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1. Touching the Shield of Achilles: Ekphrasis and/as Re-Mediation.

3. Precarious Balance.

4. Painting, Poetry, Impasse.

5. Wording Pictures, Picturing Words: An Interview with Vincent Katz.

6. Against illustration: towards a new field of inquiry in illustration studies.

7. Peripheral Networks: Canon-Formation in the Nineteenth-Century Reception of Regionalist Writers.

8. Jacques Rancière's Left-wing Literary Theory and Mao Zedong's Thought on Literature and Art.

9. Reconstruing the image of Shan Gui: A multimodal translation from poetry to painting.

10. Introduction: Aleister Crowley, the Thelemic Tradition, and the Creative Arts.

11. Contingency without Rorty. Dewey and Addams on Art as Resistant Reconstruction.

12. Dewey, Adorno, and Pragmatist Aesthetics.

13. The Arts of Antifascist Black Transnationalism during the Spanish Civil War.

14. Presencia y circulación del menaje de plata en los testamentos onubenses del siglo XVII.

15. Thing Maker An Interview with Liz Magor.

16. A pro-American perspective on the American Revolution: Johann Heinrich Ramberg's (1763–1840) adaptations of illustrations by Daniel Chodowiecki.

17. Jacques Rancière, J. M. Coetzee, and Doing Things Oneself.

18. Embracing Autonomy.

19. Literary Indiscernibles, Referential Forgery, and the Possibility of Allographic Art.

20. The Artist as Visionary in Francisco de Zurbarán’s Crucifixion with a Painter.

21. Longing to Stay Tied: Maggie O'Farrell's Hamnet as a Work of Creative Criticism.

22. LOS ARCHIVOS FICCIONALES DE LAS TAPERAS DEL "DESIERTO": EN LINCOLN, EN QUIÑIHUAL.

23. BEYOND AMERICA AND BACK AGAIN: AN ESSAY OF WITNESS ON CAROLYN FORCHÉ'S LIFE AND WORK.

24. Epilog Living with the perplexities of our being-in-the-world with others: the paradox of Bildung.

25. The dialectics of power and the irrevocability of time (Unwiderrufl ichkeit der Zeit).

26. Ekphrasis and the Craft of Writing Art History.

28. Writing Photographs Ethically: Strategies of Ekphrasis in J.M. Coetzee's Prose.

29. 'The chicken or the egg?' Exploring the dynamics of an ekphrastic cycle.

31. DISTORTING REALITY THROUGH THE CRYSTAL MIRROR: DIALOGUE BETWEEN LITERATURE AND PAINTING IN WATERHOUSE'S REPRESENTATIONS OF THE LADY OF SHALOTT.

32. Tomorrow and tomorrow and tomorrow: social justice and the rise of dystopian art and literature post-Arab Uprisings.

33. Transculturalism, Transformation and the Visual Arts in Contemporary British Women's Poetry.

34. Feminist+ solidarity as transformative politics.

35. "Artes simultáneas combinadas [...] son monstruos": Macedonio Fernández's "Para una teoría del arte," Between Conceptual Art and Formalist Modernism.

37. The Pedagogy of Bafflement: Bernard Bailyn's History 2910, Fall 1996.

38. Antropología en el quijotismo (Psiquiatría-Biología-Metafísica).

39. Van Gogh's Weaver Series: A Pictorial Reworking of Silas Marner.

40. What Is Poetry For?

41. We Write Here.

43. Ekphrasis and Gallery Encounters.

44. Dante Gabriel Rossetti and Music: Introduction.

45. AESTHETICAL ANALYSIS OF A LITERARY WORK.

46. El Bosco en las Rimas de Tomé de Burguillos o los riesgos de la imaginación.

47. EL POETA COMO PINTOR: VANGUARDIA Y VISUALIDAD EN SON GOTAS DE AUTISMO VISUAL, DE LORENZO GARCÍA VEGA.

48. BLESSED AND BANNED: SURVEILLANCE AND REFUSAL IN SOMALI DIASPORIC ART & LITERATURE.

49. „UND WIR STAUNTEN UND WIR LACHTEN, WIE WIR RÜCKWÄRTS ZEIT VERBRACHTEN“: RETROGRADES ERZÄHLEN IM COMIC RÜCKWÄRTSLAND.

50. VON DER KUNST DES COMICS ZUR KUNST IM COMIC.

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