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Byline: TEXT BY HANNAH MARTIN PHOTOGRAPHY BY ANGELA HAU STYLED BY COLIN KING radical thinking Old meets new in a Manhattan apartment dramatically revamped by Food Architects and designers Charlap [...]

Byline: TEXT BY HANNAH MARTIN PHOTOGRAPHY BY KATE MARTIN STYLED BY SARA MATHERS BALANCING ACT Blending their personal styles, Gabriel Chipperfield and Laura de Gunzburg transform a 19th-century London flat [...]

Hella Jongerius, a Dutch design star, is known for her evolving and transformative approach to design. She incorporates craft and imperfection into her pieces, creating objects that are not finished and leave room for interpretation. Her upcoming solo show at Salon 94 gallery in New York City will feature her investigations in textiles, ceramics, and furniture. Jongerius's work has been influential in the design world, and her archive has recently been acquired by the Vitra Design Museum. She considers color as a material that can change over time, and her recent work with Angry Animals reflects her concern for the deteriorating conditions of the planet. Jongerius's practice aligns with the resurgence of textiles and ceramics in the art and design world, and she values the power of decoration and craft as carriers of culture. [Extracted from the article]

This article highlights nine up-and-coming interior design firms across the United States. Studio MUKA, based in Los Angeles, emphasizes diversity and multiculturalism in their work. Basic Projects in Charleston, South Carolina, designs, builds, and operates their own hospitality venues while bridging past and present in their projects. Sebastian Zuchowicki in New York City reinvents Art Deco traditions with nuance and natural beauty. Breland-Harper in Los Angeles focuses on simplicity and craftsmanship in their architectural and interior design work. Anne McDonald Design in Minneapolis brings a sophisticated twist on classicism to historic and contemporary buildings. Bespoke Only in New York City creates atmospheres and emotions that reflect their clients' identities. Susannah Holmberg Studios in Salt Lake City blends styles and references from around the world. RG House in Austin, Texas, and Malibu, California, finds beauty in restraint and approachability. Studio Tre in New York City and Pensacola, Florida, takes a research-heavy and context-driven approach to their projects. [Extracted from the article]

New measurements of fracture toughness are reported from 8 to 293 K of RAL-71a epoxy resin by the means of a three-point-bending tests (also called Single-Edge-Notch Bending, SENB) according to ISO 13586 or ASTM D5045-14. Tensile stress and modulus on the same resin system are reported between room temperature and cryogenic temperatures, as well as thermal expansion, cure shrinkage and a cure kinetics fit. It is highlighted that there is a large reduction in fracture toughness at temperatures below 77 K (GIC = 1.53 kJ/m2 at 77 K and 0.36 kJ/m2 at 8 K), whereas other mechanical properties show little change. It was observed that preparation of the crack tip in the epoxy specimens is critical to achieving repeatable values of fracture toughness with artificially high values observed if there are high residual stresses at the crack tip as noted in ASTM D5045-14.

This article from Architectural Digest discusses the transformation of a 1920s residence in West Los Angeles into a craft-forward refuge for the clients of interior designer Jamie Bush. The house, nestled on the edge of a canyon, was remodeled by architect David Thompson to reconnect with the landscape. The home now features a wooden tree house aesthetic, with a material palette of brick, cork, and ebonized oak. The clients desired a sense of coziness, which was achieved through the use of vintage furnishings and bursts of vibrant color. The neighborhood offers a tight-knit community and a peaceful atmosphere, with trees, canyons, and proximity to the beach. [Extracted from the article]

Maude Apatow, an in-demand actor known for her role on the HBO show Euphoria, has decorated her first apartment in New York City with the help of Soho Home. Apatow wanted her apartment to feel feminine, airy, and cozy, and Soho Home incorporated pink tones and floral prints into the design. The kitchen and bathroom were renovated, and classic furniture pieces were chosen for the living spaces. Apatow is settling into her new home and is excited to continue her acting career and pursue her own writing and directing projects. [Extracted from the article]

This document provides a brief overview of various architects and designers in the fields of interior decoration, architecture, and landscape design. It features firms and individuals from different locations, including Los Angeles, Michigan, Texas, London, New York, and Brooklyn. Each architect or designer brings a unique approach to their work, emphasizing artistic sensitivity, collaboration, craftsmanship, and sustainability. The document showcases their notable projects and clients, demonstrating their expertise and creativity in the field of design. It aims to provide library patrons with an overview of these architects and designers for research purposes. [Extracted from the article]

