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Introduction  The internet presents a rich milieu of multimedia options relating to pituitary and endoscopic skull base surgery (ESBS). Misinformation can create discordance between patient and provider expectations. The purpose of this study is to analyze the understandability and actionability of available ESBS and pituitary surgery audiovisual information on YouTube and Google. Methods  The top 50 videos generated by searching "pituitary surgery/transsphenoidal surgery" and "endoscopic skull base surgery" in both YouTube and Google were sorted by relevance. Two independent reviewers evaluated each for understandability and actionability based on the Patient Education Materials Assessment Tool for audiovisual material (PEMAT-A/V). Source, authorship, audience, and education/advertisement variables were collected. Chi-square test followed by univariate and multivariate regression analyses assessed the association between these variables and quality. Results  A total of 85 videos (52 YouTube and 33 Google) met inclusion criteria for analysis. There was no significant difference in the presence of the aforementioned variables between YouTube and Google ( p

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The format of the live audiovisual interview, through the Twitch livestream platform, becomes an effective and invaluable tool for learning journalistic skills and deepening the informative task through professional experience, thanks to the testimonies of prominent radio and television communicators, who also show their human side. In addition, the content of the Audiovisual Journalism course at the University CEU San Pablo has been updated. A collaborative methodology in which students participate in writing and conducting interviews. [ABSTRACT FROM AUTHOR]

This response article addresses the conception of "film as philosophy" developed by Shawn Loht in his book Phenomenology of Film: A Heideggerian Account of the Film Experience (2017), with specific attention to the relevance and implications of Loht's approach for the broader debate beyond a strictly Heideggerian film-philosophy. The article proceeds in three distinct takes. The first take examines Loht's later-Heideggerian inspirations, arguing that although these more fundamental notions of philosophy open significant possibilities for film as philosophy, they nevertheless run the risk of being too embracive, as well as too elusive, to make a distinctive contribution to the debate. For its second take, the article resets its initial point of departure by considering how the earlier Heidegger of Being and Time cues in Loht's approach a special - albeit, ultimately, untenable - investment in cinematic reflexivity, with the stylistic hallmarks of Terrence Malick serving as a test case. In its final take, the article concludes by venturing a possible solution to the questions raised in the first two takes. Here it is proposed that, in contrast to Loht's general interest in cinematographic devices, the voiceover holds a far more sustainable promise of reflexivity, while at the same time giving more prominence to the viewer's acts of listening - which is what a quintessentially Heideggerian film phenomenology surely asks for. [ABSTRACT FROM AUTHOR]

Both multisensory and lexical information are known to influence the perception of speech. However, an open question remains: is either source more fundamental to perceiving speech? In this perspective, we review the literature and argue that multisensory information plays a more fundamental role in speech perception than lexical information. Three sets of findings support this conclusion: first, reaction times and electroencephalographic signal latencies indicate that the effects of multisensory information on speech processing seem to occur earlier than the effects of lexical information. Second, non-auditory sensory input influences the perception of features that differentiate phonetic categories; thus, multisensory information determines what lexical information is ultimately processed. Finally, there is evidence that multisensory information helps form some lexical information as part of a phenomenon known as sound symbolism. These findings support a framework of speech perception that, while acknowledging the influential roles of both multisensory and lexical information, holds that multisensory information is more fundamental to the process. [ABSTRACT FROM AUTHOR]

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O trabalho tem como objetivo estudar as mudanças do mercado audiovisual infantil e o uso da literacia midiática nestas produções. Para isso, foi escolhida a série Storybots: Hora da Resposta, lançada pela Netflix em 2022, como objeto de análise, levando em consideração sua relevância e impacto no público infantil. Fez-se necessário compreender as mudanças na produção, consumo e na qualidade dessas produções infantis e da aplicabilidade da literacia midiática como ferramenta em séries com viés educacional e de como isto impacta as crianças através da interatividade e da informação levada de forma lúdica e atrativa, com o objetivo de compreender como é aplicado e se é realmente efetiva a utilização da literacia nesses produtos audiovisuais. A pesquisa tem como autores principais: Livingstone (2004 e 2007), Gerhardt (2009) e Scolari (2016). Ao longo do trabalho percebeu-se que as produções infantis utilizam da literacia para se aproximar, empoderar e educar o seu público com produções cada vez mais interativas e lúdicas. [ABSTRACT FROM AUTHOR]

