Search

Rijeka/Fiume war im 19. Jahrhundert eine der führenden Industriestädte Europas. Damals entwickelte sie sich, sowohl im Bereich der Politik als auch der Wirtschaft und Kultur. Der bekannte Industrielle aus England beispielsweise, Robert Whitehead, erweitert seine Produktion und entwirft Skizzen für die ersten Torpedo-raketen. Es werden die ersten Banken und Handelskammern in Rijeka gegründet. Wohltätigkeitsbälle werden organisiert und Bibliotheken ausgestattet. Wissenschaftler (Naturwis-senschaftler), Künstler, Großindustrielle, Politiker nehmen an Debatten teil, um den Ausbau der Stadt zu planen und um die Lebensqualität aller Bürger zu verbessern. Eine direkte Zugverbindung von Wien über Opatija (Abbazia) nach Rijeka (Fiume), mehrere überozeanische direkte Schiffsverbindungen aus Rijeka nach Amerika, Neuseeland und Australien ermöglichen die Erkundung neuer Welten, anderer Sprachen und den Import dergleichen während der Rückkehr eigener Bewohner/Seefahrer oder der Ankunft von Fremdlingen/Migranten als neuen Bewohnern der Stadt. Rijeka/Fiume war und ist es bis heute geblieben: ein europäisches transkulturelles und mehrsprachiges Zentrum. Aus diesem Grund soll die Transkulturalität in diesem Beitrag anhand bekannter Persönlichkeiten deutschsprachiger Herkunft in dieser Stadt veranschaulicht werden. Dieser Beitrag stützt sich und ergänzt die bisherigen Forschungsergebnisse von Ervin Dubrović, Gerhard Dienes und Irvin Lukežić. Dabei stehen Aspekte der Mehrsprachigkeit/Translation als auch Multikulturalität im Vordergrund dieser Untersuchung.

The article discusses the short-lived emergence of Italian futurism in Rijeka, just after the end of World War I, in the context of the political adventure of Gabrielle DʼAnnunzio, who, with the help of his supporters, an ardite, tried to annex the city to the Kingdom of Italy. At that moment, the avant-garde spirit of Italian futurism could manifest itself here in all its main features: activism, antagonism, nizilism and agonism. In addition to the founder of Italian futurism, Filippo Tommas Marinetti, Mario Carli, Guido Keller and Giovanni Comisso stayed and worked in Rijeka during 1919. The article seeks to describe their actions on the basis of newspaper reports in the Rijeka daily La Vedetta dʼItalia.

U radu se govori o životu i djelovanju dubrovačkoga liječnika Gjure Baglivija koji je živio u sedamnaestome stoljeću.

Ova knjiga donosi tekstove o poznatim (hrvatskim i stranim, među kojima i svjetski znanim) te manje poznatim osobama iz kulturnoga (osobito književnoga), društvenoga, gospodarskoga, političkoga života, o jednom podneblju (s naglaskom na grad Rijeku), ljudima i vremenima, poglavito tijekom 19. i 20. stoljeća. U knjizi se između ostaloga piše o hrvatskoj periodici u Istri od 1900. do 1914., Vladimiru Nazoru, Dragutinu Tadijanoviću, kvarnerskim uspomenama Miloša Crnjanskog, Viktoru Caru Eminu kao svjedoku burnoga vremena, riječkom tvorničaru Johannu Adamu pl. Bienenfeldu, slikaru i kozmopolitu Louisu Meynieru.

