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Attrition intentions continue to impact workers within the architectural profession, despite a significant dedication of time and effort towards higher education, skill development and professional licensure. Moreover, it is a significant disruptor to sustainable business planning. This paper investigates factors impacting career wellbeing and longevity, registration status and attrition intentions across a group of architecture graduates to provide preliminary findings into the exit destinations of those having left or intending to leave the profession. Using a conceptual framework established through the literature, qualitative and quantitative data were collected through an investigative online survey across 32 architects and architecture graduates from [Name withheld] University's architecture program in Australia. Results reaffirm that no singular factor is responsible for attrition, although several themes are specific to architecture, as follows: salary versus expected hours worked, architectural registration difficulties and a discontent or lack of wellbeing within the role or work environment. The data suggest that common exit destinations for architecture graduates include roles similarly aligned within the built environment, such as landscape architecture, construction, real estate and urban planning. This paper contributes to a gap in understanding where exactly architecture graduates and professionals go when they leave and the motivating or demotivating factors that drive such alternative pursuits. It underscores the importance and value of addressing the wellbeing and career longevity of a skilled and valuable workforce in order to address and combat high attrition. [ABSTRACT FROM AUTHOR]

The article presents a conference paper about "Next Generation" libraries. It cites changes that impacted library design such as developments in active collaborative and discursive learning and the transformation brought about by information technology. It discusses the Workshop Process utilized by the Iahznummo architects in building consensus for innovation in library design that involves all stakeholders, citing processes involved in libraries in Australia.

The future is the first fundamental projection for architecture. Architecture has a duration in time, which often goes beyond the very life of its designer, so it is in itself a time machine, which must inexorably come to terms with projections of the future. Through a review of utopias in the field of architectural design over the last few centuries, this paper intends to explore utopian aspirations for the future spatial ideal of architectural education and the dialectic of its need to be 'realized'. The findings indicate that the futurescapes of architectural education requires cross-fertilization through interdisciplinarity, which emerges from the bottom up, generating contributing scenarios from the community; the adaptability of scenarios that are dynamic and in turn can generate variables in constant transformation; the temporal stratigraphy of the built environment, involving the coexistence of artifacts from different eras within the same space, and the need for reconciliation and sustainability; as well as the need for interdisciplinarity and "out of the box" thinking that contributes to a greater awareness of non-traditional approaches. From the perspective of design education, the futurescapes, through experimentation in literature research and educational practice, it is evident that in the educational practice of fostering the next generation of architects and designers, they need to be capable of more than assessing issues from the perspective of design and community, not only to face current challenges but also to design the future they desire for themselves and the communities in which people live. [ABSTRACT FROM AUTHOR]

In this paper, we piece together threads of communicative processes between residents, architects, and other parties, as found in the lists and letters of the archive of the Byker Redevelopment in Newcastle Upon Tyne (1968-83). Documents that are usually discarded or neglected by architectural researchers - from a stack of various papers documenting residents' lists of complaints, evaluative papers such as an audit report, and architects' memos, to a resident's letter of complaint - enable us to reconstruct, first, how a mainstream practice collected and filed residents' experiences and understanding of their homes, and second, how, through the circulation of those papers in action as files, residents' notes were also embedded in the design process. [ABSTRACT FROM AUTHOR]

The aim of this paper is to discuss the radical shift which emerges in the 1990s and enhances architecture in the 2000s by turning it into a less sculptural more intellectual field of design. Hence, architects rather focus on ground than figure in design projects. This leads them to interrogate the conventional relationships between figure and ground enabling figure to dominate the ground in architecture for decades. They discover the mutual relationships between figure and ground, and design grounded structures instead of ungrounded sculptures. These artificial structures seem like the extensions of the natural landscape, as such the conceptual and categorical distinction between artificial and natural blurs in architecture. Another conceptual blurring emerges between the concepts of landscape, ground, and field. These are generally used as interchangeable concepts, but landscape encompasses ground and field, making it a more comprehensive concept for architects. It is revealed in the paper that landscape is a reemerging concept which refers to the conceptual shift from form and function to flow and force in architecture. Landscape, therefore, awaits to be explored as a field of flows and forces by even more architects in this century in which cities are characterized by sculptural forms and objects. [ABSTRACT FROM AUTHOR]

This paper traces the continuities between the post-war Polish husband-and-wife architect duo of Oskar and Zofia Hansen, and their predecessors from the interwar avant-garde, the husband-and-wife artist duo of painter Władysław Strzemiński and sculptor Katarzyna Kobro. It argues that the Hansens’ Open Form (1958) approach extended the essentialism of Strzemiński and Kobro’s theory of Unism (1924) to advance a modern architecture. This paper analyzes the design for a memorial at Auschwitz-Birkenau that the Hansens worked on as part of a team for an international competition, called the Road (1958), as the crystallization of Unism’s influence on the theory of the Open Form. [ABSTRACT FROM AUTHOR]

From preservation of historical monuments to repair of existing buildings, architectural heritage seems to be a market with a future for France's building industry. The public's enthusiasm, along with greater appreciation of the "value" of cultural goods and their integration into a framework of economic development offer a favorable context for rapid expansion of the architectural heritage market. Despite this fact, architectural heritage has yet to become the focus of strategies permitting elaboration of a real supply policy. The designation "heritage architect" currently covers the following professional groups: (1) "head architects for historical monuments" (the elite body of architects entrusted with rehabilitation of France's historical monuments); (2) architects working solely in private agencies; and (3) civil servants with project management responsibilities limited to the historical monuments' upkeep. These different players are too dispersed to formulate an economic response to the increasing demand for their services. Exchanges among the three groups about historical approaches must be encouraged, the competencies needed for the field must be better identified, and the training needed to develop the specialized skills required for historical preservation must be developed and provided. Companies and training bodies have important roles to play in building and structuring the architectural heritage market and in providing the training required to develop a qualified workforce. (MN)

Maximizing spatial utilization within tall buildings stands as a paramount planning consideration for ensuring project feasibility, particularly accentuated ins the context of hotel constructions. To date, no comprehensive study has addressed this issue while considering crucial architectural and structural planning factors. This article fills this gap by using a case study method based on data from 31 contemporary tall hotel towers. The findings revealed several key points: (i) central core typology was mostly utilized; (ii) prismatic buildings were the most prevalent forms; (iii) shear-walled frame systems were predominantly employed; (iv) concrete was the preferred choice for hotel construction; (v) the average space efficiency and the ratio of core area to gross floor area (GFA) averaged 81.2% and 16%, respectively; (vi) the range changed from a minimum of 70% to 4% to a maximum of 94% to 28%; and (vii) space efficiency showed an inverse relationship with the height of the building. It is anticipated that this paper will assist architects and structural engineers as well as builders involved in the planning of hotel developments. [ABSTRACT FROM AUTHOR]