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Copyright of Anuario Lope de Vega. Texto, Literatura, Cultura is the property of Universitat Autonoma de Barcelona and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of eHumanista is the property of Professor Antonio Cortijo-Ocana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

En este trabajo vamos a estudiar la determinación de autoría de una obra asociada recientemente al Fénix de los ingenios: La paciencia en la fortuna. La pieza contiene un número considerable de indicios que la hacen merecedora de pertenecer a Lope, como el hecho de contar con la aprobación de Gracián Dantisco, las alusiones al duque de Lerma, la «traza» de la «lujuria del déspota» o el encomio a la estirpe aragonesa de los Moncada. Sin embargo, también hay indicios documentales externos que apuntan a la autoría de Claramonte, cuya candidatura es sólidamente reforzada por una serie de elementos intratextuales: usus scribendi, métrica e intertextualidad.

Copyright of Cuadernos de Filología Clásica: Estudios Latinos is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Background The humid tropical forests of Central Africa influence weather worldwide and play a major role in the global carbon cycle. However, they are also an ecological anomaly, with evergreen forests dominating the western equatorial region despite less than 2,000 mm total annual rainfall. Meteorological data for Central Africa are notoriously sparse and incomplete and there are substantial issues with satellite-derived data because of persistent cloudiness and inability to ground-truth estimates. Long-term climate observations are urgently needed to verify regional climate and vegetation models, shed light on the mechanisms that drive climatic variability and assess the viability of evergreen forests under future climate scenarios. Methods We have the rare opportunity to analyse a 34 year dataset of rainfall and temperature (and shorter periods of absolute humidity, wind speed, solar radiation and aerosol optical depth) from Lopé National Park, a long-term ecological research site in Gabon, western equatorial Africa. We used (generalized) linear mixed models and spectral analyses to assess seasonal and inter-annual variation, long-term trends and oceanic influences on local weather patterns. Results Lopé’s weather is characterised by a cool, light-deficient, long dry season. Long-term climatic means have changed significantly over the last 34 years, with warming occurring at a rate of +0.25 °C per decade (minimum daily temperature) and drying at a rate of −75 mm per decade (total annual rainfall). Inter-annual climatic variability at Lopé is highly influenced by global weather patterns. Sea surface temperatures of the Pacific and Atlantic oceans have strong coherence with Lopé temperature and rainfall on multi-annual scales. Conclusions The Lopé long-term weather record has not previously been made public and is of high value in such a data poor region. Our results support regional analyses of climatic seasonality, long-term warming and the influences of the oceans on temperature and rainfall variability. However, warming has occurred more rapidly than the regional products suggest and while there remains much uncertainty in the wider region, rainfall has declined over the last three decades at Lopé. The association between rainfall and the Atlantic cold tongue at Lopé lends some support for the ‘dry’ models of climate change for the region. In the context of a rapidly warming and drying climate, urgent research is needed into the sensitivity of dry season clouds to ocean temperatures and the viability of humid evergreen forests in this dry region should the clouds disappear.

El entremés de Los habladores ha tenido sus vaivenes críticos. Algunos estudiosos lo atribuyen a Cervantes, otros a Lope, los más lo consideran anónimo, pero no se ha abordado lo que parece más urgente, elaborar una edición fiable del texto. En este trabajo no pretendo resolver la autoría ni plantear un análisis exhaustivo de los posibles aspectos interesantes de Los habladores. Mi objetivo principal es proporcionar un texto de confianza, con una serie de notas, y añadir un breve comentario que permita una contextualización básica.

Este trabajo se propone abordar el corpus lírico incluido en las Cartas escritas durante el periodo comprendido entre el 9 de noviembre de 1608 y fines de diciembre de 1632. Los poemas, propios, ajenos y pretendidamente de “otros poetas” se encuentran en veintiséis misivas, casi todas enviadas al duque de Sesa. De este modo y a partir de los valiosos materiales que provee este epistolario, es posible proponer la puesta en marcha de una determinada configuración autoral al mismo tiempo que se hacen visibles importantes fragmentos de la biografía de nuestro autor. Sin descuidar los patrones establecidos para el género epistolar, Lope desliza en sus cartas elementos que, a nuestro parecer, pertenecen a universos poéticos y ficcionales que dan cuenta una vez más de la compleja estética que articula una y otra vez su vida y su obra.

La Arcadia, novela pastoril de Lope de Vega propone al lector el derrotero sentimental de Anfriso y Belisarda que está cruzado por la profusión descriptiva y un sistema retórico que entreteje referencias a escenas de lectura y escritura. Dicha tematización es un recordatorio de la presencia de la ficción y de la convención idealizante propia de un género exitoso. Nuestro trabajo se propone relevar estas referencias y observar su funcionamiento en la estructura del relato propuesto por Lope.