Rijeka/Fiume war im 19. Jahrhundert eine der führenden Industriestädte Europas. Damals entwickelte sie sich, sowohl im Bereich der Politik als auch der Wirtschaft und Kultur. Der bekannte Industrielle aus England beispielsweise, Robert Whitehead, erweitert seine Produktion und entwirft Skizzen für die ersten Torpedo-raketen. Es werden die ersten Banken und Handelskammern in Rijeka gegründet. Wohltätigkeitsbälle werden organisiert und Bibliotheken ausgestattet. Wissenschaftler (Naturwis-senschaftler), Künstler, Großindustrielle, Politiker nehmen an Debatten teil, um den Ausbau der Stadt zu planen und um die Lebensqualität aller Bürger zu verbessern. Eine direkte Zugverbindung von Wien über Opatija (Abbazia) nach Rijeka (Fiume), mehrere überozeanische direkte Schiffsverbindungen aus Rijeka nach Amerika, Neuseeland und Australien ermöglichen die Erkundung neuer Welten, anderer Sprachen und den Import dergleichen während der Rückkehr eigener Bewohner/Seefahrer oder der Ankunft von Fremdlingen/Migranten als neuen Bewohnern der Stadt. Rijeka/Fiume war und ist es bis heute geblieben: ein europäisches transkulturelles und mehrsprachiges Zentrum. Aus diesem Grund soll die Transkulturalität in diesem Beitrag anhand bekannter Persönlichkeiten deutschsprachiger Herkunft in dieser Stadt veranschaulicht werden. Dieser Beitrag stützt sich und ergänzt die bisherigen Forschungsergebnisse von Ervin Dubrović, Gerhard Dienes und Irvin Lukežić. Dabei stehen Aspekte der Mehrsprachigkeit/Translation als auch Multikulturalität im Vordergrund dieser Untersuchung., Rijeka/Fiume was one of the leading industrial cities in Europe in the 19th century. At that time, it developed both in the area of politics as well as economy and culture. For example, the well-known industrialist from England, Robert Whitehead, expanded his production and de-signed sketches for the first torpedo missiles. The first banks and chambers of commerce were founded in Rijeka. Charity balls were organised and libraries were equipped. Scientists (natural scientists), artists, industrial magnates, politicians took part in debates in order to plan the expansion of the city and to improve the quality of life of all citizens. A direct train connection from Vienna via Opatija (Abbazia) to Rijeka (Fiume), several direct oversea boat connections from Rijeka to America, New Zealand and Australia enabled the exploration of new worlds, other languages and the import of the like during the return of residents/sailors or upon the arrival of foreigners/migrants as new residents of the city. Rijeka/Fiume was and remains until today: a European transcultural and multilingual centre. For this reason, the present paper illustrates transculturality using well-known personalities of German-speaking origin in this city. This article is based on and complements previous research results of Ervin Dubrović, Gerhard Dienes and Irvin Lukežić. Aspects of multilingualism/translation as well as multiculturalism are in the foreground of this study.

Tema ovoga priloga vezana je za Rijeku u doba neoapsolutizma, kada počinje djelovati Narodna čitaonica riečka, za čije su osnivanje posebno zaslužan dr. Ignac (Vatroslav) Vinko Medanić (1805.–1856.), istaknuti riječki odvjetnik, posjednik i brodovlasnik, patricijski vijećnik Bakra i Rijeke. Riječ o neobično značajnom riječkom građaninu svoga vremena, danas nažalost zaboravljenom, koji se istaknuo na mnogim područjima. Bio je znanac hrvatskoga pravopisnoga reformatora Josipa Završnika, slovačkoga preporoditelja Jana Kollára, vođe ilirskoga pokreta Ljudevita Gaja, bana Josipa Jelačića Bužimskoga, hrvatskoga polihistora Ivana Kukuljevića Sakcinskog i drugih znamenitih osoba svoga vremena. Bio je prvi potpredsjednik Narodne čitaonice riečke i glavni vladin povjerenik za osnivanje Gospodarske komore u Rijeci. U prilogu se govori o najvažnijim o biografskim pojedinostima i značajkama njegova javnoga djelovanja, posebno na području narodne prosvjete i kulture., The topic of this article is related to Rijeka at the time of the infamous Bach’s absolutism, when the Narodna Čitaonica Riečka (Croatian Popular Lecture Club of Rijeka) began to operate. Dr. Ignac (Vatroslav) Vinko Medanić (1805-1856), a prominent Rijeka attorney, landlord and shipowner, patrician councillor of Bakar and Rijeka, played an important role in its foundation. This contribution is about an unusually important citizen of Rijeka of his time, who is today unfortunately forgotten. He was an acquaintance of the Croatian orthographic reformer Josip Završnik, of the Slovak revivalist and writer Jan Kollár, of the leader of the Illyrian movement Ljudevit Gaj, the Ban and Governor of Rijeka Josip Jelačić Bužimski, of the Croatian polyhistor and writer Ivan Kukuljević Sakcinski and other distinguished persons of his time. He was the first vice-president of the Narodna Čitaonica Riečka and the chief government commissioner for the founding of the Chamber of Commerce in Rijeka. In this paper we focus on the most important biographic details of his career and the main characteristics of his activist work, especially of his work in the domain of public education and culture.

