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The article reports on the release of the albums "Dos Mundos Tradición" and "Dos Mundos Evolución," by Alejandro Fernandez. Highlights of Fernandez' singing career are presented, and his mastery of two styles of music is noted. He has popularized the regional Mexican genre called ranchero, which is featured on "Dos Mundos Tradición," and has also achieved success with mainstream Latin popular music, which is the focus of "Dos Mundos Evolución."

An interview with Corporaci´n Interamericana de Entretenimiento chief executive officer (CEO) Alejandro Sobero´n Kuri is presented. He talks about their actions to mitigate the effects of the COVID-19 pandemic while waiting for concert restarts. He discusses their performance in the live-event business, including the virtual concerts they organized and the new sponsorship deals signed as of October 2020. He compares the sponsorship market in Mexico and the U.S.

Interviews Mexican singer Vicente Fern á ndez, in line with his 35th anniversary in the music industry. Views on recording ballads; Description of Fern á ndez' style in music; Insights regarding career in music.

The article focuses on Mexican mariachi musician Juan Gabriel. Particular attention is given to the preparation for the May 4, 2010 U.S. release of his self-titled album "Juan Gabriel." Highlights from Gabriel's musical career, his feelings towards his music, and his contract with Universal Music Latin America.

The article discusses the revival of regional Mexican music with the popularity of songs such as "Para Siempre," by Vicente Fernández, and "Cumbia del Rio," by Los Pikadientes de Caborca. Music industry analysts attribute this revival to marketing and promotional campaigns, and coordination with Mexican music labels such as Fonovisa Inc. According to Fonovisa's president Gustavo López, "No Molestar" by Marco Antonio Solis, should be fall 2008's biggest release. INSET: 6 questions with marco antonio solís.

The article focuses on the rising popularity of songs about drug dealers and drug trafficking in Mexico. It notes the songs by Gerardo Ortiz, Calibre 50, and Jorge Santacruz, which include "Cara La Muerte", and "Scarface Renacido." It also highlights the law signed by Sinaloa Governor Mario López Valdez which prohibits narcocoridos artists and songs in venues that sell alcohol.

The article describes some of the Mexican regional music acts performing in showcases at the Billboard Regional Mexican Music Summit held October 6-8, 2008 at the Wilshire Grand Hotel in Los Angeles, California. Giovanny Ayala performed their hit song "De Rodillas Te Pido," Los Bohemios de Sinaloa performed songs from their album "Llévame Contigo," and Grupo Yahari performed songs from their album "Viejo Panzon."

The article focuses on immigration enforcement at regional Mexican music events in the U.S. Regional music events are vital to the promotion and distribution of the genre, yet promoters report that Mexican populations have hunkered down, out of sight and away from public events to avoid an increasingly visible pattern of immigration law enforcement. Article topics include the popularity of bailes, or dances, in regional Mexican music, as well as immigration policies in the U.S.

The article focuses on female regional Mexican musicians. Particular attention is given to the increase in popularity of female musicians between 2004-2007. The author reports that while there was only one female act in the top 20 of "Billboard's" year-end regional Mexican charts for 2004 and 2005, there have been three in both 2006 and 2007. Featured female musicians include Jenni Rivera, Graciela Beltran, Diana Reyes, and Virginia Terrazas.

The article chronologically reviews the music releases of Alejandro Fernandez, the ranchera pop singer. In 1992, Fernandez recorded the self-titled "Alejandro Fernandez," next came "Piel de Nina," and in 1995, "Que Seas Muy Feliz" was released.

The article reports on the music industry in Mexico. The country is the top producer of Latin music, but its own sales are decreasing due to illegal downloading and piracy. New talent includes the band RBD, Allison Panda, Zoe, Yuridia and Camilla. There is an increasingly strong singer/songwriter presence. INSETS: MEXICO FACTS;A FESTIVE FORUM.

An interview is presented with Jorge Hernandez of the Mexican music group Los Tigres del Norte. Hernandez is asked about his international tours, which include Japan, France and Germany. He answers questions about the political situation in Mexico. He also talks about his band's music, which spans over thirty years.

