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1. Orchestra of Futurist Noise Intoners/Ensemble Klang review -- anarchic energy; Wigmore Hall, LondonA very unconventional set of instruments brought a touch of chaos to this esteemed venue as it hosted the London contemporary music festival's finale

2. A Good House review -- superb social satire about race, property and gentrification; Royal Court, LondonA grubby shack that appears in a prosperous neighbourhood is the catalyst for a culture clash in South African playwright Amy Jephta's sharp drama

3. Medieval Women: In Their Own Words review - a bracing cold shower with Joan of Arc and co; British Library, LondonA letter from the French saint and a lethal shopping list are among the stars of a mind-bending show of the words, mystical visions and everyday lives of women from 1100 to 1500

5. The week in art: Michelangelo, Leonardo, Raphael; Drawing the Italian Renaissance - review; Royal Academy; King's Gallery, LondonA trio of Renaissance masters look over each other's shoulders in Florence 1504, while a parallel show of drawings from the Royal Collection gets to the very heart of their art

6. Fly More Than You Fall review -- teenage grief given a lift with sensational, soaring songs; Southwark Playhouse Elephant, LondonA 15-year-old's bereavement is tackled with 'can-do' American energy, a tremendous score and wickedly barbed lyrics that keep the schmaltz in check

7. Chromatica Orchestra/Politi/Balanas review - group relaunches with punch and flourish; Battersea Arts Centre, LondonA programme that didn't play it safe and a focus on education work heralded a new start for the early-career musicians of Chromatica, essentially a rebranded Bath Festival Orchestra

8. National Ballet of Canada: Frontiers review -- heavenly revelations and indie spaghetti; Sadler's Wells, LondonA triple bill of modern pieces highlight the challenges of modern ballet, but only in Crystal Pite's work does it all comes together, especially in the dancing of Siphesihle November

9. Suor Angelica review -- Puccini's maternal tragedy gets a haunting modern update; Coliseum, LondonA Magdalene laundry in 1960s Ireland is the setting for ENO's semi-staged production, which conveys quiet anger and deep sadness

11. Peanut Butter and Blueberries review -- politics complicates student romance; Kiln theatre, LondonA familiar romcom isn't an option for these two young British Muslims, who can't shut out Islamophobia and public paranoia from their love story

12. The week in classical: Double Bryn Terfel; Siwan Rhys; Bozzini Quartet; My Beloved Man -- review; Grange Park Opera, Surrey; Southbank Centre; Milton Court, LondonA highlight of this summer's country house opera season shows how these tireless and inventive festivals are vital to the UK's classical music scene. Elsewhere, two forgotten female pioneers and a Britten/Pears love-in

13. Vieux Farka Touré review -- Hendrix of the Sahara goes his own way; Barbican, LondonA surging, festival-ready set from the Malian guitarist straddles desert blues, exotica-rock, tradition -- and his superstar father's legacy

14. Now You See Us: Women Artists in Britain 1520-1920 review -- revelations and mystifying omissions; Tate Britain, LondonA Flemish 'paintrix' at the court of Elizabeth I, a magnificent mouth artist and a glamorous suffragette are finally given their due in a show tracing female artists' rocky road to recognition. But the story too often takes precedence over the art

15. Transfomativna infrastruktura viktorijanskog Londona: ka zdravim i zelenim gradovima

16. The week in classical: Lucia di Lammermoor; Nash Ensemble; Anthony McGill and Kaleidoscope Chamber Collective -- review; Royal Opera House; Wigmore Hall; Milton Court, LondonA fearless central performance anchors Katie Mitchell's busy yet insightful Donizetti revival. And two chamber concerts serve as a vibrant prelude to this year's BBC Proms

17. Now Play This 2024 review -- the eccentricity is the point; Somerset House, LondonA world away from Fortnite and Call of Duty, the UK's biggest festival of experimental games celebrates quirky one-offs and making it up as you go along