Članak obrađuje povijest židovske obitelji Levi Mondolfo koja se u Rijeku doselila iz Dubrovnika u prvoj polovici 19. stoljeća. U njemu se istražuje povijest spomenute obitelji od doseljavanja u Dubrovnik do početka 19. stoljeća, a nakon toga slijede se njeni tragovi nakon preseljavanja u Rijeku, gdje se obitelj kontinuirano spominje više od jednog stoljeća. Rodonačelnik riječkog ogranka bio je veletrgovac Josip Leo Levi Mondolfo, čiji se potomci spominju u Rijeci sve do tridesetih godina 20. stoljeća. U radu se pobliže govori o pojedinim članovima ove ugledne trgovačke i rabinske obitelji, na temelju sačuvane arhivske i periodičke građe., The Levi Mondolfo/Mandolfo Halevi family is mentioned in Dubrovnik from the second half of the seventeenth century, where they arrived from the area of central Italy overlooking the Adriatic. According to official records, in Leo (Giuseppe Leon) Levi Mondolfo (1771- 1847), a well-off merchant, moved to Rijeka with his large family, probably spurred by the business contacts which his family had with the local businessman Luigi Accurti. Although business remained his core activity, he became one of the most prominent and distinguished members of the Jewish community of Rijeka, of which he was chosen vice-president (1838) and president (1840). As a member of the community’s board, he took active part in resolving the problem of the new cemetery. From the marriage with Allegra, née Pardo, Josip had nine children, sons Salomon Rafael and Rafael, and seven daughter—Stella, Sarina, Giuditta, Lidija, Rosina, Regina and Rahela. The article provides detailed data on the mentioned descendants, their marriages and individual fates. Salomon Rafael (Salomone Raffaele) Levi Mondolfo (1800-1877), elder son of Josip Leo and Allegra, inherited the family business upon his father’s death. In 1839 he assumed the duty of the head rabbi of the local Jewish community. During his rabbinate, the Old Synagogue was opened in the Old City. His eldest son Sabato Levi Mondolfo (1833-1895), devoted himself to business, too: he traded colonial goods and food commodities and invested in ships. He was an active member of different management boards and associations. He headed the Jewish community for thirty-seven years, in the period when it expanded into a sizeable community. He was the founder and deserving member of Chevra Kadiscia, Jewish charitable society. Edoardo Mondolfo (1861-1922), son of Sabato and Estella, born Consigli, traded in fruit. Probably under the influence of his wife Ida, née Modigliani, born to a Jewish family in Ferrara, his family inclined towards the Italian national identity. He became a member of the Italian Consiglio Nazionale in Rijeka, and his son Bruno joined D’Annunzio’s voluntary troops. The last family member living in Rijeka was Edoardo’s sister Emilija, who died in 1933.

