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Copyright of Cuadernos de Historia Contemporanea is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

INTIMATE GEOPOLITICS: Love, Territory, and the Future on India's Northern Threshold: By SARA SMITH. In a vivid ethnographic study of the Ladakh region in northern India, Smith provides an intricate examination of how community tensions are shaped by ethnic identities, family planning, and majoritarian politics - and one incendiary moment on a public street. Though I Intimate Geopolitics i is overtly a study of Ladakhi territorial politics as related to family dynamics, the commentary on sectarianism is relevant beyond the confines of the distant province. [Extracted from the article]

In the so-called West, feminist activists and scholars have long been traumatised by the erasure of their histories via dominant patriarchal narratives, which has served as an impediment to the intergenerational transmission of feminist knowledge. Recently, while acknowledging the very real and ongoing impact of this historical omission, some feminists have issued a call to turn away from a narrative of women's history as 'serial forgetting' and towards an acknowledgement of the affirmative capacity of feminist remembering. At the same time, memory theorist Ann Rigney has advocated for a 'positive turn' in memory studies, away from what she perceives to be the field's gravitation towards trauma and instead towards an analysis of life's positive legacies. In this article, I combine both approaches to investigate one feminist memory-keeper's archive, analysing what it reveals about 'the mechanisms by which positive attachments are transmitted across space and time'. Throughout her life, little-known 'between-the-waves' Australian feminist Ruby Rich (1888–1988) performed multiple intersecting activist activities. While she created feminist memories through her work for various political organisations, she also collected, stored and transmitted feminist memories through her campaign for a dedicated space for women's collections in the National Library of Australia. Propelled by fear of loss and inspired by hope for remembering, Rich constructed a brand of archival activism that was both educational and emotional. In this paper, I examine the strategies Rich employed to try to realise her dream of effecting intellectual and affective bonds between future feminists and their predecessors. [ABSTRACT FROM AUTHOR]

The article highlights important connections between the spoken word, handmade paper, cultural memory, and natural sustenance in books and in artworks. Topics include display of works that challenge the silos and sensory atrophy that scholar Barbara Kirshenblatt-Gimblett critiques so eloquently, and how "Tomes" unfolded as culturally provocative outreach, using diverse collections and community experience to re-present the archives through a more public scope.

One of the central underpinnings of Islamophobia is the theoretical construction of Muslim women as "Other". Going hand in hand with colonization, the overall Orientalist imaginary has depicted Muslims as misogynistic, homophobic, and gynophobic in contrast to the normal and enlightened Western European subject. Liberation psychology, as a field of decolonial work, emphasizes several main tasks one of which is the recovery of historical memory in relation to how humans see each other and the world. This paper builds on the work of recovering historical memory to emphasize the Indo-European origins of misogyny and patriarchy and the subsequent cover-up of this history as a part of the legacy of colonialism and current narratives of Islamophobia. The paper concludes that the work of psychology should include decoding reality to uncover the true nature of the origins of patriarchy, thus building new, revitalized understandings of human society. [ABSTRACT FROM AUTHOR]

After the formation of the independent state, the Ukrainian people's interest in their own history and events of the past has significantly increased. The shaping of national identity and preservation of historical collective memory plays an increasingly important role in these processes. This is to some extent true of the Cherkasy region which is one of the richest in Ukraine. Scientific research of historians and archival material which reflect the development of the workflow management systems in the society of the region is suffi- cient proof of this. Special role in the study of the region history is given to the State Archives of Cherkasy region, the leading experts of which during 1970-2013 period made a significant contribution to the implementation of recordkeeping standards and normative document regulation acts such as the Laws of Ukraine "On Electronic Documents and Electronic Document Management" and "On Electronic Digital Signature", dated May 22th, 2003, etc. As document management traditions are being produced during the centuries, investigation of electronic records management is practically possible from its initial formation stage. On the one hand, the main task of the electronic records keeping, as a relatively new phenomenon, is to adopt the best principles of traditional document management; on the other hand, it is no less important to develop new approaches to recordkeeping management, taking into account the use of electronic documents. Therefore it is important, in our opinion, to consider the main problems that accompany the practices of electronic document management as the investigated object, taking the example of Cherkasy region. [ABSTRACT FROM AUTHOR]

The article presents a speech by Kousar J. Azam, professor at Osmania University, given at the 2010 Nagoya American Studies Summer Seminar (NASSS) at Japan's Nanzan University. The speech was given in response to the presentation of paper entitled "Exploring a Bridge between Hiroshima and the US: Tanimoto Kiyoshi and his activities in the early post war period," by Yoko Kawaguchi. Azam comments on collective memory of the atomic bombing of Hiroshima, Japan and the peace movement it sparked.

