31 results on '"Lyrism"'
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2. Voie négative, vue négative: Le théâtre de l'appel de Valère Novarina.
- Author
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INHYE HONG
- Subjects
GESTURE ,FICTION ,SPECTATORS ,AUTHORS ,LANGUAGE & languages - Abstract
In Novarina's work, the word establishes a "lyrical gesture": it calls. Since the appearance of what is called constitutes the drama itself, we can consider the lyricism as communication between the subject and the object as the process of creation. This creative gesture is doubly negative. First of all, the writer does not exist anymore in the creation process accomplished with the spectators. Secondly, Novarinian fiction is defined by its negative qualities: informal and timeless, it develops a negative view that opens behind the language. [ABSTRACT FROM AUTHOR]
- Published
- 2023
- Full Text
- View/download PDF
3. « Peu de bruit nous reste dans l'oreille ». Lecture d'Une petite fille silencieuse de James Sacré.
- Author
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GALAND, DAVID
- Subjects
AUDITORY hallucinations ,DAUGHTERS ,POETS ,VOCABULARY - Abstract
The book of poetry Une petite fille silencieuse, published by James Sacré to collect the texts he wrote after the death of his young daughter, is a deep interrogation about the silence of death. The poet establishes complicated links between silence and time, inventing a subjective and singular temporality, departing from the law of chronology; furthermore, he avoids asserting the existence of the next world while hoping to hear the voice of his dead daughter. This is why he tries to hear the silence in the words themselves, defining language as the very place of a vain pursuit of a meaningful silence. [ABSTRACT FROM AUTHOR]
- Published
- 2021
- Full Text
- View/download PDF
4. Antoine Emaz : le lyrisme de la sobriété
- Author
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Irati Fernández Erquicia
- Subjects
Lyrism ,Contemporary poetry ,Antoine Emaz ,Emotion ,First person ,Sobriety ,French literature - Italian literature - Spanish literature - Portuguese literature ,PQ1-3999 - Abstract
Among the French contemporary poets that want to get back some lyric values of poetry adapting them to contemporary requirements, this article aims to approach the figure of Antoine Emaz. This poet doesn’t consider himself as a lyric poet a priori, but he wants to maintain some emotion or tension in his poems. With this paper, we will study different poetic methods used by Antoine Emaz, as the refusal of the expression in first person, the presence of everyday life, or his persistence to preserve emotion in poetry. Following these procedures, he reaches the exploration of what we could consider as a lyrism of sobriety.
- Published
- 2019
5. A. S. Pushkin’s Address 'To a Kalmyk Maiden': Aspects of Genre Originality
- Author
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B. Kichikova
- Subjects
«природа» и «цивилизация» ,pushkin ,kalmyk maiden ,address ,epigram ,madrigal ,genre interaction ,irony ,lyrism ,“nature” and “civilization” ,motive ,situation ,the novel in verse “eugene onegin” ,History (General) ,D1-2009 ,Oriental languages and literatures ,PJ - Abstract
The main feature of the genre of the poetic form in question is an appeal to the addresses. The article defines the typology of addresses, including addresses to a recipient who is by default unable to response - as in A.S. Pushkin’s Address “To a Kalmyk Maiden”. The poem specifics is analyzed with respect to its constituents: the genres of epigram and madrigal. The analysis is aimed at finding links within the motives of its creation, the correlation between the meeting the Kalmyk maiden by the poet and the moral and psychological collision of the characters in the last chapter of “Eugene Onegin”.
- Published
- 2018
6. Le je lyrique chez Léopold Sédar Senghor.
- Author
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SYLVANIUS BOBO, ROSTAND
- Subjects
SELF ,FICTION ,POETRY (Literary form) ,POETS ,NARRATORS - Abstract
Copyright of Anales de Filología Francesa is the property of Servicio de Publicaciones de la Universidad de Murcia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2019
- Full Text
- View/download PDF
7. THE SIXTIES PHENOMENON: THE LITERARY FORESHADOWING OF THE IDENTITY SIGNS
- Author
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Andrei ȚURCANU
- Subjects
literary dogma ,lyrism ,balladesque ,rustic poetry ,sincerity ,poetic art ,matrix space ,artistic identity ,national specificity ,Arts in general ,NX1-820 ,Science - Abstract
The lyrism with its halo of rustic poeticity in Ion Druţă’s creation debuts along with the examinations of consciousness of the poet Andrei Lupan, but also with the manifests of Nicolai Costenco’s lyrical adhesion to the native indigenous values, are examples of a joint effort of breaking the sixties literature aesthetic from the restrictive constraints of the totalitarian regime. The call to human naturalness and the local landscape with the affective signs of organic retrieval of the human in its original space, the appeal to honesty and to the relentless examination of consciousness confute the prescriptions and the hollowness of the communist utopia. Nature, human feelings, love and especially its melancholic derivatives, the introspections of the self as an internal collapse or a sudden ascension, uncontrollable attachment to what is contained in the phrase spirutus loci impose the human identity of literature as a form of artistic manifestation of humanity in existential fullness and diversity of its manifestations, its national identity as an expression of national life in concrete forms of historical habitat, social and geographic, sensitivity and vision of the world and aesthetic identity.
- Published
- 2015
8. Cioran, du lyrisme au laconisme
- Author
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Garoiu, Monica
- Subjects
Lyrisme ,Adoptive language ,Lyrism ,Exile ,Bilingualism ,Langue d’adoption ,Bilinguisme ,Laconism ,Exil ,Laconisme - Abstract
Dans cette analyse de l’écriture cioranienne du lyrisme enflammé de la période roumaine à la lucidité négative de la période française, l’on s’intéressera au changement d’identité de l’écrivain à la suite du passage à sa langue d’adoption. On tentera de montrer que la réflexion lucide de Cioran sur les mots est devenue possible grâce à la distance qu’il a pu prendre dans sa langue d’emprunt.