Odnos prema demonima važan je za razumijevanje Marulićeva svjetonazora i morala. Marulićeva demonologija oslanja se prvenstveno na Stari zavjet, koji odražava narodna vjerovanja koja diviniziraju sile što se kriju iza zala ljudskoga roda, ali uvijek naglašava Božju nadmoć. Na Novi zavjet, koji nasljeđuje ta vjerovanja, ali u kome se tema demonske opsjednutosti povezuje s Kristovim likom, on se vrlo rijetko poziva. To znači da se onda Marulić zapravo posredno bavi judaističkom tradicijom i njenom demonologijom. Da bi si što bolje uredili vlastiti život, Marulić je svojim čitateljima prije svega preporučio umjerenost i suzdržanost u svemu, kako u tjelesnom užitku tako i u jelu i piću. Umjesto raskoši i neumjerenosti, on savjetuje da se „zatvore prozori svojih osjetila“, da se odmah otklanjaju nečasne, zle i grešne misli. Osim toga ne smijemo živjeti besposleno ni lijeno, moramo paziti na poniznost i strpljivost, izbjegavajući kletve, provale mržnje i fizičke obračune, hvalisanje i neskromnost. Moramo biti spremni pomagati drugima, posebice siromašnima, i provoditi život u dubokoj pobožnosti, po uzoru na Krista. Treba se kloniti pokvarenog i lošeg društva, te održavati prijateljske odnose s čestitim, dobrim i pametnim ljudima. Prema Marulićevu mišljenju čovjek se tim mnogobrojnim i mnogovrsnim opasnostima ne može oduprijeti sam, uzdajući se samo u vlastite snage, već jedino uz pomoć vjere i molitve. Ukoliko čovjek gorljivo i predano moli, iskreno zazivajući Božju pomoć, on može računati da će biti uslišen, te će mu unatoč svemu naposljetku biti vraćen prijašnji unutrašnji mir. Nakon što bude oslobođen od demonskog napastovanja čovjek se ipak ne smije opustiti ili uzoholiti, nego ponizno i skrušeno izricati hvalu Gospodinu. Bog će takvoga pojedinca znati nagraditi svojim budućim blagoslovom, pružajući mu trajnu zaštitu od zla. Odupirući se postojano tjelesnim i drugim ovozemaljskim žudnjama, iskreni kršćanin bit će nagrađen presretnim i besmrtnim životom koji ga čeka nakon smrti., The relationship towards the demons is important for the understanding of Marulić's world view and morals. Marulić's demonology is relied firstly on the Old Testament, which reflects folk beliefs that divinize the forces hidden behind the evils of humanity, emphasizing, however, God's supremacy. Marulić recalls rather rarely the New Testament, which inherits these beliefs, but in which the theme of demonic obsession is connected with the figure of Christ. This means that Marulić deals indirectly with the Judaic tradition and its demonology. In order for them to better arrange their lives, Marulić recommends to his readers temperance and restraint in everything, especially in the physical delight and in food and drink. In order to supress lavishness and intemperance, he suggests ''to shut up the windows of one's own senses'', to decline immediately dishonest, evil and sinful thoughts. Besides, we cannot live an idle and lazy life; we have to be humble and patient, avoid curses, outbursts of hate and physical squaring of accounts, boasting and immodesty. We must be ready to help others, especially the poor, and spend life in deep devotion, taking Christ as a model. One should shun the corrupt and bad company, and make friends only with honest, good and clever people. According to Marulić's opinion, the man alone cannot resist these numerous and various dangers. He cannot trust his own powers only, but he must use faith and prayers. If man prays earnestly and invokes sincerely God's help, he can count that his prayers will be granted, that his previous piece of mind will finally return in spite of all. After he is freed from demonic temptation man must not relax or become arrogant; on the contrary, he must thank God humbly and contritely. God will reward such an individual with his future blessing offering him the permanent protection against evil. If he resists steadily carnal and other mundane yearnings, a sincere Christian will be rewarded with the happiest and immortal life that waits for him after his death.

Pravnik i pisac Nikša Gradić/Gradi (1825.-1894.), potomak glasovita dubrovačkog vlasteoskog roda, rodio se u Zadru. Završivši pravne studije u Padovi, službovao je kao sudac u Dubrovniku, Splitu, Zadru, Rijeci i Kotoru. Nakon umirovljenja nastanio se u Dubrovniku, gdje je ostao do smrti, posvetivši se književnosti i politici. Svoje literarne priloge objavljivao je na talijanskom i hrvatskom jeziku u suvremenoj dalmatinskoj periodici. U svojim je stihovima, pretežito prigodničarskim, obrađivao domoljubnu i suvremenu političku tematiku. Tijekom službovanja u Rijeci objelodanio je pjesničku zbirku Il poeta ed il genio della terra (1864.). U radu se, osim autorova životopisa, detaljnije raščlanjuju i njegovi značajniji literarni radovi na talijanskom i hrvatskom jeziku., Nicolò Gradi, lawyer and writer, descendant of the illustrious Ragusan patrician family, was born in Zadar in 1825, where he attended the Gymnasium. After studying law in Padua, his judicial career led him to Dubrovnik, Split, Zadar, Rijeka and Kotor, then part of the Habsburg Monarchy. Following retirement, he settled in Dubrovnik, devoting himself mainly to literature and politics. Apart from law, the scope of his erudition included classical, Italian and old Croatian literature. Gradi was a miscellaneous writer, and his articles, sketches, polemics, poems and dramatic texts in both Italian and Croatian were published in supplements, calendars, pamphlets and books. He focused on the philological problem of the composition of Gundulić’s Osman. His passion for old Dubrovnik writers and folk tradition urged him to write exclusively in Croatian in his mature years. His verse deals with patriotic and current political themes, advocating for the idea of the unity of south Slavs, whom he considered one nation composed of several tribes. His position on the Serbian origin of the Slavonians, Dalmatians and Ragusans gave rise to considerable controversy with the adherents of the Dalmatian popular party and Italian autonomists. During his service in Rijeka, his collection of poems Il poeta et il genio della terra appeared in print (1864). Despite an impressive level of erudition, Gradić was not an original writer and failed to produce a major literary work, his importance today being primarily cultural and historical. The reason for this most certainly lies in the predominantly occasional character of his texts, often imbued with political ideas which have become anachronistic. Nicolò Gradi died in Dubrovnik in 1894.

