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В статье рассматривается влияние художественной литературы на формирование образа полицейского. The present study is devoted to the analysis of the influence of fiction on the formation of the image of a policeman. The urgency of the study consists in the fact that conflictogeneity and aggressiveness of the modern world bring about the growing significance of the law enforcement officers, turn this profession into one of the central occupations in the Russian society, and suggest a wide range of expectations from the representatives of the law enforcement agencies.

Цель исследования - изучить читательскую грамотность и степень ознакомления студентов с произведениями А. П. Чехова. Актуальность исследования объясняется необходимостью изучения читательской грамотности в студенческой среде.

В статье рассказывается о яснополянской усадьбе, которая известна в связи с именем Л. Н. Толстого. Сохранившееся культурно-историческое пространсто ценно еще и как объект изучения принципа обустройста поместья в русской провинции.

Статья посвящена размышлениям об опыте группы близких между собой людей, воевавших против большевиков, оставшихся по собственной воле в СССР, но не избежавших ареста, ссылки и лагеря. This article is devoted to a group of closely related people who, having fought Bolsheviks, remained in Soviet Russia, adopting survivalist conformism, yet did not avoid arrest, prison, exile and camp.

В данной статье автор пытается реконструировать творческую историю и вероятную концептуальную рамку готовившегося к изданию в Софии в 1932 г. "Гоголевского сборника". This article is situated in émigré studies and tries to reconstruct a possible conceptual framework and creative history of the Collection of Studies on Gogol, which was being prepared for publication in Sofia in the early 1930s.

The article attempts at analyzing the scientific problems included in the works of the famous scholar from Voronezh State University Vladislav Anatol’evich Svitel’skiy about the creative activity of A. Platonov. The scholar’s studies before and after the abolition of strict censorship outlined the benchmarks in the investigation of the writer’s legacy, which have not always been properly interpreted in modern science. The urgency of the paper consists in reestablishing a true dialogue with the works of the literary critics, who were among the first to describe the writer’s artistic world, and in revealing adequate interpretations of their ideas. Methodologically, the article is based on the theoretical views of V. A. Svitel’skiy, stemming from the nature of the talent of the great scholar from Voronezh. The scholar focuses on the principles of philosophical-poetical generalization in the prose of Platonov, the image of the author and the means of expression of the author’s position under the conditions of creation of censored works, the genre nature of “Chevengur”, his gender specificity, “participation” of the lyrical dominant in the modeling of the democratic consciousness in the novel as one of the great achievements of Platonov’s artistic talent. The retrospective approach made it possible to concentrate attention on the urgency of a number of Svitel’skiy’s ideas in the contemporary Platonov studies and to simultaneously realize the modern tendencies in the study of the writer’s legacy and their perspectives. The conclusions of the article are based on the detailed study of the papers written by Svitel’skiy and the works of the scholars developing his ideas, as well as on his activity as editor and publisher. He was editor-in-chief of the “Philological Notes” of Voronezh University founded by A. A. Khovanskiy in 1860. He initiated the creation of the “Platonov Vestnik”, an information bulletin, which reflected the “new findings” of foreign scholars about Platonov. Due to his continuous effort, the number of scholars from various countries engaged in serious studies of Platonov’s texts grew considerably to include H. Günther (Germany), T. Langerak (Netherlands), M. Liubushkina-Koch (France), etc. The reflections about the fate of scientific ideas and their implementation in real life are mentioned in Svitel’skiy’s letters. Their author is a real Teacher – a clever and a patient one.

В статье рассматриваются версии "механических" людей в творчестве А. Платонова, прослеживается их происхождение и последующий процесс развития. The article examines the versions of "mechanical" people in the works of A. Platonov and traces their origin and subsequent process of development. The methodological basis of the study is made up by the works interpreting Platonov's creative activity from the positions of the following scientific approaches: the contextualapproach (M. M. Bakhtin, V. E. Khalizev), according to which meanings generated by extra-textual reality are important for this research and the motif-centered approach (B. M. Gasparov, M. Ya. Polyakov), based on the principle of leitmotif narrative composition.

В статье рассматривается значение работ Ю. М. Лотмана для структурной семиотики в литературоведении. The article presents an interview of I. Z. Belobrovtseva, characterizing the personality of Yu. M. Lotman as well as the significance of his works for structural semiotics in literary criticism of the 20th century.

