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5 results on '"Alex Boyes"'

1. Art x Decentralised Tech

Author

Alex Boyes, Aslak Aamot Helm, Tamar Clarke-Brown, Victoria Ivanova, Eva Jäger, Róisín McVeigh, Kay Watson, Marta Ferreira de Sá, Benedict Singleton, Gary Zhexi Zhang, Sarah Shin, Jay Drinkall, Seb Chan, María Paula Fernández, Sophie Netchaef, Katrina Sluis, Opashona Ghosh, Laura Herman, Anja Yencken, Roxy Zeiher, Harm van den Dorpel, Sarah Friend, James Wreford, Alice Scope, Amira Gad, Andrew Chitty, Annette Mees, Barry Threw, Ben Cerveny, Billy Rennekamp, Calum Bowden, Cem Dagdelen, Claire Tolan, Clare Reddington, Creative Commons, Doreen Rios, Eirini Malliaraki, Haus der Elektronischen, Künste, Internet Archive, Jaya Klara Brekke, Jo Lansdowne, Jon Uriarte, Julia Kaganskiy, Kei Kreutler, Kelani Nichole, Laura Lotti, Maitreyi Maheshwari, Matt Prewitt, Michel van Dartel, Paul Chaney, Penny Rafferty, Peter Wu, Primavera De Filippi, Roddy Schrock, Ruth Catlow, Salome Asega, Simon Moreton, Tom Higham, Tony Lai, Wade Wallerstein, Bettina Korek, Hans Ulbrich Obrist, Alex Boyes, Aslak Aamot Helm, Tamar Clarke-Brown, Victoria Ivanova, Eva Jäger, Róisín McVeigh, Kay Watson, Marta Ferreira de Sá, Benedict Singleton, Gary Zhexi Zhang, Sarah Shin, Jay Drinkall, Seb Chan, María Paula Fernández, Sophie Netchaef, Katrina Sluis, Opashona Ghosh, Laura Herman, Anja Yencken, Roxy Zeiher, Harm van den Dorpel, Sarah Friend, James Wreford, Alice Scope, Amira Gad, Andrew Chitty, Annette Mees, Barry Threw, Ben Cerveny, Billy Rennekamp, Calum Bowden, Cem Dagdelen, Claire Tolan, Clare Reddington, Creative Commons, Doreen Rios, Eirini Malliaraki, Haus der Elektronischen, Künste, Internet Archive, Jaya Klara Brekke, Jo Lansdowne, Jon Uriarte, Julia Kaganskiy, Kei Kreutler, Kelani Nichole, Laura Lotti, Maitreyi Maheshwari, Matt Prewitt, Michel van Dartel, Paul Chaney, Penny Rafferty, Peter Wu, Primavera De Filippi, Roddy Schrock, Ruth Catlow, Salome Asega, Simon Moreton, Tom Higham, Tony Lai, Wade Wallerstein, Bettina Korek, and Hans Ulbrich Obrist

Abstract

“Web3” is now part of our collective imaginaries, even if the specifics of what the buzzword entails remain murky and inaccessible to many. Originally coined in 2014 by Gavin Wood, co-founder of Ethereum, to describe “a decentralised internet ecosystem based on blockchain,” the term took off after the NFT boom of 2021, catalysed by the embrace of the crypto ecosystem by the likes of Silicon Valley venture capital firm Andreessen Horowitz (a16z). Like other social technologies, the swirl of narrative, attention and capital around web3 are as much part of its utility as the tools themselves. Mainstream discourses around “the web3 space”—and the blockchains, non-fungible tokens (NFTs), cryptocurrencies, decentralised web (dweb) frameworks that make it up—have been shaped by a cacophony of criticism, partiality and hype, played out over the past five years on Twitter and Discord. Future Art Ecosystems 3: Art x Decentralised Tech (FAE3) attempts to take a long(er) view on the impact of decentralised technologies and imaginaries on the structures and processes that underpin the development of 21st-century cultural infrastructure, specifically art and advanced technologies (AxAT). The downward slope of the hype cycle towards another “crypto winter”—as well as a market correction in the wider tech industry—is a good time to take a sober view of the lessons, potentials and affordances that have been generated over these years of energetic innovation and speculative boom and bust…, https://www.librarystack.org/art-x-decentralised-tech/?ref=unknown

