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In this self-reflexive paper, co-written by scholars currently collaborating on the Polish translation of Judith Butler’s Bodies that Matter, we discuss the political and activist stakes of translating a canonical queer theory text over 25 years after its original publication, in the context of anti-lgbtq+ public discourse in today’s Poland. We argue that the collective character of our translation process turns it into an activist workshop that negotiates social norms and works on the invention and application of their alternatives. This activist practice results in a programmatically accessible translation, written in gender-inclusive and queer-sensitive language that follows the poststructuralist philosophical underpinnings of the 1993 source text and its gendered language. Discussing examples of Butler’s use of grammatical gender and her politicized style in our translation, the article contributes to understanding the queer activist practice of translation and, specifically, underwritten questions of translating queer theory in a contemporary Polish (linguistic) context.

Additional co-authors: Ivan Ropovik, Balazs Aczel, Lena F. Aeschbach, Luca Andrighetto, Jack D. Arnal, Holly Arrow, Peter Babincak, Bence E. Bakos, Gabriel Banik, Ernest Baskin, Radomir Belopavlovic, Michael H. Bernstein, Michal Bialek, Nicholas G. Bloxsom, Bojana Bodroža, Diane B. V. Bonfiglio, Leanne Boucher, Florian Bruhlmann, Claudia C. Brumbaugh, Erica Casini, Yiling Chen, Carlo Chiorri, William J. Chopik, Oliver Christ, Antonia M. Ciunci, Heather M. Claypool, Sean Coary, Marija V. Cˇolic, W. Matthew Collins, Paul G. Curran, Chris R. Day, Anna Dreber, John E. Edlund, Filipe Falcao, Anna Fedor, Lily Feinberg, Ian R. Ferguson, Maire Ford, Michael C. Frank, Emily Fryberger, Alexander Garinther, Katarzyna Gawryluk, Kayla Ashbaugh, Mauro Giacomantonio, Steffen R. Giessner, Jon E. Grahe, Rosanna E. Guadagno, Ewa Halasa, Rias A. Hilliard, Joachim Huffmeier, Sean Hughes, Katarzyna Idzikowska, Michael Inzlicht, Alan Jern, William Jimenez-Leal, Magnus Johannesson, Jennifer A. Joy-Gaba, Mathias Kauff, Danielle J. Kellier, Grecia Kessinger, Mallory C. Kidwell, Amanda M. Kimbrough, Josiah P. J. King, Vanessa S. Kolb, Sabina Kolodziej, Marton Kovacs, Karolina Krasuska, Sue Kraus, Lacy E. Krueger, Katarzyna Kuchno, Caio Ambrosio Lage, Eleanor V. Langford, Carmel A. Levitan, Tiago Jesse Souza de Lima, Hause Lin, Samuel Lins, Jia E. Loy, Dylan Manfredi, Łukasz Markiewicz, Madhavi Menon, Brett Mercier, Mitchell Metzger, Venus Meyet, Jeremy K. Miller, Andres Montealegre, Don A. Moore, Rafal Muda, Gideon Nave, Austin Lee Nichols, Sarah A. Novak, Christian Nunnally, Ana Orlic, Anna Palinkas, Angelo Panno, Kimberly P. Parks, Ivana Pedovic, Emilian Pekala, Matthew R. Penner, Sebastiaan Pessers, Boban Petrovic, Thomas Pfeiffer, Damian Pienkosz, Emanuele Preti, Danka Puric, Tiago Ramos, Jonathan Ravid, Timothy S. Razza, Katrin Rentzsch, Juliette Richetin, Sean C. Rife, Anna Dalla Rosa, Kaylis Hase Rudy, Janos Salamon, Blair Saunders, Przemyslaw Sawicki, Kathleen Schmidt, Kurt Schuepfer, Thomas Schultze, Stefan Schulz-Hardt, Astrid Schutz, Ani N. Shabazian, Rachel L. Shubella, Adam Siegel, Ruben Silva, Barbara Sioma, Lauren Skorb, Luana Elayne Cunha de Souza, Sara Steegen, L. A. R. Stein, R. Weylin Sternglanz, Darko Stojilovic, Daniel Storage, Gavin Brent Sullivan, Barnabas Szaszi, Peter Szecsi, Orsolya Szoke, Attila Szuts, Manuela Thomae, Natasha D. Tidwell, Carly Tocco, Ann-Kathrin Torka, Francis Tuerlinckx, Wolf Vanpaemel, Leigh Ann Vaughn, Michelangelo Vianello, Domenico Viganola, Maria Vlachou, Ryan J. Walker, Sophia C. Weissgerber, Aaron L. Wichman, Bradford J. Wiggins, Daniel Wolf, Michael J. Wood, David Zealley, Iris Žeželj, Mark Zrubka, and Brian A. Nosek

As part of the Many Labs 5 project, we ran a replication of van Dijk, van Kleef, Steinel, and van Beest’s (2008) study examining the effect of emotions in negotiations. They reported that when the consequences of rejection were low, subjects offered fewer chips to angry bargaining partners than to happy partners. We ran this replication under three protocols: the protocol used in the Reproducibility Project: Psychology, a revised protocol, and an online protocol. The effect averaged one ninth the size of the originally reported effect and was significant only for the revised protocol. However, the difference between the original and revised protocols was not significant.