Considering both cinema and sport as manifestations arising from Modernity, this text proposes to discuss the representation of sport in cinema from the modern context and to open a dialogue in contrast with contemporary pedagogical possibilities. The research is descriptive with a qualitative approach and is organized in two moments. In the first, he uses the sociology of sport and communication as a theoretical framework that guides the critical reading of the film Olympia (1938). The second narrates and discusses a pedagogical experience in high school. The reflections point to feedback from cinema and sport for the affirmation of values cultivated in modernity, such as speed and rationality, but also for the reconstruction of meanings, via student authorship, which is in line with the current educational policy. [ABSTRACT FROM AUTHOR]

This text explores Korpelarörelsen, a Black Metal band that presents an audiovisual performance depicting a religious movement in Tornedalen during the early 20th century. In 2020 they received prolific funding from the Swedish Arts Grants Committee to conceive, rehearse and tour with the band. The article describes the band's unique portrayal of local history through the use of black metal music, while also discussing the boundaries between art and music, its implications for arts funding and the Black Metal genre's position in cultural hierarchies. The study draws on interviews, concert observations, and analysis of applications and documents outlining the funding decision from the Swedish Arts Grants Committee. The historic religious Korpela movement has been described as a doomsday cult, which believed that practicing music and dance, extrovert “childlike behavior” and even nudity and free sex, was the path to salvation. The band Korpelarörelsen depicts this through raw Black Metal, atmospheric elements, spoken word passages, and peculiar onstage-rituals. Visual aesthetics, including black robes, corpse paint, and blood-like smears, contributed to the atmosphere of mystique, darkness, and death. Korpelarörelsen’s application for cultural funding strategically positioned the project as a collaboration between various art forms and emphasized the interaction between Black Metal aesthetics and music industry methods. Korpelarörelsen's innovative approach and funding success might offer possibilities for extreme music within culturally funded systems. This case study demonstrates how a Black Metal band from Tornedalen could potentially have cultural and political impact and pave the way for other extreme music groups seeking recognition and support. [ABSTRACT FROM AUTHOR]

The article proposes a review of the perspective of mediations of Latin American Cultural Studies for research on audiovisual reception via streaming carried out in the context of platformization and modulation by algorithms. First, it contextualizes the subscription VoD market and its implications for the audience. It then summarizes some criticisms, in the field of reception, of the use of the idea of mediations in Martín-Barbero, suggesting a closer approach to EPC as a contribution to the questions raised. Finally, in a general critique of public policies for the segment, it defends the importance of subjects/users in the elaboration of regulation for the sector, concluding with reception studies as a tool in this sense. [ABSTRACT FROM AUTHOR]

The oral health of children in Indonesia is still worrying and needs serious attention from health workers. In Indonesia, only 2.8% of children brush their teeth the right way. It is recommended for children to brush teeth with fones technique. The fones technique is a tooth brushing technique at an early age that is easy to do. Interruption with audiovisual media can attract more children's attention in understanding the topics. The aim of the study was to determine the effectiveness of fones technique education using audiovisual media on student's knowledge in maintaining oral health. A quasi experimental study with pre-test and post-test one group was conducted on among students of a primary school at Payakumbuh, West Sumatra, Indonesia. The pre-test and post-test were carried out guided by the studyer using an electronic questionnaire. Students were provided with audiovisual media after being given a pretest. The results of this study were tested by SPSS using the Mann Whitney test which showed significant results with a p <0.001 The frequency distribution for each question in the pretest ranges from 21.2% to 97%, increasing to 40.9 to 100% in posttest after intervention with audiovisual media education. There is effectiveness of fones technique education with audiovisual media on students' knowledge. [ABSTRACT FROM AUTHOR]

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Prosseguindo com a investigação iniciada no primeiro volume, o segundo tomo da edição especial “Narrativas de IA: tendências da produção audiovisual” da Revista GEMINIS apresenta um conjunto de estudos que propõem reflexão aprofundada sobre as multifacetadas influências da inteligência artificial na esfera audiovisual. Abrangendo temas como legalidade, emoção, técnica e ética estendem o convite para um diálogo mais amplo, que abarca os intrincados ecos entre a tecnologia e a arte, entre o algoritmo e o criativo, e entre a memória e a narrativa.