Статья посвящена проблеме восприятия И. С. Тургеневым английской литературы. В центре внимания находится драматическое творчество Э. Бульвера-Литтона, ставшее объектом творческой рефлексии русского писателя. The article deals with Ivan Turgenev's attitude to English Literature. The focus of the study is on the comic play of Edward Bulwer-Lytton, which became the object of the Russian writer's reflection in 1840s, firstly, as a reader and later as a creator.

В статье рассматривается роль Ю. Лотмана в создании семиотической школы и значение его трудов в области структурализма. The article considers the role of Lotman in the creation of the Tartu-Moscow semiotic school and the significance of the works of Lotman in the field of structuralism, as well as possible reasons for the scientific evolution of Lotman from the study of the history of literature and the structure of the literary text to the investigation of culture as a dynamic process and as a manifestation of the complex interaction between cultural texts and cultural codes.

В статье рассматривается характер влияния сентиментального натурализма на творчество раннего И. С. Тургенева. The article investigates the nature of the influence of sentimental naturalism, or the "school of theyoung Dostoevsky" on the work of early Turgenev. The object of the study includes two texts - Dostoevsky's novel “Poor Folk”, the central novel in the Russian literature of the 1840s, and Turgenev's comedy “The Bachelor”.

Статья посвящена пояснению термина "зооним", который даже некоторыми лингвистами употребляется неправильно, то есть вместо имен собственных типа: Жучка, Буян, Зорька под этим термином они исследуют обычные нарицательные слова типа: собака, лошадь, корова и т.п. Основной материал посвящен употреблению зоонимов в различных жанрах творчества русских писателей. = Тhe article is devoted to the explanation of the term "zoonym", which is even used incorrectly by some linguists, that is, instead of proper names like: Bug, Buyan, Zorka. Under this term they study common common words like: dog, horse, cow, etc. The main material is devoted to the use of zoonyms in various genres of creativity of Russian writers.

В статье рассматривается использование Ю. М. Лотманом концепции тернарной системы, которая является ответом на ограничения семиотических моделей, основанных на бинарных оппозициях. The paper will explore Yurii M. Lotman's uses of the concept of a ternary system. It is born as a response to the limitations of the semiotic models based on binary oppositions. At the same time, binaries for Lotman are closely connected to Russia's cultural dynamic, and therefore, this seemingly “pure” theoretical concept appears heavily charged with political meanings.

В статье рассматривается роман И. С. Шмелева "Солнце мертвых", посвященный Гражданской войне как одному из самых критических периодов российской истории. The article investigates the novel by Ivan Sergeevich Shmelev "The Sun of the Dead", dedicated to the Civil War as one of the most critical periods in Russian history.

В статье представлена рецензия на книгу "History of Russian Literature", в которой особенное внимание уделяется истории русской литературы XIX века. The article presents a review of the book “A History of Russian Literature” published in 2018 by Oxford University Press. It contains an overall description of the publication, which has more than a thousandpages, but pays special attention to the history of Russian literature of the 19th century - the chapter that has become the center of the entire book.

В статье впервые рассматриваются поэтико-типологические соответствия между романом Н. С. Лескова "Обойденные" и романом Ф. М. Достоевского "Идиот". The article establishes poetic-typological correspondences between N. S. Leskov's novel "Neglected People" and F. M. Dostoevsky's novel "The Idiot".

Цель статьи - установить социопрагматические особенности прецедентных имен собственных в сравнительных конструкциях в творчестве В. П. Астафьева.

В статье рассматривается эссе известного русского эмигранта "третьей волны" Петра Вайля и выявляются интертекстуальные пласты текста, их художественные функции и связь с жанровой природой. The purpose of the study is to analyze the essay of the famous Russian emigrant of the "third wave", critic and publicist Peter Vail's essay "Abram Terts, the Russian filibuster", to discover the intertextual layers in the text, and to realize their artistic functions and connection with the genre nature.

В статье рассматриваются основные характеристики США, которые представлены в публицистических и художественных текстах Ф. М. Достоевского. The article analyzes the images of America created by F. M. Dostoevsky on the pages of the Writer's Diary and the Great Five Novels.

В статье рассматривается сходство героя-бездельника у австрийского барочного писателя И. Беера, русского писателя-реалиста И. Гончарова и у немецкого романтика Й. фон Эйхендорфа. The article is based on the idea of A. V. Mikhailov about the similarity of the character of a loafer of the Austrian baroque writer J. Beer and the Russian realist writer I. Goncharov.

Цель статьи - выделить основные варианты литературного типа «маленького человека» в рассказах М. Веллера из цикла «Легенды Невского проспекта», проследить генезис данного литературного типа в истории русской литературы, выявить специфику рецепции и трансформации литературных традиций.

