127 results on '"indumentaria"'
Search Results
2. La autonomía de la moda a partir de Worth.
- Author
-
Urcelay, Lorena
- Subjects
FASHION ,INDUSTRIAL revolution ,EIGHTEENTH century ,CLOTHING & dress ,SOCIAL change ,SUBCULTURES - Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2025
3. El traje tradicional de Ansó: patrimonio reinterpretado.
- Author
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Castillo Arcas, Fermín
- Subjects
ETHNIC costume ,FASHION design ,CLOTHING & dress ,PAINTING ,HISTORY in art - Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2025
4. LA VESTIMENTA EN LA POESÍA DE JOSEFINA DE LA TORRE Y DE CONCHA MÉNDEZ.
- Author
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KEEFE UGALDE, SHARON
- Subjects
CANON (Literature) ,GENDER identity ,WOMEN'S writings ,WOMEN'S clothing ,SOCIAL norms ,STEREOTYPES ,BASHFULNESS - Abstract
Copyright of Impossibilia: Revista Internacional de Estudios Literarios is the property of Impossibilia: Revista Internacional de Estudios Literarios and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2023
- Full Text
- View/download PDF
5. Transformación digital: Análisis de tendencias en indumentaria sostenible.
- Author
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Retamozo, Elizabeth, Ruppel, Carola, and Christensen, Lucia
- Subjects
SUSTAINABLE design ,ARTIFICIAL intelligence ,MANUFACTURING processes ,FASHION design ,TREND analysis ,INDUSTRY 4.0 - Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2023
6. El secuestro de una caja de costura en 1562. Retales para elaborar una historia de los moriscos a través de una marlota.
- Author
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Serrano-Niza, Dolores
- Subjects
- *
COLLECTIVE memory , *CONCEPTUAL history , *MATERIAL culture , *CLOTHING & dress , *DOMESTIC space - Abstract
The focus of this article is a document from 1562 preserved in the archives of the Board of the Alhambra and Generalife in Granada. Based on the conceptual framework of the history of the emotions, we conduct an analysis of certain garments traditionally attributed to the Moriscos (or converted Moors), such as the marlota. We use these items of clothing to delve into the historical context of 16th-century Granada and explore the value and symbolism that might pertain to such attire, as well as the emotions invested in these garments. The article concludes by highlighting the importance of material culture as collective memory. [ABSTRACT FROM AUTHOR]
- Published
- 2023
- Full Text
- View/download PDF
7. "UNA MUCHACHA, A QUIEN CRÍO PARA CONDESA": EL PERSONAJE DE SANCHICA EN EL SEGUNDO QUIJOTE CERVANTINO.
- Author
-
ALTAMIRANO, MAGDALENA
- Subjects
PERSONALITY ,MARRIAGE ,CLOTHING & dress ,STUDENT aspirations - Abstract
Copyright of Nueva Revista de Filología Hispánica is the property of El Colegio de Mexico AC and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2023
- Full Text
- View/download PDF
8. Els vestits a les memòries de les missions de recerca de Palmira Jaquetti per a l'Obra del Cançoner Popular de Catalunya.
- Author
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Ribera, Montserrat Garrich
- Subjects
MEN'S clothing ,CHILDREN'S clothing ,CLOTHING & dress ,CATALANS ,WOMEN'S clothing ,TWENTIETH century ,HOUSEHOLD linens - Abstract
Copyright of Studies in Oral Folk Literature / Estudis de Literatura Oral Popular is the property of Universitat Rovira I Virgili and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2023
- Full Text
- View/download PDF
9. Tristán e Iseo: orígenes, desarrollo y recepción peninsular: El tratamiento de la indumentaria en Tristán de Leonís y el rey don Tristán el Joven (y en las versiones castellanas anteriores del Tristán).
- Author
-
CUESTA TORRE, MARÍA LUZDIVINA
- Subjects
LITERARY form ,MEDIEVAL manuscripts ,CLOTHING & dress ,FICTION ,MEDIEVAL romance literature ,TEXTILES - Abstract
Copyright of Letras (0326-3363) is the property of Pontificia Universidad Catolica Argentina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2022
- Full Text
- View/download PDF
10. En la nube. La circulación del diseño de indumentaria en plataformas digitales.
- Author
-
Miguel, Paula
- Subjects
FASHION design ,VIRTUAL communities ,SOCIAL networks ,CLOTHING industry ,QUANTITATIVE research - Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2022
11. Mapeo y detección de los stakeholders del sector productivo de indumentaria.
- Author
-
Retamozo, Elizabeth
- Subjects
NATURAL resources ,FASHION design ,SUSTAINABILITY ,CLOTHING & dress ,POLLUTION - Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2022
