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Author(s): Russell W. Belk [sup.1] , Gopal Das [sup.2] , Shailendra Pratap Jain [sup.3] Author Affiliations: (1) https://ror.org/05fq50484, grid.21100.32, 0000 0004 1936 9430, York University, , Toronto, Canada (2) https://ror.org/02xxpjq61, [...]

This study of the production, representation, and reception of post-colonial advertising in India reveals a politics of consumer respectability. The post-colonial politics of consumer respectability is located at the intersection of center–periphery relations, class divisions, and colorism in a way that it frames neocolonial consumption. Advertisers depict middle-class consumer respectability by asserting Indian nationalism and by degrading the West as a symbol of colonialism. Such depictions are class- and color-based and show under-class and dark-skinned consumers in subordinate positions. Furthering such neocolonial frames of consumption, Indian advertising advances the middle-class desire for Eurocentric modernity by reinforcing the colonial trope of India as temporally lagging behind the West. Finally, middle-class consumer respectability involves a neocolonial whitening of self with epidermalized shaping of inter-corporeality and agency. In uncovering the theoretical implications of advertising as a site of avenging degradation, desiring modernity, and whitening of self, this study contributes by offering insights into how the politics of post-colonial consumer respectability furthers neocolonial frames of consumption. [ABSTRACT FROM AUTHOR]

This is an ethnography among poor migrants from Kerala, India to the Middle East. This study offers insights into how the poor accumulate sacrificial money through sufferings and self-abnegation, and earmark it for consumption in Kerala. The hardships endured to earn the sacrificial money transform it into a sacred object. The phenomena of accumulation, earmarking, and meaning making of sacrificial money by the poor can be understood through the concept of sacrificial work. Sacrificial work is a spatially demarcated circuit of accumulation of money through hardships and its conflict-ridden transfer to family, community, and self for consumption. In sacrificial work, the poor erect a boundary around this money, and earmark it as caring, communal, and transformative. By delineating the various aspects of sacrificial work, this study brings to the center a behavior that has, in spite of its ubiquity, been relegated to the margins of consumer research. [ABSTRACT FROM AUTHOR]

Purpose: The physical filmmaking landscape has been transformed by the emergence of digital platforms that foster interaction and dialogue. The accessibility and affordability of mobile production tools have empowered anyone with a mobile phone to become a media content creator. Accordingly, this paper aims to present a multi-method approach for creating phygital projects that involve people as active participants rather than mere subjects who collaborate with the researchers to tell their stories. Design/methodology/approach: Research participants can embrace diverse roles, serving as co-researchers, content creators, curators and collaborators. The authors use various engagement strategies with the research participants, who are often marginalized or underrepresented, to encourage their participation and give them agency and creative control. Thus, we also use a participatory action research approach to help advocate for the participants' facial equality concerns. Findings: Collaborative videography embraces the mosaic of voices expressing intricate social issues. In this project, research participants with "facial differences" explain their experiences in facing society. Originality/value: By experimenting with participatory frameworks and combining physical interactions (such as in-person meetings) with digital platforms like Zoom and social media, the authors suggest a multi-method approach that honors the authentic stories of the research participants, effectively engages the audience and explains how phygital research methodologies can be used in interpretive consumer research, particularly in co-creating films that capture strong visuals. [ABSTRACT FROM AUTHOR]

Just as the mythical Greek Titan Prometheus created humans and brought them the technology of fire, the biohackers studied here seek to recreate humanity and bring us technologies that make us god-like. In this paper, we explore how and why biohackers have been integrating technologies into their bodies. Drawing on Transhumanism, biohacking, and consumer sentiments literature, we depict three avatars of Promethean biohackers. While distinct from one another, their biohackings are tied by a single sentiment: that of love. Here, love is what energises biohackers' actions on their Promethean journey to become transhumans. This study challenges prior discussions on human-technology relationships framed in largely instrumental terms. Our research also highlights the importance for scholars and practitioners to address ethical issues around eugenics and human commodification. [ABSTRACT FROM AUTHOR]