- Published
- 2022
- Full Text
- View/download PDF
9. L’écriture de l’exil comme transgression topologique et linguistique
- Author
-
Stănişor, Mihaela-Genţiana
- Subjects
Habitat ,Lyrism ,Exile ,Langue ,Poetics ,Lyrique ,Poétique ,Exil ,Genre ,Déracinement ,Uprooting ,Language - Abstract
Dans cette chronique, nous analysons le livre de Stéphane Cermakian, Poétique de l’exil. Friedrich Hölderlin, Arthur Rimbaud et Nigoghos Sarafian, (Paris, Classiques Garnier, 2021), en insistant sur la façon dont l’auteur construit son discours argumentatif sur la configuration d’une littérature et une langue de l’exil à partir de l’étude de trois auteurs appartenant à trois âges et aires culturelles : Friedrich Hölderlin (Allemagne), Arthur Rimbaud (France) et Nigoghos Sarafian (Arménie)., In this review we analyze the book of Stéphane Cermakian, Poétique de l’exil. Friedrich Hölderlin, Arthur Rimbaud et Nigoghos Sarafian, (Paris, Classiques Garnier, 2021), focusing on the author’s manner of constructing an argumentative discourse based on the configuration of a literature and a language specific to exile. He studies three authors belonging to different cultural spaces and ages: Friedrich Hölderlin (Germany), Arthur Rimbaud (France) and Nigoghos Sarafian (Armenia).
- Published
- 2022
- Full Text
- View/download PDF
10. Le je lyrique chez Léopold Sédar Senghor
- Author
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Rostand Sylvanius Bobo
- Subjects
Ode ,Lyricism ,media_common.quotation_subject ,Oda ,Lirismo ,Auto alegorización ,Context (language use) ,Negritude ,The arts ,Self allegorization ,Yo lírico ,Negritud ,Romanticism ,media_common ,Literature ,Lyrism ,I lyric ,Poetry ,business.industry ,Empire ,Art ,Variety (linguistics) ,Psychiatry and Mental health ,Neuropsychology and Physiological Psychology ,Expression (architecture) ,business ,8- Lingüística y literatura [CDU] - Abstract
El lirismo es una forma de expresión que extiende su imperio a todas las artes. En la literatura, fue traído a su cima por el romanticismo que lo hizo su línea de fuerza. Ha conocido una variedad de fortunas desde entonces. Asumido por algunos, vilificados por otros, sigue siendo hoy en día el corazón de las preocupaciones de muchos críticos. Nuestro estudio propone estudiar la letra I en un poema de Leopold Sédar Senghor: el Kaya Magan, extraído de su colección Etícuos. Es una contribución humilde a las numerosas obras dedicadas a esta importante figura de la literatura Afroafricana, principalmente a aquellos que tienen como eje principal la dimensión lírica. La prueba una vez más que el lirismo y el compromiso pueden ser una buena limpieza. Es un enfoque lingüístico de la autoescritura que incorpora referencias al contexto sociohistórico. Lyricism is a form of expression that extends its empire to all arts. In literature, it was brought to its pinnacle by the romanticism that made it its line of strength. He has known a variety of fortunes since then. Assumed by some, vilified by others, it remains today still at the heart of the concerns of many critics. Our study proposes to study the lyric I in a poem by Leopold Sédar Senghor: the Kaya Magan, extracted from his collection Ethiopiques. It is a humble contribution to the many works devoted to this major figure of the Negro-African literature, mainly to those who have as a major axis the lyrical dimension. The proof once again that lyricism and commitment can be good housekeeping. It is a linguistic approach to self-writing that incorporates references to the socio-historical context. Le lyrisme est une forme d’expression qui étend son empire à tous les arts. En littérature, il a été porté à son pinacle par le romantisme qui en a fait sa ligne de force. Il a connu des fortunes diverses depuis. Assumé par les uns, vilipendé par les autres, il demeure aujourd’hui encore au cœur des préoccupations de nombreux critiques. Notre étude se propose d’étudier le je lyrique dans un poème de Léopold Sédar Senghor : Le Kaya Magan, extrait de son recueil Éthiopiques. Elle se veut une humble contribution aux nombreux travaux consacrés à cette figure majeure de la littérature négro-africaine, principalement à ceux qui ont pour axe majeur la dimension lyrique. La preuve une fois encore que le lyrisme et engagement peuvent faire bon ménage. C’est une approche linguistique de l’écriture de soi qui intègre les références au contexte socio-historique.Mots-clés : Lyrisme-je lyrique/ethos poétique-ode-négritude
- Published
- 2019
11. ЛІРИЗМ РОМАНУ «ПРАПОРОНОСЦІ» О. ГОНЧАРА
- Author
-
GOLOVKO, L. and SUHILINA, K.
- Subjects
ліризм ,образ ,пафос ,роман ,стиль ,lyrism ,motive ,character ,romance ,symbol - Abstract
Статтю присвячено вивченню феномену ліризму в романі «Прапороносці» О. Гончара. Доведено, що О. Гончар у романі «Прапороносці» органічно поєднує реалістичне сприйняття відтворення світу з романтичним. Митець зображує бачення війни, практично не відступаючи від соцреалістичного канону, проте засоби ліризму, зокрема мотив кохання, заглиблення у внутрішній світ персонажів, використання образів-описів, образів-символів, звернення до народнопоетичних традицій, прийому контрасту, що наскрізно виявляються в тексті, надають твору художньої цінності., In the article the features of the embodiment of the phenomenon lyrism of the novel trilogy «Flag beares» by O. Honchar are studied. It was found that among a large number of different studies dedicated to Honchar’s, prose there is only a small part of works, where scientists mark lyricism as one of the main features of the novel, but the definite integral analysis of the phenomenon is not represented. Taking into account the fact that lyrism of the trilogy «Flag bearers» is an important component for playback of the ideological and aesthetic intent of the writer, this aspect of their study is relevant and represents scientific interest. The purpose of this article is to analyze the means of lyrism, particularly the motive of love, using images-symbols, images-descriptions.It is set up that the lyrism of the O. Honchar’s novel «Flag bearers» is associated primarily with in-depth disclosure of the inner world of the individual. The article revealed that an important part of the author’s concept is to show the motive of love in the work that is directly related to emotion, emotional, that is, subjective sphere of artistic expression in the embodiment of the author’s text.Author determined basic techniques of image copyright in the novel motif of love. A common means of strengthening of the lyrical text is symbolization of images, which are often based on national soil. Analysis of the specifics of creating landscapes in the trilogy indicates that the depiction of nature is not just a backdrop for the events depicted, but also a kind of accompaniment of hero mood. Portrait features in the novel «Flag bearers» play an important part in revealing of the «spiritual movement» and the inner world of the characters. Trilogy’s author combines realistic vision of the world with romantic organically. The artist depicts the vision of the war, almost without departing from the socialist-realist canon, however, lyrical means give a work an artistic value.