12. Relation du voyage d´Espagne. Madame d´Aulnoy y su visión de la indumentaria y las joyas españolas.
- Author
-
Fernández, Isabel Escalera
- Subjects
CLOTHING & dress ,JEWELRY ,WOMEN travelers ,VOYAGES & travels - Abstract
Copyright of Liño: Revista Annual de Historia del Arte is the property of Universidad de Oviedo, Servicio de Publicaciones and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2022
- Full Text
- View/download PDF
13. Importancia del material didáctico para optimizar el aprendizaje del diseño de la indumentaria con identidad.
- Author
-
Tueroconza Maguiña, Edith Milagros
- Subjects
TEACHING aids ,FASHION design ,DESIGN education ,PROFESSIONAL education ,CLOTHING industry - Abstract
Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2021
14. Artistas Tejedores. Los vínculos entre tejido y las artes en Quito durante la primera mitad del siglo XVIII.
- Author
-
Pérez, Celinda Ponce
- Subjects
WEAVERS ,WEAVING ,TEXTILE manufacturers ,ARTISTIC collaboration ,ARTISTIC creation ,HISTORY - Abstract
Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2021
15. Interculturalidad: miradas múltiples. Desafío creativo cooperativo .
- Author
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Doria, Patricia M.
- Subjects
FASHION design ,FASHION design education ,CROSS-cultural communication in education ,TRAINING ,CREATIVE ability ,LEARNING - Abstract
Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2021
16. La simbología del traje sastre femenino y el discurso de emancipación femenina.
- Author
-
Moreira Bravo, Yamila L.
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2021
17. La moda femenina española en el Siglo de las Luces: concepto y diseños.
- Author
-
Rosillo, Bárbara
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2021
18. Vestir el reclamo: los pañuelos verdes en la problematización del género.
- Author
-
Valladares, Cyntia
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2021
19. Pensando en voz alta: la temática ambiental en la currícula de Diseño Industrial en la FAUD de Mar del Plata.
- Author
-
Retamozo, Elizabeth
- Subjects
ENVIRONMENTAL impact analysis ,CONSUMERISM ,INDUSTRIAL designers ,DESIGN services ,ARCHITECTURAL design - Abstract
Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2021
20. Yo quiero llegar a un Ferragamo. Un análisis etnográfico a partir del libro de Annette Weiner "Inalienable Possessions".
- Author
-
Schiava D'Albano, Lorena N.
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2021
21. El vestuario como acción disruptiva en el entorno popular, intelectual y artístico en España: del Motín de Esquilache a la proto-performance de Vanguardia.
- Author
-
Cruz Fuerte, Almudena
- Abstract
Copyright of ANIAV: Revista de Investigación en Artes Visuales is the property of Universidad Politecnica de Valencia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2021
- Full Text
- View/download PDF
22. Moda femenina y simbolismo a fines del siglo XV en la Piedad Desplà de Bartolomé Bemejo.
- Author
-
Torredelforth, Ester
- Subjects
WOMEN'S clothing ,FIFTEENTH century ,WOMEN'S history ,DECORATION & ornament ,MATERIAL culture ,SIGNS & symbols - Abstract
Copyright of En la España Medieval is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2021
- Full Text
- View/download PDF
23. Vesti la giubba! Indumentaria, apariencia y comunicación en la entrada triunfal de Alfonso V el Magnánimo a Nápoles (1443).
- Author
-
García Marsilla, Juan Vicente
- Subjects
MONARCHY ,COLOR ,AUTHORS ,RITES & ceremonies - Abstract
Copyright of En la España Medieval is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2021
- Full Text
- View/download PDF
24. LAS MENINAS: UNA INDUMENTARIA FAMILIAR.
- Author
-
Bullón de Diego, José María
- Abstract
Copyright of Además de is the property of Ademas de: Revista on line de artes decorativas y diseno and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2021
- Full Text
- View/download PDF
25. Diseñando el cuerpo.
- Author
-
Fornés, Martina
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2020
26. La indumentaria como símbolo de distinción social de la mujer criolla, mestiza, e indígena en la Real Audiencia de Quito. Período 1520 a 1830.
- Author
-
Escobar, Taña
- Subjects
CLOTHING & dress ,MANNERS & customs ,SYMBOLISM ,SOCIAL classes ,CIVIL society - Abstract
Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2020
27. El "diseño" como valor y la conformación de un universo de creencia.
- Author
-
Miguel, Paula
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2020
28. Cuerpo vestido para la expresión sensible del encuentro con la memoria y la reconciliación.
- Author
-
Gallego Quiroz, Sara Melissa
- Subjects
CLOTHING & dress ,MEMORY ,SEMIOTICS ,RECONCILIATION ,SEED beds - Abstract
Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2021
29. Caminhos cruzados: traje de cena e história da indumentária.
- Author
-
Kühl, Anna Theresa
- Abstract
Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2021
30. "...AL ESTILO DE INGLATERRA SEGÚN LA ÚLTIMA MODA". FIGURINES INGLESES. EDICIÓN PARA ESPAÑA 1824-25 DE RUDOLPH ACKERMANN.