The discovery of the Nag Hammadi Codices (NHC) in 1945 rates as one of the two most profound occurrences for Biblical archaeology and interpretation during the last hundred years, along with the Dead Sea Scrolls (1946–1956). The codices allow us to document Christian monastic culture, gnostic Christianity and gnostic offshoots in the desert climate of Late Ancient Egypt. The recovery of the related Codex Tchacos (CT) brought further excitement for contemporary readers by 2006, it being sensational that narratives of "Judas the betrayer" and "doubting Thomas" were found in the whole collection of writings. The text named the [First] Apocalypse of James, significantly, was found to be in both NHC and CT in different Coptic versions (from near the sacred sites of Chenoboskion and El Minya), but yet another more fragmentary version in Greek had turned up much earlier among the huge cache of papyri found at Oxyrhynchus (also, like the other places, on the banks of the Nile). Given the opportunity for comparison, what distinguishes the three versions? Does comparative analysis better tell us what this ancient text is about? Does the strong presence of Gnostic Christian insights in the Coptic texts still imply a historical Jamesian community is being honoured? This paper concentrates on three comparable passages in the three versions that apparently contain historical memories of James and his followers. It works on the reasonable hypothesis that the Greek version of Oxyrhynchus Papyri (P.Oxy. 5533) (hereafter = PO) is prior and read with different purposes than the two Coptic translated versions of CT (CT 2.10–30) and NHC (NHC V,3. 24–44). When a critical approach, involving a socio-linguistic comparison, is applied, we will see that the three versions of the text were not directly related to each other, but that narratives about James the Just were available to desert monastics from the second century CE. The paper argues for a literal transmission of traditions from a Jewish Christian community around James into Egypt, that the textual figure of James in the Oxyrhynchus fragments points to a 'mutual familiarity' between PO and CT, while the NHC tradition of James has been further elaborated by processes of compilation and addition. [ABSTRACT FROM AUTHOR]

Hungarian mnemonic practices have transformed over the past decade. Among these changes is a decline in the prominence of remembering communist crimes, alongside efforts to reposition the nation as a community of victims of crimes committed by great powers. Based on these observations, this paper argues that Hungarian public memory no longer aligns with the established post-communist memory framework. It is more appropriate to label it as populist, as Hungarian government practices are comparable to populist movements and politicians from Europe and beyond. Moreover, this emerging memory culture is fundamentally configured around the notion of a struggle between a people and their supranational or imperial oppressors. This paper analyses how this threat is constructed, particularly through mnemonic practices, with specific reference to the recent government-driven reinterpretation of the Trianon peace treaty and its aftermath. This reinterpretation has become a signifier of the destructive effects of cosmopolitan liberalism on a Central Europe of nations. [ABSTRACT FROM AUTHOR]

The process of retrieving information in memory allows humans to recall and forget things. It is an active approach to determining our mutable identity, as memory never remains static. But what occurs if this dynamic process of iteration and interaction becomes fixed and fails to establish a rapport based on sympathy and solidarity with non- Western 'others?' This paper investigates the intricate relationship of language, memory, trauma, and power, particularly focusing on the precarity induced by the manipulation of language in the context of historical and political narratives. Apropos how such manipulation can also distort collective memory and ignite trauma; shaping perceptions and moulding societal narratives. Through an examination of Joy Kogawa's Obasan and by employing theoretical frameworks such as Freud's concept of "screen memories" and Deumert's notion of "scripts of supremacy," the paper examines the intersection of precarity and the politics of language. Additionally, it investigates the concept of "Historiographic Metafiction", as proposed by Hutcheon, highlighting the fusion of history and fiction in preserving collective memory and aiding in the process of healing from trauma. Thus, the main objective of this study is to critically examine how language manipulation distorts collective memory and triggers trauma, emphasising how literature functions as a corrective tool and a representation of cultural memory to counteract this precarity, navigate power dynamics, and preserve collective memory. [ABSTRACT FROM AUTHOR]