- Published
- 2020
12. 'E SE ESGARÇA NO MAR DO ESPANTO': LIRICYSM, POLITICS AND POST UTOPIA IN ADEMIR ASSUNÇÃO POETRY
- Author
-
Junkes Bueno Martha, Diana
- Subjects
A voz do ventríloquo ,pós-utopia ,post-utopía ,post-utopia ,La voz del ventrílocuo ,Ademir Asunción ,Ademir Assunção ,lyrism ,lirismo ,A voz do ventríloquo (the voice of ventriloquist ,política ,lirismo, política ,politics - Abstract
Resumen: Este artículo tiene como objetivo discutir, desde una perspectiva post-utópica, según lo propuesto por el poeta, crítico y traductor Haroldo de Campos, las articulaciones entre el lirismo y la política en el trabajo de Ademir Assunção, especialmente los presentes en el libro La voz del ventrílocuo. , ganador del Premio Jabuti (2013), el premio más grande de la literatura brasileña. La post-utopía se entiende aquí como una poética de agoridad, comprometida, crítica del futuro como un devenir idealizado y atento al pasado, que busca encontrar, en la tradición y en el posicionamiento político crítico de la desigualdad y el conservadurismo, formas de reinvención del presente. Desde la perspectiva adoptada aquí, la poesía de Ademir Assunção, heredera, en muchos aspectos la poesía de Haroldo de Campos y los poetas concretos, ha asumido, desde la publicación del primer libro del autor, en 1994, un papel crucial en la escena brasileña contemporánea, atravesada por seria amenaza a la democracia. Con una alta carga inventiva y poética, la poesía de La voz del ventrílocuo propone, en términos haroldianos, el reemplazo del principio de esperanza de la vanguardia por el principio de realidad que exige acción. Resumo: Este artigo tem por objetivo discutir, a partir de uma perspectiva pós-utópica, tal qual proposta pelo poeta, crítico e tradutor Haroldo de Campos, as articulações entre lirismo e política na obra de Ademir Assunção1, especialmente aquelas presentes no livro A voz do ventríloquo, vencedor do Prêmio Jabuti (2013), maior prêmio da literatura brasileira. Entende-se aqui pós-utopia como uma poética da agoridade, engajada, crítica do futuro como um devir idealizado e que atenta ao passado, procurando encontrar, na tradição, e no posicionamento político crítico da desigualdade e do conservadorismo formas de reinvenção do presente. Da perspectiva aqui adotada, a poesia de Ademir Assunção, herdeira, sob muitos aspectos da poesia de Haroldo de Campos e dos poetas concretos, assume, desde a publicação do primeiro livro do autor, em 1994, papel crucial no cenário brasileiro contemporâneo, atravessado por séria ameaça à democracia. Com elevada carga inventiva e poética, a poesia de A voz do ventríloquo repropõe, nos termos haroldianos, a substituição do princípio esperança das vanguardas pelo princípio realidade que conclama à ação. Abstract: This article aims to discuss, from a post-utopian perspective, as proposed by poet, critic and translator Haroldo de Campos, the articulations between lyricism and politics in Ademir Assunção's work, especially those present in the book The Voice of the Ventriloquist., winner of the Jabuti Award (2013), the largest award in Brazilian literature. Post-utopia is understood here as a poetic of agority, engaged, critical of the future as an idealized becoming and attentive to the past, seeking to find, in tradition, and in the critical political positioning of inequality and conservatism, forms of reinvention of the present. From the perspective adopted here, the poetry of Ademir Assunção, heiress, in many ways the poetry of Haroldo de Campos and the concrete poets, and has assumed, since the publication of the author's first book, in 1994, a crucial role in the contemporary Brazilian scene, nowadays crossed by serious threat to democracy. With a high inventive and poetic burden, the poetry of The Voice of the Ventriloquist proposes, in Haroldian terms, the replacement of the hope principle of the avant-garde with the reality principle that calls for action.
- Published
- 2019
13. Antoine Emaz: le lyrisme de la sobriété
- Author
-
Fernández Erquicia, Irati and Fernández Erquicia, Irati
- Abstract
Among the French contemporary poets that want to get back some lyric values of poetry adapting them to contemporary requirements, this article aims to approach the figure of Antoine Emaz. This poet doesn’t consider himself as a lyric poet a priori, but he wants to maintain some emotion or tension in his poems. With this paper, we will study different poetic methods used by Antoine Emaz, as the refusal of the expression in first person, the presence of everyday life, or his persistence to preserve emotion in poetry. Following these procedures, he reaches the exploration of what we could consider as a lyrism of sobriety, Parmi les poètes français contemporains qui souhaitent récupérer quelques valeurs lyriques de la poésie en les adaptant aux exigences contemporaines, cet article tente de réaliser une approche de la figure d’Antoine Emaz, un poète qui ne se considère pas lyrique a priori, mais qui souhaite maintenir une certaine émotion ou tension dans le poème. À travers cet article, nous étudierons les divers procédés poétiques qu’Emaz met en place, comme le refus de la première personne énonciatrice, la présence du quotidien, ou son obstination pour pré- server l’émotion dans le poème, à travers lesquels il parvient à explorer ce que nous pourrions qualifier de lyrisme de la sobriété, Entre los poetas franceses contemporáneos que desean recuperar algunos valores líricos de la poesía adaptándolos a las exigencias contemporáneas, este artículo pretende acercarse a la figura de Antoine Emaz, un poeta que no se considera lírico a priori, pero que desea mantener una cierta emoción o tensión en el poema. A través de este artículo, estudiaremos los diferentes procedimientos poéticos que Emaz pone en marcha, como el rechazo de la enunciación en primera persona, la presencia de lo cotidiano, o su obstinación por preservar la emoción en el poema, a través de los cuales, consigue explorar lo que podríamos calificar de lirismo de la sobriedad