U članku se govori o dosad nepoznatom anonimnom rukopisu latinske ode austrijskom nadvojvodi i ugarskom palatinu Josipu, pohranjenom u Nacionalnoj i sveučilišnoj knjižnici u Zagrebu, objavljenom u Rijeci 1801. godine, nakladom tadašnje gubernijalne tiskare obitelji udovice Rosine Karletzky. Budući da je riječ o tekstu koji nastaje u prigodi dolaska visokoga državnoga dužnosnika i člana austrijske vladajuće dinastije Habsburg u Rijeku, prvo se nastojala razjasniti nadvojvodina povijesna uloga. Potom su sagledane opće političke prilike u okviru kojih je pjesma nastala. Nakon toga reproducirana je oda u latinskome izvorniku i hrvatskom prijevodu, uz odgovarajuću analizu. Na kraju se govori o posljedicama koje je oda imala u svoje vrijeme., This article deals with a previously unknown anonymous transcript of a Latin ode to the Austrian Grand Duke and Hungarian Palatine Joseph, kept in the National and University Library in Zagreb, published in Rijeka in 1801 in the edition of the regional printing shop that belonged to the widow Rosina Karletzky's family. Since this text was written on the occasion of the arrival of an important statesman and a member of the ruling Austrian dynasty, the Habsburgs, to Rijeka, the Grand Duke's historical role is analysed first. This is followed by an overview of the general historical circumstances in which the poem was written. In the following part the ode is reprinted in the Latin original and n Croatian translation, accompanied by an appropriate analysis. The article closes with a discussion of the consequences the Ode had at the time in which it was written.

U uvodnom dijelu rasprave objašnjava se značenje letka kao tiskarske publikacije koja se zahvaljujući svojoj popularnosti vremenom razvila u zaseban pučkoknjiževni žanr. Pučki letak, kao rani oblik novina, bio je sastavnim dijelom široko rasprostranjenog pučkog štiva, omiljenog u svim građanskim krugovima. Budući da se riječko građanstvo pretežno služilo talijanskim jezikom među domaćim tiskovinama pojavljivali su se tijekom XIX. stoljeća ponajviše tekstovi na talijanskom jeziku. U isto doba tiskali su se i prigodni listovi na latinskom, hrvatskom i ponekad na njemačkom jeziku. Razvoj riječkog letka s prigodnim versificiranim tekstom moguće je pratiti još od početka XIX. stoljeća. U prvosiječanjskom broju novina Eco del Litorale ungarico iz 1846. pojavljuje se deset zasebnih letaka s prigodnim novogodišnjim stihovima na talijanskom jeziku. Riječ je o zanimljivom i dosad neobrađenom korpusu letaka, te se autor u članku pozabavio njihovim sadržajem, izgledom, autorima/naručiteljima, adresatima i općim društvenim kontekstom u kome su nastali. Donosi se i jedan primjer kasnijeg hrvatskog versificiranog letka. Usprkos svojoj vrlo skromnoj ili tek neznatnoj umjetničkoj vrijednosti, ovi leci predstavljaju značajan kulturno-povijesni i književni spomenik, svjedočeći o duhu jednog vremena, građanskoj kulturi i njenim običajima., In the beginning of discussion the word is about significance of leaflet as a printed publication which, owing to its popularity, to originate in special genre of popular literature in Rijeka. The popular leaflet, as early form of newspaper, was a part of wide-spread reading matter very favourited in all city classes. Considering that Italian was the main language of commercial and public life, the most of leaflets in Rijeka during XIX century has been published in that language. In the same time, there were printed occasional fly-sheets in Latin, Croatian and German. The development of that popular genre of urban communication starts from the beginning of the XIX century. On January 1 1846, in the journal Eco del Litorale ungarico, were separately publicated ten leaflets with occasional Italian verses as New Year greetings. That predominantly unknown texts the author of article to work on from the viewpoint of its contents, lookout, writers, addressees, and cultural environment of that time. There in also an example of leaflet in Croatian from the end of XIX century. In spite of low literature quality of preserved leaflets, nowadays they represented worthy cultural and literary relicts from the past.