- Author
-
PÉREZ SÁNCHEZ, MANUEL and LÓPEZ CASTILLO, JOSÉ MIGUEL
- Subjects
FIGURINES ,UPPER class ,EIGHTEENTH century ,DECORATIVE arts ,ELITE (Social sciences) ,ENGRAVING - Abstract
Copyright of Ars Longa is the property of Ars Longa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2020
- Full Text
- View/download PDF
31. Más allá del autor. La construcción pública del diseño de indumentaria en Argentina.
- Author
-
Miguel, Paula
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2019
32. Discursos sobre el cuerpo, vestimenta y desigualdad de género.
- Author
-
Faccia, Analía
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2019
33. Diseño textil y diseño de indumentaria: por una semiótica de las interacciones.
- Author
-
de Barrio de Mendoza, Mihaela Radulescu
- Subjects
TEXTILE design ,COSTUME design ,SEMIOTICS ,FASHION design ,CLOTHING & dress - Abstract
Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2019
34. Innovación tecnológica en la cadena de producción de ropa en Argentina: cuando las apariencias engañan.
- Author
-
Ludmer, Gustavo
- Subjects
NEW product development ,CLOTHING factories ,CLOTHING industry ,QUANTITATIVE research ,TECHNOLOGICAL innovations - Abstract
Copyright of Revista Iberoamericana de Ciencia, Tecnologia y Sociedad is the property of Centro de Estudios sobre Ciencia, Desarrollo y Educacion Superior and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2019
35. Virtudes sociales y atavío en Yucatán a finales del siglo xix y comienzos del xx.
- Author
-
VANEGAS DURÁN, CLAUDIA MARCELA
- Abstract
Clothes constitute a material cultural element in which bodies become social since it conveys staples of behavior linked to either moral, ethical, aesthetic ideals, or patterns of distinction socially sanctioned. This article analyzes the meanings built around clothing based on codes for behavior written in morality handbooks and economic treaties that were published and widely used in Yucatan during the second half of the 19th century, and the beginning of the 20th century. These types of texts helped to spread social virtues linked to the ideal of civility, morality and economic progress while shaping social subjects for the ideal nations in process of formation. This explains why in both State's high schools and elementary schools, the youth had to learn and assimilate practices and behaviors entailed in clothing as a code that granted accurate performance in both public and private spheres. This research seeks to contribute to the study of costumes, behavior and mentalities behind in 19th century Yucatan and during its transition towards modernization. [ABSTRACT FROM AUTHOR]
- Published
- 2019
- Full Text
- View/download PDF
36. Marcas de shopping o de diseñador. Los procesos de adscripción en la moda.
- Author
-
Guershman, Bárbara
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2019
37. Viceregal Textiles: a Historical Approach to Textiles and Dyes in the Peruvian and New Spain Viceroyalties
- Author
-
Terreros Roldán, Daniella
- Subjects
Obrajes ,Pigments ,Pigmentos ,Virreinatos ,Mills ,Trade routes ,Textiles ,Indumentaria ,Viceroyalties ,Clothing - Abstract
El textil es el elemento que materializa el diseño de cada atuendo, cumpliendo múltiples funciones y decorando el cuerpo a partir de los patrones estéticos de cada cultura y cada época. Durante el periodo virreinal la belleza de las prendas armonizaba con la rica variedad de colores utilizados en los textiles, producto de los pigmentos derivados de insectos, plantas y minerales. A propósito, el presente artículo invita al lector a poder identificar las similitudes y diferencias de los textiles y tinturas que se usaban en los virreinatos peruano y novohispano, indagar sobre los obrajes y el papel de los “géneros de Castilla” y las diferentes mercancías textiles que se empleaban en ambos virreinatos., The textile is the element that materializes the design of each outfit, fulfilling multiple functions and decorating the body based on the aesthetic patterns of each culture and each era. During the colonial period, the beauty of the garments harmonized with the rich variety of colors used in textiles, the product of pigments derived from insects, plants, and minerals. This article invites the reader to be able to identify the similarities and differences of the textiles and dyes that were used in the Peruvian and New Spain viceroyalties, inquire about the mills and the role of the “genres of Castile” and the different textile products that were used in both viceroyalties., Área de Historia del Arte
- Published
- 2023
38. NARRATIVAS E TECIDOS BORDADOS.
- Author
-
Salves de Brito, Thaís Fernanda
- Abstract
Copyright of Cadernos de Arte e Antropologia is the property of Cadernos de Arte e Antropologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2019
39. LA EVOLUCIÓN DE LAS PAUTAS DE CONSUMO DE LAS FAMILIAS VALENCIANAS. UNA APROXIMACIÓN A LOS CAMBIOS DE COMPORTAMIENTO EN EL SIGLO XVIII.