- Published
- 2019
14. Morte na antilírica de João Cabral de Melo Neto.
- Author
-
Borsato, Fabiane Renata
- Subjects
- *
ENUNCIATION , *POETICS , *COMPOSITION (Language arts) , *DEATH in literature , *BRAZILIAN poetry - Abstract
The critic João Alexandre Barbosa, points in the work Agrestes (1981-1985), of the Brazilian poet João Cabral de Melo Neto, the presence of individualized death. Thus way, this study proposes to analyse the meanings of lyrism and first-person enunciations, in the work Agrestes, a trace gradually eliminated from Cabral's discursive field since his first work, Pedra do Sono (1940-1). These elements will clash with João Cabral's poetics, previously based on the selection of voices and artistic practices consistent with his compositional method, with rigorous sorting values and elimination of any subjectivism. To understand this inconsistency, we propose studying the last part of the work Agrestes, entitled "A indesejada das gentes", a place where the theme of death is recurrent, as well as the presence of enunciators to set out, even to reveal its feelings about aging and death. The analytical procedure should research the hypothesis of rupture of the inflexible tone of João Cabral's speech that would follow in respect to the poetic project, a reverse path, starting from objective poetry in the direction of subjective poetry. [ABSTRACT FROM AUTHOR]
- Published
- 2010
15. Le corps écrivant. Saggi sulla poesia francese contemporanea da Valéry a oggi
- Author
-
Fabio Scotto
- Subjects
traduzione ,rythme ,rythm ,lyrism ,poesia ,ritmo ,lirismo ,Valéry ,translation ,poésie ,lyrisme, Traduction ,Traduction ,Settore L-LIN/03 - Letteratura Francese ,lyrisme ,poetry - Published
- 2019
16. Antonie Emaz or the Lyricism of Sobriety
- Author
-
Fernández Erquicia, Irati
- Subjects
Lyrisme ,Emotion ,Lyrism ,lcsh:French literature - Italian literature - Spanish literature - Portuguese literature ,Lirismo ,Primera persona ,Sobriety ,Poesía contemporánea ,Sobriété ,Contemporary poetry ,Emoción ,lcsh:PQ1-3999 ,First person ,Première personne ,Antoine Emaz ,Sobriedad ,Poésie contemporaine ,Émotion - Abstract
Entre los poetas franceses contemporáneos que desean recuperar algunos valores líricos de la poesía adaptándolos a las exigencias contemporáneas, este artículo pretende acercarse a la figura de Antoine Emaz, un poeta que no se considera lírico a priori, pero que desea mantener una cierta emoción o tensión en el poema. A través de este artículo, estudiaremos los diferentes procedimientos poéticos que Emaz pone en marcha, como el rechazo de la enunciación en primera persona, la presencia de lo cotidiano, o su obstinación por preservar la emoción en el poema, a través de los cuales, consigue explorar lo que podríamos calificar de lirismo de la sobriedad. Among the French contemporary poets that want to get back some lyric values of poetry adapting them to contemporary requirements, this article aims to approach the figure of Antoine Emaz. This poet doesn’t consider himself as a lyric poet a priori, but he wants to maintain some emotion or tension in his poems. With this paper, we will study different poetic methods used by Antoine Emaz, as the refusal of the expression in first person, the presence of everyday life, or his persistence to preserve emotion in poetry. Following these procedures, he reaches the exploration of what we could consider as a lyrism of sobriety. Parmi les poètes français contemporains qui souhaitent récupérer quelques valeurs lyriques de la poésie en les adaptant aux exigences contemporaines, cet article tente de réaliser une approche de la figure d’Antoine Emaz, un poète qui ne se considère pas lyrique a priori, mais qui souhaite maintenir une certaine émotion ou tension dans le poème. À travers cet article, nous étudierons les divers procédés poétiques qu’Emaz met en place, comme le refus de la première personne énonciatrice, la présence du quotidien, ou son obstination pour server l’émotion dans le poème, à travers lesquels il parvient à explorer ce que nous pourrions qualifier de lyrisme de la sobriété.
- Published
- 2019
17. lyrism and cosmoplitism in andree chedid's poetic work
- Author
-
Mountapmbeme Pemi Njoya, Yaya, Lettres, Idées, Savoir (LIS), Université Paris-Est Créteil Val-de-Marne - Paris 12 (UPEC UP12), Université Paris-Est, Faculté des lettres et sciences humaines de l'Université de Maroua (Maroua, Cameroun), Thanh-Vân Ton-That, and Maxime Meto'o
- Subjects
Lyrisme ,Lyrism ,Cosmopolitisme ,[SHS.LITT]Humanities and Social Sciences/Literature ,Cosmopolitism ,World ,Subject ,Poetry ,Sujet ,Monde (s) ,Otherness ,Altérité ,Poésie - Abstract
Through the thesis: "Lyricism and cosmopolitanism in Chedid’s poetical works", we propose to look at the opening(s) world(s) in the poetry of Chedid. This thesis develops the pathic experience and expression at the heart of the text and therefore emphasizes on the lyrical pole of the subject so as to highlight the cosmopolitan resonance of her effusions. Through a combination of the "lyricological", theme and phenomenological approaches, the study shows that the dimensions of the lyrical expression in the work of Andrée Chedid, do not limit themselves to the exclusive presentation of the subject’s emotional presence, but rather writes it down (with respect to its trajectory and experiences) in a permanent projection towards world (s). Therefore, the idea is to split up lyricism through the themes of memory and intimacy which root the poetical word in the movements of the authorial subject’s soul. Thus, thanks to the different enunciation postures and experiences of time, death and existence, on can note that the lyrical subject develops a strong empathy for the human condition. In this sense, his “decentration” paves the way to the harmonious coexistence with the alter ego and the inclusion of the otherness in the body appears as one of the foundations of the poetics of Chedid. Thus, her works, like most Francophones texts, declined a close relationship with the universe of reference. By crossing the landscape, the study reveals the realistic and utopic impact of the world projected by the poet; and the thesis concludes that Andrée Chedid, through literature, suggests ways of renewal in human potential, of new hope based on the praise of freedom, love, dream and life.; Cette thèse se propose d’examiner l’ouverture au(x) monde (s) dans la poésie d’Andrée Chedid. Elle concentre son développement sur l’expérience et l’expression pathiques inscrites au cœur du texte et privilégie, dès lors, le pôle du sujet lyrique afin de mettre en évidence la résonance cosmopolitique de ses épanchements. En combinant les approches « lyricologique » et thématique, l’étude montre que les dimensions de l’expression lyrique, dans l’œuvre d’Andrée Chedid, ne s’enferment pas dans la traduction exclusive de la présence affective du sujet, mais l’inscrivent plutôt (au regard de sa trajectoire et de ses expériences) dans une projection permanente vers le(s) monde(s). Il s’agit alors de décomposer le lyrisme à travers les thèmes du souvenir et de l’intimité qui enracinent la parole poétique dans les mouvements de l’âme du sujet auctorial. Ainsi, grâce aux différentes postures énonciatives et des expériences du temps, de la mort et de l’existence, on voit que le sujet lyrique développe une forte empathie pour la condition humaine. Dans ce sens, sa décentration ouvre la voie à la coexistence harmonieuse avec l’alter ego et l’inscription de l’altérité dans le corpus apparaît alors comme l’un des fondements de la poétique de Chedid. À cet effet, ses œuvres, comme la plupart des textes francophones, déclinent un rapport étroit avec l’univers de référence. Par la traversée des paysages, l’étude dévoile la portée réaliste et utopique du monde que projette la poétesse ; et la thèse conclut qu’Andrée Chedid propose, par la littérature, les voies de renouvellement des possibles humains, d’une nouvelle espérance fondée sur l’éloge de la liberté, de l’amour, du rêve et de la vie.