In 2019, the Chinese government put forward the concept of social co-governance in the field of emergency management. This paper discusses whether the adjustment in the governance concept promotes public participation in emergency management practices and what the mechanisms are to achieve successful public participation in a wildfire emergency. Taking the Beibei wildfire in Chongqing in 2022 as a study case, this paper establishes the public participation mechanisms for wildfire rescue and management with a qualitative case study method. The result shows that adjustments to emergency management concepts and the pressure of wildfire governance make local governments and commanders seek help from the public; key persons and informal networks play an important role in public participation in a wildfire emergency; and constructing social memory in social networks, whether government-led or public-organized, is an important way to enhance public participation in wildfire governance. Our findings, grounded in the reality of the growing complexity of wildfires, provide useful lessons for future wildfire governance in other provinces in China, as well as valuable references for other countries or regions. [ABSTRACT FROM AUTHOR]

Although the relationship between religion and football has gained considerable interest during the last twenty years, scant attention has been paid to the relationship between pilgrimage and football. This paper seeks to advance the study of this relationship through an exploration of collective memory about football disasters that throws fresh light on central themes within pilgrimage studies—pilgrimage as both a journey to a sacred place and the performance of diverse rituals at such places. The paper explores, in particular, the ways in which three different tragedies involving English football clubs have been commemorated through journeys to and ritual performance at places seen as sacred to those involved in commemoration—football stadiums and urban spaces, and cathedrals and pilgrimage shrines in England, Germany and Italy. Through this analysis, we seek to show how the commemoration of football disaster is linked to pilgrimage as a process where people seek healing and reconciliation through the public performance of rituals that link the local to the global. [ABSTRACT FROM AUTHOR]

Copyright of Cahiers Victoriens & Edouardiens is the property of Presses Universitaires de la Mediterranee and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This essay describes a campaign by nationalist Japanese journalist Komori Yoshihisa against a public symposium and workshop on historical memory and reconciliation in East Asia held at George Washington University in 2003. When conservative politicians, led from behind the scenes by current prime minister Abe Shinzo, alleged anti-Japan bias in the Diet (parliament), the cosponsor and funder of the workshop, the Japan Foundation Center for Global Partnership, wilted under intense political pressure from the Right, lost its autonomy within the Japan Foundation, and withdrew support for the book project. A counterprotest in defense of academic freedom by senior American Japan specialists revived the workshop only to have the Foreign Ministry intervene. Funder interference-insistence on progovernment authors-undermined the project and the essay collection based on conference papers was never published. Fear of the Right led American and Japanese professors to reject a highly qualified fellowship applicant in 2015 and still haunts prominent bilateral intellectual exchange competitions. This essay's scrutiny of the Komori Affair leads it to other contemporary concerns, such as the integrity of peer review in a context of funder intervention and the compromise of US academic partners dependent on intellectual exchange activities bankrolled by foreign governments. [ABSTRACT FROM AUTHOR]

The article aims to understand the tensions inherent to the commemoration of a difficult and conflicted past and the conservation of dissonant heritage. It explores the politics of memory and identity, and the power struggles that underscore the heritagisation process through a study of the transformation of Rio de Janeiro's port in preparation to host the 2014 World Cup and 2016 Summer Olympics. The paper uses the notion of heritage dissonance to shed light upon contemporary struggles over the interpretation of the port's contested history and explores the debates that have surrounded the 'discovery' of archeological remains, which exposed a controversial past marked by collective amnesia. The paper identifies various actions, instruments, and strategies used by various actors to either support or undermine the project, from inertia and obstructionism to memorialisation and ritual agency. The analysis of these findings reveals the transformative potential of heritage, as an instrument of empowerment in the ideological battle over collective memory, and a tool of resistance against historical denial. It discusses the way debates over heritage have stimulated public debate, inflected the official historical narrative, and allowed the legacies of slavery to infiltrate collective consciousness. The paper concludes with a discussion of how heritage dissonance can engender actions leading to conflict mediation, thereby promoting reconciliation and dialogue, and, ultimately, societal change. [ABSTRACT FROM AUTHOR]