- Author
-
ROSADO CALATAYUD, Luis Miguel
- Subjects
EIGHTEENTH century ,SEVENTEENTH century ,CITIES & towns ,RURAL geography ,ECONOMIC development - Abstract
Copyright of Cuadernos Dieciochistas is the property of Ediciones Universidad de Salamanca and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2019
- Full Text
- View/download PDF
40. Aprender a diseñar en la actualidad: la integración de los aspectos creativo y técnico como metodología de abordaje proyectual para la construcción de un prototipo de diseño de indumentaria.
- Author
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Aryan, Eugenia
- Abstract
Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2018
41. Proposição metodológica de análise de indumentárias como fontes
- Author
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Thais Dyck dos Santos Lima and Ronaldo de Oliveira Corrêa
- Subjects
Focus (computing) ,Fine Arts ,business.industry ,objeto-como-memória ,indumentária ,Clothing ,Ethnology. Social and cultural anthropology ,análise de artefato ,Comprehension ,GN301-674 ,Aesthetics ,Pharmacology (medical) ,Sociology ,business ,Theme (narrative) - Abstract
Este artigo trata da temática dos objetos-como-memória, em especial as roupas, enquantoagenciadores de relações sociais, e objetiva apresentar um procedimento metodológicode análise de indumentárias. As abordagens aqui contempladas partem do exemplo de umcasaco confeccionado na década de 1950, a fim de discutir questões acerca de memória,roupa e cultura material. São descritas ferramentas de análise do artefato, bem como deanúncios publicados em revistas voltadas ao público feminino da época em que esse foiconfeccionado, considerando o protagonismo que os aspectos materiais das roupas podemter em pesquisas nos campos da moda, design e cultura. O foco do texto consiste, portanto,na compreensão das indumentárias como documento, apresentando ao leitor os processosmetodológicos de análise para esse fim.
- Published
- 2021
- Full Text
- View/download PDF
42. Notas biográficas de uma coleção de indumentária
- Author
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Madson Luis Gomes de Oliveira
- Subjects
Fine Arts ,Commodification ,Professional career ,business.industry ,media_common.quotation_subject ,indumentária ,Art history ,Biography ,Art ,Clothing ,coleção ,Ethnology. Social and cultural anthropology ,GN301-674 ,biografia cultural ,Research studies ,Pharmacology (medical) ,business ,media_common - Abstract
A coleção de Indumentária Sophia Jobim – CSJ, do Museu Histórico Nacional – MHN, pertenceu à Maria Sophia Jobim Magno de Carvalho (1904-1968), que foi professora, figurinista, jornalista, pesquisadora e colecionadora de trajes, acessórios e histórias. Após o falecimento de Sophia toda a coleção dela foi doada Museu Histórico Nacional – MHN. A Coleção Sophia Jobim – CSJ está dividida em três partes: arquivo histórico; biblioteca e reserva técnica. A pesquisa estuda toda a coleção, mas encontra-se em andamento, por isso apresentamos os resultados parciais que, inevitavelmente, se confundem com a biografia da colecionadora. Nossa abordagem se aproxima de investigações similares daquelas que tratam os acervos de indumentária / moda com o foco voltado para a biografia cultural de objetos, conforme: Amy de la Haye, Lou Taylor e Eleanor Thompson (2005); Igor Kopytoff (2008); Rita Andrade (2008). Esse tipo de perspectiva nos ajuda no entendimento da coleção que Sophia Jobim juntou, ao longo de sua trajetória profissional, culminando com a inauguração do Museu de Indumentária Histórica e Antiguidades – MIH. Por isso, é necessário perguntar: De onde essas peças vieram? Como foram adquiridas? Quem eram seus antigos donos? É possível verificar e responder estes questionamentos? Ao adquirir objetos de arte e peças / acessórios de indumentária para sua crescente coleção, Sophia parecia estruturar o “seu museu”, como vemos neste texto. Assim, os objetos culturais que ela comprou passaram pelo processo de mercantilização e valoração que, por conseguinte, iriam refletir esses valores na trajetória de sua colecionadora, e vice-versa.
