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Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Foco (Interdisciplinary Studies Journal) is the property of Revista Foco and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Water & Landscape (WAL) / Agua & Territorio (AYT) is the property of Editorial de la Universidad de Jaen and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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The character in the novel Thimor (1932) by Manuel Astica travels across the Pacific determined to find the mythical continent of Lemuria and he recounts in his logbook his questioning of his own moral principles, which were shook up when contrasted with the vital practices of the islanders in their coexistence with nature. The narration advances through the framework of the utopian story to unravel the meaning of this transcendental experience and reveal clues to the events that inspired Astica's creation: his time in the Chilean Navy and his role in the revolt of the Navy in 1931. In our opinion, his imprisonment after the riot awakens in the author reflections on social inequities that, from the perspective of ecocritical discourse, are framed in a dialectic between well-being and environmental and human exploitation. [ABSTRACT FROM AUTHOR]

Copyright of Pós: Revista do Programa de POS-Graduacao Em Artes - EBA/UFMG is the property of Pos - Programa de Pos-graduacao em Artes (PPG-Artes) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Linhas is the property of Universidade do Estado de Santa Catarina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Linhas is the property of Universidade do Estado de Santa Catarina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Praxis Pedagogica is the property of Corporacion Universitaria Minuto de Dios and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Foco (Interdisciplinary Studies Journal) is the property of Revista Foco and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The Rural Art Center (CRA) is a platform for artistic projects located in the province of Buenos Aires that focuses on the relationship between the body and the territory through collective experiences such as walks, meetings, and survey projects. The CRA promotes community work practices in rural environments, known as "germi-natives," which seek to revalue rural life and promote landless agroecology. In addition, the CRA collaborates with other centers in Brazil and Colombia to question binary oppositions and hierarchies in the relationships between the local and the global, the rural and the urban. The Rural Art Center has supported artistic projects that seek to restore sensitivity and generate socio-territorial links based on the care of life, and proposes terraforming practices that go beyond the contemplation of the landscape. [Extracted from the article]

Copyright of Apotheke is the property of Universidade do Estado de Santa Catarina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In the framework of the deep transformations that are registered in rural areas of Latin America, this article aims to examine the processes of heritage and tourism valorization of rural areas taking into consideration the province of Buenos Aires (Argentina). The results presented, synthesized, and discussed in this article are part of ongoing investigations that have been carried out from 2012 onwards that included field work in various municipalities, structured interviews, observation with and without participation and analysis of a series of audiovisual and documentary materials in relation to tourism and heritage development processes. Our research leads us to conclude that, based on the participation of a series of actors and the implementation of a set of public policies aimed at local development, tourism and heritage valorization processes mobilize narratives and representations about rural areas associated with various notions of nature as well as the reproduction of other linked to agrarian and rural life. These new dynamics of rural areas allow us to (re)discuss the relations between the rural/agrarian as well as the rural/urban dichotomies. [ABSTRACT FROM AUTHOR]

The great advances in genetic engineering, especially what is known as "Directed evolution" and "Gene drive" offer humankind the possibility of minimizing or eradicating diseases, improving ecosystems, and producing improved organisms in a simple, affordable, and effective way. However, the use of these technologies, as in any intervention in the teleological order of reality, represents physical-chemical and biological risks, but, above all, ethical implications that are important to consider. This work is aimed at offering some philosophical foundations of perennial value, which can help in an assessment of the use of the technologies used for a directed evolution, resorting to the philosophical synthesis of Saint Thomas Aquinas. [ABSTRACT FROM AUTHOR]

The purpose of this article is to present and discuss some theoretical keys and possible lines of inquiry to address the culture-nature relations and the processes of production of space in Patagonia. In more specific terms, we take a critical approach to analyze these issues from a post-human perspective. That is, from the relationships and interactions between the various species and materialities (human and non-human) that make up the Chilean Patagonia. A central issue here is to collaborate in the maturation of new perspectives that allow us to imagine and design other possible futures with less socio-territorial inequalities for the region. Indeed, considering the current panorama where conservationist practices and discourses abound, it seems relevant to focus on the nature, capital, and desire plot. In this regard, we propose that the hegemonic practices of conservationism supported by different social valuations and State regulations tend to reinforce modern --anthropocentric-- rationality and, ultimately, to appear as advanced and sophisticated forms of capital accumulation. [ABSTRACT FROM AUTHOR]