A ditadura brasileira foi “vendida” como um “produto” palatável. O artigo analisa um conjunto de filmetes de um minuto produzidos pela Assessoria Especial de Relações Públicas da Presidência da República (Aerp), órgão de propaganda criado pelo regime em 1968. O recorte temático é o Sesquicentenário da Independência do Brasil, comemorado em 1972. O objetivo é examinar como a Aerp forjou um patriotismo alusivo, edulcorado, usando técnicas publicitárias e contratando produtoras e agências do mercado criativo. O método vem do campo História e Audiovisual, articulando análise fílmica e fontes extrafílmicas sobre as instâncias de arquivamento, produção e circulação dos filmetes. Conclui-se que os negócios entre Aerp e setor criativo privado promoveram uma passagem da propaganda oficial (dos velhos cinejornais) para a publicidade oficial (afinada com o desenvolvimentismo autoritário).

This study explores TV in Romania and Bulgaria, both considered “emerging” media systems in post-communist studies (Sparks, 1995). It uses Hallin and Mancini’s (2004) framework to analyze the central aspects regarding the configuration of commercial TV. The study offers an institutional perspective on TV by exploring the licensing frame and the TV offer. The interaction between commercial TV, politics, and the state underlines the intricate relations through powerful and influential networks involving the interests of a variety of individuals and groups. Currently, commercial TV is the most developed type of media in both countries. Through its empirical contribution, this study fills in the blind spot of media research, aiming to contribute to the understanding of the Romanian and Bulgarian media landscape. It offers a critical perspective on TV systems in relation to the polarized pluralist/Mediterranean model of Hallin and Mancini, considering its explanatory function within the analysis of Eastern European media systems. Elements of the national markets revealed particularities of the TV business, synchronically connected to the contemporary “hyper-television” vision (Scolari, 2009) and the “informational disorder” paradigm (Tambini, 2020).

À medida que a IA se torna cada vez mais integrada nas práticas de produção e narrativa, enfrentamos novos desafios e oportunidades que estão definindo o futuro da mídia. A ascensão da inteligência artificial no setor audiovisual não é apenas uma evolução técnica; é uma revolução nas próprias estruturas narrativas. As ferramentas de IA estão permitindo aos criadores explorar complexidades narrativas inéditas, onde a convergência de dados, algoritmos e criatividade humana podem resultar em formas de contar histórias profundamente personalizadas e imersivas. Mas quais seriam os limites da criatividade quando algoritmos podem aprender, adaptar e criar de maneiras como apenas os humanos faziam? As capacidades generativas da IA colocam em questão as próprias noções convencionais de autoria e criatividade, desafiando os limites tradicionais e suscitando debates sobre originalidade e ética na criação. A habilidade das máquinas em simular e criar conteúdos originais convida à reflexão sobre o futuro da autoria e o papel de criadores e criadoras no contexto digital contemporâneo. As inovações provocadas pela IA abrem novas possibilidades para a produção audiovisual, a personalização de conteúdo em tempo real e o desenvolvimento de experiências interativas onde o público pode influenciar ou mesmo co-criar narrativas. Além disso, sua utilização também traz implicações significativas no contexto de autenticidade e manipulação de emoções. O potencial para gerar conteúdos altamente envolventes e tecnicamente sofisticados coexiste com o risco de promover desinformação ou manipular percepções, uma preocupação amplificada pela emergência de “deepfakes” e outras tecnologias que podem produzir conteúdo falsificável indistinguível da realidade. Esta edição da Revista Geminis é dedicada à inteligência artificial e como ela está reformulando as fronteiras da criação e percepção no campo audiovisual, uma área marcada por rápidas transformações tecnológicas e mudanças culturais significativas.

Las fuentes audiovisuales contemporáneas nos ofrecen una oportunidad única para conocer el papel clave de la televisión en la difusión y transmisión de eventos históricos como la Revolución de los Claveles de 1974, en Portugal. El objetivo de este artículo es explicar cómo desde TVE (Televisión Española) se contó a los españoles este levantamiento popular para analizar la evolución del discurso del ente público y de la sociedad española desde el fin de la dictadura española hasta la victoria del PSOE (Partido Socialista Obrero Español) en 1982.

