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Chapter 10 of the book "Film Technology in Context," is presented. It discusses the process of converting photographic images into electronic images with the use of telecine machines. It compares videotape formats in terms of cost, quality and application. Film and video frame rates are also discussed.

Chapter 9 of the book "Film Technology in Context" is presented. It discusses the process of screening the answer print of a finished film. Release prints are then printed based on the approved answer print. It also discusses the method of applying subtitles in some films that require it. It also details the storage and preservation of films after duplicate negatives and release prints are made.

Chapter 8 of the book "Film Technology in Context" is presented. It explains how sound is transferred, edited, mixed and synchronized in the production of film. It discusses the different soundtracks that are used in making the final mix of the movie, it includes the print master, digital soundtracks and music and effects tracks. It also discusses the analogue soundtrack quality in terms of compression and equalization, density and volume, and loudness.

Chapter 7 of the book "Film Technology in Context" is presented. It discusses laboratory processes of printing films. It details the emulsion geometry of camera negatives in both contact and optical printing. It also discusses several considerations in printing in Super 16 film stocks. Details on blowing-up film to other film formats are also discussed.

Chapter 6 of the book "Film Technology in Context," is presented. It discusses film negative matching during negative cutting using a series of running numbers printed into the edge of negative films. The series of numbers aid in the precise matching of edited or cut portions of the film. The process and preparation for negative cutting is also discussed.

Chapter 5 of the book "Film Technology in Context" is presented. It discusses the process involved in film printing using contact or optical printing machines. The film process involves color correction, film grading and film exposure. It also discusses the selection and screening of work prints, as well as technical problems that may arise in printing film.

Chapter 4 of the book "Film Technology in Context" is presented. This chapter discusses how colors are reproduced in film and television. It explains how color specification and perception makes it possible to distinguish colors. The process of making photographic film and its components are also presented.

Chapter 3 of the book "Film Technology in Context" is presented. It discusses various film stock, including 35 millimeter (mm) film and 16 mm film. It also provides information on the types of color film stock, which includes camera negative films, color reversal film and print film. Black and white film stocks are also discussed.

Chapter 2 of the book "Film Technology in Context" is presented. It discusses post production aspects to consider when choosing between film and video production, including image quality, production style and production cost. It discusses the alternative pathways for post production, which are traditional sprocket edit film finish, non-linear edit film finish and non-linear edit video finish.

Chapter 1 of the book "Film Technology in Context" is presented. It describes the properties and procedures of film post production for both traditional and conventional film-makers. It highlights the history of film and video, as well as digital imaging. It discusses the differences between film and video, which includes differences in intermittent movement, frame rate and resolution.

A preface for the book "Film Technology in Context" is presented.