Published
2022

2. Art x Decentralised Tech

Author

Alex Boyes, Aslak Aamot Helm, Tamar Clarke-Brown, Victoria Ivanova, Eva Jäger, Róisín McVeigh, Kay Watson, Marta Ferreira de Sá, Benedict Singleton, Gary Zhexi Zhang, Sarah Shin, Jay Drinkall, Seb Chan, María Paula Fernández, Sophie Netchaef, Katrina Sluis, Opashona Ghosh, Laura Herman, Anja Yencken, Roxy Zeiher, Harm van den Dorpel, Sarah Friend, James Wreford, Alice Scope, Amira Gad, Andrew Chitty, Annette Mees, Barry Threw, Ben Cerveny, Billy Rennekamp, Calum Bowden, Cem Dagdelen, Claire Tolan, Clare Reddington, Creative Commons, Doreen Rios, Eirini Malliaraki, Haus der Elektronischen, Künste, Internet Archive, Jaya Klara Brekke, Jo Lansdowne, Jon Uriarte, Julia Kaganskiy, Kei Kreutler, Kelani Nichole, Laura Lotti, Maitreyi Maheshwari, Matt Prewitt, Michel van Dartel, Paul Chaney, Penny Rafferty, Peter Wu, Primavera De Filippi, Roddy Schrock, Ruth Catlow, Salome Asega, Simon Moreton, Tom Higham, Tony Lai, Wade Wallerstein, Bettina Korek, Hans Ulbrich Obrist, Alex Boyes, Aslak Aamot Helm, Tamar Clarke-Brown, Victoria Ivanova, Eva Jäger, Róisín McVeigh, Kay Watson, Marta Ferreira de Sá, Benedict Singleton, Gary Zhexi Zhang, Sarah Shin, Jay Drinkall, Seb Chan, María Paula Fernández, Sophie Netchaef, Katrina Sluis, Opashona Ghosh, Laura Herman, Anja Yencken, Roxy Zeiher, Harm van den Dorpel, Sarah Friend, James Wreford, Alice Scope, Amira Gad, Andrew Chitty, Annette Mees, Barry Threw, Ben Cerveny, Billy Rennekamp, Calum Bowden, Cem Dagdelen, Claire Tolan, Clare Reddington, Creative Commons, Doreen Rios, Eirini Malliaraki, Haus der Elektronischen, Künste, Internet Archive, Jaya Klara Brekke, Jo Lansdowne, Jon Uriarte, Julia Kaganskiy, Kei Kreutler, Kelani Nichole, Laura Lotti, Maitreyi Maheshwari, Matt Prewitt, Michel van Dartel, Paul Chaney, Penny Rafferty, Peter Wu, Primavera De Filippi, Roddy Schrock, Ruth Catlow, Salome Asega, Simon Moreton, Tom Higham, Tony Lai, Wade Wallerstein, Bettina Korek, and Hans Ulbrich Obrist

Abstract

“Web3” is now part of our collective imaginaries, even if the specifics of what the buzzword entails remain murky and inaccessible to many. Originally coined in 2014 by Gavin Wood, co-founder of Ethereum, to describe “a decentralised internet ecosystem based on blockchain,” the term took off after the NFT boom of 2021, catalysed by the embrace of the crypto ecosystem by the likes of Silicon Valley venture capital firm Andreessen Horowitz (a16z). Like other social technologies, the swirl of narrative, attention and capital around web3 are as much part of its utility as the tools themselves. Mainstream discourses around “the web3 space”—and the blockchains, non-fungible tokens (NFTs), cryptocurrencies, decentralised web (dweb) frameworks that make it up—have been shaped by a cacophony of criticism, partiality and hype, played out over the past five years on Twitter and Discord. Future Art Ecosystems 3: Art x Decentralised Tech (FAE3) attempts to take a long(er) view on the impact of decentralised technologies and imaginaries on the structures and processes that underpin the development of 21st-century cultural infrastructure, specifically art and advanced technologies (AxAT). The downward slope of the hype cycle towards another “crypto winter”—as well as a market correction in the wider tech industry—is a good time to take a sober view of the lessons, potentials and affordances that have been generated over these years of energetic innovation and speculative boom and bust…, https://www.librarystack.org/art-x-decentralised-tech/?ref=unknown