Los festivales de cine son espacios de encuentro donde confluyen agentes de la industria audiovisual, estudiantes, cinéfilos, periodistas y los mismos organizadores de estos eventos. Esta investigación tiene como objetivo describir las experiencias en la cobertura periodística de festivales cinematográficos para medios: generalistas, especializados y nativos digitales de Iberoamérica. Para ello se aplicó un enfoque cualitativo a través de entrevistas semiestructuradas a periodistas cinematográficos y gestores de festivales. Los resultados revelan que cada periodista aplica sus framebuilding para realizar la cobertura del evento, lo que se supedita a la agenda informativa del medio que los comisiona. También han aparecido nuevos agentes que comunican sobre los festivales como son los influencers, además los festivales han creado sus propias plataformas para cubrir los vacíos informativos que la prensa especializada no informa sobre el festival, por ello se concluye que los festivales son epicentros mediáticos donde actualmente confluyen distintos tipos de generadores de contenidos que diversifican la oferta informativa gracias a las facilidades tecnológicas que ofrece la digitalización, el internet y las redes sociales.

La empatía hacia una obra de animación y la satisfacción del espectador, están ligados a las emociones que éste experimenta en el proceso de elección, visionado y recuerdo de la cinta, como dice la ciencia de la neurocomunicación. El objetivo general de esta investigación es crear una base de estudio que ayude a la realización de trabajos futuros enfocados en la identificación de la influencia ejercida en el meta-género de animación, por las herramientas neurocomunicativas. A partir de una metodología cualitativa de análisis y revisión de 50 investigaciones monografías y publicaciones en el campo de lo audiovisual seleccionadas en función de su relevancia académica e interrelación, así como películas escogidas generalmente por hallarse mencionadas como ejemplos en las fuentes documentales consultadas, o pertenecer los mismos a estudios de animación (un total de 16). El resultado arroja que la gestión neurocomunicativa adecuada es solo un factor más en el éxito del nuevo cine de animación, pero más relevante en el caso del cine de animación que tiene la capacidad de entregar gamas de sensaciones más amplias que el convencional, facilitando su comunicación a un público sobre-estimulado.

Learning outcomes obtained by students is one of the factors that determine success in the learning process. However, it is very unfortunate that not all students get optimal learning results. This classroom action research aims to analyze the increase in student learning outcomes through the application of the jigsaw learning model in sports massage lectures. Implementation of the action consists of two cycles with each cycle consisting of 4 meetings. The research subjects consisted of 39 physical education students. Collecting research data using written tests and skills tests. Data analysis was performed using a quantitative description. The results of the study revealed that the average value of cycle 1 learning outcomes was 63.85 and classical completeness was 62.23%. While the average value of learning outcomes in cycle 2 is 80.08 and classical completeness is 87.18%. Based on the results of this study it was concluded that the application of the jigsaw learning model assisted by e-books and audiovisual media proved effective in improving student learning outcomes in sports massage lectures.

Preoperative anxiety (POA) is a concern for children undergoing surgery, especially with general anesthesia. POA can result in many postoperative problems, such as physical, psychological, and financial problems. Nonpharmacological treatments have been investigated for reducing POA as they are more pleasant and have fewer adverse effects compared to pharmacological treatments. Audiovisual technology treatment is one of the nonpharmacological treatments developed lately. This study aims to evaluate the efficacy of an audiovisual technology intervention for reducing POA in children undergoing general anesthesia. This study was conducted based on the Preferred Reporting Items for Systematic Reviews and Meta-Analyses Guideline 2020. Google Scholar, PubMed, ProQuest, and Cochrane databases were used for searching English articles published between January 2015 and June 2023. Cochrane Review Manager 5.4 was used for the meta-analysis and the Risk of Bias Tool 2.0 was used to measure the risk of bias. The studies included were randomized controlled trials (RCTs) that compared the audiovisual technology intervention with a control population. The modified Yale Preoperative Anxiety Scale was the outcome of interest. We found 627 articles in four databases using the search term. After screening with the eligibility criteria, three studies from Iran, Denmark, and China were included in the meta-analysis. A random effect model was applied. The meta-analysis resulted in a significant result as a lower modified Yale Preoperative Anxiety Scale score was found in the audiovisual technology intervention group compared with the control group (mean difference -10.75 [-16.48 to -5.03]; 95% confidence interval; P = .0002.) The presence of audiovisual technology interventions such as video games, cartoons or animation videos, and smartphone applications could significantly lower POA in children undergoing general anesthesia.