The paper problematizes Ghatak’s Marxist treatment of the Bengali as well as the Brahmanical repertoire of cultural knowledge, for the purpose of carving out a Communist significance of the period. Rather than a recontextualization of traditional myths, the paper reads in this attitude a nostalgic particularistic abstraction of a rich array of aesthetic ideas, which are best appreciated in their diverse cultural context. The paper argues that Ghatak utilizes creative opuses of vast potential to serve political goals, with an aim of strengthening the East Bengali immigrant population in post-Partition West Bengal. The paper criticizes how Ghatak breaks down the traditions from different spatial and temporal coordinates for serving the representation of the plights of the Bengali Refugee – making a powerful integrated identity of the traumatized subject at the expense of erasing class, caste, communal and gender distinctions. In this, there is an effort to fashion an imaginary unified East Bengali sub-national entity, which is politically evened out for realization of unique identity and clout. [ABSTRACT FROM AUTHOR]

In modern electronic warfare, radar intelligence has become increasingly crucial when dealing with complex interference environments. This paper combines radar agile frequency technology with reinforcement learning to achieve adaptive frequency hopping for radar anti-jamming. Unlike traditional reinforcement learning with Markov decision processes (MDPs), the interaction between radar and jammers occurs within the partially observable Markov decision processes (POMDPs). In this context, the partial observation information available to the agent does not strictly satisfy the Markov property. This paper uses multiple layers of historical observation information to solve this problem. Historical observations can be viewed as a time series, and time-sensitive networks are employed to extract the temporal information embedded within the observations. In addition, the reward function is optimized to facilitate the faster learning of the agent in the jammer sweep environment. This simulation shows that the optimization of the agent state, network structure, and reward function can effectively help the radar to resist jamming. [ABSTRACT FROM AUTHOR]

Tattoos are important markers of tribal cultural identity. As embodied texts, they not only reflect a worldview but also become repositories of historical and ontological memory. As carriers of traditions, customs, and beliefs, they manifest the collective identity of the people and guide and bind them as a community. As such, tattooing or godna acquires a much wider significance than being a mere bodily art. It turns into an aesthetic-narrative entry point into tribal consciousness, cultural worldview, identity and history. In their engagement with their identity, the tribal writers dig deep into their cultural repository to foreground the truth of their being and becoming. In the present paper, an attempt is made to understand the nature of this tribal negotiation of 'tattooing' as a textual metaphorical tradition through a critical study of Sirawon Tulisen Khating's "Retold by Grandma-Yarla's Tattoos" and Nidhi Dugar Kundalia's "The Godna Artists of Jharkhand". The paper uses the insights from Raymond Williams's cultural theory to deconstruct and critically analyse the tribal practice of tattooing and its relational dynamics within the tribal society. Using memory as a trope and the concept of collective theory as a theoretical framework, the paper sets out to see how gender and caste/class notions are upheld during the tattooing process. Looking through the tattoo as a significant cultural practice in the tribal world, the paper also exposes the diverse class and caste hierarchies prevalent among tribals. [ABSTRACT FROM AUTHOR]

The Nigerian Middle Belt is the epicentre of violent conflicts between Fulani herders and sedentary farmers over land and agricultural resources called eco-violence; existing research has not adequately addressed the persistence of these conflicts. Using Social Representations Theory (SRT), this paper examines empirical case studies conducted in April 2018 and May 2022 in Benue State, Nigeria, to determine why these conflicts persist. The paper argues that contending parties anchor, objectify, and socially represent past contestations in pre-colonial, colonial, and post-colonial Nigeria in present-day realities and events in the Middle Belt, leading to the re-experience of collective memories and their consequences on people's violent collective behaviour. Consequently, people resort to violence to redress present grievances viewed through the prism of past events. To promote sustainable peace when tackling deeply-rooted conflicts, it is essential to comprehend the historical context and the significance of collective memory while employing a comprehensive strategy for conflict resolution. Implementing the Cognitive Reappraisal Technique to address issues related to collective memories is critical to this approach. [ABSTRACT FROM AUTHOR]

