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This article highlights various individuals in the entertainment industry who are working to promote diversity, equity, and inclusion (DEI) in their respective fields. It mentions Charles D. King and Stacey Walker King, who raised funds for their multicultural firm Macro, as well as Niija Kuykendall, who manages Netflix's emerging filmmaker slate. Other individuals mentioned include Franklin Leonard, Carlos López Estrada, Phil Lord, Alana Mayo, Glen Mazzara, Ron Nyswaner, Will Packer, Issa Rae, Shonda Rhimes, Hiroyuki Sanada, Sanjay Sharma, Taika Waititi, Lulu Wang, Kerry Washington, Janet Yang, and Ramy Youssef. The article also mentions the upcoming THR DEI event featuring Kumail Nanjiani as the keynote speaker. [Extracted from the article]

This article provides a concise history of Columbia Pictures, a major film studio in Hollywood. It begins with the studio's founding in 1924 by Harry and Jack Cohn and Joe Brandt, and their focus on producing budget-friendly films like Westerns and comedies. The article highlights significant moments in Columbia's history, such as the hiring of filmmaker Frank Capra in 1928, the studio's success during the Great Depression, the impact of the Paramount Decrees in 1948, and the acquisition of the studio by Coca-Cola in 1982. It also mentions notable films produced by Columbia, including "On the Waterfront" and the "Spider-Man" franchise. The article concludes with the recent success of the romantic comedy "Anyone But You." [Extracted from the article]

This article discusses the career evolution of director Shawn Levy, highlighting his shift from family comedies to producing Oscar-winning films and cultural phenomena like Stranger Things. Levy's recent success includes directing films like Free Guy and The Adam Project, and he is now taking on the challenge of directing the R-rated Marvel film, Deadpool & Wolverine. The article emphasizes the importance of leading with emotion and enthusiasm in various settings, without providing specific examples or further information on the topic. [Extracted from the article]

The article discusses the upcoming biopic "Back to Black" about the life of Amy Winehouse. The film aims to challenge the victim narrative surrounding Winehouse's tragic death and instead focus on her independence and agency as revealed in her music. Director Sam Taylor-Johnson brings a unique perspective as a woman who has faced her own tabloid scrutiny and has experienced the challenges of fame. The film explores lesser-known aspects of Winehouse's life, such as her relationship with her grandmother, and features Marisa Abela as Winehouse, who underwent singing lessons and weight loss to accurately portray the singer. The film is set to be released in April and May 2024. [Extracted from the article]

This article discusses the musical remake of "The Color Purple" and the experiences of the three female stars, Fantasia Barrino, Danielle Brooks, and Taraji P. Henson. The stars express their admiration for the original film and book, highlighting its significance within the Black community. They also discuss the importance of finding joy and celebrating in the face of adversity, as well as the challenges they have encountered as Black actresses in the industry. Producer Oprah Winfrey shares her personal connection to the story and her role in bringing it to a new audience. The article also delves into the new vision for the film and the casting process for the stars. Taraji P. Henson, along with other Black actresses, discusses the obstacles they face in Hollywood, such as limited opportunities and unequal pay compared to their white counterparts. Henson emphasizes the importance of representation in the film industry and shares her audition experience for the remake of "The Color Purple." Oprah Winfrey, as the film's producer, stresses the need for the success of movies with predominantly Black casts to prioritize Black stories and culture. [Extracted from the article]

The article discusses the production process of the film "Maestro," a biopic about Leonard Bernstein. The filmmakers faced challenges in recreating the look and feel of Bernstein's life and work, including reconstructing his apartment, sourcing equipment for the desired film texture, creating costumes for conducting movements, and using prosthetics to transform Bradley Cooper into Bernstein at different stages of his life. The decision to film certain sequences in one continuous shot and the use of multiple microphones to capture the music in Dolby Atmos are also highlighted. Despite these challenges, the filmmakers were able to create an authentic portrayal of classical music. [Extracted from the article]

This article discusses the challenges faced by producers of six Oscar contenders in terms of location and other aspects of filmmaking. The producers had to navigate various obstacles, such as working with first-time filmmakers, finding financing for smaller-scale films, and dealing with shooting constraints and weather conditions. Each film had its own unique challenges, including finding the right locations, simulating specific settings, and adhering to a limited budget. The producers had to be resourceful and creative in order to bring their films to life. [Extracted from the article]