- Published
- 2021
- Full Text
- View/download PDF
43. El renacer de la seda Investigación para la adaptación y creación gráfica de nuevos diseños textiles aplicados a la indumentaria valenciana
- Author
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Candau López, Manuel
- Subjects
Diseño ,Floral ornaments ,Seda ,Fallas ,Design ,Textile ,Drawing ,Dibuix ,Falles ,Silk ,BIBLIOTECONOMIA Y DOCUMENTACION ,Textil ,Indumentària ,Clothing ,Máster Universitario en Producción Artística-Màster Universitari en Producció Artística ,Dibujo ,Disseny ,Indumentaria ,Tèxtil ,Ornaments florals ,Ornamentos florales.Seda - Abstract
[ES] El presente Trabajo Final de Máster es un proyecto desarrollado de la mano del Museo y Colegio del arte mayor de la seda de Valencia, en el cual se realiza un recorrido por la tradición sedera, haciendo hincapié en los diseños textiles y su evolución. La investigación recopila información con el objetivo de generar ideas y conocimientos para crear nuevos diseños a partir de visualizar, conocer y encontrar la inspiración en tejidos antiguos para, al diseñar los nuevos motivos, crear dibujos únicos en el mercado textil fallero actual, la industria que tiene una gran relevancia en el panorama económico, cultural y artístico de la Comunidad Valenciana. El trabajo se inicia con la finalidad de crear un conjunto de diseños versátiles en estilos y perfectamente adaptables al textil que concluye con una colección de todos ellos, es decir, un estudio que se inicia con la investigación teórica, siguiendo con la creación de los primeros ornamentos y concluyendo con los diseños finalizados, generando de manera directa una obra vinculada con las Fallas, una festividad de gran relevancia declarada en 2016 Patrimonio Cultural Inmaterial por la Unesco., [CA] El present treball Final de Màster és un projecte desenvolupat de la mà del Museu i Col·legi de l'Art Major de la Seda de València, en el qual es realitza un recorregut per la tradició sedera, posant l'accent en els dissenys tèxtils i la seua evolució. La investigació recopila informació amb l'objectiu de generar idees i coneixement per a crear nous dissenys a partir de reinterpretar i adaptar teixits antics per a, en fusionar-los amb els nous motius, crear dissenys únics en el mercat tèxtil faller actual, la indústria que té una gran rellevància en el panorama econòmic, cultural i artístic de la comunitat Valenciana. El treball s'inicia amb la finalitat de crear una col·lecció de dissenys versàtil en estils i perfectament adaptables al tèxtil que conclou amb la materialització d'un d'ells, corroborant així el seu bon fer i tancant el cicle del disseny aplicat a un producte, en aquest cas al tèxtil per a la indumentària valenciana, és a dir, un estudi que s'inicia amb la investigació i la creació dels primers ornaments i conclou amb els dissenys finalitzats i la materialització d'un dels dibuixos en teixit faller i generant de manera directa una obra vinculada per les Falles i d'aquesta manera creant obra per a una festivitat de gran rellevància declarada en 2016 Patrimoni Cultural Immaterial per la Unesco. Unesco., [EN] This Master's Thesis is a project developed by the Museum and College of Silk Art of Valencia, in which a journey through the silk tradition is made, with emphasis on textile designs and their evolution. The research collects information with the aim of generating ideas and knowledge to create new designs from visualizing, knowing and finding inspiration in old fabrics to, when designing new motifs, create unique designs in the current Fallas textile market, the industry that has a great relevance in the economic, cultural and artistic panorama of the Valencian Community. The work begins with the aim of creating a set of versatile designs in styles and perfectly adaptable to the textile that concludes with a collection of all of them, that is, a study that begins with theoretical research, continuing with the creation of the first ornaments and concluding with the finalized designs, generating in a direct way a work linked to the Fallas, a festivity of great relevance declared in 2016 Intangible Cultural Heritage by Unesco.
- Published
- 2022
44. Ensayo de un modelo de Start Up para el sector de la indumentaria. Diseño de una línea de accesorios personalizables bajo la marca Miss go-on, confeccionados con materiales reutilizados
- Author
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Carrión Alfaro, Elena
- Subjects
Complementos de moda ,EXPRESION GRAFICA EN LA INGENIERIA ,Start Up ,Web design ,Marca ,Diseño web ,Materiales reciclados ,Clothing ,Recycled materials ,Fashion accessory design ,Indumentaria ,Brand ,Grado en Ingeniería en Diseño Industrial y Desarrollo de Productos-Grau en Enginyeria en Disseny Industrial i Desenvolupament de Productes - Abstract
[ES] En este proyecto se describe el diseño de un modelo de empresa registrada bajo la marca "Miss go-on", creada para la comercialización on-line de complementos para el sector indumentaria. Para ello: (1) se describirá las fases de creación de la empresa en el sector de la moda, (2) se diseñará tanto el logotipo de la marca como la página web de difusión y venta on-line; y finalmente (3) se diseñará una línea de productos -accesorios- que conformarán un conjunto de complementos de mediano formato, personalizables, confeccionados con materiales reutilizados., [EN] This proyect describes the design of a Start Up model registered under the "Miss go-on" brand, created for the on-line marketing, within the fashion apparel sector. For this: (1) it will be described the stages of setting up the company applyed in the fashion sector; (2) it will show the design so much the logotipe of the brand like the company website for the on-line marketing; and finally (3) will be designed a mediun-sice line of customized accesories, made of reused materials., [CA] A aquest projecte es descriu el disseny d’un model d’empresa registrada sota la marca “Miss go-on”, creada per a la comercialització on-line de complements per al sector de la indumentària. Per a això: (1) es descriurá les fases de la creació de la empresa al sector de la moda, (2) es dissenyará tant el logotipo de la marca com la página web de difusió i venta on-line; i finalment (3) es dissenyará una línea de productes – accesoris- que conformarán un conjunt de complements de mitjà format, personalitzables, confeccionats amb materials reutilitzats.
