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251. Does selection of productivity estimation techniques matter?: Comparative analysis of advanced productivity estimation techniques.

252. El dibujo manual y digital como generador de ideas en el proyecto arquitectónico contemporáneo.

253. SOME RECONSTRUCTION HYPOTHESES OF LEONARDO'S PROJECT FOR THE TIBURIO OF THE MILAN CATHEDRAL BY USING 3D DIGITAL MODELS.

254. DeepDrawing: A Deep Learning Approach to Graph Drawing.

255. MAUROVIĆEVA OBRADA DJELA HRVATSKIH PISACA (ZLATAROVO ZLATO, ČUVAJ SE SENJSKE RUKE I GRIČKA VJEŠTICA).

256. 衫仿手编花型创意设计与编织工艺.

257. Algorithms of mathematical models for fast multi-pass weld-bead drawing technique in V-groove welding.

258. Cooperatives and Social Capital: A Theoretically-Grounded Approach.

259. METHODS OF DC/DC CONVERTER TRANSFER FUNCTION MEASUREMENTS, BASED ON DATA ACQUIRED IN THE TIME DOMAIN.

260. THE DEVELOPMENT OF MANUAL SKILLS IN ARTISTIC AND PRODUCTIVE ACTIVITIES: FROM EARLY AGE TO PRIMARY SCHOOL AGE.

261. ПРИЙОМИ МАЛЮВАННЯ АКРИЛОВИМИ ФАРБАМИ.

262. Fiziksel Değişimin Üniversite Yapılarında İncelenmesi: Selçuk Üniversitesi Mühendislik Fakültesi Örneği.

263. 중국 명·청 시대 민간청화 회화의 민속성과 예술성 융합에관한 연구.

264. Translationally Invariant Universal Classical Hamiltonians.

265. FABRICATION OF 4N5 GRADE TANTALUM WIRE FROM TANTALUM SCRAP BY EBM AND DRAWING.

266. KENTSEL VE KIRSAL KESİMDE YAŞAYAN ÇOCUKLARIN “HAYALİMDEKİ ŞEHİR” KONULU RESİMLERİNİN İNCELENMESİ.

267. Where Do People Draw Lines?

268. Radiological and biomechanical assessment of displaced greater tuberosity fractures.

269. Agreement between blood draw techniques for assessing platelet activation by flow cytometry.

270. Application of In Situ Product Crystallization and Related Techniques in Biocatalytic Processes.

271. „Co to jest muzeum" - wyobrażenia dzieci w wieku pomiędzy piątym a siódmym rokiem życia na temat instytucji muzealnej.

272. Enhancing Freehand Sketching in Industrial Design: Description and Implementation of a Drawing Methodology for More Effective Representations.

273. LUXE LIST.

274. Inspired:Inspiring.

275. El arte en la moda. Un análisis de las categorías del arte aplicadas a las prácticas vestimentarias.

276. Improving uranium oxide pathway discernment and generalizability using contrastive self-supervised learning.

277. Correction.

278. Study on preparation and curvature sensing performance of dual-core photonic crystal fibers.

279. Enhanced deep drawing formability and deformation mechanism of aluminum alloy at cryogenic temperature.

280. Core/shell bimagnetic microwires with asymmetric shell: MOKE and FMR behavior.

281. DO NOW.

282. WHAT'S MINE IS YOURS: ART IN THE AGE OF GENERATIVE-AI.

283. Untangling: How You Can Transform What's Impossibly Stuck.

284. Peter Painter Picked a Piece of Perfect Paper.

285. Wildlife crime in Croatia.

287. Philosophical Chemistry: Genealogy of a Scientific Field.

288. ZEICHENKULTUREN.

289. EL PARTICULAR PROCESO DE PRODUCCIÓN DE UN ANIME. LA COMBINACIÓN PERFECTA DE TRADICIÓN Y TECNOLOGÍA DIGITAL.

290. RELATING GRAPH THICKNESS TO PLANAR LAYERS AND BEND COMPLEXITY.

291. An Investigation on the Effect of Drawing Techniques towards Students' Performance and Perception in Architectural Education.

292. Sketch simplification based on conditional random field and least squares generative adversarial networks.

293. An Analysis of Drawing Techniques used on European Topographic Maps in the Eighteenth Century.

294. KOPIJAVIMAS IR KARTOTĖ: PLĖVIAKOJO VS LOUHANO ISTORIJA KERAMIKOJE.

295. Assessing the Six-Member Collaborative Drawing Technique with the Collaborative Art Elements Scale.

296. ZUR HÄNDIGKEIT DER ZEICHUNG.

297. Taking a Cue From Rousseau.

298. How to Draw Birds.

300. Studying the Color Field.

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