The archetypal symbols of Mazu's statues and pictorial art are the mapping of a religious concept, a way of belief, and some programmed behaviours and rituals. They are also emotional imagery used to arouse the cultural awareness of international Chinese, inspire them to help and trust each other, to encourage and to comfort each other, to share weal and woe, and to always forge ahead. From the perspectives of historical memory, visual signs, and cultural identity, this paper explores the construction of archetypal symbols for the statues and images of Mazu. In addition, this paper generalizes the foundation and methods of this construction by analyzing the artistic forms and characteristics of the surviving Mazu images and statues and comparing the rules and regulations for making statues of other religions. Moreover, we consider the function of artistic signs that refer to and symbolize broader religious concepts and beliefs. The purpose of this work is to make the image of Mazu more visually present and strengthen cultural identity. [ABSTRACT FROM AUTHOR]

A damping system always results in energy consumption. This paper studies an exponentially damped oscillator with historical memory for a viscoelastic damper structure, its stability under an initial response is analyzed analytically and verified numerically. [ABSTRACT FROM AUTHOR]

The Easter controversy of the late second century unveiled a profound theological and cultural debate within early Christianity. Originating from differing practices regarding the calculation of Easter dates, the dispute pitted the churches of Asia Minor against the Roman Church. This paper primarily employs a method of documentary analysis. It analyzes the accounts provided by the fourth-century historian Eusebius of Caesarea in his work The History of the Church. It is also cross-referenced with the works of second-century Christian writers. Through this process, this paper seeks to reconstruct the situation of this Easter controversy. Furthermore, it aims to uncover the struggle for apostolic authority concealed beneath the surface of this debate over dates. Central figures like Victor I and Polycrates engaged in this struggle for Apostolic authority, responding to challenges posed by heresies. Victor I leveraged his position to convene religious conferences and issue excommunication decrees against dissenting churches, laying claim to the papal primacy. However, Polycrates invoked the apostolic succession and heritage from John the Apostle to assert the legitimacy of the churches in Asia Minor, challenging Victor I's attempts at centralizing power within the Roman see. The controversy reflected broader debates over apostolic succession and ecclesiastical power structures. The Easter controversy serves as a case study of the Early Church's engagement with practical theology and the integration of religious festival culture with social backgrounds, highlighting the significance of Easter as a symbol of Christian unity and collective memory. This debate highlighted theological nuances and underscored broader issues of communal identity and the power struggle within early Christian communities. [ABSTRACT FROM AUTHOR]

The study examines how members of the historically white possessive and supremacist Church of Jesus Christ of Latter-day Saints in the United States (mis)appropriated Māori genealogy, known as whakapapa. The Mormon use of whakapapa to promote Mormon cultural memory and narratives perpetuates settler/invader colonialism and white supremacy, as this paper shows. The research discusses Church racism against Native Americans and Pacific Peoples. This paper uses Anthropologist Thomas Murphy's scholarship to demonstrate how problematic the Book of Mormon's religio-colonial identity of Lamanites is for these groups. Application of Aileen Moreton-Robinson's white possessive doctrine and Hemopereki Simon's adaptation to cover Church-Indigenous relations and the salvation contract is discussed. We explore collective and cultural memory, and discuss key Māori concepts like Mana, Taonga, Tapu, and Whakapapa. A brief review of LDS scholar Louis C. Midgley's views on Church culture, including Herewini Jone's whakapapa wānanga, is followed by a discussion of Māori cultural considerations and issues. The paper concludes that the alteration perpetuates settler/invader colonialism and Pacific peoples' racialization and white supremacy. Genetic science and human migration studies contradict Mormon identity narratives and suggest the BOM is spiritual rather than historical. Finally, the paper suggests promoting intercultural engagement on Mormon (mis)appropriation of taonga Māori. [ABSTRACT FROM AUTHOR]

