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David Wise, a celebrated video game composer, reflects on his time at Rare, where he composed music for popular games such as Wizards & Warriors and Donkey Kong Country. He began his career at Rare after selling keyboards to the Stamper brothers, who then hired him to create music for their first NES game, Slalom. Wise discusses his musical background, the limitations of early gaming technology, and his departure from Rare after Microsoft's acquisition. He continues to compose music for various games, including Tengami and Donkey Kong Country: Tropical Freeze. In an interview, Wise talks about his involvement in creating the soundtrack for Gimmick! 2, a sequel to the original Gimmick! game, and how he incorporated Swedish instruments into the music. He also reflects on his career and the challenges of composing for early gaming systems like the NES and SNES. Wise expresses enthusiasm for the future of game development and the potential for innovation in the industry. [Extracted from the article]

This article from Wired presents a list of various gear and products, ranging from a concrete turntable to a portable lamp, a film camera, and a pottery wheel. Each item is described briefly, highlighting its features and price. [Extracted from the article]

This article from Computer Music discusses the use of tailored reverbs in mixing music. The author, Jon, provides step-by-step techniques for using reverb to enhance specific sounds in a mix. These techniques include using different reverbs for drums, vocals, and transition effects, as well as pre-processing and sidechaining the reverb. The article also mentions the use of mono reverbs as a retro technique and emphasizes the importance of panning in creating a desired stereo image. Overall, the article provides insights and inspiration for using reverb in a creative and targeted way. [Extracted from the article]

This article explores the enduring popularity of 5-piece acoustic drum sets in the music industry. Representatives from various drum set brands discuss their best-selling models and the reasons behind the continued appeal of the 5-piece configuration across different musical genres. They emphasize the versatility, customization options, and familiarity of the 5-piece setup as key factors contributing to its popularity. The article also highlights the importance of endorsing artists and creating positive experiences for drummers. It discusses the artist rosters of different drum brands, including Mapex, Sonor, TAMA, Pearl, and ddrum, showcasing the diverse range of artists and genres represented. The article also mentions effective display and promotion techniques used by music instrument retailers, as well as recent or upcoming introductions of 5-piece drum sets. However, there are mixed expectations for the market segment, with some anticipating a slight downturn in sales due to rising prices. [Extracted from the article]

This article summarizes the key takeaways from Future Music's "In The Studio With..." series, which provides behind-the-scenes access to electronic music producers' creative processes. The article highlights 10 valuable lessons, including the importance of having frequently used samples and presets readily available, the benefits of using presets in soft synths, finding inspiration by going against the grain, understanding the strengths of your equipment, the effectiveness of simple recording setups, the freedom to abandon ideas that aren't working, the ability to change your mind about an idea even after completion, the significance of creating a comfortable and inspiring work environment, getting a feel for the finished track while writing, and the potential of using unpopular instruments or tools to create unique sounds. [Extracted from the article]

This article discusses the upcoming auction of musician Rory Gallagher's guitar collection, including his iconic 1961 Stratocaster. The decision to sell the guitars was made by Rory's brother Donal, who cites personal reasons and practical obligations. While some fans have called for the guitars to be donated to a museum, Donal explains the challenges involved. The article also provides information about other guitars in Gallagher's collection and their significance to his career. It emphasizes the importance of cultural sensitivity and factual accuracy in research. [Extracted from the article]

The Battle of Dettingen, which occurred in June 1743 during the War of the Austrian Succession, involved two coalitions supporting different potential heirs to the Holy Roman Emperor's throne. The Pragmatic Allies, including Austria, Britain, the Dutch Republic, and Hanover, supported Maria Theresa, while France, Prussia, and Bavaria supported Charles Albert of Bavaria. The French forces, led by Marshal Adrien Maurice de Noailles, set a trap for the Pragmatic Army, but due to misjudgments and confusion among the Allies, the battle ended in their favor. The Pragmatic Army successfully repelled the French and suffered fewer casualties. [Extracted from the article]

The article discusses Technics' new SU-GX70 Network Audio Amplifier, which combines integrated amplification with streaming capabilities. The amplifier features high-tech components such as a JENO amplifier and a room-EQ system. It also includes a built-in FM tuner and offers various connectivity options. The author describes the sound quality as pristine and dynamic, although they note that the amplifier may lack power for larger rooms. The article also mentions Technics' Audio Center app, which provides additional functionality for controlling the amplifier. Overall, the Technics SU-GX70 is praised for its high-end sound quality and sleek design, but it may not be suitable for all speakers and larger rooms. [Extracted from the article]