This article provides an overview of filmmaker Zack Snyder's career, with a focus on his involvement with DC Comics superhero films. It discusses his successes with films like "300" and "Man of Steel," as well as his disappointments with films like "Watchmen" and "Batman v Superman: Dawn of Justice." The article also touches on the controversy surrounding the release of Snyder's original cut of "Justice League" and his decision to move away from the superhero genre. It concludes by highlighting Snyder's new project, Rebel Moon, a gritty and violent space epic set to be released on Netflix. [Extracted from the article]

The Hollywood Reporter article discusses the use of artificial intelligence in the new Nat Geo documentary "Endurance," which showcases footage from Ernest Shackleton's 1907 Antarctic expedition. The filmmakers used AI to recreate scenes from Shackleton's journey, including his 800-mile lifeboat trip, by combining re-creations with synthesized audio recordings of the survivors. The use of AI in the documentary raises ethical considerations, as seen in the controversy surrounding similar technology in the past. [Extracted from the article]

The article discusses the fashion choices of celebrities at the 30th Screen Actors Guild Awards. It highlights the unique and avant-garde looks worn by various actors and actresses, including Emma Stone, Ayo Edebiri, Greta Lee, Lily Gladstone, Ali Wong, Elizabeth Debicki, Colman Domingo, Billy Crudup, Naomi Watts, and Cillian Murphy. The article also mentions Da'Vine Joy Randolph's glamorous appearance at the event and the subsequent celebrations at the Spirit Awards and Producers Guild Awards. [Extracted from the article]

Coppola adapted the script from Priscilla's 1985 memoir, Elvis and Me, which the filmmaker picked up a few years ago, thinking, "Oh, it would be a juicy, glamorous story", Coppola says. In Priscilla, a new movie written and directed by Sofia Coppola, audiences will get a rare look at the couple's story from Priscilla's point of view. FEATURES VENICE 2023 P PRISCILLA PRESLEY WAS TRYING on clothes in the fitting room of a Beverly Hills boutique when she overheard two women whispering about her. Seven months earlier, when Coppola's film was in postproduction, Priscilla and Elvis' only child, Lisa Marie, died suddenly at age 54 of a small-bowel obstruction. [Extracted from the article]

I purposely wanted the movie to feel like you were coming into a typical James Wan-type horror film, only to then pull the rug out from underneath you toward the end of the movie. Wan's hometown of Perth is one of the most remote capital cities in the world, and his childhood dream of becoming a mainstream genre director in Hollywood felt even more out of reach when he quickly realized that there were virtually no Asian filmmakers making studio genre films in the late '80s and early '90s. Wan's life forever changed when he met aspiring Aussie actor-screenwriter Leigh Whannell at Melbourne's RMIT University, and their shared love of genre films would lead to their indie horror hit Saw (2004). Leigh and I didn't just write a shocking movie for the sake of being an exploitation, schlocky movie. [Extracted from the article]

Jennifer Holness Hungry Eyes Media (Canada) Holness has become a Canadian indie film stalwart by producing and co-writing theatrical dramas by her husband and business partner, Sudz Sutherland, like Home Again and Love, Sex and Eating the Bones. Top International Woman in Film: Cécile Gaget Head of Film Group, Wild Bunch (France) All eyes in the international indie film world are on Gaget, who, since taking over as head of film at Wild Bunch in September, has been charged with steering Europe's leading indie film studio into the future. Laurie May Co-president, Elevation Pictures (Canada) May, a Canadian film distribution veteran, runs indie outfit Elevation Pictures along with co-founder and co-president Noah Segal. [Extracted from the article]

Tim Burton, the filmmaker known for movies like Beetlejuice and Edward Scissorhands, reflects on his life and career in a conversation at the Burbank International Film Festival. He discusses growing up in Burbank, his love for drawing and monster movies, and his experiences at Disney. Burton also talks about his films, including Pee-wee's Big Adventure, Beetlejuice, and Batman, and his recent work on the hit Netflix series Wednesday. He emphasizes the personal and creative aspects of his projects and the challenges he has faced in the industry. [Extracted from the article]

Warner Bros. has allowed the licensing of the next installment of the Rush Hour franchise, potentially working with filmmaker Brett Ratner, who has faced allegations of sexual misconduct. Lionsgate, among other studios, has considered the project, but Ratner's involvement has been a nonstarter for several studios. The stars of the franchise, Chris Tucker and Jackie Chan, have expressed interest in returning, but their involvement is not confirmed. The potential revival of Rush Hour 4 reflects the trend in Hollywood of capitalizing on nostalgia and existing intellectual property. [Extracted from the article]