- Published
- 2022
45. Women’s fashion and symbolism at the end of the 15th century in Bartolomé Bemejo’s Piedad Desplà
- Author
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Ester Torredelforth
- Subjects
Women’s history ,Widows ,History ,Catalonia ,Viudas ,Corona de Aragón ,Crown of Aragon ,Clothing ,Bartolomé Bermejo ,Cataluña ,Indumentaria ,Historia de la mujer ,Fashion ,Moda - Abstract
espanolEl articulo realiza un analisis de la indumentaria femenina a traves de un estudio de las piezas representadas por Bartolome Bermejo en la Piedad Despla, haciendo hincapie en los detalles a traves de los cuales puede percibirse la moda de finales de siglo XV. De forma paralela se procede a realizar un analisis tanto de los simbolos a los que responde la eleccion de las prendas representadas como de sus materiales, asi como las influencias culturales que influyeron en su ornato. Estos aspectos muestran una nueva razon para avalar la excepcionalidad de esta pintura, ofreciendo un ejemplo de la contribucion que el estudio iconografico de la indumentaria puede aportar en la reconstruccion de la Historia de la moda. EnglishThe article analyses women’s clothing by focusing in the pieces represented by Bartolome Bermejo in Piedad Despla. The painting display many details that allow to study the fashion of the late 15th century. The article both addresses the symbols to which the choice of garments and the materials respond and the cultures that influenced their ornaments, and confirms the exceptionality of this painting, demonstrating how much information can be extracted through the analysis of the clothing.
- Published
- 2021
- Full Text
- View/download PDF
46. MARIE GUY-STÉPHAN Y EL JALEO DE JEREZ. UN DAGUERROTIPO DE BAILE ESPAÑOL.
- Author
-
PLAZA ORELLANA, ROCÍO
- Abstract
Copyright of Archivo Español de Arte is the property of Consejo Superior de Investigaciones Cientificas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2018
- Full Text
- View/download PDF
47. Lluís Tolosa Giralt (1905-1973), coleccionista de indumentaria
- Author
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López García, Mercedes and Bassegoda i Hugas, Bonaventura
- Subjects
Col·leccionisme ,Collecting ,Textile ,Ciències Humanes ,Indumentaria ,Tèxtil ,Indumentària ,Textil ,Coleccionismo ,Clothing - Abstract
La investigació que presentem a continuació té per objectiu descobrir la figura del col·leccionista català Lluís Tolosa Giralt (1905 - 1973) qui va atresorar al llarg de la seva vida una de les col·leccions d’indumentària històrica més destacades del país. Després de la seva mort va llegar aquesta i altres col·leccions a la Diputació de Barcelona però, tot i això, és un col·leccionista pràcticament desconegut. Tolosa va néixer el 1905, en plena expansió del col·leccionisme tèxtil a Catalunya que, des de la segona meitat de segle XIX havia estat afavorit i impulsat per diversos factors que van suposar una valorització de l’objecte tèxtil dins el món de l’art. Encara que molts col·leccionistes catalans procedien de famílies burgeses industrials el cas de Tolosa és peculiar ja que el seu pare va ser el pintor Aureli Tolosa i perquè va destacar per col·leccionar indumentària, una tipologia poc habitual entre els col·leccionistes tèxtils. Aquesta investigació està estructurada en tres grans blocs: en el primer pretenem donar a conèixer facetes de la seva vida personal i professional i quins objectes formen part del seu llegat, que actualment està repartit entre diverses institucions, principalment la Diputació de Barcelona, el Museu Tèxtil de Terrassa i el Museu Romàntic Can Llopis de Sitges. Entre ells destaca la indumentària històrica i els accessoris, però també va col·leccionar vidres, pintures, devocionaris, nines, figurins i publicacions relacionades amb la moda i el tèxtil. Volem destacar la importància de la col·lecció d’indumentària en el segon bloc, fent un recorregut a través de les peces que la formen, datades entre el segle XVII i la dècada de 1940. Són peces principalment femenines, però també masculines, infantils i fins i tot alguns vestits per a imatges religioses, a més d’un gran grup d’accessoris. L’objectiu és conèixer la varietat i importància qualitativa de la col·lecció i quins van ser els interessos col·leccionistes de Lluís Tolosa, ja que no es conserva cap escrit ni cap testimoni que ens ho puguin explicar. El tercer bloc està dedicat a l’estudi d’un grup reduït de peces d’indumentària històrica i accessoris, a més d’una nina. Hi ha pocs estudis acadèmics a Espanya on es descrigui amb detall com estan tallades i cosides les peces d’indumentària històrica i hem analitzat en detall un grup representatiu de la col·lecció a través de nombroses imatges per mostrar com són els teixits i com és la construcció dels vestits per aconseguir la silueta de moda. També hem