Este artículo explora la representación de formas de violencia contra las mujeres a través del análisis de dos episodios de la serie audiovisual ARTE H24. 24 horas en la vida de una mujer (2021). Ofrece una contextualización de la legislación europea y una revisión de conceptos tales como cinematografía alternativa y mirada feminista (female gaze). A través de una serie de indicadores extraídos de las publicaciones más relevantes, permite conocer la forma en que esta serie ofrece modelos innovadores de representación para formas de violencia que, en ocasiones, no se perciben como tales.

Both multisensory and lexical information are known to influence the perception of speech. However, an open question remains: is either source more fundamental to perceiving speech? In this perspective, we review the literature and argue that multisensory information plays a more fundamental role in speech perception than lexical information. Three sets of findings support this conclusion: first, reaction times and electroencephalographic signal latencies indicate that the effects of multisensory information on speech processing seem to occur earlier than the effects of lexical information. Second, non-auditory sensory input influences the perception of features that differentiate phonetic categories; thus, multisensory information determines what lexical information is ultimately processed. Finally, there is evidence that multisensory information helps form some lexical information as part of a phenomenon known as sound symbolism. These findings support a framework of speech perception that, while acknowledging the influential roles of both multisensory and lexical information, holds that multisensory information is more fundamental to the process.

En 1936 Rex Ingram encarnó a “De Ladw”, a Adam y a Hazael en el lar- gometraje The Green Pastures (Marc Connelly y William Keighley, 1936). Una producción de la Warner Bross basada en la obra de teatro ganadora de un Pullitzer y que fue una de las pocas que contó con un reparto com- pleto de actores y actrices negros

El presente artículo se ocupa del activismo digital de las trabajadoras audiovisuales en el contexto de la emergencia sanitaria por Covid-19 en Argentina. Se presenta una descripción de los efectos de la pandemia en la industria audiovisual, pasando por la organización colectiva de los/as trabadores/as a través de las redes sociales para unificar sus demandas, elaborar espacios de trabajo, formación y difusión. Finalmente se profundiza en las estrategias ciberactivistas de las trabajadoras audiovisuales junto a las demandas de género en este sector cultural.

The 2020 pandemic rallied public authorities around the issue of domestic violence, which was exacerbated by various health measures. As there were restrictions on access to public spaces and on physical contact, the aim was no longer simply to make sure that existing measures were working, but to implement the right tools for the context. The research focuses on the coverage of this issue in mainstream broadcast media, based on the hypothesis that the pandemic sparks public debate on domestic violence by destabilizing existing orders, power relationships, authorities, organizations, beliefs, and knowledge. We asked three questions to analyze the media’s approach to the problem: a) Is violence against women being brought to the home? b) Does the expert voice remain relevant throughout the entire period? c) Where do victims fit it? From a methodological perspective, this article is based on a corpus of 772 news items from the main free channels and the spoken news of the main French station (France Inter), broadcast between March 1 and September 1, 2020, compared to the same period in 2019. In a quantitative-qualitative approach, a coding grid was developed to identify themes, categories, and topics.

Este artigo aborda a questão da cópia no âmbito do debate acerca de noções como autoria, originalidade e perda da centralidade da figura do autor a partir da descoberta da existência de uma adaptação não autorizada envolvendo o filme indiano Currency, de 2009, dirigido pelo cineasta Swathi Bhaskar, e o longametragem brasileiro O Homem que Copiava, de 2003, roteirizado e dirigido por Jorge Furtado. A partir da retomada de questões intertextuais contidas na obra de Furtado e da conhecida relação do diretor com o cânone literário, pretende-se discutir o fragmento e a montagem contemplados na obra brasileira. Também se objetiva analisar a mise en abyme, que extrapola o circuito ficcional diante da reação irônica e lúdica de Jorge Furtado ao saber de um copiador que plagiou seu filme sobre um copiador.