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article analyzed how the transformation of the German immigrant's view of nature had repercussions on the use of outdoor spaces as places of amusement in Blumenau in Santa Catarina. The selected sources were reports written by the colony's director, letters, images, and newspapers. The analyses indicate that the colony's development into a city allowed new interpretations and understandings about the relationship between individuals, nature, and education. As a conclusion, it is pointed out that the small town gradually needed to manage more and more the dangers and mysteries of nature, which resulted in the formation of new ways of seeing, looking at and using nature. [ABSTRACT FROM AUTHOR]

Making environmental issues fundamentally necessary and urgent in these times and tropics, times of massive use - in the last two centuries and especially after World War II - of production technologies, means requiring the existential minimum, i.e., reasonable conditions for good quality of life. The purpose of this paper is twofold: on the one hand, we intend to present the philosophical contribution of Hans Jonas to the ecological issue, on the other hand, we would like to highlight how precisely from this reflection it is possible to acquire adequate awareness, from the promotion of environmental education, environmental risks linked to technological and economic developments. First, we analyze Jonas's contribution to the redefinition of the concept of nature. Secondly, we try to clarify in what terms and with what consequences, according to Jonas, human nature occupies a central place in the global revision of the concept of nature and manifests itself in terms of a fundamental ethical principle. Finally, let us try to explain what consequences this entails for the protection of the integral ecology. [ABSTRACT FROM AUTHOR]

The current research analyses residential mobility from the big city to small towns with environmental and landscape qualities; and its counterpart, the real estate speculation that such displacement entails. For this purpose and based on the analysis of two ethnographic cases located in the mountain ranges of Córdoba (Argentina), discourses are investigated and which are mobilised by the practice of the business sector to encourage the arrival of metropolitan populations to these scenarios and install "life in nature" as a market niche. This internal migratory trend, which originated approximately fifty years ago, has become more acute in the surge of the covid-19 health crisis, raising local concerns about radical changes in land use. These changes result in a series of social and environmental problems that materialise a process that can be described as real estate extractivism. [ABSTRACT FROM AUTHOR]

The contrast between the first narrative unit of the recently published Les Soixante-quinze feuillets, "Une soirée à la campagne", and "Combray", the first chapter of Swann's Way, allows us to draw new conclusions about the way in which Marcel Proust constructed his work. In this sense, the character of the grandmother, the protagonist in the selected fragments of both versions, constitutes a central point of reference for the narrator self. This paper will focus on certain aspects of the grandmother's personality that have repercussions on the construction of the narrator's childhood perspective and on his idea of art: her way of understanding nature and her relationship with walking and disorder, her concept of social distinction and the projection of these in the aesthetic postulates present in the final work. [ABSTRACT FROM AUTHOR]

Copyright of Brazilian Journal of Occupational Therapy / Cadernos Brasileiros de Terapia Ocupacional is the property of Cadernos de Terapia Ocupacional da UFSCar and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Runa: Archivo para las Ciencias del Hombre is the property of Runa: Archivo para las Ciencias del Hombre and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Sexualidad, Salud y Sociedad: Revista Latinoamericana is the property of Editora da Universidade do Estado do Rio de Janeiro (EdUERJ) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of HiSTOReLo: Revista de Historia Regional y Local is the property of Universidad Nacional de Colombia, Centro Editorial Facultad de Ciencias Humanas y Economicas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Pós: Revista do Programa de POS-Graduacao Em Artes - EBA/UFMG is the property of Pos - Programa de Pos-graduacao em Artes (PPG-Artes) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

From hermeneutic assessment of the nonhuman turnabout, and materialist ecocriticism, this article studies La mata, a documentary poem by Eliana Hernández, and illustrated by María Isabel Rueda. In this poem, nature can be read as a nonhuman arrangement network capable to predict the paramilitary massacre of El Salado in Colombia, and also as an adjuvant in this story. This reading, in turn, confirms the said agency allows for the poetic-narrative program in question to be accomplished. Similarly, the article reflects on the ways in which Hernández uses earth's fecundated archetype which stems from the body and blood of the victims, to make the world of the nonhuman a witness of violence, but also a place of memory for the massacred and survivors. [ABSTRACT FROM AUTHOR]