contextualitzat cada objecte per tal de comprendre millor la seva rellevància i el motiu pel qual van constituir icones de moda en la seva època. L’objectiu de dedicar gran part d’aquesta investigació a la col·lecció d’indumentària i accessoris ha estat el de posar en valor aquest tipus de peces com a objecte artístic i com a reflex dels moviments estètics i de tot un seguit de factors socials, econòmics, tècnics, artístics i fins i tot de gènere. Lluís Tolosa va ser un col·leccionista discret que va mostrar poques vegades la seva col·lecció públicament però, al final dels seus dies, va tenir la generositat de llegar-la a una institució pública per a augmentar i enriquir el patrimoni de les generacions futures. La investigación que presentamos a continuación tiene por objetivo descubrir la figura del coleccionista catalán Lluís Tolosa Giralt (1905 - 1973) quien atesoró a lo largo de su vida una de las colecciones de indumentaria histórica más destacadas del país. Tras su muerte legó esta y otras colecciones a la Diputación de Barcelona pero, a pesar de ello, es un coleccionista prácticamente desconocido. Tolosa nació en 1905, en pleno auge del coleccionismo textil en Cataluña que, desde la segunda mitad del siglo XIX había sido favorecido e impulsado por diversos factores que supusieron una revalorización del objeto textil dentro del mundo del arte. Aunque muchos coleccionistas catalanes procedían de familias burguesas industriales el caso de Tolosa es peculiar ya que su padre fue el pintor Aureli Tolosa y porque destacó por coleccionar indumentaria, una tipología poco habitual entre los coleccionistas textiles. Esta investigación está estructurada en tres grandes bloques: en el primero pretendemos dar a conocer facetas de su vida personal y profesional y qué objetos forman parte de su legado, que actualmente está repartido entre diversas instituciones, principalmente la Diputación de Barcelona, el Museu Tèxtil de Terrassa y el Museu Romàntic Can Llopis de Sitges. Entre ellos destaca la indumentaria histórica y los accesorios, pero también coleccionó vidrios, pinturas, devocionarios, muñecas, figurines y publicaciones relacionadas con la moda y el textil. Queremos destacar la importancia de la colección de indumentaria en el segundo bloque, haciendo un recorrido a través de las prendas que la forman, datadas entre el siglo XVII y la década de 1940. Son prendas principalmente femeninas, pero también masculinas, infantiles e incluso algunos vestidos para imágenes religiosas y un gran grupo de accesorios. El objetivo es conocer la variedad e importancia cualitativa de la colección y cuáles fueron los intereses coleccionistas de Lluís Tolosa, ya que no se conserva ningún escrito ni ningún testimonio que nos lo puedan explicar. El tercer bloque está dedicado al estudio de un grupo reducido de prendas de indumentaria histórica y accesorios, además de una muñeca. Existen pocos estudios académicos en España donde se describa con detalle cómo están cortadas y cosidas las prendas de indumentaria histórica y hemos analizado en detalle un grupo representativo de la colección a través de numerosas imágenes para mostrar cómo son los tejidos y cómo es la construcción de los trajes para conseguir la silueta de moda. También hemos contextualizado cada objeto con el fin de comprender mejor su relevancia y el motivo por el cual constituyeron iconos de moda en su época. El objetivo de dedicar gran parte de esta investigación a la colección de indumentaria y accesorios ha sido el de poner en valor este tipo de piezas como objeto artístico y como reflejo de los movimientos estéticos y de toda una serie de factores sociales, económicos, técnicos, artísticos e incluso de género. Lluís Tolosa fue un coleccionista discreto que mostró pocas veces su colección públicamente, pero al final de sus días, tuvo la generosidad de legarla a una institución pública para aumentar y enriquecer el patrimonio de las generaciones futuras. The research presented below aims to discover the figure of the Catalan collector Lluís Tolosa Giralt (1905-1973), who during his life treasured one of the most outstanding collections of historical costumes in the country. After his death he bequeathed this and other collections to the Diputación de Barcelona, but despite this he is a practically unknown collector. Tolosa was born in 1905, at the height of the textile collecting boom in Catalonia, which since the second half of the 19th century had been favored and promoted by various factors that led to a revaluation of the textile object within the art world. Although many Catalan collectors came from industrial bourgeois families, Tolosa’s case is peculiar because his father was the painter Aureli Tolosa and because he stood out for collecting clothing, an unusual typology among textile collectors. This research is structured