Copyright of ANIAV: Revista de Investigación en Artes Visuales is the property of Universidad Politecnica de Valencia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Studia Universitatis Babes-Bolyai, Philologia is the property of Babes-Bolyai University, Cluj-Napoca, Romania and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Statues and monuments are permanent forms of commemoration that interpret and reconstruct public memory in colonial settler societies. Representation through memorialisation is attributed to a genealogy of Western collective remembering that reflects the values, narratives, and experiences of the dominant settler population. Yet, collective remembering and memory can change. This article reports on Indigenous collective remembering practices that were observed in a local government intervention in Aotearoa New Zealand. The Boulcott Memorial Research Project sought iwi Māori (Indigenous Māori tribes) perspectives of the battle of Boulcott's Farm to change a one-sided colonial memorial that was erected to honour British militia who died in the conflict. Iwi kaipūrākau (representatives) from Te Ātiawa, Ngāti Tama, Ngāti Rangatahi, Ngāti Hāua, and Ngāti Toa Rangatira relayed their perspective of the battle through wānanga (a Māori oral tradition). In wānanga, kaipūrākau were perceived to remember relationally, outside colonial time, and through contemporary concerns and political interests, to advance tribal autonomy and self-determination. In this paper, I show how collective remembering in wānanga offers an anti-colonial ethic and intervention for building commemorative landscapes that can redirect public remembrance beyond the limitations of settler colonial memory and towards perspectives that are in tune with Indigenous peoples' lived realities. [ABSTRACT FROM AUTHOR]

The paper presents the main findings of a research conducted at an Asia Minor post-refugee urban neighborhood located at the Greater Piraeus Region within the metropolitan area of Athens. The research took place from October 2022 to January 2023. The main findings of the research outline the issue of urban conservation in terms of urban collective memory. The paper explores the contemporary physiognomy of an urban Asia Minor refugee settlement that comes up against dereliction, uncontrolled building activity and demolitions of the old refugee houses. To explain the significance of these settlements, the paper combines literature review and field work. Field work includes original cartographic depiction of the exact location of the remaining refugee houses as well as documentation through original drawings of typical housing units in the area. The aim of the paper is to put in the forefront the issue of declaration in terms of collective memory in cases where the socio-cultural significance counterweights the architectural value of the buildings. [ABSTRACT FROM AUTHOR]

This paper considers the presence and potential educational impact of national exhibitions within the Auschwitz Birkenau State Museum in Poland. It takes a constructivist, personal-theoretical approach, drawing from autoethnography to explore possible visitor experiences at two of the national exhibits. Through detailed reflection on the French exhibition (Block 20) and the Dutch exhibition (Block 21), the author conducts a thematic analysis on the content in order to consider the constructions and possible intentions of the narratives presented. This is used to consider how the (relatively unvisited) exhibitions might contribute to visitors' developing understandings of the complex history of the Holocaust. Particularly, the author considers how the national exhibits might contribute to the education of young people at the museum, and, by extension, at other sites, memorials, or educational spaces. The paper concludes that the inclusion of these complex national narratives is vital in young people gaining an understanding of the Holocaust as a multi-layered event. The paper offers a model for enabling inclusive Holocaust Education that embraces: (1.) divergent historical narratives (such as those in the national exhibitions), (2.) young people's emotional engagement and responses to those narratives, and (3.) the Holocaust (and its representations) as a 'contested space' of history. [ABSTRACT FROM AUTHOR]

Copyright of Kroatologija is the property of University of Zagreb, Centre for Croatian Studies and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Today, the marriage between cartographic language and narrative strategies has reshaped maps with the generative capability to represent the intangible historical characters and events involved in social memories following a narrative manner. Despite these advances, rather few efforts have been spared to unveil the potential of tourism maps in a narrative form. This paper seeks to rectify the gaps in this line of research by unfolding the underlying theories and cartographic design guidelines for making narrative tourism maps. In particular, a narrative cartographic design approach is demonstrated and evidenced to be practical using the case of 'Red Boat Spirit Map', a tourism map designed for Jiaxing City, one of the most well-known destinations of China's red tourism. It is believed that the theoretical instrument and cartographic design guidelines presented in our paper are particularly relevant and can be easily adapted to more general research of narrative maps. [ABSTRACT FROM AUTHOR]