This paper reflects on the links between ecological thought and spirituality in the writing of the Chilean intellectual Luis Oyarzún (1920-1972). His prose discloses the tensions between spiritual and secular in a context of environmental crisis. I propose the term eco-spirituality to describe the assemblage of the domains of ecological and spiritual. Oyarzún's persona understands material nature as sacred and the human being as a custodian or a minuscule part that can merge with the whole. I examine two practices thematized in Oyarzún's writing, pilgrimage and silence, consummations of his eco-spiritual experience. [ABSTRACT FROM AUTHOR]

Within the Marxist world geography, and particularly in Latin America, there are very few studies that give account of a deep analysis on the understanding of materiality and its relationship with the territory, however it has been the analysis of social space that has led the debates within the critical geography. The purpose of this article is to explore and reflect on the concept of territory within historical-geographical-materialism, to contribute to the debate on a key concept within geography. We started with the main referential authors of Marxist geography and we analyzed them in terms of the main texts that delve into the concept of territory within critical geography, especially the Brazilian and French schools. The analysis results are that on the one hand, it is central to understand and define materiality as the essence of the territory, and on the other hand, conceptualizing the matter in a dynamic way allows a more complete understanding of the relationship between society and nature. [ABSTRACT FROM AUTHOR]

Objective/Context: This paper studies the role of the Chilean state during the great drought of 1967-1969 as a mediator between human beings and nature. Institutional adaptations and the effort to improve the infrastructure were elements of continuity with respect to previous droughts, but there were novelties as well, such as attempts to pursue weather modification and the artificial melting of glaciers. The support of technologies and scientists operating from peripheral state institutions was essential for these purposes. All the above took place in the context of the Cold War when the predominant environmental imaginaries made human intervention look favorable and necessary for the modernization of countries. Methodology: Diverse primary sources were used, such as ministerial documents, decrees, bulletins, and reports of different state institutions that allowed understanding the logic of state management during the water crisis. Similarly, research in national and international press helped identify how imaginaries about the environment were expressed and disseminated publicly, which tended to validate novel efforts to control nature. Originality: This is an original study for Latin America, which addresses the early appearance of science and technology in the efforts of what today would be known as geoengineering: mainly through the observation of new actors, which expanded the traditional forms of mediation between humans and nature, led by the state, concerning climate crises. Conclusions: In the 1960s, optimism grew for the human capacity to control and manipulate water resources by appealing to ways other than those previously known, associated with infrastructure development. Expert knowledge was placed at the service of peripheral institutions of the state to promote these changes with lasting consequences. The human desire to control nature at all costs was validated, which helps explain the temporal projection of experiments with artificial rain and glacier control to the present day in Chile. [ABSTRACT FROM AUTHOR]

Copyright of Pesquisa em Educação Ambiental is the property of Pesquisa em Educacao Ambiental and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Bio-grafía. Escritos Sobre la Biología y su Enseñanza is the property of Universidad Pedaggica Nacional and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Ciencias Sociales (0797-5538) is the property of Universidad de la Republica, Faculdad de Ciencias Sociales, Departmento de Sociologica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Esferas is the property of Esferas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Basado en la relación de la autora con la naturaleza y su experiencia de la Naturaleza como “consumo” digital, este artículo analiza la frontera que divide aquello que se clasifica como “vida natural” de lo que se percibe como “vida artificial”. Se parte del entendimiento de mi? Practica artística, como un aprendizaje motivado por la idea de que la tarea de curar un conjunto de datos y entrenar una red neuronal y explorar los resultados de los modelos producidos puede ser concebido como una forma de meditación en torno a un sujeto. El artículo concluye exponiendo como la vida artificial puede ser una interfaz experimental, pues dentro de lo digital se pueden encontrar incontables maneras de crear experiencias e interacciones. Es posible también crear formas de vida digitales que se pueden entender como actores autónomos y en donde podemos explorar una cantidad inconmensurable de narraciones alternativas que permitirán quizá ver nuestro mundo físico bajo otra luz. This article explores the artist's relationship with Nature and her experience of Nature as a form of digital "consumption". The author analyzes the limit that divides what can be qualified as "natural" or "artificial" life. Taking into consideration the artistic practice of the author, where she considers that curating a set of data, training a neural network and exploring the results of the model produced can be understood as a form of meditation around a subject. Finally, it exposes how artificial life can be an experimental interface, for within the digital we can find countless ways to create experiences and interactions. It is also possible to create digital life forms that can be understood as autonomous actors. It can be a place where we can explore a potentially countless amount of alternative narratives that in turn will perhaps allow us to see our physical world in a slightly different light. Partindo da relação da autora com a natureza e sua experiência da Natureza como "consumo" digital, este artigo analisa o limite que divide o que é classificado como "vida natural" do que é percebido como "vida artificial". Ele parte de uma compreensão da prática artística do autor como um aprendizado motivado pela idéia de que a tarefa de curar um conjunto de dados e treinar uma rede neural e explorar os resultados dos modelos produzidos pode ser concebida como uma forma de meditação sobre um assunto. O artigo conclui delineando como a vida artificial pode ser uma interface experimental, pois dentro do digital podem ser encontradas inúmeras maneiras de criar experiências e interações. Também é possível criar formas de vida digital que possam ser entendidas como atores autônomos e onde possamos explorar uma quantidade imensurável de narrativas alternativas que talvez nos permitam ver nosso mundo físico sob uma luz diferente.