U članku se govori o zaboravljenom hrvatskom preporoditelju Franu Mati Kovačeviću i njegovu pokušaju osnivanja novina u Rijeci. U prilogu se donose Kovačevićeva pisma upućena Antunu Kaznačiću i Ivanu Augustu Kaznačiću iz Dubrovnika., Frano Mato Kovačević, captain of the Austrian Army and passionate adherent of the Illyrian movement, is among the neglected figures of the national Croatian revival. Born to nobility, he graduated from the cadet engineering school and served in various military capacities for 30 years. As a lieutenant on duty in Trento (Tirol), he authored a history of Turkey under the title Der orientalische Paladin oder die Türken in der chinesischen Tartaray und das Osmanische Reich seit der Entstehung bis zum Jahre 1827, the manuscript of which is kept at the Archives of the Croatian Academy of Sciences and Arts in Zagreb. He showed equal familiarity with geography, natural history, archeology and philology and published articles in Gazetta di Zara, Danica ilirska, Zora dalmatinska, L’Eco del Litorale Ungarico and other periodicals. In December of 1842, while living in Padua, he met Ivan Kukuljević. The following year he moved to Split, the town of his birth, where he soon joined the circle of local adherents of the revival movement. Towards the end of the year Kovačević embarked upon a journey through Dalmatia and began correspondence with Ljudevit Gaj in German. His itinerary included Dubrovnik, as is evidenced by an interesting account of the earthquake that had struck the city during his visit. In the spring of 1844 he resumed the journey, of which we learn from the correspondence with his Ragusan friend Antun Kaznačić. By the end of 1844, he settled in Rijeka where he worked on the idea of starting a magazine in Croatian and Italian - Dnevnik od literature i zemljodjelanja. The paper aimed to cover a variety of nonpolitical topics in literature, philosophy, ethics and economy. Special emphasis was to be on the critical reviews of foreign and Croatian literary production. Unfortunately, the magazine never saw the light due to insufficient subscription and no official licence. The appendix contains Kovačević’s letters to Antun Kaznačić and his son, Ivan August Kaznačić.

In the State archive of Rijeka the author has found the last wills of three physicians. These documents, written in Italian, originated from the mid 18th to the early 19th century, and belonged to Dr Saverio Graziano (1746), Dr Giacomo Inamo (1759) and Dr Felix Segher (1820). The three testaments are of great value not only because they come from respected people and families, but also because they bear witness to the life of physicians of the time in general. The supplement brings original texts of documents from the State Archive of Rijeka. Future discoveries could shed more light on medical and intellectual history of these parts of Croatia and Europe.

U povijesti riječkoga tiskarstva, knjižarstva, nakladništva i novinarstva sredine devetnaestoga stoljeća značajno mjesto pripada Ercolu Rezzi (1813.-?). Ovaj Pijemontez, rodom iz Genove, u Rijeci je živio petnaestak godina. U razdoblju od 1856. do 1862. razvio je mnogostruku tiskarsko-nakladničku djelatnost, objavljujući brojne literarne časopise, beletrističke i školske knjige, brošure i druge publikacije na talijanskom, hrvatskom i njemačkom jeziku. U razvoju hrvatske književne periodike osobito je vrijedno i značajno u svoje doba bilo izdavanje časopisa Neven (1858.). Pokretanjem i tiskanjem riječkih novina na talijanskom jeziku Eco di Fiume (1857.-1860.) i Gazzetta di Fiume (1860.- 1862.) popunjena je pak velika praznina koja nastaje u privrednom, kulturnom i političkom života grada nastala obustavljanjem glasila Eco del litorale hungarico, odnosno, prije pojave Mohovicheve La Bilancie., In the history of printing, publishing and journalism in the middle of 19th century in Rijeka (Fiume), the place of Ercole Rezza (1813.-1), from Genua in Italy, is very considerable. From 1856 to 1862 he edited many reviews, books, newspapers and other publications in Italian, Croatian and German. In Croatian is most important literary review of this time' Neven' (1858), edited by Croatian library in Rijeka. For cultural and political history are considerable newspapers in Italian 'Eco di Fiume' (1857.-1860.) and 'Gazzetta di Fiume' (1860.-1862.)