Цель исследования - в выявлении и описании характерных особенностей авторского стиля Л. Улицкой и их роли в построении художественного произведения.

В статье рассматривается восприятие рассказа А. П. Чехова "Человек в футляре", соотнеся сюжет рассказа с близкими по смыслу чеховскими контекстами. This article aims to deautomatize the perception of A. P. Chekhov's story “The Man in a Case”, correlating the plot of the story (and the entire small trilogy) with Chekhov's contexts that are close in meaning.

В статье представлен текстуальный и контекстуальный анализ почти забытой книги Л. Толстого "Исследование догматического богословия". This view can be found even in his most viciously anti-Orthodox work, An examination of Dogmatic Theology, an almost forgotten book which is important for our understanding Tolstoi's attitude towards Orthodoxy. In this article, I focus on two points: his anthropology and his view on how we can understand God. I combine textual and contextual analysis, that is, a careful reading of this book with a reading of the theological treatises on which he based his criticism.

В статье рассматриваются характеристики персонажей, которые актуализируются авторами при создании образов старших родственников на материале произведений детской литературы. In accordance with universal socio-cultural ideas about the family, the roles of older relatives are determined by the traditional ideas of the Russian person about the transfer of values to future generations. The article analyzes some works of modern literature for children and adolescents, the system of images of which actualizes the most intricate complex of relationships between three generations.

Статья посвящена абсурду как средству текстообразования в произведениях Н. В. Гоголя и М. А. Булгакова. The article is devoted to absurd as a means of text formation in the works of N. V. Gogol and M. A. Bulgakov. Absurd is interpreted by the author of the article from the content-formal positions: both as the absence of meaning (absurdity, nonsense), and as a form of transformation of meaning determined by the author's goal setting (carnivalization of utterance).

В статье рассматривается значение работ Ю. М. Лотмана для структурной семиотики в литературоведении. The article presents an interview of I. Z. Belobrovtseva, characterizing the personality of Yu. M. Lotman as well as the significance of his works for structural semiotics in literary criticism of the 20th century.

В статье рассматриваются ранние образцы литературного интервью как жанра в периодической печати конца XIX - начала XX веков. The article explores early examples of literary interviews as a genre and describes the forms of interaction between the interviewer and the interviewee and variants of presentation of the material in the periodical press of the late 20th - early 20th century.

Статья посвящена пояснению термина "зооним", который даже некоторыми лингвистами употребляется неправильно, то есть вместо имен собственных типа: Жучка, Буян, Зорька под этим термином они исследуют обычные нарицательные слова типа: собака, лошадь, корова и т.п. Основной материал посвящен употреблению зоонимов в различных жанрах творчества русских писателей. = Тhe article is devoted to the explanation of the term "zoonym", which is even used incorrectly by some linguists, that is, instead of proper names like: Bug, Buyan, Zorka. Under this term they study common common words like: dog, horse, cow, etc. The main material is devoted to the use of zoonyms in various genres of creativity of Russian writers.

В статье на примере книги В. М. Дорошевича рассматриваются два разных мира на Сахалине конца XIX века: с одной стороны, мир каторжан и поселенцев, а с другой - мир администрации тюрем. The article presents the results of a study of a doctor's speech portrait in the book "Sakhalin" by V. M. Doroshevich. Penal servitude discourse functions in the book as one of the variants of political discourse, which is usually controlled by the authorities. Doroshevich shows two different worlds on Sakhalin at the end of the 19th century: the world of convicts and settlers on the one hand, and the world of prison administration and the island authorities that opposes them, on the other.

В статье представлена рецензия на монографию, посвященная повести В. И. Белова "Привычное дело". This overview critical article presents an analysis of the collective monograph devoted to the novel by V. I. Belov "Privychnoe delo".

В статье сопоставляются стандартное отрицание и отрицание-амбивалентность, а также выявляются общие и дифференциальные признаки каждого из них. The research object of this article is negation as a frequent operator of a natural language. The research is aimed at identifying the form, meaning and methods of functioning of one of the types of negation -negation-ambivalence - in the Russian language.

В статье на материале сборника "Без очереди. Сцены советской жизни в рассказах современных писателей" рассматривается сверхтекст, объединенный категориями времени и пространства. Based on the material of the collection "Jumping the Queue. Scenes of Soviet Life in the Short Stories of Contemporary Writers", the article studies the supertext united by the categories of time, space, and the point of view of the author-eyewitness.