This paper aims to understand the origins of what is seen as a lack of understanding about the seriousness of our current times. The author's view is that this failure is due to a lack of awareness that our human species is destructive, arrogant, self-centred and ignorant of the laws of nature and the wonderful complexity of the environment that it destroys. Possible new values that could support a new civilizational framework are presented. [ABSTRACT FROM AUTHOR]

This study aimed to identify the perceptions of the participants and health professionals of the Group "Health Trekking" at the Rio Vermelho Health Center in Florianópolis, as well as their conceptions of health, the relationship with the nature and the activities carried out. It is characterized as a participant study, with a qualitative approach and analysis. The study consisted of 18 subjects, in which 15 were patients from the Unified Health System and three health professionals. The instruments used for data collection included a semi-structured interview, participant observation and field diary, recorded through recorder and smartphone. The data were organized using the software NVivo 11 and analyzed through the technique of content analysis. The participant's conception of health fluctuates between the logic based on illness and health, being influenced by the conception of responsible professionals and the practices performed. Participants reported physical (physical fitness improvement, balance, agility) and psychological (disposition, relaxation, and happiness) benefits, as well as social interaction. The specificity of the Group "Health Trekking" in natural environment can be enables user empowerment, identification of neighborhood characteristics and behavior change. [ABSTRACT FROM AUTHOR]

The proposal of a cartography of colonialism incites indisciplinary thinking, which transits in the interregnum of readings that analyze the movement of commodity capitalism, environmental conflicts and struggles for libertarian zones. In Brazil, the destruction of the Amazon forest, the mining tragedies and the violence against forest peoples are examples that place nature in a condition subdued by the colonialism of power. In this article, affiliat with epistemologies of the South to rethink the place of nature in environmental policy from the handicraft socioenvironmental practices in the Amazon, as in the case of Indigenous Lands and Extractive Reserves. [ABSTRACT FROM AUTHOR]

In the capitalist crisis, there is an intensification of the conflicts for ambiental resources, provoking the nature exploration. Lands concentration and the salaried employment changes the concrete work's principles, causing disagreement. In the municipality of Encruzilhada/BA, the eucalyptus in the logging logic for charcoal production exports the natural resources causing the unsustainability of this model. The society-work-nature relation becomes fundamental to explain the ways of subjection of the peasants to capitalism, this comprehension allows the understanding of the real concrete experienced in the agribusiness territory. With these collisions, the peasants attempt to resist, remaining in the countryside, through civil society organizations, via associativism, social movements, non-governmental organizations and churches. [ABSTRACT FROM AUTHOR]

Copyright of Nueva Revista del Pacífico is the property of Universidad de Playa Ancha de Ciencias de la Educacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Movimento (0104754X) is the property of Movimento, da Escola de Educacao, Fisica, Fisioterapia e Danca and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Movimento (0104754X) is the property of Movimento, da Escola de Educacao, Fisica, Fisioterapia e Danca and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Runa: Archivo para las Ciencias del Hombre is the property of Runa: Archivo para las Ciencias del Hombre and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Desenvolvimento e Meio Ambiente is the property of Universidade Federal do Parana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)