in three main contents block: in the first one we intend to show facets of his personal and professional life and which objects are part of his legacy, which is currently distributed among various institutions, mainly the Diputación de Barcelona, the Museu Tèxtil, in Terrassa, and the Museu Romàntic Can Llopis, in Sitges. Among them, historical clothing and accessories stand out, but he also collected glass, paintings, devotionals, dolls, fashion plates and publications related to fashion and textiles. We want to highlight the importance of the clothing collection in the second content block, making a tour through the garments that form it, dating from the seventeenth century to the 1940s. They are mainly women’s garments, but also men’s, children’s and even some dresses for religious images and a large group of accessories. The aim is to know the variety and qualitative importance of the collection and what were the collecting interests of Lluís Tolosa, since no written or any testimony is preserved that can explain it. The third content block is dedicated to the study of a small group of historical clothing and accessories, as well as a doll. There are few academic studies in Spain that describe in detail how historical costume garments are cut and sewn, and we have analyzed in detail a representative group of the collection through many images to show how the fabrics are woven and how the costumes are constructed to achieve the fashionable silhouette. We have also contextualized each object to better understand their relevance and why they were fashion icons in their time. The aim of devoting a large part of this research to the collection of clothing and accessories has been to highlight the value of this type of pieces as artistic objects and as a reflection of aesthetic movements and a whole series of social, economic, technical, artistic, and even gender factors. Lluís Tolosa was a discreet collector who rarely showed his collection publicly, but at the end of his days, he had the generosity to bequeath it to a public institution to increase and enrich the heritage of future generations. Universitat Autònoma de Barcelona. Programa de Doctorat en Història de l'Art i Musicologia
- Published
- 2022
48. SANTA EULALIA DE MERIDA CLOTHING RESTAURATION
- Author
-
Talavera Sagrera, Mar
- Subjects
Bordado en metales al pasado ,Consolidación textil ,Muaré ,Basílica martirial de Santa Eulalia ,Moiré ,Metal embroidery to the past ,Clothing ,Grado en Conservación y Restauración de Bienes Culturales-Grau en Conservació i Restauració de Béns Culturals ,Textile consolidation ,Santa Eulalia¿s Basílica Martyrdom ,PINTURA ,Indumentaria ,Devotional image ,Imagen devocional - Abstract
[ES] El presente trabajo de final de grado (TFG), se centra en el estudio y proceso de intervención del conjunto de indumentaria de Santa Eulalia del siglo XVIII, realizada sobre una tela muarizada de color propio de la seda, perteneciente a Santa Eulalia de Mérida, ubicada en la basílica martirial de Santa Eulalia, en la provincia de Badajoz. La obra presenta suciedad superficial sobre el tejido base, además de manchas en el interior de las mangas, concretamente sobre el forro de ésta, provocadas por la policromía de la propia escultura. Debido a las patologías que presenta, se procedió a su intervención en el Instituto de Restauración del Patrimonio, en el taller de textiles. La restauración se enfocó en el desmontaje y limpieza del tejido base, en el bordado metálico, además de la consolidación de algunas pérdidas de trama y urdimbre, por medio de un tejido de consolidación., [EN] The present end of grade Project (TFG) focuses on the study and intervention process of the set of clothing of Santa Eulalia from the 18th century, made on a pearly White moorized fabric, belongig to santa Eulalia de Mérida; located in the martyrdom Basílica of Santa Eulalia, in the province of Badajoz. The work presents superfiial dirt on the base fabric, as well as stains on the inside of the sleeves, specifially on its lining, caused by the polychromy of the sculpture itself. Due to the pathologies that the textile workshop. The restoration focused on the dismantling and cleaning of the base fabric, on the metallic embroidery of the base fabric, on the metallic embroidery, in adittion to the consolidation of some weft and warp losses, by means of a consolidation fabric.
- Published
- 2022
49. El cuerpo extendido: indumentaria mutante en la obra de Ali Schachtschneider.
- Author
-
FERNÁNDEZ-NÓVOA VICENTE, ELENA
- Abstract
Copyright of Revista Croma is the property of Revista Croma and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2017
50. Moda en cine: signos y simbolismos.
- Author
-
Carlos, Matilde
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2016
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