction, by G. Lantéri–Laura, philosopher and historian of psychiatry, of a phenomenology of psychiatry dedicated to the critical elucidation of its foundations, inseparable from the concrete approach of its history, apprehended with the methods of structuralism. The stages of this construction are summarized and connected to the path of their author, while paying tribute to him and his work. This phenomenology of the psychiatric fact privileges the study of the sign and its effects of meaning, and requires the clarification of the conditions of its production, including the knowledge and the know-how that it supposes. Extending the work of E. Minkowski thanks to the principles of structuralism, G. Lantéri–Laura considers the structure of the semiotics of psychiatry and makes numerous contributions to its semiology, notably of language. Considering the investigation of its praxis to be inseparable from its history, he forges a periodization of it in various paradigms, in conformity with T. Kuhn's epistemology and with C. Lévi–Strauss's conception of history. Lantéri–Laura links this phenomenology with an approach to subjectivity that keeps Husserl's vow of evidence, but without rejecting the unconscious, thus resisting the hegemonic and totalizing tendency of any psychopathology through the rigorous elucidation of the semiotics of psychiatry and the emphasis put on the regional, plural, and historical characters of its epistemology. G. Lantéri–Laura has proposed a phenomenological epistemology of psychiatry, inseparable from the three dimensions of semiotics, subjectivity, and its history. [ABSTRACT FROM AUTHOR]

L'historien, en tant que sujet, est lié non seulement à son passé familial mais aussi à ses connaissances. L'histoire méthodique prétendait, au début, proscrire toute subjectivité, mettant l'historien à l'écart des recherches et de l'écriture. Or les événements et l'évolution historiographiques ont rendu caduque cette posture scientiste. Ce vingt-et-unième siècle voit les historiens s'impliquer ostensiblement dans leurs ouvrages. C'est le cas notamment avec Quelle histoire: Un récit de filiation (1914–2014) de l'éminent historien de la Grande Guerre, Stéphane Audoin-Rouzeau. Nous verrons qu'un retour sur le choc de la guerre vécu par son grand-père paternel Robert Audoin permet de comprendre l'impact effroyable mais longtemps insoupçonné que celle-ci a eu sur le reste de sa vie ainsi que sur celle de Philippe Audoin, père de l'historien. La perspective ainsi découverte jette une lumière nouvelle sur le calvaire invisible vécu par d'innombrables véterans, mais aussi sur l'orientation des recherches de Stéphane Audoin-Rouzeau. [ABSTRACT FROM AUTHOR]

The objective of this theoretical essay is to discuss the concept of symbolic violence proposed by Pierre Bourdieu and, based on his criticism, to establish a new proposal in the light of Adorno's critical theory, which improves it, insofar as it apprehends in a more specific way the subjectivity. For Bourdieu, symbolic violence is invisible violence, exercised by symbolic means of communication and knowledge, which is established in a relationship of subjugation-submission and which results from domination, of which the dominated is an accomplice. Seeing some gaps in Bourdieu's concept, we set up an expanded conceptualization based on Adorno's thinking, emphasizing subjectivity and designating through which processes symbolic violence is established. By symbolic violence, we understand that the enlistment of the subject in a reality that constrains him, in summary, even if subtly and imperceptibly, to fit into certain predispositions, perceived as social conditions, occurs through the degeneration of his subjectivity through the projection, identification, and individuality. [ABSTRACT FROM AUTHOR]

The rapid changes that take place in the world of work impact in the way individuals live and work. In this context, strategies and manipulations are used to limit the women executives' way of working and living and appropriate them through seduction, justification, sophistication, and subtlety. Considering the lives of women executives inserted in modern society, the dispositive appear to capture, model, and control their behavior and discourses. Therefore, this study aims to analyze the dispositive for manipulating women executives in a business work. A descriptive and qualitative research was carried out based in a semi-structured script with 30 women executives who are in a decisionmakers position. For data analysis, the technique of content analysis was used with the aid of the Maxqda software. The results show how women executives are involved by individual, social, organizational, and supportive dispositive that control and support their position. We conclude that the dispositive normalize the executive, leading them to fit into standard profile, according to their hierarchical position. [ABSTRACT FROM AUTHOR]

Copyright of Issues in Ethnology Anthropology is the property of Issues in Ethnology Anthropology and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article examines the role of sex work in Georges Bataille's account of intersubjectivity through transgression and the erotic. It conducts a close reading of Madame Edwarda, a short text in which a sex worker takes centre stage. This text is cited as exemplary of Bataille's rejection of the limits of reason, limits imposed by a socio-economic model wherein everything must be exchanged, invested, and subordinated to logics of profit and accumulation. The aim of this article is to show that the model of transgression that Bataille sets out in Madame Edwarda in fact depends on another person's labour. However, it is able to disavow this dependency because it assumes the labour in question – sex work – to be a free act of generosity: Edwarda's sex work disappears as work, because she is identified with sex absolutely. The article argues that Bataille's intersubjectivity is thus founded on work, and so on subjection. [ABSTRACT FROM AUTHOR]

Résumé: La politique de développement du président de la république embrasse nécessairement la cohésion, la paix et la stabilité, sans lesquels aucun développent durable ne peut s’établir. Ainsi, dans un processus d’assignation de sens de son discours, le président, dans une argumentation persuasive, a su amener les populations de sa région natale à se projeter avec lui dans un développement qui allie à la fois la paix et la stabilité. D’un point de vue strictement énonciatif et pragmatique, le président use adroitement de l’image de soi (Ethos) pour caractériser les faits et les actions de développement. Les énoncés performatifs abondamment utilisés dans son discours constituent à n’en point douter une force argumentative réelle pour convaincre son auditoire. Les résultats de sa pratique discursive en termes de développement sont tangibles devant une population fortement mobilisée pour la circonstance. En unmot, le discours du président de la république dans la visite d’Etat de la région du N’ZI a atteint ses objectifs.

This article problematizes the relationship between subjectivity and works in research in Social Psychology of Work (PST). The objective is to explain PST characteristics and the possible relationships with different theoretical-methodological approaches, especially from two doctoral pieces of research that addressed the relationship between subjectivity and work in different contexts, urban and rural. The first of them, carried out between 2010 and 2014, was based on Socio-Historical Psychology and sought to understand the trajectory and meanings attributed to work by young professionals who graduated from a university in the metropolitan region of Rio de Janeiro/ RJ, Brazil. The second investigation, in turn, was developed based on Psychosociology and Clinical Sociology and carried out between 2015 and 2019 in the northeast region of the State of São Paulo, Brazil, with a group of settled rural workers. Despite being carried out in different spaces and times, when revisiting the theses, we observed a sign of a tendency of workers to fight for places in a more individualized way in the precarious world of work, which denotes how much the production of subjectivities is related to work and the objective conditions in which we live. [ABSTRACT FROM AUTHOR]

This paper aims to explore some theoretical and methodological tools for addressing adolescent and youth subjectivities in contexts of rights violations. The theoretical perspective is nourished by the interdisciplinary dialog between psychoanalysis and contributions from philosophy and the social field. The life story of a young woman from a low-income sector, whose biographical experience was marked by precariousness and violence, was analyzed in a detailed and holistic manner. Such analysis explored the twists and turns of existence, transformations in their identity development, the effects of trauma, and the possibilities of building a future. [ABSTRACT FROM AUTHOR]