Published
2022

3. Future Art Ecosystems: Art x Metaverse

Author

Kay Watson, Victoria Ivanova, Sarah Shin, Melissa Larner, Eva Jäger, Roxy Zeiher, Alex Boyes, Tamar Clarke-Brown, Ben Vickers, Jay-Ann Lopez, Lucy Rose Sollitt, Larry Achiampong, Mark Atkin, Fin Bar, Black Shuck Cooperative, David Blandy, Danielle Brathwaite-Shirley, Alenda Chang, Cade Diehm, ENGINE, Fantasia Malware, Alex Fleetwood, Marie Foulston, Liam Hamill, Merel van Helsdingen, Joey Holder, Sallyann Houghton, Immersive Kind, Gabrielle Jenks, Kay Watson, Victoria Ivanova, Sarah Shin, Melissa Larner, Eva Jäger, Roxy Zeiher, Alex Boyes, Tamar Clarke-Brown, Ben Vickers, Jay-Ann Lopez, Lucy Rose Sollitt, Larry Achiampong, Mark Atkin, Fin Bar, Black Shuck Cooperative, David Blandy, Danielle Brathwaite-Shirley, Alenda Chang, Cade Diehm, ENGINE, Fantasia Malware, Alex Fleetwood, Marie Foulston, Liam Hamill, Merel van Helsdingen, Joey Holder, Sallyann Houghton, Immersive Kind, and Gabrielle Jenks

Abstract

What we know today as ‘the internet’ has historically been accompanied by a particular class of high-definition visions for its future. In this luminous world, a boundless 3D space, digital beings would interact through new forms of collectivity and partake in new modes of making, sharing, learning and trading. The idea of the metaverse—broadly defined as an always-online and persistent spatial virtual world—is being resurrected through a fundamental shift in digital infrastructure. This development includes the relatively recent advent of consumer-level technologies such as video game engines and immersive hardware, and is accelerated by a bearing within the games industry towards ..., https://www.librarystack.org/future-art-ecosystems-art-x-metaverse/?ref=unknown

Published
2021

4. Art x Metaverse

Author

Alex Boyes, Tamar Clarke-Brown, Victoria Ivanova, Eva Jäger, Ben Vickers, Kay Watson, Marta Ferreira de Sá, Benedict Singleton, Luke Caspar Pearson, Sarah Shin, Melissa Larner, Ivaylo Getov, Sophie Netchaef, Gabriella de la Puente, Katrina Sluis, Roxy Zeiher, Samara Daioub, Zion König, James Wreford, Jay-Ann Lopez, Lucy Rose Sollitt, Larry Achiampong, Mark Atkin, Fin Bar, Black Shuck Cooperative, David Blandy, Danielle Brathwaite-Shirley, Alenda Chang, Cade Diehm, ENGINE, Fantasia Malware, Alex Fleetwood, Marie Foulston, Liam Hamill, Merel van Helsdingen, Joey Holder, Sallyann Houghton, Immersive Kind, Gabrielle Jenks, Alex Boyes, Tamar Clarke-Brown, Victoria Ivanova, Eva Jäger, Ben Vickers, Kay Watson, Marta Ferreira de Sá, Benedict Singleton, Luke Caspar Pearson, Sarah Shin, Melissa Larner, Ivaylo Getov, Sophie Netchaef, Gabriella de la Puente, Katrina Sluis, Roxy Zeiher, Samara Daioub, Zion König, James Wreford, Jay-Ann Lopez, Lucy Rose Sollitt, Larry Achiampong, Mark Atkin, Fin Bar, Black Shuck Cooperative, David Blandy, Danielle Brathwaite-Shirley, Alenda Chang, Cade Diehm, ENGINE, Fantasia Malware, Alex Fleetwood, Marie Foulston, Liam Hamill, Merel van Helsdingen, Joey Holder, Sallyann Houghton, Immersive Kind, and Gabrielle Jenks