This article discusses the aftermath of the strikes that occurred in the entertainment industry in 2023. The strikes, led by SAG-AFTRA and the Writers Guild of America, aimed to address issues of devaluation and poor working conditions in the streaming era. However, the strikes resulted in a drop in employment and production, as well as financial cuts by major companies. The opinions on whether the strikes were worth it are mixed, with some believing they were necessary to combat downward pressure on wages and working conditions, while others view them as self-inflicted wounds that worsened the industry's situation. The article also highlights the impact of the strikes on specific contract provisions, such as AI protections and bonuses for performers in streaming titles. Overall, the long-term effects of the strikes are still uncertain, but they have sparked important discussions and changes in the industry. [Extracted from the article]

The Hollywood Reporter article discusses the development of multiple Star Wars projects centered around Daisy Ridley's character Rey. Simon Kinberg is working on a new trilogy, potentially conflicting with a standalone Rey movie directed by Sharmeen Obaid-Chinoy. Rey is considered a valuable asset for the franchise, as other iconic characters have concluded their storylines. Lucasfilm is navigating multiple projects with overlapping characters and timelines, creating a unique development process. [Extracted from the article]

The Rhode Island International Film Festival (RIIFF) faced numerous issues this year, according to filmmakers who participated in the event. Technical problems, such as films not filling up screens and playing without sound or picture, were reported. Additionally, there were concerns about low audience attendance and chaotic planning and communication. Some filmmakers expressed frustration over the lack of response from RIIFF to their inquiries, leading them to seek information through social media. RIIFF's executive director acknowledged the problems but attributed them to the festival's transition after the death of its founder and the impact of COVID-19. Despite the challenges, RIIFF is optimistic about the future and expects next year's festival to be their best yet. [Extracted from the article]

"The Franchise," a new HBO series, offers a biting workplace satire that delves into the chaos and behind-the-scenes struggles of making superhero movies. The show's creators, including Jon Brown and Armando Iannucci, were inspired by the real-life experiences of filmmakers who faced unexpected changes and creative direction shifts during the production of franchise films. The series follows the cast and crew of a fictional superhero movie called Tecto, highlighting the challenges faced by the first assistant director, Daniel, as he tries to manage egos and keep the production on track. While the show's fictional boss, Pat Shannon, may bear a resemblance to Marvel chief Kevin Feige, the producers emphasize that Shannon is written differently. Despite the apparent decline in superhero film enthusiasm, "The Franchise" aims to provide a relatable and timely perspective on the industry. [Extracted from the article]

Destin Daniel Cretton, the director of Marvel's "Shang-Chi and the Legend of the Ten Rings," is in talks to direct "Spider-Man 4." This will make him the fourth director to take on a solo Spider-Man feature. The movie will star Tom Holland and is a co-production between Sony and Marvel Studios. The film is set to begin shooting early next year. Cretton's work on "Shang-Chi" and the upcoming series "Wonder Man" has garnered praise, making him a popular choice for the Spider-Man franchise. It is unclear how this new project will impact his other projects, including a live-action adaptation of "Naruto" and a sequel to "Shang-Chi." [Extracted from the article]

The article discusses recent events in the entertainment industry, including the premiere of the long-awaited sequel to Beetlejuice at the Venice Film Festival. Director Tim Burton expressed his enthusiasm for the film after a period of disillusionment with the industry. The article also mentions the premiere of the fourth season of the Hulu comedy Only Murders in the Building, which briefly relocated to Los Angeles. The Association of Film Commissioners International also held its annual event, which was celebrated with an opening reception. [Extracted from the article]

Directors working on major studio movies are facing challenges due to micromanagement, risk-averse executives, and a shrinking number of opportunities. The current market conditions have reduced the margin for error for directors, with fewer films being made and increased scrutiny from studio executives. Nonwriting directors, in particular, are finding it difficult to secure directing assignments, as higher-level talent is being prioritized. Streaming platforms have provided a safe haven for directors, but success on these platforms does not necessarily translate to career advancement. Rotten Tomatoes scores and box office figures are also being used to evaluate and make decisions about hiring directors. Directors can turn to prestige TV or independent projects to continue their careers. However, financial challenges and a lack of turnover at the top levels of the studio system are further limiting opportunities for filmmakers. [Extracted from the article]