Copyright of Anagnórisis: Revista de Investigación Teatral is the property of Anagnorisis: Revista de Investigacion Teatral and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

the article deals with authors' poems included in the ms. brancacciano V A 16. It focuses on five texts by Lope de Vega, Góngora, Catalina de Zamudio and Liñán de Riaza, of which some unique variants are discussed and compared with the textual tradition. Among the poems analyzed there is Celestina's Testament, with an alternative ending transmitted only by this Neapolitan code. [ABSTRACT FROM AUTHOR]

Presentación. Lope e(n) Italia

In the relationships between men and women, quite always based on conflict, the meaning and the implications of a slap change completely depending on the sex of the victim. With a few exceptions, the selected examples of this essay (Cervantes' El laberinto de amor; Lope's Del mal, lo menos, El primero Benavides, La fuerza lastimosa, El duque de Viseo, Las ferias de Madrid, Los locos de Valencia, Por la puente, Juana y El perro del hortelano; Tirso's El condenado por desconfiado, Doña Beatriz de Silva, El amor médico, La celosa de sí misma; Calderón's Las manos blancas no ofenden) confirm that even a violent act such as a slap belongs to the masculine dimension, and that it may concern the feminine behavior just in the Carnival upside down dimension, considering that jealousy and the comic nonsense are the dramatic pretext for justifying a slap given by a woman hand. [ABSTRACT FROM AUTHOR]

Copyright of Journal of Engineering Geology / Gongcheng Dizhi Xuebao is the property of Journal of Engineering Geology and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Risalendo all’indietro, da Goldoni a Cervantes e a Lope, il contributo prova ad inquadrare l’eredità lontana dei termini «comedia» e «arte», nella discesa dall’Ars poetica, secondo una linea non normativa, nella fondazione di un’ars drammatica o «comica» nel rapporto tra scrittura e pubblico nell’Europa moderna. Rapporto che è peraltro il centro originale dell’antico discorso di Orazio.

Copyright of Hipogrifo: revista de literatura y cultura del siglo de oro is the property of Hipogrifo: revista de literatura y cultura del siglo de oro and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anuario Calderoniano is the property of Anuario Calderoniano and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anuario Lope de Vega. Texto, Literatura, Cultura is the property of Universitat Autonoma de Barcelona and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Epos is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Se analizan tres sonetos de Lope contra el italiano Traiano Boccalini, incluidos en las Rimas de Tomé de Burguillos, mostrando la necesidad de comparar el texto de Lope con el de los Ragguagli di Parnaso, en su versión original italiana, y no en la traducción de Perez de Sousa, que elimina pasajes necesarios para entender los juegos de Lope. Estos tres sonetos son buena muestra de la complejidad que puede tener este ejercicio de agudeza de Lope, cuya poesía no se puede calificar sin más de llana, sencilla o clara: es una poesía conceptista llena de juegos, alusiones y referencias intertextuales que deben ser aclaradas si se quiere aplicar a estos poemas el tipo de lectura que exigen.

Contrario a lo que se ha asumido con frecuencia, los dramas de honor no son patrimonio mayoritario de la literatura sino que responden a una realidad social ampliamente documentada. Metiéndose de lleno en un problema vital de su tiempo, Cervantes se distingue de otros muchos escritores de la época ya que suele explorar las causas del adulterio femenino en un contexto muy complejo de disfuncionalidades afectivas que normalmente se ignoran desde los postulados de la honra que privilegia ante todo la incuestionabilidad de la institución matrimonial. En El celoso extremeño se distribuye la culpa por todos los personajes salvo la propia «adúltera». Aunque algo parecido ocurre en El curioso impertinente, la crítica, con frecuencia, se ha conformado con culpar o minimizar a Camila sin apreciar su subjetividad ni sus excepcionales capacidades de amor y supervivencia. Resulta que ella es el único personaje de esta historia coherente en sus acciones. En los textos cervantinos vemos que el matrimonio no posee valores absolutos y que en ciertas circunstancias es más que comprensible y justificable el adulterio por parte de la mujer.

Copyright of eHumanista is the property of Professor Antonio Cortijo-Ocana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anuario Calderoniano is the property of Anuario Calderoniano and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

El artículo contiene la versión en inglés de los sumarios de los artículos publicados en el presente número.

El artículo contiene la versión en español de los sumarios de los artículos publicados en el presente número.

This paper examines the survival of an epigram by the Latin poet Claudius Claudian (De sene Veronensi or The old man of Verona) in the letters of Spanish Golden Age. The influence of the Alexandrian writer is analyzed through the traces left in the works of most brilliant writers of Hispanic Baroque: Quevedo, Lope and Góngora. The study of the versions of the imitatio provides important data about the interests and stylistic entena of these three authors. Thus, Francisco de Quevedo presents an exact generic equivalent, as the sonnet To a friend who retired from the court passed its age is raised vernacular equivalent of the epigram. For its part, Lope de Vega rewrites late-antique text and inserts it into the monologue of a proud rustic character (Juan Labrador), main character of the comedy El villano en su rincón. Finally, Luis de Góngora encrusted several verses of the epigram in a speech in a direct style pronounced by the wandering Pilgrim in the Soledad segunda. [ABSTRACT FROM AUTHOR]