- Published
- 2016
18. Lyrisme et cosmopolitisme dans l’œuvre poétique d’Andrée Chedid
- Author
-
Mountapmbeme Pemi Njoya, Yaya and STAR, ABES
- Subjects
Lyrisme ,[SHS.LITT] Humanities and Social Sciences/Literature ,Lyrism ,Cosmopolitisme ,Cosmopolitism ,World ,Subject ,Poetry ,Sujet ,Monde (s) ,Otherness ,Altérité ,Poésie - Abstract
Through the thesis: "Lyricism and cosmopolitanism in Chedid’s poetical works", we propose to look at the opening(s) world(s) in the poetry of Chedid. This thesis develops the pathic experience and expression at the heart of the text and therefore emphasizes on the lyrical pole of the subject so as to highlight the cosmopolitan resonance of her effusions. Through a combination of the "lyricological", theme and phenomenological approaches, the study shows that the dimensions of the lyrical expression in the work of Andrée Chedid, do not limit themselves to the exclusive presentation of the subject’s emotional presence, but rather writes it down (with respect to its trajectory and experiences) in a permanent projection towards world (s). Therefore, the idea is to split up lyricism through the themes of memory and intimacy which root the poetical word in the movements of the authorial subject’s soul. Thus, thanks to the different enunciation postures and experiences of time, death and existence, on can note that the lyrical subject develops a strong empathy for the human condition. In this sense, his “decentration” paves the way to the harmonious coexistence with the alter ego and the inclusion of the otherness in the body appears as one of the foundations of the poetics of Chedid. Thus, her works, like most Francophones texts, declined a close relationship with the universe of reference. By crossing the landscape, the study reveals the realistic and utopic impact of the world projected by the poet; and the thesis concludes that Andrée Chedid, through literature, suggests ways of renewal in human potential, of new hope based on the praise of freedom, love, dream and life., Cette thèse se propose d’examiner l’ouverture au(x) monde (s) dans la poésie d’Andrée Chedid. Elle concentre son développement sur l’expérience et l’expression pathiques inscrites au cœur du texte et privilégie, dès lors, le pôle du sujet lyrique afin de mettre en évidence la résonance cosmopolitique de ses épanchements. En combinant les approches « lyricologique » et thématique, l’étude montre que les dimensions de l’expression lyrique, dans l’œuvre d’Andrée Chedid, ne s’enferment pas dans la traduction exclusive de la présence affective du sujet, mais l’inscrivent plutôt (au regard de sa trajectoire et de ses expériences) dans une projection permanente vers le(s) monde(s). Il s’agit alors de décomposer le lyrisme à travers les thèmes du souvenir et de l’intimité qui enracinent la parole poétique dans les mouvements de l’âme du sujet auctorial. Ainsi, grâce aux différentes postures énonciatives et des expériences du temps, de la mort et de l’existence, on voit que le sujet lyrique développe une forte empathie pour la condition humaine. Dans ce sens, sa décentration ouvre la voie à la coexistence harmonieuse avec l’alter ego et l’inscription de l’altérité dans le corpus apparaît alors comme l’un des fondements de la poétique de Chedid. À cet effet, ses œuvres, comme la plupart des textes francophones, déclinent un rapport étroit avec l’univers de référence. Par la traversée des paysages, l’étude dévoile la portée réaliste et utopique du monde que projette la poétesse ; et la thèse conclut qu’Andrée Chedid propose, par la littérature, les voies de renouvellement des possibles humains, d’une nouvelle espérance fondée sur l’éloge de la liberté, de l’amour, du rêve et de la vie.
- Published
- 2016
19. Le débat critique contemporain sur le lyrisme en France et en Italie
- Author
-
Fabio Scotto
- Subjects
critique ,lyrisme ,poésie française contemporaine ,critica ,lirismo ,poesia francese contemporanea ,critics ,lyrism ,contemporary French poetry ,Settore L-LIN/03 - Letteratura Francese - Abstract
1. Un apercu historique Le lyrisme se manifeste dans la modernite francaise autour de 1830 «au moment ou le romantisme triomphant accomplit l’identification de la poesie a la lyrique». Ce rapport au romantisme a autorise certains de ses detracteurs a n’y voir qu’une exasperation sentimentale confiee au chant, ce qui est vrai pour ses exces, alors qu’en effet la posture lyrique designe plutot, sur le plan linguistique et elocutif, la tonalite singuliere du style et la chaleur de l’ethos d’une ...