The Hollywood Reporter article titled "Emily in Paris: Los Angeles, Aug. 14" discusses the premiere of the fourth season of the show "Emily in Paris" in Los Angeles. The new season takes place in Italy, providing a change of scenery for the characters. The creator of the show, Darren Star, mentioned that filming in Rome was a refreshing experience after the cold winter in France. The article also briefly mentions Ridley Scott passing the baton to Fede Álvarez for the new Alien movie, with Scott remaining as a producer and offering feedback on the film. [Extracted from the article]

This article from the Hollywood Reporter provides a brief update on recent events in the entertainment industry. It includes information about weddings, births, promotions, hirings, and deaths. Some notable highlights include Lauren Orlowski, director of feature postproduction at Paramount Pictures, marrying Ryan Cassells, a film and TV producer and executive at The Hideaway Entertainment. Additionally, Gena Rowlands, the wife and muse of John Cassavetes and a renowned actress, passed away at the age of 94. [Extracted from the article]

The Telluride Film Festival is returning for its 51st year, taking place over Labor Day weekend. Alongside Venice and on the eve of Toronto, the festival screens awards contenders and features a variety of films, short films, revival programs, filmmaker tributes, and conversations. The festival is known for keeping its lineup a secret until attendees have arrived. The first festival was held in 1974 and honored Gloria Swanson. [Extracted from the article]

The article titled "Rights Available!" discusses a new book called Liars, written by Sarah Manguso and represented by the agency CAA. The book explores the theme of bad marriages, focusing on the character Jane, a writer who becomes involved with a filmmaker named John. The author portrays John as an entitled straight white man, highlighting his ego, recklessness, unfaithfulness, and unequal contribution to their household. The article suggests that Liars has the potential to become a highly discussed story, comparable to Miranda July's All Fours. [Extracted from the article]

CJ ENM, a global IP powerhouse, recently honored and celebrated seven "visionaries" in the entertainment industry at the 2024 Visionary Awards. The awards recognize individuals who propose new visions in various fields, including film, dance, and webtoons. This year's honorees include KANG FULL, Kim Yong-hoon, Monika, Ryu Seung-Ryong, Song Hye-kyo, UHM JUNG HWA, and Stray Kids. Past recipients of the award have included BTS, BLACKPINK, director Hwang Dong-hyuk, and director Bong Joon-ho. The ceremony aims to support and highlight originality in Korean entertainment and provides insight into upcoming trends in the industry. [Extracted from the article]

Frank Marshall is one of the most artistically and commercially successful producers in Hollywood history. Listen and subscribe via your favorite podcast app. 5 OTHER ACCLAIMED FILMS FROM PRODUCER FRANK MARSHALL PAPER MOON 1973 Marshall was an associate producer on Peter Bogdanovich's Depression-era road movie starring Ryan O'Neal and daughter Tatum O'Neal. THE COLOR PURPLE 1985 Marshall's second best picture-nominated film proved Spielberg could helm serious, dramatic films - but went for a record-tying 0-for-11 at the Oscars. They were there doing a documentary on Ford, but Peter had also just met Roger Corman, and Roger asked him to shoot some second unit on The Wild Angels, after which Peter was hoping to direct his first movie. [Extracted from the article]

Nnamdi Asomugha, a former football star and actor, has gained recognition as a director with his debut feature film, The Knife. The film, which he also produced and stars in, tells the story of a family whose home is invaded by an intruder. Asomugha's involvement in the project began when he was asked to be the lead actor by Mark Ruffalo, who had written the script. However, Asomugha's role expanded to include writing and directing the film. Despite initial anxiety about directing, Asomugha found the experience enjoyable and made efforts to create a positive and fun work environment for the cast and crew. He believes in working with good people and avoiding being difficult on set. Asomugha and his wife, Kerry Washington, have also collaborated as producers on a play that received a Tony nomination. [Extracted from the article]

Raven Jackson's debut feature film, "All Dirt Roads Taste of Salt," is a poetic and sensorial journey that follows the life of Mack as she grows up in Mississippi. The film explores the emotional arc of Mack's life, introducing us to her family, friends, and community. Jackson drew inspiration from her background in poetry and aimed to create a fluid and emotional experience for viewers. The film also incorporates elements of sound design and pays homage to influential Black female filmmakers. Jackson's film received funding through collaborations with producers and the support of Barry Jenkins' company, Pastel. [Extracted from the article]

