1. Polycotton canvases, characterisation, and mechanical behaviour before and after artificial ageing
- Author
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Universitat Politècnica de Catalunya. Departament de Ciència i Enginyeria de Materials, Universitat Politècnica de Catalunya. TECTEX - Grup de Recerca en Tecnologia Tèxtil, Campo Francés, Gema, Cayuela Marín, Diana, Carrera Gallissà, Enric, Ferrer, Santi, Viladrich Iglesias, Nina, Universitat Politècnica de Catalunya. Departament de Ciència i Enginyeria de Materials, Universitat Politècnica de Catalunya. TECTEX - Grup de Recerca en Tecnologia Tèxtil, Campo Francés, Gema, Cayuela Marín, Diana, Carrera Gallissà, Enric, Ferrer, Santi, and Viladrich Iglesias, Nina
- Abstract
In recent decades, polycotton canvases, which are made with mixtures of cotton and synthetic fibres, have appeared on the market and are used by artists. The aim of this article is to identify, characterise, and evaluate the mechanical behaviour before and after an ageing process of three representative types of polycotton canvases, and to compare them with the more traditional and studied linen canvases. The characterisation results provide information on the proportion of fibres in the three polycottons studied, as well as new technologies in the spinning and sizing of their yarns. A new measurement system that improves the accuracy of measuring the effective cross-sectional area of the canvas has been developed. The dynamometric and bursting tests results allow us to quantify the lower resistance of polycotton canvases compared to traditional linen. Additionally, they reveal some peculiarities such as a greater stiffness of the warp compared to the weft threads in polycotton canvases. This is opposite to what occurs in linen canvases. The differences between warp and weft threads in polycotton canvases, along with the use of the open-end spinning system, provide valuable information for proper conservation and future restoration interventions. Additionally, the open-end spinning system involves a greater water absorption capacity compared to ring yarn fabrics, The authors express their gratitude to Núria Oriols and Carme Ramells from the Museu Nacional de Catalunya, MNAC, for their contribution in the interpretation of the FTIR results. We also thank Núria Pedragosa and Daniel Morales for their her help in providing information on some paintings (MNAC, Museu Nacional de Catalunya, and MACVAC, Museo de Arte Contemporáneo de Castellón). The authors also greatly appreciate the support of Beatriz Amante, Edwin Pinto, Bartomeu Salas, Montse Guerrero, and Paloma López from the Intexter Institute of Textile Research and Industrial Cooperation of Terrassa, for their invaluable support in the experimental part of the study and for guiding in the use of their instruments, equipment and laboratories, Postprint (published version)
- Published
- 2024