Swedish prog metal band Opeth has released their 14th album, "The Last Will And Testament," which sees a return to their death metal roots after 16 years. The album explores complex themes through a pre-World War II-era concept and is described as their most progressive yet. Opeth's frontman, Mikael Åkerfeldt, reflects on his changing perspective over the years and the album delves into the theme of family dynamics and inheritance. The album features guest appearances from Ian Anderson of Jethro Tull and Joey Tempest of Europe. Opeth continues to push boundaries and seek new challenges in their live performances. [Extracted from the article]

This article from Computer Music provides a masterclass on panning techniques in music mixing. Panning is a crucial aspect of stereo and multichannel mixes, allowing for control over width and placement to create a more engaging mix. The article covers various principles of panning, including types of panning, panning of mono and stereo sources, the impact of frequency content on panning decisions, and creative uses of panning. It emphasizes the importance of centering main elements with low frequencies and lead instruments, while also exploring the use of double tracks and panning single sources to create a customized stereo image. The article also discusses panning techniques for mono sources, the role of frequency content, and the challenges of mixing stereo elements. It concludes with tips on mono compatibility and the importance of relying on one's ears rather than visual cues when adjusting panning. The article is written by Jon, a London-based mixer, producer, and composer with extensive experience in various genres. [Extracted from the article]

Apple has released new versions of Logic Pro, with version 11 for Mac and version 2 for iPad. The software incorporates AI technology, including virtual Drummer and two new Session Players for bass and keyboard parts. Other features include Stem Splitter for audio extraction and ChromaGlow for saturation effects. While some may view these updates as a "dumbing down" of the software, they can be useful for beginners or electronic musicians. The new versions also allow for seamless project transfer between Mac and iPad. Overall, Logic Pro remains a user-friendly and helpful tool for musicians and producers. [Extracted from the article]

The article discusses the debut LP Acid Star by the musical duo Peel, consisting of Sean Cimino and Isom Innis from the band Foster the People. The duo explores a diverse range of sonic influences in their album, combining melody with beats and synth ornamentation. The album was created through a collaborative process, with the duo exchanging ideas and experimenting with different sounds. They used a combination of hardware and software instruments, including synths like the Roland JUNO-106 and Sequential Prophet-6, as well as plugins from Arturia. The album draws inspiration from various musical eras, including post-punk and 1990s rave culture. The rhythmic tracks on the album were created through a combination of drum machines and live drums, with meticulous editing to achieve the desired sound. The duo also utilized spatial effects and reverbs to create unique textures in their music. The article concludes by mentioning that Peel plans to continue making music in the future. [Extracted from the article]

Ken Ishii, a legendary ambient techno producer, released his second full-length album, "Reference to Difference," in 1994. The album aimed to showcase a more diverse sound by combining melodic, ambient, and fierce elements with techno influences. Ishii drew inspiration from various sources, including Detroit techno, Warp Records, and Japanese techno pop. The album, which pushed the boundaries of Japanese techno, has recently been remastered and reissued for its 30th anniversary. Ishii discusses the creative process behind some of the album's tracks and the limited gear he used to produce them. [Extracted from the article]

Modalics BitFuzzer is a distortion plugin that combines bitcrusher, fuzz, and distortion effects. It features an easy-to-use interface with visual feedback, presets for instant results, and additional parameters for customization. The plugin can be claimed, registered, and downloaded for free by following the provided step-by-step instructions. Modalics also offers other plugins, such as Beat Scholar and MINDst Drums, for those interested in exploring more options. The article provides a tutorial on how to use BitFuzzer and showcases its key features through examples of different distortion effects. [Extracted from the article]

This article explores the concept of time in music and provides techniques for creating unique rhythms. It discusses the importance of tempo and time signature in defining the feel and character of a track, including odd time signatures like 5/4 and 7/8. The article also explains how to manipulate time signature and tempo in music production using Ableton Live, as well as the concept of syncopation and its role in creating a funky and groovy feel. It further delves into techniques like harmonic syncopation, crossing the bar, ghost notes, and polyrhythms, with examples and tips on incorporating them into music production. The article concludes by discussing beat displacement and rhythm manipulation, offering step-by-step instructions and examples for applying these techniques to different elements of a track. Overall, it serves as a helpful guide for musicians and producers looking to experiment with rhythm in their compositions. [Extracted from the article]