This article discusses the current landscape of the animated feature race, highlighting various films that are contenders for nominations and awards. Some notable films mentioned include "Wish" from Walt Disney Animation Studios, "Spider-Man: Across the Spider-Verse" from Sony Picture Animation, "Elemental" from Pixar, "The Boy and the Heron" from Studio Ghibli, "Nimona" from Annapurna and Netflix, "Chicken Run: Dawn of the Nugget" from Aardman Animation, "Leo" from Netflix, "The Super Mario Bros. Movie" from Illumination Entertainment, "Migration" from Universal and Illumination, "Trolls Band Together" from DreamWorks Animation, "Rudy Gilman, Teenage Kraken" from DreamWorks Animation, and "Teenage Mutant Ninja Turtles: Mutant Mayhem" from Paramount and Nickelodeon. The article provides brief descriptions of each film and their respective directors, voice casts, and box office performances. [Extracted from the article]

2023 has been a significant year for female writer-directors in Hollywood. Greta Gerwig's film, Barbie, has not only showcased the economic influence of female consumers but has also served as a momentous occasion for female auteurship. This year has seen the largest group of female writer-directors releasing their work, both in theaters and through streaming platforms. These filmmakers represent a diverse range of genres and perspectives, and their success reflects a growing preference for auteur-made films in the industry. [Extracted from the article]

Ashton Gleckman, a young filmmaker and musician from Indiana, has gained recognition for his talent and passion for film and music. At just 23 years old, Gleckman has already worked with renowned composer Hans Zimmer and produced documentaries on various topics. His latest project is a docu-series about John F. Kennedy, which focuses on Kennedy's life rather than his death. Gleckman's goal is to make history more appealing and accessible to his generation. The series, titled "Kennedy," will be aired on the History channel. Despite his success, Gleckman remains humble and dreams of attending a party with his idol, Steven Spielberg. [Extracted from the article]

August 2022 Amazon and Nielsen strike a deal for the latter to provide ratings for Thursday Night Football on Prime Video, marking the first time a live streaming program is part of Nielsen's national TV measurement. Nielsen was (is?) not up to the task of that type of measurement, and when Netflix opted to make its viewer data a black box, everyone else with any kind of streaming property - from Amazon to The CW - followed suit. June 2021 The Gauge, a monthly snapshot of TV use by platform from Nielsen, launches - with buy-in from Netflix and other streamers, marking a big change in their attitude toward the ratings service. [Extracted from the article]

"I didn't really notice anything", says Ben Stiller of working with Baumbach and Gerwig on Greenberg - he starred as a loser brother who house-sits for his more successful sibling and ends up falling for a personal assistant (played by Gerwig). It's a line Gerwig is familiar with, as well, having earned her first two Oscar nominations (director and original screenplay) for her autobiographical 2017 film Lady Bird, about a Catholic school girl coming of age in Gerwig's hometown of Sacramento, California, in the early 2000s. So, when she heard from her longtime agent - UTA's Jeremy Barber, who, coincidentally, has also been Baumbach's rep since well before Baumbach and Gerwig met on Greenberg - that Sony was developing a remake, Gerwig finagled a meeting with Amy Pascal and convinced the film's producer to let her take a crack at the script. Just before Gerwig began scouting locations for her production, Baumbach was finishing up shooting on Marriage Story, which made even 2018's Oscar night something of a drag, despite Gerwig's Lady Bird noms. [Extracted from the article]

The Producers Guild of America (PGA) has made history by nominating two non-English language films for the first time. The PGA Awards, which are considered a strong predictor for the Best Picture category at the Academy Awards, included films like "American Fiction" and "Barbie" as expected contenders, but also recognized "The Zone of Interest" and "Anatomy of a Fall," both foreign-language films. The PGA's nominations are seen as a positive sign for the Oscar chances of these films, which may have a better chance with the more internationally-focused Academy. However, this news is not favorable for films like "The Color Purple" and "May December," which were not nominated by the PGA. [Extracted from the article]

The article discusses the lack of diversity among directors in the film industry, particularly in the feature film category. It highlights the fact that historically, the Directors Guild of America (DGA) has been male-dominated and has nominated very few women and directors of color. However, the first-time director category has shown more diversity, with a roster that includes people of color and women. The article suggests that while established directors still lack diversity, the first-time feature category offers hope for a more inclusive future in Hollywood. [Extracted from the article]

The article discusses the criticism faced by two recent films, "Oppenheimer" and "Killers of the Flower Moon," for centering white male characters in stories about violence against Native Americans and Japanese people. The article argues that the issue is not solely the filmmakers' choices but rather a larger problem within the media industry, which consistently prioritizes the white perspective. The concept of "narrative sovereignty" is introduced, emphasizing the importance of marginalized communities having agency and resources to share their own stories. The article concludes by highlighting the disparity in industry support for different films and the need for multiple perspectives in cinema. [Extracted from the article]