Copyright of Imaginaires is the property of Universitaires de Reims and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper intends to illustrate an often neglected, yet relevant aspect of the collective memory construction in communist Romania. In addition to other forms of collective remembrance, cinematic representations of the recent past have played a significant role for both the political regime and the Romanian society by providing political legitimacy as well as entertainment. The communist resistance was one of the most recurrent topos of collective memory, whereas underground party supporters -- the so called "illegalists" - often had to be presented as figures of identification. The cinema permitted, however, a negotiation of the recent past on different levels. Starting from these considerations and focusing on the film production „Duminică la ora 6” (Sunday at Six, Lucian Pintilie, 1966), the paper brings into discussion the communist resistance discourse during the liberalization period. [ABSTRACT FROM AUTHOR]

Media work is a culture-making activity affecting the ways people understand the world and, therefore, workers in the media industries have a critical role in shaping collective memories, traditions, and belief systems. While studies regarding the characteristics impacting the nature of work in the media industries have significantly been increasing over the last years, the literature in this area remains highly fragmented. This paper begins to address that shortcoming by conducting an in-depth review of 36 scholarly papers in influential journals published from 2006 to 2020 to provide a comprehensive view of the literature and its approaches. This study elaborates on the concept of media work by organizing previous efforts into five subthemes, including commonalities, contested terrain, gendered profession, emerging practices, and influencing factors. Previous research has emphasized that media workers' subjective experiences need to be explored further and more in-depth; however, if we wish to depict a more holistic but realistic picture, those experiences should be contextualized and thus linked with the specific organizational configurations and macro structures in which media work is embedded. The present review depicts how work in the media may take different meanings when addressing it through various theoretical frameworks. Our study can enrich future studies regarding the nature of media work by providing a fine-grained foundation in which researchers could understand how their given research problem(s) would be connected with the other issues that potentially impact their studies. [ABSTRACT FROM AUTHOR]

Copyright of Revista Fotocinema is the property of Revista Fotocinema and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The concept of Rus holds significant relevance in the context of the ongoing Russian-Ukrainian war, particularly when examining the military memory of Ukrainians. This paper aims to analyze the significance of Rus in Ukrainian military memory, as reflected in the names of modern military units. The current names of individual Ukrainian brigades are intricately linked to important figures from medieval Rus and Lithuania. Despite the majority of units being named after figures from the Cossack era or individuals associated with the Liberation struggles of 1917-1921, the inclusion of references to the princely period serves to evoke military pride. Russia's narrative revolves around the Soviet concept of the Great Patriotic War, emphasizing figures from medieval times without delving deeply into their ties to Rus. The conclusions highlight a distinctive precedent in terms of divergent memory politics, showcasing the Ukrainian perspective's active exploration of Rus' past as pivotal in Ukrainian statehood. [ABSTRACT FROM AUTHOR]

The article ponders upon ethnic proverbs containing the ethnonyms Ormianin 'Armenian', Grek 'Greek' and Zyd 'Jew', which constitute a peculiar collection of paremics determined by the former sociocultural context. The research material was collected using the NKJP and Google search engine. The paper aims at analysing the collected paremic items as carriers of ethnostereotypes, and to interpret them as textual realizations of the collective memory genre. I employ linguistic-cultural methods and the linguistics of memory in the analysis and description of the material, which allows the studied proverbs to be framed as a genre of memory participating in the transmission of images of the past. The study also takes into account the pragmatic functions of proverbs in contemporary identity discourse and the reinterpretation of meanings contained in the paremic items in question. [ABSTRACT FROM AUTHOR]