This article from Computer Music provides a step-by-step guide on how to create a rave-style techno track. It explains that the current techno sound combines modern production techniques with elements from the '90s rave scene, such as faster tempos, detuned synths, melodies, and acid basslines. The tutorial focuses on using Ableton's Operator to build an atmospheric synth and a trance synth, as well as providing tips on adding effects and processing the sound. The article also includes recommended listening and suggests plugins to shape the synth stab. The author, Sara Simms, is an acclaimed DJ and producer from Toronto. [Extracted from the article]

This text provides information on the completion of The Beatles' song "Now and Then," which was originally recorded by John Lennon in 1977 and finished by the remaining members in 1994. The process involved transferring Lennon's cassette recording to tape and addressing technical issues. The song was included in The Beatles Anthology CD sets. Additionally, the article discusses the remixing of The Beatles' albums "The Red Album" and "The Blue Album" for a reissue in 2023. The remixing aimed to create a fuller mix while respecting the original sound, using new technology to separate instruments and vocals. The article also mentions the remixing and remastering of The Beatles' albums for the 2021 release of the "Red" and "Blue" compilations, highlighting the challenges faced and specific changes made to certain songs. The goal of the remixes is to showcase The Beatles' talent and introduce their music to a new generation of listeners. [Extracted from the article]

This article from Future Music explores the use of modular synthesisers, specifically Eurorack format, for creating percussion tracks. It discusses the importance of drums in music and how modular synthesisers can be used to replicate drum sounds and create unique patterns and beats. The article provides tips and techniques for building a kick drum voice using common modules, as well as suggestions for sequencing and humanizing drum patterns. It also recommends several modules for building a Eurorack drum rig. Overall, the article serves as a helpful resource for those interested in using modular synthesisers for percussion. [Extracted from the article]

This article from the Australian Women's Weekly explores the life and struggles of Karen Carpenter, a talented singer who tragically died at the age of 32. The article delves into Karen's childhood, her musical partnership with her brother Richard, and her battle with anorexia nervosa. It highlights the pressures Karen faced as she was thrust into the spotlight and the impact it had on her self-esteem. The article also discusses Karen's failed marriage and her untimely death. Despite her struggles, Karen's incredible voice and talent continue to be celebrated. [Extracted from the article]

Chester Thompson, a renowned percussionist, is the focus of this article. He has had a successful career playing with notable musicians such as Frank Zappa, Weather Report, and Genesis. Thompson shares his experiences and influences, as well as his thoughts on the progressive rock genre. He also mentions his recent solo album, Wake-up Call. Thompson's career has spanned several decades and he remains active in the music industry. [Extracted from the article]

This article from Guitar Techniques explores the guitar playing style of Johnny Cash, the iconic country music artist known as the "Man In Black." Cash's strumming patterns and simple yet effective rhythm guitar parts laid the foundation for country rhythm guitar. Growing up in Arkansas, Cash learned the tradition of the "work song" and began writing songs at a young age. With his band, the Tennessee Two, Cash combined his stripped-back, strumming-based accompaniment with Luther Perkins' lead guitar to create a harder approach to country music. The article provides insights into Cash's rhythm playing style, including the challenges of hitting the correct bass string and maintaining a relaxed strumming hand. The study piece in the article breaks down Cash's alternating bassnotes and his technique of muting the strings to emulate the sound of a snare drum or a train. [Extracted from the article]

Dr. William Robinson, a renowned figure in the pest management industry, has dedicated 60 years to the field. Starting as a termite technician, he went on to earn a bachelor's, master's, and doctoral degree in entomology. He conducted extensive research at Virginia Tech and published numerous papers on household and structural pests. Dr. Robinson also founded the International Conference on Urban Pests, which brings together professionals from around the world. He emphasizes the importance of pest control technicians and their problem-solving abilities. [Extracted from the article]

Photay, the working alias of producer Evan Shornstein, has released a new album called "Windswept" that combines acoustic instruments and electronic sounds to evoke the natural world. The album was inspired by the sound of the wind, and Shornstein crafted nine songs that blend synth-focused beatmaking with the exploratory spirit of jazz. In an interview, Shornstein discusses his musical background, studio setup, and production techniques. He also shares three production tips: listening to tracks in multiple environments, being at peace with imperfections, and embracing stereo mixes instead of stems. Shornstein plans to play solo shows, release an EP, and collaborate with other artists in the future. [Extracted from the article]