The article presents information on the condition of the music industry in Latin America in 2005. Although music piracy is predominant throughout the region, the industry survived the crisis because of an increase in new-artist signings, the opening of digital stores in several countries and an increase in sales in key markets, including Mexico and Argentina.

Reports on the benefits of a pilot anti-piracy program to be implemented by the music industry in Mexico in 2005 for illegal street vendors. Companies involved in the project; Response of government officials to the program; Influence of pricing on the attitude of consumers to buy illegitimate products.

Reports on the scheduled U.S. release of the music recording album "Razón de Sobra," performed by Mexican artist Marco Antonio Solís on November 2, 2004. Features of the album; Career background; Achievements of Solís as a performer both in Mexico and in the U.S.

Reports on the release of Mexican singer Gloria Trevi from prison on September 21, 2004 after she was found not guilty on charges of rape, kidnapping and corruption of minors. Accusations of vocalist Karina Yapor against Trevi and her former manager Sergio Andrade; Attempts taken by Trevi to avoid extradition; Career background of Trevi.

Focuses on Mexican composer, Armando Manzanero, who has written hundreds of songs since 1950. His views about romanticism in his songs and why they continue to be popular; Background on Manzanero who was born in Mexico; His favorite songs, including 'Contigo Aprend&iacute'; His preference for composing over performing.

Reports on a resurgence of popularity for Regional Mexican popular music. Publication of the novel 'La Reina del Sur,' by Arturo Pérez-Reverte, which served as the inspiration for music by Los Tigres del Norte; Styles which define this genre, including norteño and ranchera; Efforts of record labels to capitalize on this popularity; Chart performance of Regional Mexican music; Efforts of Mexican artists to expand their audience in the United States and elsewhere.

Focuses on the business strategies of small music label for Regional Mexican music in the U.S. Actions to be taken by Bilboa Records to widen the distribution of Regional Mexican music;

Presents news briefs related to the Latin American sound recording industry as of May 11, 2002. Musical contributions made by singers Carlo Ponce and Angel López to Mexican soap operas; Plans of the band UFF! to record an English-language version of their single 'Twist'; Success of the album 'Soy Lo Prohibido,' by Alicia Villarreal'; Others.

Focuses on the proliferation and popularity of regional Mexican music in the United States. Market share of regional Mexican music; Reasons for the popularity, including a growing Hispanic population in the U.S.; Popular artists such as Lupilla Rivera and Jessie Morales; Production values and cost of regional Mexican recordings; How the intrinsic regionalism has stunted its popularity in other markets.

Focuses on the success of Mexican singer Paulina Rubio. Success of her CD 'Paulina'; Biographical details; Hopes for the cross-over success of a planned English-language recording by Rubio; Details of the recording of 'Paulina,' including her collaboration with songwriter Estefano.

Reports on the appointment of Kevin Lawrie to Sony Music Mexico. Plans of Lawrie to further open the Mexican market to international stars; Sony Music Mexico's relationship with the company's United States arm Sony Discos.

Focuses on the creation of the Los Tigres del Norte Foundation, to promote the research and preservation of Spanish-language folk music traditions. Role of Fonovisa Records and norteno band Los Tigres del Norte in the creation and funding of the organization; Details of the University of California, Los Angeles' (UCLA) conversion of the Frontera Collection of Mexican folk songs into digital format; Educational programs funded by the organization.

Presents news from the Latin American music industry for the week ending August 5, 2000. Release of 'Mi Destino' by Mexican singer Lucero Horgaza; Lucero's career as an actress; Her album deal with Sony Music Mexico.

The article reports that several Mexican singers known for narcocorrido, or songs that celebrate Mexican drug dealers, have been shot or killed.

The article discusses regional music publishing in Mexico as of July 2013, with a focus on the distribution model of independent (indie) recording labels in Mexico such as Del Records, Cintas Acuario, and Azteca Records, along with marketing and licensing deals for popular indie acts in Mexico.