Even though a gender perspective, in reference to various aspects of museums and their exhibits, permeates the reflection on museums, gender is not explicitly taken up as a category of knowledge within the self-reflective narratives about the core exhibition or the conceptualization of the Holocaust gallery in POLIN Museum of the History of Polish Jewish, which opened in Warsaw, Poland in 2014. Building upon the research gendering the memory of the Holocaust, especially with regard to historical exhibitions, and using a cultural studies framework to the study of representation, this article asks how femininities are framed by the representation of masculinities and how museum technologies work to produce gendered meanings. It concludes that most of the Holocaust gallery in POLIN problematically instrumentalizes gender relations to underpin a chronological historical narrative. In a dialogue with queer research on temporality, underscoring the coincidence of normative gender/sexuality and linear progressive narrative, it analyses this strategy as gender chronotechnology.

This chapter focuses on literary texts by Jewish North American authors writing in English who as children or teenagers arrived from the (former) Soviet Union in the 1980s and 1990s and who have successfully carved out a niche for themselves on the American literary scene. These “post-Soviet Jewish North-American writers” are of the same age cohort as the generation producing canonical third-generation Holocaust narratives. Yet the presence of Holocaust postmemory in their writing is in stark contrast to such writers as Nicole Krauss, Jonathan Safran Foer, and Nathan Englander. In David Bezmozgis’s, Lara Vapnyar’s, and Boris Fishman’s work, this contrast stems from the different modes of memory and postmemory punctuating their texts. In their often autobiographical novels, short stories, and graphic memoirs, these writers produce a new mode of Holocaust postmemory that is inflected by their immigrant positioning and Soviet memory.

As part of the Many Labs 5 project, we ran a replication of Van Dijk, Van Kleef, Steinel, & Van Beest’s (2008) study “A social functional approach to emotions in bargaining: When communicating anger pays and when it backfires,” which examined the effect of emotions in negotiations. Van Dijk et al. (2008) report that when the consequences of rejection were low, subjects offered fewer chips to angry bargaining partners when compared to happy partners. In the current study, we ran this replication under three protocols: the protocol used in the Replication Project (2015), a revised protocol, and an online protocol.

Replications in psychological science sometimes fail to reproduce prior findings. If replications use methods that are unfaithful to the original study or ineffective in eliciting the phenomenon of interest, then a failure to replicate may be a failure of the protocol rather than a challenge to the original finding. Formal pre-data collection peer review by experts may address shortcomings and increase replicability rates. We selected 10 replications from the Reproducibility Project: Psychology (RP:P; Open Science Collaboration, 2015) in which the original authors had expressed concerns about the replication designs before data collection and only one of which was “statistically significant” (p < .05). Commenters suggested that lack of adherence to expert review and low-powered tests were the reasons that most of these RP:P studies failed to replicate (Gilbert et al., 2016). We revised the replication protocols and received formal peer review prior to conducting new replications. We administered the RP:P and Revised protocols in multiple laboratories (Median number of laboratories per original study = 6.5; Range 3 to 9; Median total sample = 1279.5; Range 276 to 3512) for high-powered tests of each original finding with both protocols. Overall, Revised protocols produced similar effect sizes as RP:P protocols following the preregistered analysis plan (Δr = .002 or .014, depending on analytic approach). The median effect size for Revised protocols (r = .05) was similar to RP:P protocols (r = .04) and the original RP:P replications (r = .11), and smaller than the original studies (r = .37). The cumulative evidence of original study and three replication attempts suggests that effect sizes for all 10 (median r = .07; range .00 to .15) are 78% smaller on average than original findings (median r = .37; range .19 to .50), with very precisely estimated effects.

The article explores prominent contemporary texts by David Bezmozgis, Nadia Kalman, and Nicole Krauss to juxtapose the narratives of generationality they produce. I argue that these narrati...

Artykuł wprowadza kategorię metageograficznego stylu do analizy wybranych powieści poradzieckich żydowskich pisarzy północnoamerykańskich, którzy budują nowe konfiguracje przestrzenne w odniesieniu do byłego „Drugiego Świata”. Owe rekonfiguracje są dobrze widoczne w porównaniu ze współczesną nieemigrancką żydowską literaturą amerykańską, a szczególnie w porównaniu z powieściami post-holokaustowymi. Teksty literackie, które zachęcają nas do przemyślenia na nowo zakorzenionych przestrzennych i regionalnych podziałów geopolitycznych osadzone są jednocześnie w przestrzeni USA, jak i byłego Związku Sowieckiego. W ten sposób tworzą osie podobieństw oraz ich braku, które nie pokrywają się z hegemonicznym podziałem przestrzeni na „Pierwszy” i (były) „Drugi Świat”. Jako przykład, artykuł ten omawia Petropolis Anji Ulinich, ukazując transregionalne powiązania między miastem na Syberii, z którego pochodzi bohaterka książki, Żydówka afro-Rosjanka, a jej pierwotnym celem imigracji w USA — Phoenix w Arizonie.