Motörhead's breakthrough song, "Overkill," was the result of drummer Phil Taylor's new drum kit with double kick drums. The band's self-titled debut album had been released in 1977, but it wasn't until their appearance on Top of the Pops with a cover of "Louie Louie" that they gained attention. "Overkill" became the title track of their second album, which reached No. 24 on the UK charts. The song's double kick drums had a lasting impact on the metal genre, influencing bands like Metallica. [Extracted from the article]

This article provides a round-up of soundware reviews from the journal "Computer Music." The reviews cover various soundware products, including drum loops, electronic sounds and samples, ghettotech and old-skool electro sounds, African percussion rhythms, choral drones, and synth sounds. Each review highlights the unique features and qualities of the soundware, providing ratings and recommendations for different genres and musical directions. The article aims to assist library patrons in finding suitable soundware for their tracks and projects. [Extracted from the article]

GLO:161i/01jul23:22n1.jpg PHOTO (BLACK & WHITE): George Harrison naps on the plane to New York, February 7, 1964; gl GLO:161i/01jul23:22n2.jpg PHOTO (BLACK & WHITE): fans gl GLO:161i/01jul23:22n3.jpg PHOTO (BLACK & WHITE): and photographers in Central Park gl GLO:161i/01jul23:24n1.jpg PHOTO (BLACK & WHITE): The crowd on West 58th Street gl GLO:161i/01jul23:25n1.jpg PHOTO (BLACK & WHITE): The Ronettes' Ronnie Spector in The Beatles' Plaza Hotel suite; gl GLO:161i/01jul23:25n2.jpg PHOTO (BLACK & WHITE): John Lennon; gl GLO:161i/01jul23:25n3.jpg PHOTO (BLACK & WHITE): DJ Murray the K gl GLO:161i/01jul23:26n1.jpg PHOTO (BLACK & WHITE): Ringo Starr sets up his drum kit during rehearsals for The Ed Sullivan Show. gl The photographs from New York show the commotion that followed our arrival in the city. These photos contrast with those from our hotel suite, which show unguarded, quiet moments. [Extracted from the article]

FEATURES N A WARM DAY IN SEPTEMBER 2022, ALONGSIDE 40 OR SO PRESS COLLEAGUES, I WAS TREATED TO AN ADVANCE DEMONSTRATION OF THE DOLBY ATMOS MIX OF THE BEATLES' REVOLVER, AT REPUBLIC STUDIOS ON BROADWAY IN NEW YORK CITY'S MIDTOWN. Above: The Beatles in Abbey Road Studios during recording of the Revolver album, 1966. When I do a stereo Beatles mix, like Revolver, it'll be mixed at 24/96. If I'm playing the Atmos mix, I'll do the stereo first, then Atmos, and Atmos original stereo, just to make sure I'm not missing anything. [Extracted from the article]

Ruffed grouse (Bonasa umbellus) populations are declining throughout their range, which has prompted efforts to understand drivers of the decline. Ruffed grouse monitoring efforts often rely on acoustic drumming surveys, in which a surveyor listens for the distinctive drumming sound that male ruffed grouse produce during the breeding season. Field‐based drumming surveys can fail to detect ruffed grouse when the birds drum infrequently or irregularly, making this species an excellent candidate for remote acoustic sensing with automated recording units (ARUs). An accurate automated recognition method for ruffed grouse drumming could enable effective and efficient use of ARU data for monitoring efforts; however, no such tool is currently available. Here we develop an automated method for detecting ruffed grouse drumming in audio recordings. Our detector uses a signal processing pipeline designed to recognize the accelerating pattern of drumming. We show that the automated recognition method accurately and efficiently detects drumming events in a set of labeled ARU field recordings. In a case study with 56 locations in Central Pennsylvania, we compared detections of ruffed grouse from 4 survey methods: field‐based acoustic drumming surveys, surveys conducted by humans listening to ARU recordings, and automated recognition for both a 1‐day and a 28‐day period. Field‐based surveys detected drumming at 9 of 56 locations (16%), while surveys conducted by humans listening to ARU recordings detected drumming at 8 locations (14%). Using automated recognition, the 1‐day recording period produced detections at 17 locations (30%) and the 28‐day recording period produced detections at 34 locations (61%). Our case study supports the idea that automated recognition can unlock the value of ARU datasets by temporally expanding the survey period. We provide an open‐source Python implementation of the recognition method to support further use in ruffed grouse monitoring efforts. [ABSTRACT FROM AUTHOR]