Ivo Grohovac Riječanin (1875.-1914.) riječki je novinar, feljtonist i pučki pjesnik koji se uoči Prvog svjetskog rata isticao po svom hrvatskom domoljublju. Kao samouki književnik pisao je rodoljubne pjesme i čakavske feljtone u ´Riječkom glasniku´, ´Riječkim novinama´ (koje sam i pokreće) i Supilovom ´Riječkom novom listu´. Objavio je tri samostalne pjesničke zbirke.

U članku se govori o životu i djelovanju rijeckoga odvjetnika dr. Frana Pilepića (1838.-1890.), nekadašnjega učenika Frana Kurelca, te njegovim vezama s glasovitim talijanskim književnikom i nobelovcem Giosuéom Carduccijem. U tekstu su predočena dva Pilepićeva pisma Kurelcu i Carduccijevo pismo Pilepiću., The article deals with the life and activity of Rijeka's lawyer dr. Fran Pilepić (1838.-1890.), former pupil of Fran Kurelac, and about his relations with famous italian writer and the winner of Nobel prise Giosué Carducci. The text in attach have two letters of Pilepić to Kurelac, and one of Carducci to Pilepić.

Mihovil (Michele) Polonio-Balbi (1849.-1932.), rodom iz Baške na otoku Krku, poznati je riječki trgovac i posjednik. Godine 1884. utemeljio je knjižaru i papirnicu, te izdavačku kuću koja se bavila izdavanjem gradskih godišnjaka, turističkih vodiča, te knjiga gospodarskoga i vjerskoga sadržaja.

U razdoblju od 1843. do 1846. godine u Rijeci su izlazile novine na talijanskom jeziku pod imenom ´L´Eco del litorale ungarico´. Donosile su vijesti iz privrede, trgovine, pomorstva, izvještaje o kretanju brodova i stranaca, burzovne informacije, meteorološke vijesti, kratke domaće i strane novosti. Po svojoj koncepciji bile su to prve moderne novine, namijenjene stanovnicima lučkoga i trgovačkoga grada. U radu se opširnije govori o temeljnim značajkama spomenutih novina, te o njihovoj uredničkoj koncepciji.

U razdoblju od 1843. do 1846. godine u Rijeci su izlazile novine na talijanskom jeziku pod imenom "L 'Eco del litorale ungarico", pod uredništvom dr. Giovannia Spagnuola i Vincenza Solitra. Premda su bile lojalne tadašnjem ugarskom guberniju koji je djelovao u okviru austrijske carevine, novine nisu imale politicki karakter, već su pretežno donosile vijesti iz privrede, trgovine, pomorstva, te kratke izvještaje o kretanju brodova i stranaca, burzovne informacije, meteorološke vijesti, kratke domaće i strane novosti, podatke o rođenima i umrlima, gradsku kroniku i pregled kazališnih zbivanja, prikaze knjiga, nekrologe, feljtone i oglase. Po svojoj su koncepciji to bile prve moderne novine, namijenjene stanovnicima lučkoga i trgovačkoga grada, te njegove najbliže okolice. U radu se opširnije govori o temeljnim značajkama spomenutih novina, te njihovoj uredničkoj koncepciji.

U članku se donosi kraći prikaz razvoja pučkoga teatra kod Hrvata u Gradišću na temelju novinskih izvještaja., Der Artikl bringt aufgrund der Zeitungsberichten entstandene Analyse eine kürzere Entwichlungsdarstellung des Volksteathers der Kroaten in Burgenland.