Within the middle Ogooue´ valley (Gabon), the Lope depression appears as a very particular area with savannas landscape surrounded by rain forest. Such a pattern results from the low annual rainfall and also extensive surface erosion. Several sedimentologic analyses, radiocarbon dates on archaeological levels, δ13C isotopic data of residual organic matter led us to suggest too bad conditions for a forest extension and think that savannas ecosystem has probably always existed in this region during the late Pleistocene and Holocene times and has been seriously influenced by human destabilizations since 9000 years BP and probably for long times before. [Copyright &y& Elsevier]

This article summarizes the results of archaeological research led from 1995 to 1998 in the fauna reserve of Lope´ (Gabon). The excavated sites were dated from the Upper Pleistocene to the Post-colonial period. It is the longest and the most complete archaeological sequence presently known in Central Africa. These results show evidence of human presence in the reserve for over 40 000 years and that this greatly contributed to the preservation of the ecotone landscape of Lope´. In addition, these results offer the first systematic analysis of the sites and the ceramic artefacts produced and used in the centre of Gabon during the last three millennia. Supported by chronological, linguistic and palaeoenvironmental data, these results allow us to refine the ceramic typology and to prove the antiquity of husbandry, agricultural practices and iron production in this part of Africa. Finally, they allow us to clarify the various phases of settlement in the reserve and to reveal an important historic phenomena in connection with the expansion of the bantu languages and/or the bantu speaking peoples, who populate a third of the African continent. [Copyright &y& Elsevier]

En este número no se incluyeron resúmenes ni palabras clave.

This comparative study addressed the problem of relationships between locomotor behavior and back anatomy in the cursorial monkeys, Cereopithecus aethiops and Erythrocebus patas Analysis of cine-fiIm revealed that paths and vervet monkeys differed significantly in the degree to which they used their backs to increase stride length during galloping. C. aethiops showed increased ranges of sagittal back motion as galloping speed increased almost fivefold; E. patas failed to show significant increases in amplitudes of sagittal back motion despite a five-to-sixfold increase in galloping speed. Comparison of epaxial anatomies demonstrated conservative morphologic features which could not be used to explain interspecific differences in sagittal movement patterns of the back. However, when compared to paths monkeys, vervets possessed thicker intervertebral discs, relative to vertebral bone, and reduced dorsoventral diameters of their thoracic cages. These anatomic differences were explained on the basis of theoretical biomechanics as being necessary structural prerequisites for enhancing sagittal back mobility. The present analysis of locomotor behavior involving the back and epaxial morphologies was integrated with observations of inter-specific differences in limb anatomies and comparative anatomic studies of other mammalian species to develop a general description of strategies used by patas and vervet monkeys to increase stride length during galloping. [ABSTRACT FROM AUTHOR]

Background: The humid tropical forests of Central Africa influence weather worldwide and play a major role in the global carbon cycle. However, they are also an ecological anomaly, with evergreen forests dominating the western equatorial region despite less than 2,000 mm total annual rainfall. Meteorological data for Central Africa are notoriously sparse and incomplete and there are substantial issues with satellite-derived data because of persistent cloudiness and inability to ground-truth estimates. Long-term climate observations are urgently needed to verify regional climate and vegetation models, shed light on the mechanisms that drive climatic variability and assess the viability of evergreen forests under future climate scenarios., Methods: We have the rare opportunity to analyse a 34 year dataset of rainfall and temperature (and shorter periods of absolute humidity, wind speed, solar radiation and aerosol optical depth) from Lopé National Park, a long-term ecological research site in Gabon, western equatorial Africa. We used (generalized) linear mixed models and spectral analyses to assess seasonal and inter-annual variation, long-term trends and oceanic influences on local weather patterns., Results: Lopé's weather is characterised by a cool, light-deficient, long dry season. Long-term climatic means have changed significantly over the last 34 years, with warming occurring at a rate of +0.25 °C per decade (minimum daily temperature) and drying at a rate of -75 mm per decade (total annual rainfall). Inter-annual climatic variability at Lopé is highly influenced by global weather patterns. Sea surface temperatures of the Pacific and Atlantic oceans have strong coherence with Lopé temperature and rainfall on multi-annual scales., Conclusions: The Lopé long-term weather record has not previously been made public and is of high value in such a data poor region. Our results support regional analyses of climatic seasonality, long-term warming and the influences of the oceans on temperature and rainfall variability. However, warming has occurred more rapidly than the regional products suggest and while there remains much uncertainty in the wider region, rainfall has declined over the last three decades at Lopé. The association between rainfall and the Atlantic cold tongue at Lopé lends some support for the 'dry' models of climate change for the region. In the context of a rapidly warming and drying climate, urgent research is needed into the sensitivity of dry season clouds to ocean temperatures and the viability of humid evergreen forests in this dry region should the clouds disappear., Competing Interests: The authors declare that they have no competing interests., (© 2020 Bush et al.)