18. Underdog: The Other Other Brontë review -- modern mashup pits deceitful sister as a ruthless rival; National Theatre, LondonA dislikable version of Charlotte, jockeying for prominence and yearning to be as immoral as Byron, is the surprising focus of this quick-witted drama

19. The week in dance: Nelken; Dark With Excessive Bright; São Paulo Dance Company -- review; Sadler's Wells; Linbury theatre, Royal Opera House, LondonA revival of Pina Bausch's 1982 work is still finding its feet. Plus, full immersion with the Royal Ballet and a rich addition to the international dance scene

20. The week in classical: Marx in London!; The Barber of Seville; LSO/ Stutzmann; RPO/ Petrenko -- review; Theatre Royal, Glasgow; Coliseum; Barbican; Royal Festival Hall, LondonA day in the life of the father of communism is full of laughs in Scottish Opera's new production of Jonathan Dove's buoyant farce. Elsewhere, notable house debuts at ENO, a Bruckner double bill and Rachmaninov to remember

21. Samuel Takes a Break review -- a stomach-churning tourist trip around an old slave castle; Yard theatre, LondonA Ghanaian tour guide struggles to maintain his composure in the face of historical ignorance and requests for selfies, in Rhianna Ilube's poignant critique of colonialism and tourism

22. Utopijska ideja obnove svijeta u putopisu »Simfonije Jadrana, Italije, Pariza i Londona« Josipa Kosora

23. The week in classical: The Turn of the Screw; Wolf Witch Giant Fairy -- review; Ustinov Studio, Theatre Royal Bath; Linbury theatre, Royal Opera House, LondonA formidable cast excels in an ingenious, small-scale production of Britten's ghostly chamber opera; Red Riding Hood clashes with a warbling witch. Plus, a night in with the other Mendelssohn

24. £1 Thursdays review -- nightclubbing, sex talk and big decisions; Finborough theatre, LondonA mix of sweet observations about female friendship and cheeky brazenness about sex, Kat Rose-Martin's play finds two young women at a crossroads in their lives

25. Nutcracker/Iolanta review -- Tchaikovsky double bill is what he would have wanted; Royal Albert Hall, LondonA semi-staging of the composer's final opera paired with the second act of his famous ballet reunited the two works that were written as a double bill. Vassily Petrenko shaped the music with refinement and Maria Motolygina was a deeply touching Iolanta

26. RPO/Lugansky/Petrenko review -- orchestra claps packed audience as transformation continues; Royal Festival Hall, LondonA warhorse work from Rachmaninov and endlessly shifting combinations from Elgar showcased the Royal Philharmonic's current form

27. Mullova Ensemble: Transfigured Night review -- insights into Schoenberg's string sextet; Milton Court, LondonA fascinating idea -- an evening of music and dance reflecting the poem that was the starting point for Schoenberg's famous piece alongside an unadorned performance of the work itself -- doesn't quite succeed

28. Dancing City; Alvin Ailey American Dance Theater -- review; Greenwich+Docklands international festival; Sadler's Wells, LondonA change of clothes proves transformative in Canary Wharf's al fresco dance fest, while Alvin Ailey's season ends as it began, with dazzling grace

29. The Little Big Things review -- a remarkable tale of resilience; @sohoplace, LondonA new musical built around the true story of a promising young rugby player paralysed in a teenage accident is movingly full of the joy of being alive

30. Prom 62: The Rite by Heart review -- fresh insight into Stravinsky's complex classic; Royal Albert Hall, LondonA quirky and informative script lifted the bonnet on Stravinsky's Rite of Spring in the first half, and, in the second, the Aurora Orchestra -- performing from memory -- delivered a high-energy Rite that saw the music pulse across the concert hall

33. Carrie Mae Weems: Reflections for Now; Paul McCartney: Photographs 1963-4 review -- making history; Barbican Art Gallery; National Portrait Gallery, LondonA momentous 40-year retrospective of the African American artist builds to a damning indictment of racism, exclusion and photography itself. Plus, a joyous ringside seat as the Beatles go stratospheric