В статье рассматривается образ главного героя детективного цикла Б. Акунина "Приключения Эраста Фандорина", представленный в трех последних наименее изученных романах: "Весь мир театр", "Черный город" и "Не прощаюсь". The paper focuses primarily on the image of the main character of B. Akunin'sAkunin's series of detective novels often referred to as Fandorin cycle, portrayed in the last underresearched novels All the World's a Stage, The Black City and Not Saying Goodbye. A review of the studies of literary criticism and academic research on Akunin's work has revealed that the basic principles of his poetics include intertextuality and the use of gamebased strategies.

В статье рассматривается художественная форма романа "4338-й год: Петербургские письма", которая способствует раскрытию философской идеи В. Ф. Одоевского о создании нового искусства и новой науки путем их синтеза. The article studies the novel by V. F. Odoevsky "The Year 4338: Petersburg Letters". The aim of the work is to show that the artistic form of this novel is intended to present the author's philosophical idea ofcreating a new art and a new science through their synthesis.

Цель исследования – определить специфику отражения конфликта «отцов» и «детей» в русской литературе ХІХ века на примере романа И. Тургенева «Отцы и дети» и комедии А. Грибоедова «Горе от ума».

Общей, и весьма серьезной, проблемой современного образовательного процесса - не только в высшей, но и в средней общеобразовательной школе, а также, видимо, и на подготовительных к школе занятиях - является существенное падение интереса к чтению. Автор показывает, как на примере детективного творчества А. Марининой, успешно решить целый ряд познавательно-воспитательных задач, среди которых немаловажное место занимает и повышение интереса к чтению художественной литературы.

В статье рассматривается образный строй романа А. Белого "Петербург" как репрезентатор творческой манеры автора. The article explores the system of images of the novel Petersburg by A. Bely as a salient example of the author's creative manner. The purpose of the article is to discover the linguistic factors that ensure the unity of the texts and produce their originality in the context of the aesthetic and ideological priorities of the writer.

The article deals with the story “White Mazurka” by the writer of the Eastern emigration Boris Yulsky. Yulsky’s creative work is usually associated with Chinese traditions, highlighting the oriental line which permeates his prose. However, in the vein of classical Russian literature, Yulsky created two works which refer the reader to the mid 19th century and bring them back to the world of noble manors and Pyatigorsk resorts. These are “Lermontov’s” short story “The Moon over Beshtau” and the story “White Mazurka”. The urgency of the study consists in identifying Bunin’s themes in Yulsky’s prose on the example of his story “White Mazurka” and in discovering the position of the artist who wrote his works in the middle of the 20th century. The research methods rest on the historico-literary, phenomenological, typological and comparative approaches and are based on the works of researchers of the poetics of the Eastern emigration and specialists in Bunin’s creative activity. The purpose of the study is to show that the story “White Mazurka” does not only demonstrate the reception of the noble Russia in the new century and new (eastern) space, but is also a reference to the short story written two years earlier by I. A. Bunin – “Natalie” from the collection “Dark Alleys”. The motives and the elements of the plot of Bunin’s short story and Yulsky’s story have a certain similarity: the arrival of a young relative at a noble manor, the meeting with the main female character, the characters’ ambivalent love – carnal and sublime, the ball scenes which became mainstream in both texts, the separation, and the tragic finale. At the same time, “White Mazurka” also echoes other short stories from “Dark Alleys” (“Tanya”, “Zoyka and Valeria”) and even kind of anticipates the “Clean Monday” of 1944. Conclusions. The “parody” of the 19th century turns into the creation of a new text in Yulsky’s story, which, on the one hand, combines the motives of classical literature, and on the other, shows how Bunin’s background forms the position of the 20th century modernist, who creates a multi-layered narrative space joining the tradition and its transfiguration in new forms.

В статье рассматривается жанр травелога и его становление в современной русской литературе., Travelogue as a personal journey suggests a high degree of reflection. The writers have re­ferred to this genre at all times. However, at the turn of the 20th - 21st centuries, it has become extremely popular due to its transformation into a multi-level, syncretic genre. A travelogue author fixes his personal experience of movements in the external space, creates the model of the world and broadcasts an individual concept of the spiritual journey. The genre of travelogue gets definite ethnic and gender-related overtones in much of today's Russian-language literature, helping the latter get across to a wider range of readers and transforming it into a mass culture phenomenon., Филологический класс, Issue № 3 (57), Pages 127-133