Recentemente, duas produções audiovisuais foram lançadas no serviço de streaming, inspiradas no caso real do julgamento do romancista americano Michael Peterson, acusado de matar a esposa Kathleen Peterson: a série The Staircase, pela HBO, em 2022, e a série documental de mesmo nome, pela Netflix, em 2018. A partir dos episódios-piloto, tenciona-se pensar a construção narrativa de ambas, entendendo que se utilizam de recursos das linguagens documental e ficcional para referenciar o crime e gerar no espectador um efeito de realidade. Para isso, objetiva-se refletir sobre manifestações contemporâneas do realismo e como elas, ao lado do uso de estratégias narrativas do gênero policial, tornam-se formas de engajar o espectador, que assume um papel de detetive na trama. Pretende-se, assim, indagar como cada um dos pilotos adota pontos de vista diferentes, fazendo uso das lacunas deixadas pelo caso real para construir suas próprias versões sobre o crime.

Ficha técnica: Mª José Labrador, Mª José Arrojo, Mª Elena Martín, Carmen Romano, Mª Teresa Nicolás, Carmen Vidal Tirant Humanidades, Valencia, 2023 195 pp. ISBN 978-84-1937-698-5

Malvinas. La historia de la usurpación es una serie documental de cuatro episodios realizada por el canal Encuentro durante el año 2012, a treinta años de la guerra. La evocación de la Guerra de Malvinas es constitutiva del imaginario social actual, tema ineludible en la currícula escolar y asunto que surge cíclicamente en la agenda internacional. Está presente en los discursos de la historia, la política y el arte resistiéndose constantemente a ser memoria pura de efeméride a ambos lados del Océano Atlántico. En este sentido, casi desde la finalización del conflicto bélico, vienen produciéndose discursos audiovisuales de distinto tipo (ficciones, documentales, informes periodísticos) que construyen y reconstruyen diversas memorias colectivas en torno a una experiencia que marcó a la sociedad argentina. En este trabajo abordamos el primer episodio: Informe Rattenbach y el último: Malvinas, la cuestión americana.

Sound-based trajectories or sound gestures draw links to spatiokinetic processes. For instance, a gliding, decreasing pitch conveys an analogous downward motion or fall. Whereas the gesture's pitch orientation and range convey its meaning and magnitude, respectively, the way in which pitch changes over time can be conceived of as gesture shape, which to date has rarely been studied in isolation. This article reports on an experiment that studied the perception of shape in uni-directional pitch, loudness, and tempo gestures, each assessed for four physical scalings. Gestures could increase or decrease over time and comprised different frequency and sound level ranges, durations, and different scaling contexts. Using a crossmodal-matching task, participants could reliably distinguish between pitch and loudness gestures and relate them to analogous visual line segments. Scalings based on equivalent-rectangular bandwidth (ERB) rate for pitch and raw signal amplitude for loudness were matched closest to a straight line, whereas other scalings led to perceptions of exponential or logarithmic curvatures. The investigated tempo gestures, by contrast, did not yield reliable differences. The reliable, robust perception of gesture shape for pitch and loudness has implications on various sound-design applications, especially those cases that rely on crossmodal mappings, e.g., visual analysis or control interfaces like audio waveforms or spectrograms. Given its perceptual relevance, auditory shape appears to be an integral part of sound gestures, while illustrating how crossmodal correspondences can underpin auditory perception. [ABSTRACT FROM AUTHOR]

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This article deals with archival materials in the mosque landscape of Turkish origin in Germany. The focus is to work out its becoming, structure, functionality and importance as well as lines of knowledge of empirical reappraisal. First, the history and the context of the emergence are examined in order to capture the microcosm of the archives in a phenomenological insightful way. Subsequently, the discoverable archival collections will be subjected to a categorization of their parts. The summarizing notes emphasize that mosques and their archives are Germany's historical and cultural heritage that need to be researched in its depth and breadth. [ABSTRACT FROM AUTHOR]

VoD -video on demand- platforms have promoted a global television market in the current audiovisual industry. Thanks to its transnational character, the operator of Netflix distributes around the world TV series produced inside a local context, and national cultural identities are transmitted in a global context. The present paper aims to determine the Spanish idiosyncrasy through images about the city of Madrid in Netflix original fiction: Valeria (2020-2023). A qualitative methodology has been used to conduct a bibliographic review and examine this TV fiction. To do so, we elaborate an analysis table with technical data, cultural and emotional identification, and audiovisual language in scenes which show places of Madrid. Findings show the inclusion of outdoors and architectures, locals of economic activity, and identity symbols across images which articulate personal and professional stories with a suitable audiovisual filmmaking. Conclusions highlight the cultural proximity for a local audience, and touristic options of Madrid through this TV series and its promotional material. [ABSTRACT FROM AUTHOR]