- Published
- 2015
20. Dışavurumculuğun coşkun hali: Lirizm
- Author
-
Serdar, Zeynep, Özgültekin, Bünyami, Sanat ve Tasarım Ana Sanat Dalı, Özgültekin, Bünyamin, and Serdar, Zeynep
- Subjects
Lyrism ,Fine Arts ,Lyrical art ,Dışavurumculuk ,Lirizm ,Expressionism ,Pictures ,Soyut Dışavurumculuk ,Güzel Sanatlar ,Painting art ,Abstract expressionism ,Isolationist Expressionis ,Art trends - Abstract
20. yüzyılın başında Avrupa'da ortaya çıkan çağdaş sanat akımı dışavurumculuk ve lirizmincelenmiştir. Modern akımlara temel oluşturan dışavurumculuğun doğmasındaki toplumsalolgular, tarihçesi, gelişim süreçleri, düşünselliği ve sanatçıları araştırıldı. Sanatın soyuteğilimlere girmesiyle soyut dışavurumculuk doğmuştur. Soyut eğilimler ve eserleriirdelenmiştir. Soyut eğilimlere katkı sağlayan Lirizm, uzun yıllar halkın sanat dili olarak kabuledildi. Lirik manifestonun yayınlanması ile lirik soyutlama yaygınlaşma göstermiştir. Resimsellirizmin düşünsel, biçimsel arayışları, resim sanatına katkı sağlamıştır. Lirik üslubunözelliklerine sanatçıların eserlerinden incelemelerle açıklık getirilmiştir.Türk resim sanatı ile ilgili bilgi verilerek, Dünya resim sanatında gelişim gösteren soyuteğilimlerin, lirik soyutlama anlayışının etkileri belirtilmiştir. Türk resim sanatının soyuteğilimlere geçtiği dönem, düşünsel, biçimsel değişimleri belirtilerek, Lirik soyutlama üslupözellikleri, sanatçıları ile ilgili incelemeler yapılmıştır.Anahtar kelimeler: Dışavurumculuk, Soyut Dışavurumculuk, Lirizm In this study of drawing and painting art of lyrism and expressionism currency was arouse inEurope at the beginning of Twentiet Century was investigated and exhibited with paintings.Expressionism as the foundation of modern arts was also investigated with their causes ofsocial facts, historical back grounds, progressive pathways, phylosophy and theirrepresenting artists and painters. By entering isolationism trends to art isolationistexpressionism was borne. So isolationst trends and its typical art pieces were discussed inthis study. Lyrism being a supporter of isolationism was accepted as the art lenguage ofpeople. By publishing of lyric manifest lyric expressionism has become widespread andpopular. Lyrism in painting has provided great support to contemperary phylosophy, shapeand size consepts of objects and the painting art and drawing itself. By obserwing lyric typeof paintings of contemperary artists a novel interpretation was brought in this study.By providing detailed information about Turkish Painting Art, its effect on the WorldPainting Art being in progressive isolation and the lyric understanding of isolationism weredetermined. During the introduction of Turkish Painting Art into expressionism trend,phylosophical and the variation of patternal design were described as well as lyric isolationdesign characteristics and their follower artists were investigated.Key words: Expressionism, Isolationist expressionis, Lyrism 136
- Published
- 2015
21. Être poète au temps de Charles d’Orléans (xve siècle)
- Author
-
Huchet, Marie-Madeleine
- Subjects
poésie lyrique ,lyrism ,lyric poetry ,poesia lirica ,sentement ,lyrisme ,lirismo - Abstract
Ce volume consacré essentiellement à Charles d’Orléans présente un ensemble de contributions présentées, pour la plupart, lors d’un colloque qui s’est tenu à l’université d’Avignon en mars 2011. L’ouvrage, qui a pour ambition de questionner le statut du lyrisme courtois au xve siècle, s’articule en trois sections. La première partie intitulée « le livre et la parole » s’intéresse au rapport entre la parole poétique et le recueil qui la contient. Jean-Claude Mühlethaler examine le début du rec...
- Published
- 2014
22. Karin Becker, Le Lyrisme d’Eustache Deschamps. Entre poésie et pragmatisme
- Author
-
Thiry, Claude
- Subjects
poésie ,poésie lyrique ,lyrism ,lyric poetry ,poesia lirica ,lyrisme ,poetry ,poesia ,lirismo - Abstract
« Lyrisme » est à entendre ici dans un sens précis : il s’agit de l’utilisation, par Eustache Deschamps, des genres lyriques à forme fixe (essentiellement ballade et chant royal, secondairement rondeau et virelai, environ 700 pièces) pour traiter des thématiques très variées, qui ne sont pas liées à l’amour courtois, ce qui introduit la notion de « pragmatisme » et, du même coup, l’idée que « Deschamps procède à une esthétisation décisive d’un nombre de thèmes qui, auparavant, n’étaient pas j...
- Published
- 2014
23. Être poète au temps de Charles d’Orléans (xve siècle)
- Author
-
Marie-Madeleine Huchet
- Subjects
lcsh:Language and Literature ,lyrism ,lyric poetry ,sentement ,lcsh:P - Published
- 2014
24. Karin Becker, Le Lyrisme d’Eustache Deschamps. Entre poésie et pragmatisme
- Author
-
Claude Thiry
- Subjects
lcsh:Language and Literature ,lyrism ,lyric poetry ,lcsh:P ,poetry - Published
- 2014
25. 'Evocação lírica de Lisboa': a cidade encantada de Cecília Meireles
- Author
-
Mendes, Karla Renata
- Subjects
evocation ,evocação ,lyrism ,crônica de viagem ,travel’s essay ,Cecília Meireles ,lirismo - Abstract
Cecília Meireles devoted herself in the brazilian literary scene as one of the most important names of national poetry. However, her prose work, edited with more pomp since the 90’s, comes to add itself with her poetic work and to reveal characteristics of her performance in journalism and the writing of essays. Among the tracks of Cecília Meireles in Brazil’s newspapers, for over 30 years, this research detaches the texts that are gathered under the denomination of traveling essays, results from the author’s displaces for approximately 18 countries and over 60 cities. With so many different destinies, here it points out her passage for Portugal, registered in the essay “Lyrical evocation of Lisbon”. Rescuing over ten years later, the memories of the travel happened in 1934, this present text comes to confirm the lyrism and the subjectivity characteristical of the author’s work. Cecília Meireles consagrou-se no panorama literário brasileiro como um dos nomes mais importantes da poesia nacional. Entretanto, sua obra em prosa, editada com mais ênfase a partir dos anos 90, veio somar-se a sua já consagrada obra poética e revelar características de sua atuação no jornalismo e na escrita de crônicas. Dentre suas linhas de atuação em jornais do Brasil, ao longo de mais de trinta anos, destacam-se, nessa pesquisa, os textos que hoje se encontram reunidos sob a denominação de crônicas de viagem, frutos dos deslocamentos da autora por aproximadamente 18 países e mais de 60 cidades. Com tantos destinos diferentes, evidencia-se aqui sua passagem por Portugal registrada na crônica “Evocação lírica de Lisboa”. Resgatando, mais de dez anos depois, as memórias da viagem realizada em 1934, o presente texto vem confirmar o lirismo e a subjetividade típicos da obra da autora.