This article from the Hollywood Reporter discusses the recent shifts in the frontrunners for the upcoming Oscar nominations. Christopher Nolan's film "Oppenheimer" has gained momentum, winning the top Critics Choice Award and receiving nominations from various guilds. Greta Gerwig's film "Barbie" has also garnered attention, with a Directors Guild nomination and post-screening discussions moderated by notable directors. Other films, such as "American Fiction" and "Origin," have also received nominations and are gaining unexpected awards attention. In the animated feature category, "Nimona" leads with nine Annie Award nominations. Finally, the article mentions the favorites for the visual effects category, including "The Creator" and "Spider-Verse." [Extracted from the article]

Cinematographer Jamie D. Ramsay used personal experiences of loneliness and isolation to create a sense of warmth and nostalgia in the film All of Us Strangers. The $10 million film, shot in London over five weeks, included filming at the director's childhood home for added emotional impact. Ramsay aimed to achieve a subtle difference in look between the past and present scenes, using 35mm film for the former and a mix of analog and digital lighting for the latter. He also used eyelines and camera techniques to convey the evolving relationship between the main characters. [Extracted from the article]

An interview with Tom Windish, head of artists and repertoire (A&R) and business development at Wasserman Music, is presented. Windish talks about how his artists are doing post-pandemic, how long lead times affect the routing of tours, and how the complaints that labels are no longer developing and breaking acts affect the live business.

With around 11,500 members of the WGA already on strike, SAG-AFTRA held a strike authorization vote even before sitting down to the bargaining table that ultimately nearly 98 percent of its voting members supported. Still, major studios and streamers accused of "plead[ing] poverty", as Drescher put it at a SAG-AFTRA press conference July 13, had some context to point to in their own defense during this negotiations cycle. On July 13, SAG-AFTRA, led by president Fran Drescher, called the union's first strike against film and television companies in 43 years. [Extracted from the article]

Graham Yost's (CAA) sci-fi thriller Silo was renewed for a second season by Apple TV+. Mike Judge (WME) and Greg Daniels (WME) are bringing their next animated half-hour comedy series, Common Side Effects, to Adult Swim. THE REPORT Andy Muschietti FILM The Flash director Andy Muschietti and producing partner Barbara Muschietti (WME) have inked first-look deals with Warner Bros. [Extracted from the article]

THE REPORT Not since 1980 - when they shut down production over residuals from now-quaint tech like videotapes and cable TV - have Hollywood's actors gone on strike against the major film and TV studios. But with SAG-AFTRA voting to authorize a strike, another historic labor action is possible over a new generation of tech: streaming. SAG-AFTRA will strike if they can't reach a deal with the Alliance of Motion Picture and Television Producers over a new contract by June 30. [Extracted from the article]

The deal was a coup for Sony, snatching the rights away from Warner Bros., which had handled domestic on the previous two films. CAA Media Finance and UTA Independent Film Group are handling domestic rights for May December, with Rocket Science brokering international deals. Cannes Dealmaking Picks Up Despite Strike's Storm Cloud. [Extracted from the article]

I knew that Leah had married Bernie, who was Arnold's best friend, but I didn't know the full story of the camping trip and how Steven had discovered [their relationship]; when Steven started talking about it, that was new to me. This very personal story would come to light when making the semi-autobiographical The Fabelmans, which Krieger produced alongside Spielberg and Tony Kushner, who co-wrote the script with the director. BEST PICTURE NOMINEES Having spent the past quarter century working for Steven Spielberg, Kristie Macosko Krieger has often visited The Milky Way, the Los Angeles restaurant once run by the director's mother, Leah Adler (who died in 2017), and her second husband, Bernie Adler. [Extracted from the article]

Alan Horn, 76, chief creative officer and co-chairman of Disney Studios, formerly ran Warner Bros., where the studio's current film chairman, Toby Emmerich, 56, ran sister label New Line Cinema. The truth is, we bought that movie [for $13 million at Sundance] because I believe the movie is commercial and that our global customer would love the movie. But one of the advantages of being Warner Bros. and having DC is that we don't feel that all the movies have to be - not that Disney's films are - but we don't feel our films have to be of the same tone or in a connected universe. EMMERICH We're about to start shooting the Elvis Presley movie with Baz in Australia. [Extracted from the article]