The interconnection between the objectives of territorial development and those of the agro-ecological transition highlights the value of past knowledge in the sustainable management of resources and agro-ecological systems. However, the lack of data creates difficulties for retrospection in rural areas. This paper contributes to the search for such knowledge from the past by developing an interactive methodology capable of combining heterogeneous information sources with the activation of local collective memory. Its effectiveness is based on ensuring the interoperability of information and communication in an environment simultaneously shaped by geoinformatics and 3D geovisualisations. This virtual environment fostered participation and interactivity, supported by representations of the paleo-landscape (Ottoman period). Furthermore, synergies were achieved between information sources, which were integrated into local spatial systems. The application example involved identifying a rice field that existed between the 15th and 19th centuries in Thessaly, Greece. It is an interesting case because the research results indicated that the location and organisation of the crop, combined with the spatio-temporal coordination required, ensured the sustainable use of natural resources. The interplay between information and communication facilitated community participation and the activation of its collective memory as an information source that enriched the search itself and local intelligence. [ABSTRACT FROM AUTHOR]

This research is concerned with individuals' symbolic interactions with the Charging Bull statue. We chose this statue because it is an extremely popular tourist attraction and the most visited nonhuman statue in New York City. However, there is no research devoted to understanding how visitors interact with the statue. To fill this gap in the literature, we examine people's interactions as a unique way of communicating with the Charging Bull statue in New York City through a photo analysis approach. Using the general framework of symbolic interactionism, the paper investigates poses, gestures, and more generally interactions of individuals near or with the statue to gain insights into the impact of the Charging Bull beyond a mere visual representation. The findings reveal various forms of interaction, including souvenir photography, active participation, unexpected interactions, and public-made symbolism. This study of these interactions contributes to the literature on collective memory and the study of statues. Additionally, this research highlights the inventiveness of the dynamic relationship between individuals and statues as symbols in the urban environment. [ABSTRACT FROM AUTHOR]

The reuse of construction materials has been a consistent practice throughout the history of architecture, especially prevalent during periods of transition when it was preferred for its ability to simplify installation and reduce construction costs. This practice was particularly common in late Roman urban contexts, where construction materials, especially ashlar and sculptural elements, were abundant following the abandonment of temples and public buildings. However, there are occasions when the use of spolia, or reused materials, goes beyond simple material recycling. The reuse and display of certain pieces carry complex implications involving symbology, cultural appropriation, or collective memory exercises that convey messages through new buildings. In this paper, we focus on the unique case of Hispanic Christian architectural sculptures that were "recycled" in new buildings during the first centuries of Islamic domination of the Iberian Peninsula, specifically within places of worship. Through a general analysis and review of some examples, we aim to reflect on the motivations and intentionality behind the use of certain sculptural pieces and their placement in new buildings, which is not arbitrary. [ABSTRACT FROM AUTHOR]

The invasion of Ukraine highlights the continued threat Russia poses to Eastern Europe. This essay describes these threats as twofold: investigating both the material realities of soldiers and weapons, as well as abstract notions like the role played by ideas and history. Discussing examples such as the "war of monuments," the Baltic forest brothers, and the Holodomor, this paper examines how contrasting approaches to history and memory can lead to conflict in the region, particularly when threats are perceived differently by competing actors. [ABSTRACT FROM AUTHOR]

This paper presents a critical discourse analysis of the Gerakan 30 September (G30S) event's portrayal in Indonesian Grade XII history textbooks across various curricula from 1994 to 2013. By analysing four textbooks, the study reveals an evolving narrative of the Communist Party of Indonesia (PKI) from a predominantly negative portrayal in earlier curricula to more nuanced and multiperspective representations in later editions. Early textbooks, aligned with the New Order's anti-communist ideology, depict the Communist Party of Indonesia (PKI) as a malevolent force, whereas later texts, especially under the 2013 curriculum, offer diverse viewpoints, reflecting a shift toward critical thinking and balanced historical understanding. This shift indicates changing political ideologies and educational approaches in Indonesia, highlighting the role of textbooks in shaping historical perception and national identity. The findings illuminate the transformation in educational narratives, emphasizing how these changes in textbooks are indicative of broader societal and political shifts and their significant impact on shaping collective memory and national consciousness in Indonesia. [ABSTRACT FROM AUTHOR]