- Published
- 2010
26. Metric rhythm and rhetoric rhythm in Horace's lyric poetry : Researches into a poetics of meaning
- Author
-
Zimmermann, Philippe, Centre d'Etudes des littératures Anciennes et Modernes. UHB (CELAM), Université de Rennes 2 (UR2), Université de Rennes (UNIV-RENNES)-Université de Rennes (UNIV-RENNES), Université Rennes 2, Université européenne de Bretagne, and Marc Reydellet
- Subjects
metrics and rythmics ,métrique et rythmique ,[SHS.LITT]Humanities and Social Sciences/Literature ,Latin (langue) ,syntaxe ,lyrism ,Latin (language) ,Horace (65 ,8 av. J.-C.) ,Chant Séculaire ,antic rhetoric ,stylistics ,Critique et interprétation ,stylistique ,rhétorique antique ,Critics and interpretation ,8 B.-C.) ,poetics ,Carmen Saeculare ,Odes ,lyrisme ,syntax ,poétique - Abstract
The aim of the present work is to describe the stylistic specificities of Horace's writing in his lyric works (Odes Books I-IV and Carmen Saeculare), in order to define the poetic nature of the meaning which they develop. The style of the poems is studied through the relations between, on the one hand, the syntactic and rhetoric arrangement of the words, and, on the other hand, the metric shape of the stanzas. These relations are described on different scales. The first part of the work looks into the limits of the sentences and stanzas; the second studies how the syntactical, lexical, and phonic tools, which contribute to the rhetoric rhythm of the sentence, are positioned in the metric structure; the third shows how the words and the syntactical members bring about a second metrical reading of the stanzas. This leads to different kinds of conclusions. The complexity of the lyric genre in Horace appears through the plurality of its discursive aims and the diversity of the rhetoric tools used to reach them. Horace's versification is studied according to a verbal and syntactic metrics that reveals its richness of expression. The relations between metrics and rhetoric, which go from harmony to complex counterpoint, show a poetic polyphony of meaning, where individuality and the voice of the community join together.; Ce travail vise à décrire les spécificités stylistiques de l'écriture d'Horace dans son oeuvre lyrique (Odes Livres I à IV et Chant Séculaire), afin de définir la nature poétique du sens qui s'y construit. Le style des poèmes est étudié dans les relations entre, d'une part, l'arrangement syntaxique et rhétorique des mots dans les énoncés et, d'autre part, la forme métrique des strophes. Ces relations sont décrites à plusieurs échelles. La première partie du travail se consacre aux limites de phrases et de strophes ; la seconde étudie le positionnement dans la structure métrique des outils syntaxiques, lexicaux, phoniques, qui contribuent au rythme rhétorique de la phrase ; la troisième montre comment les mots et les membres syntaxiques proposent une relecture métrique des strophes. Les conclusions de ce travail sont de plusieurs ordres. La complexité du genre lyrique d'Horace est illustrée par la pluralité de ses visées discursives et des outils rhétoriques mis à leur service. La versification d'Horace est étudiée d'après une métrique verbale et syntaxique qui révèle ses richesses expressives. Les relations entre métrique et rhétorique, qui vont de l'unisson au contrepoint complexe, témoignent d'une polyphonie poétique du sens, où s'associent l'individualité et la voix communautaire
- Published
- 2009
27. O homem e seu tempo na poesia de Mário Faustino
- Author
-
Bender, Mires Batista and Gomes, Gínia Maria de Oliveira
- Subjects
Lyrisme ,La modernité ,La poésie critique ,Lyrism ,Le mythe ,Faustino, Mario, 1930-1962 ,Literatura brasileira ,Poetry ,Modernity ,Poésie ,Poetic criticism ,Critica e interpretacao ,Myth - Abstract
Cet dossier a pour but d’analyser la poésie de Mário Faustino, afin d’observer son intégration dans le contexte de la modernité, principalement par la façon dont il utilise l’élément du discours mythique. Avec la relecture qu’il élabore des mythes classiques – manifestation de l’inconscient collectif – l’auteur exprime le sentiment de son époque et par la définit un lyrisme qui rassemble intimisme et vision social. L’étude observe, dans ce contexte, la façon dont le poète donne au développement des principaux thèmes, choisis par lui, et les aspects de sa quête de renouveau poétique. Avec cet objectif, la recherche examine le texte poétique laissé par Faustino. La recherche examine les textes poétiques du poète, prenant en compte aussi bien ses écrits et essais concernant la poésie, pour essayer, à travers cela, d’atteindre son propre cheminement créatif. Dans les limites de l'analyse thématique, cette recherche tend à suivre la méthode descriptive exégétique ayant pour sources des livres, magazines, journaux, textes et des travaux et essais académiques trouves auprès de certaines publications électroniques. Une autre source ce furent des entretiens individuels avec un des plus grands érudits de l'oeuvre du poète, Benedito Nunes, et de Lilia Silvestre Chaves, responsable de la seule biographie de référence du poète. Un important apport théorique à cette étude a pour origine les études sur le mouvement poétique moderne de Walter Benjamin, Hugo Friedrich, Theodor Adorno et Alfredo Bosi. Par ailleurs les recherches sur les travaux des poètes de João Cabral de Melo Neto et T. S. Eliot; des études et essais sur les mythes littéraires par Pierre Brunel et Pierre Grimal et les travaux de Benedito Nunes sur la poétique Faustienne. A travers l’analyse d’ouvre de Mário Faustino, cette étude observe la façon dont le poète profite de son thème afin de favoriser le retour au temps mythique, aux saisons au cours desquelles. Homme et la nature sont parfaitement intégrés, et finalement intégrer l’homme moderne a son époque dans le contexte actuel. Cette approche originale tend à démontrer que son oeuvre réunit poésie et discours mythologique et remets l’homme au centre du quotidien moderne, dans une réaction contre la cote « modéliste »des temps actuels. Este trabalho tem como objetivo analisar a poesia de Mário Faustino, para observar a sua integração ao contexto da modernidade, principalmente através do aproveitamento que faz de elementos do discurso mítico. A partir da releitura que elabora dos mitos clássicos – manifestações do pensamento coletivo –, o autor expressa