34. Woman at Point Zero review -- fierce and lyrical fusion score underpins classic feminist story; Linbury theatre, Royal Opera House, LondonA female prisoner's experiences of patriarchal brutality are intensified by Bushra El-Turk's music, skilfully combining Arabic and western instrumentation

35. Everest review -- opera strains to scale mountain tragedy; Barbican, LondonA concert staging of Joby Talbot's opera by the BBC Symphony, complete with singers climbing blocks on stage, finds greatest drama in the terrible facts of the disaster it portrays

36. Christine and the Queens review -- phantasmagoric drama and musical transcendence; Royal Festival Hall, LondonA two-hour rock opera version of their new album -- which is in turn inspired by Tony Kushner's Aids drama Angels in America -- the band's feverish Meltdown performance was overwhelming

37. The week in theatre: Aspects of Love; Rose; The Shape of Things -- review; Lyric; Ambassadors; Park theatre, LondonA superb cast, including opera star Danielle de Niese, elevates Andrew Lloyd Webber's plodding 80s musical; Maureen Lipman gives a one-woman masterclass; and Neil LaBute's romcom gets a sharp, funny revival

38. The week in classical: Blue; Bach: Mass in B Minor -- review; Coliseum; St Martin-in-the-Fields, LondonA potent US tale of Black lives hits home with fervour and humanity at ENO. Plus shock and roar from John Eliot Gardiner at 80

39. The week in classical: Innocence; Sakari Oramo/BBCSO; Explore Ensemble -- review; Royal Opera House; Barbican; Kings Place, LondonA big week for Finnish music and musicians led by Kaija Saariaho's powerful opera about a school shooting, and a thrilling Bartok performance

42. The week in classical: Siemens Hallé international conductors competition; LSO/ Hannigan; Turandot -- review; Bridgewater Hall, Manchester; Barbican; Royal Opera House, LondonA trio of young conductors vie for a job with the Hallé; Barbara Hannigan takes Mahler at his word; and Antonio Pappano makes a thriller of Puccini's final opera

43. Good Day review -- love, death and robots in sleek sci-fi romcom; Vault festival, Network theatre, LondonA depressed 500-year-old wants to remove her immortality implant in this entertaining and kooky dark comedy which lands just short of saying something meaningful about humanness

44. Mike Nelson: Extinction Beckons; David Hockney: Bigger and Closer -- review; Hayward Gallery, London; Lightroom, LondonA maze of masterful installations engulfs you in a singular and complex mind. Elsewhere, David Hockney does immersion his own way

45. Sound of the Underground review -- magnificent explosion of mesmerising drag; Royal Court, LondonA plot to kill RuPaul for dragging drag into the mainstream, followed by song and dance numbers, fires up an exhilarating show with breathtaking costumes, radical politics and filthy humour

46. Spain and the Hispanic World review -- royals, chinchillas, bullfights and blood; Royal Academy, LondonA beautiful Velázquez, fascinating maps, glazed pottery from Muslim craftsmen ... US collector Archer Huntington amassed stupendous works -- but is there more to this show than the spoils of one man's grand tour?

47. Jack and the Beanstalk review -- sumptuously OTT panto has a big heart; Lyric Hammersmith, LondonA streetwise Jack sells his cow for a tin of baked beans in this sugar rush of a show, which is underpinned with an anti-greed moral about the collective good

48. The week in classical: The Rape of Lucretia; Solomon's Knot -- review; Linbury theatre; St Michael and All Angels Blackheath, LondonA shocking update of Britten's chamber opera feels wearily relevant. And one of the UK's finest vocal ensembles pairs JS with one of the lesser known JC Bachs

50. Jasmin Vardimon: Alice review -- a fairytale that never quite goes through the looking-glass; Sadler's Wells, LondonA krumping Cheshire cat enlivens this well-danced adaptation of Lewis Carroll's coming-of-age story, but Alice's deeper life remains unexplored

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