The article discusses the death of members of the Mexican band Kombo Kolombia and their staff, who were kidnapped while playing a private show at a warehouse near Monterrey in northern Mexico. Topics include the link between musical artists and drug trafficking in Mexico, the common practice of drug cartels to sponsor up-and-coming acts, such as Kombo Kolombia, and the failure to find any links between Kombo Kolombia and organized crime. INSET: THE IMPACT ON.

The article discusses Mexican romantic music duo Los Temerarios, composed of brothers Adolfo Angel and Gustavo Angel, who switched from the major record label Fonovisa to recording and selling their own music for their 2012 album "Mi Vida Sin Ti" (My Life Without You). Their independent label, AFG Sigma Records, their licensing agreements with other labels, and their music marketing strategies are discussed.

The article profiles three special awards given at the Mexican music awards show Premios Billboard de la Musica Mexicana including Legado Musical (the Legacy Award), La Voz (the Voice Award), and El Premio de la Estrella (the Star Award).

The article looks at the 2011 Premios Billboard de la Musica Mexicana, the first annual Mexican Music Awards given by "Billboard" magazine. Topics discussed include the partnership between "Billboard" and television network Telemundo to stage the awards show, performances by artists including Jenni Rivera, Gerardo Ortiz, and Larry Hernandez, and how the awards were determined through Mexican music charts.

The article focuses on the leading contenders for awards at the Billboard Mexican Music Awards that will air on October 27, 2011 on the Spanish-language television network Telemundo. These include musicians Gerardo Ortiz for his album "Ni Hoy Ni Manana," Larry Hernandez, and Espinoza Paz. Information is provided on how they will compete for the awards for male artist and artist of the year.

The article focuses on the finalists of Billboard's Regional Mexican Music Awards which including Gerardo Ortiz, Larry Hernandez, and Espinoza Paz. Information is provided on how many Spanish-language radio stations are unwilling to play music by new or unknown artists and how many Mexican artists find it difficult to break into the genre because the music industry is dominated by legacy acts.

The article discusses the two major genres competing for airplay on Mexican radio, romantic love songs and corrido songs about graphic sex and violence, and how radio stations, record labels, and concert promoters have to balance promotion of these two divergent types to be successful.

The article discusses a music tour titled "Jaripeo de Oro: 3 a Caballo tour (Golden Jaripeo: 3 on Horseback)," which is sponsored by the U.S. live events companies Live Nation and Alvarez & Garner and features music, bull riding, and horses. An overview of the tour and featured artists, including Mexican singer/songwriter Joan Sebastian, Jose Manuel Figueroa, and El Chapo de Sinaloa, is presented.

The article presents a selection of news stories related to the Latin music industry for the week of August 21, 2010. Mexican singer/songwriter Roberto Cantoral died at age 75 of a heart attack in Toluca, Mexico. Peermusic signed Puerto Rican pop star Chayanne to a worldwide writing and publishing administration deal. Alejandro Fernandez was scheduled to perform a concert on September 1, 2010 at Lunario in Mexico City, Mexico.

The article reports on violence in Mexico, focusing on the murder of musicians by organized criminals. Gangs involved in the war on drugs have murdered several Mexican stars, including Sergio "El Shaka" Vega, Sergio Gomez of K-Paz de la Sierra, and Valentin Elizalde. The drummer of the duranguense group Conjunto Atardecer, Robert Villa, was murdered because he had witnessed an earlier murder.

The article offers information on the "Billboard" magazine's Hot Latin Songs chart for the week of April 17, 2010 in which four of the top five sports were held by banda acts. Banda is a regional Mexican variation of polka featuring trumpets, clarinets and tubas. The group Banda el Recodo was in the number one position with "Me Gusta Todo de Ti," followed by Banda los Recoditos' song "Ando Bien Pedo."

The article reports on an increase in the legal sale of digital music which has been seen in Mexico since December of 2009. A discussion of the role that the August 2009 opening of an iTunes store in Mexico has played in the increase is presented. A digital music subscription service for American Express customers called Express Music Shop which has been developed by Universal Music Group is discussed.