o sentimento de sua época, definindo um lirismo que une intimismo e visão social. O estudo observa, dentro deste enfoque, a forma que o poeta dá ao tratamento dos principais temas por ele eleitos e aspectos de sua busca pela renovação poética. Com este fim, a pesquisa examina o texto poético deixado por Faustino, valendo-se também da sua escrita ensaística sobre poesia, para buscar perceber, através de seus estudos críticos, as reflexões que o encaminharam em seu processo criativo de poesia. Dentro dos limites da análise temática, esta pesquisa busca seguir o método descritivo-exegético usando como fontes livros, revistas, jornais, trabalhos acadêmicos e periódicos em meio eletrônico, bem como entrevistas pessoais ao maior estudioso da obra do poeta, Benedito Nunes, e à sua única biógrafa, Lilia Silvestre Chaves. Darão aporte teórico ao trabalho, os estudos sobre poesia moderna de Walter Benjamin, Hugo Friedrich, Theodor Adorno e Alfredo Bosi, assim como as pesquisas sobre o ofício dos poetas, de João Cabral de Melo Neto e T. S. Eliot; dos mitos literários por Pierrre Brunel e Pierrre Grimal e os estudos de Benedito Nunes sobre a poética faustiniana. Através da análise da obra de Mário Faustino, este estudo observa como o poeta tira proveito de sua temática para promover o retorno ao tempo mítico, época em que o homem e a natureza eram perfeitamente integrados, para tentar harmonizar o homem hodierno com o seu tempo. Tal exame chega a constatar que sua obra apresenta o encontro da poesia com o discurso mitológico como um recurso de que o poeta se apropria para propor uma reação ao cotidiano reificador da modernidade. This research is aimed at analyzing Mário Faustino’s poetry, to observe its insert in the modern milieu, mainly through its incorporation of elements from mythic discourse. From the point of view of his reinterpretation of classic myth – gathering of collective thought – the author expresses his feelings about the time he lives in, and succeeds in determining a lyric that assembles intimism and society’s analysis. The present work observes, from that focalization, the treatment which the poet dispenses to his major themes, and still, his search for revitalization in poetry. For this purpose, this work investigates Faustino’s poems and his essays about poetry, pursuing to find in his critical texts, some indication of his creative process. Considering the limits of thematic analysis, this research aims to accomplish an interpretative-descriptive mode, consulting books, magazines, newspapers, academic papers and periodical publications on electronic ambience, as well as, personally interviewing the main interpreter of the poet’s work, Benedito Nunes, and his only biographer, Lilia Silvestre Chaves. The theoretical bases are supported by the studies about modern poetry, from Walter Benjamin, Hugo Friedrich, Theodor Adorno and Alfredo Bosi; the research about poets’ craft, from João Cabral de Melo Neto and T. S. Eliot; the writings about literary myths, from Pierre Brunel e Pierre Grimal; and the studies from Benedito Nunes about Mário Faustino’s poetry. Through the analysis of Mário Faustino’s work, it is observed how the poet takes advantage of his themes to promote the return to the mythological age, when man and nature were perfectly integrated, to harmonize men and modern era. This exam reaches the conclusion that his work presents the junction of poetry and mythological speech, as the poet’s way of recollecting resources to present a reaction against the materialism imposed by modernity.
- Published
- 2008
28. Le cœur-espace: aspects du lyrisme dans Les fleurs du mal
- Author
-
Michel Collot
- Subjects
Linguistics and Language ,French literature - Italian literature - Spanish literature - Portuguese literature ,Literature and Literary Theory ,Lyricism ,Modernidade ,Spatiality ,media_common.quotation_subject ,Art history ,Lirismo ,P1-1091 ,Modernity ,Language and Linguistics ,Charles Baudelaire ,Romantisme ,Idealism ,Spatialité ,Romanticism ,Philology. Linguistics ,media_common ,Romantismo ,Lyrisme ,Espacialidade ,Lyrism ,Philosophy ,PQ1-3999 ,Modernité - Abstract
Le lyrisme baudelairien ne saurait donc être confondu avec un idéalisme; la transcendance qui l’anime ne vise pas un autre monde: elle est le mouvement par lequel notre monde se révèle autre au sujet qui s’ouvre à lui. O artigo discute a herança baudelairiana em suas relações com o romantismo e a modernidade. Para tanto trabalha-se em especial a noção de lirismo, que é dissociada do idealismo com o qual é freqüentemente confundida. This paper discusses the Baudelairean heritage in its relationship with romanticism and modernity. This is carried out through the notion of lyricism, which is dissociated from the idealism, with which it is frequently confused.
- Published
- 2007
29. Vali pour une reine morte de Boris Gamaleya, épopée lyrique de la Réunion
- Author
-
Annie Urbanik-Rizk
- Subjects
epic ,lyrism ,indianoceanic poetry ,poetry of exile ,French literature - Italian literature - Spanish literature - Portuguese literature ,PQ1-3999 - Abstract
The creole activist Boris Gamaleya is a poet who sings his lost island in his first poetry work Vali for a dead queen. Forced into exile in mainland France because of political ostracism, he doesn’t just exude nostalgia for this southern land, he also evokes with fury the tragic destiny of this former colony. The vali, a malagasy musical instrument, made out of strings and bamboo was introduced into the Mascareignes by slaves. It suggests the epical dimension of this long poem. It symbolizes the liberty that the escaped slaves, who have found refuge in the most inaccessible peaks, have tried to find. The dead queen is no other than Rahariane, the queen of the escaped slaves who embodies the sensuality of a feminized island, deadly wounded and then, transfigured by the power of words.
- Full Text
- View/download PDF
30. Karin Becker, Le Lyrisme d’Eustache Deschamps. Entre poésie et pragmatisme
- Author
-
Claude Thiry
- Subjects
poetry ,lyrism ,lyric poetry ,Language and Literature - Full Text
- View/download PDF
31. Être poète au temps de Charles d’Orléans (xve siècle)
- Author
-
Marie-Madeleine Huchet
- Subjects
lyrism ,lyric poetry ,sentement ,Language and Literature - Full Text
- View/download PDF
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