Abstract

What we know today as ‘the internet’ has historically been accompanied by a particular class of high-definition visions for its future. In this luminous world, a boundless 3D space, digital beings would interact through new forms of collectivity and partake in new modes of making, sharing, learning and trading. The idea of the metaverse—broadly defined as an always-online and persistent spatial virtual world—is being resurrected through a fundamental shift in digital infrastructure. This development includes the relatively recent advent of consumer-level technologies such as video game engines and immersive hardware, and is accelerated by a bearing within the games industry towards ..., https://www.librarystack.org/art-x-metaverse/?ref=unknown

Published
2021

5. Art x Metaverse

Author

Alex Boyes, Tamar Clarke-Brown, Victoria Ivanova, Eva Jäger, Ben Vickers, Kay Watson, Marta Ferreira de Sá, Benedict Singleton, Luke Caspar Pearson, Sarah Shin, Melissa Larner, Ivaylo Getov, Sophie Netchaef, Gabriella de la Puente, Katrina Sluis, Roxy Zeiher, Samara Daioub, Zion König, James Wreford, Jay-Ann Lopez, Lucy Rose Sollitt, Larry Achiampong, Mark Atkin, Fin Bar, Black Shuck Cooperative, David Blandy, Danielle Brathwaite-Shirley, Alenda Chang, Cade Diehm, ENGINE, Fantasia Malware, Alex Fleetwood, Marie Foulston, Liam Hamill, Merel van Helsdingen, Joey Holder, Sallyann Houghton, Immersive Kind, Gabrielle Jenks, Rindon Johnson, Natalie Kane, Keiken, Kei Kreutler, Trevor McFedries, Robin McNicholas, Evelyn Mora, Nick Murray, Andie Nordgren, Pete Jiadong Qiang, Chella Ramanan, Sam Rolfes, Veronica So, Space Popular, Jay Springett, Jo Twist, Werkflow, Amelia Winger-Bearskin, Poppy Dongxue Wu, Robert Yang, Yarden Yaroshevski, Bettina Korek, Hans Ulrich Obrist, Alex Boyes, Tamar Clarke-Brown, Victoria Ivanova, Eva Jäger, Ben Vickers, Kay Watson, Marta Ferreira de Sá, Benedict Singleton, Luke Caspar Pearson, Sarah Shin, Melissa Larner, Ivaylo Getov, Sophie Netchaef, Gabriella de la Puente, Katrina Sluis, Roxy Zeiher, Samara Daioub, Zion König, James Wreford, Jay-Ann Lopez, Lucy Rose Sollitt, Larry Achiampong, Mark Atkin, Fin Bar, Black Shuck Cooperative, David Blandy, Danielle Brathwaite-Shirley, Alenda Chang, Cade Diehm, ENGINE, Fantasia Malware, Alex Fleetwood, Marie Foulston, Liam Hamill, Merel van Helsdingen, Joey Holder, Sallyann Houghton, Immersive Kind, Gabrielle Jenks, Rindon Johnson, Natalie Kane, Keiken, Kei Kreutler, Trevor McFedries, Robin McNicholas, Evelyn Mora, Nick Murray, Andie Nordgren, Pete Jiadong Qiang, Chella Ramanan, Sam Rolfes, Veronica So, Space Popular, Jay Springett, Jo Twist, Werkflow, Amelia Winger-Bearskin, Poppy Dongxue Wu, Robert Yang, Yarden Yaroshevski, Bettina Korek, and Hans Ulrich Obrist

Abstract

What we know today as ‘the internet’ has historically been accompanied by a particular class of high-definition visions for its future. In this luminous world, a boundless 3D space, digital beings would interact through new forms of collectivity and partake in new modes of making, sharing, learning and trading. The idea of the metaverse—broadly defined as an always-online and persistent spatial virtual world—is being resurrected through a fundamental shift in digital infrastructure. This development includes the relatively recent advent of consumer-level technologies such as video game engines and immersive hardware, and is accelerated by a bearing within the games industry towards user-created worlds. At present, the metaverse is set to be shaped mainly by the interests of large corporations and mass markets. How and why should cultural institutions engage with the construction of the metaverse? And for whose benefit? The purpose of Future Art Ecosystems (FAE) is to provide analytical and conceptual tools and strategic guidance for the construction of 21st-century cultural infrastructure: the systems that would support art and advanced technologies as a whole, and be responsive to a broader societal agenda…, https://www.librarystack.org/art-x-metaverse/?ref=unknown

Published
2021

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