This article from Architectural Digest features an interview with designer Kelly Behun about her sky-high apartment in New York City. Behun moved into the two-story space three years ago and focused on creating a neutral backdrop that allows the city views to take center stage. The article highlights various design elements in the apartment, including statement art pieces and custom furnishings. Behun describes her home as a laboratory for experimenting with ideas that she can use in future projects or collections. She expresses her ongoing awe and wonder at the beauty and enormity of the city. [Extracted from the article]

This article from Architectural Digest explores the historic Milan apartment of jewelry designer Madina Visconti di Modrone. The apartment, located in a converted 17th-century convent, was in disrepair when Visconti di Modrone purchased it, but she saw its potential. She restored the floors, added antique furniture, and preserved the original walls and doors to maintain the character of the space. The apartment is filled with bold colors, vintage treasures, and funky textiles, reflecting Visconti di Modrone's personality and style. [Extracted from the article]

Demisch Danant, a gallery in New York, has been introducing American audiences to postwar French design since its founding in 2005. The gallery, known for its scholarly exhibitions, has also taken on occasional interior design projects. In a recent project, Demisch Danant collaborated with Cheung Showman Architects to renovate a historic Brooklyn home, preserving its neo-Gothic architecture while adding minimalist furnishings. The home is filled with rare and historical pieces of design and art, creating a space that is both visually stunning and rich in narratives. [Extracted from the article]

This article from Architectural Digest discusses the work of designer Jermaine Gallacher on his first residential project, a Grade II-listed home in London's Clerkenwell neighborhood. The house, dating from 1830, required restoration work on the floors, windows, and walls. Gallacher incorporated a moody palette with stenciled patterns and weathered-looking wall finishes. He also designed sinuous stainless-steel counters in the kitchen and added a tiled tub and vanity in the top-floor bedroom suite. Gallacher took a less-is-more approach to decoration, carefully selecting furniture and enlisting the help of makers from his gallery to add unique touches. [Extracted from the article]

The Experiment chair, a radical Scandinavian design created by Finnish designer Yrjö Kukkapuro in 1981, is being reintroduced to the market by Swedish furniture brand Hem. The chair features a tubular frame, upholstered seat, and squiggly plywood armrests, adding a decorative element to Kukkapuro's designs. Initially, the chair was met with more enthusiasm from Italians than Finns, but it eventually gained popularity and was used in various institutional spaces. The chair's reedition comes in the original colorways or with a black armrest, and Kukkapuro hopes that people will find inspiration in its aesthetics. [Extracted from the article]

Gae Aulenti's 1965 marble Jumbo table is still highly regarded and popular today. Aulenti, an Italian architect, designed the table as part of her work on residential interiors and furniture. The table features a square slab of marble resting on four legs that resemble dumbbells. It gained international acclaim when it was acquired by the American brand Knoll and showcased in their showrooms in Boston and New York. The table is praised for its versatility and solid appearance, and it continues to be used by creatives in various fields. [Extracted from the article]

Olivia Cognet, a French ceramist, is gaining attention for her work in incorporating art into architecture. She is preparing for her first solo show at The Future Perfect in Los Angeles, where she will be installing a firepit, adding stone to walls, and placing furniture in rooms. Cognet began her career shift from the fashion industry to ceramics while living in LA seven years ago, and has since expanded her practice to include new materials such as wood, travertine, and lava stone. She continues to collaborate with architects, galleries, and interior designers to create bespoke pieces, and is excited to receive a new kiln for her studio. [Extracted from the article]

Svenskt Tenn, a Swedish brand, is celebrating its centennial by launching a store presentation called "Table, Lay Thyself!" The presentation includes reeditions of a 1932 table by Jan Ruhtenberg and a 1920s chair and chandelier by Josef Frank, as well as new additions like block-printed linens and dishes with a whimsical fern motif. The company's founder, Estrid Ericson, had a talent for balancing simplicity with extravagance. For a more in-depth look at Svenskt Tenn's history, visitors can explore its retrospective at Stockholm's Liljevalchs museum. [Extracted from the article]

FASHION Over the years, some of the art world's greatest minds (Sol LeWitt, Arman, James Rosenquist) have taken a hand—or brush—to Louis Vuitton's scarves. Now, as part of the LV Art Silk Squares collection, five new talents join the ranks. Designs include a pixilated labyrinth by the collective eBoy and an Art Nouveau—style floral by Lorenzo Mattotti (shown, from top). louisvuitton.comPHOTO (COLOR) [Extracted from the article]

Lucía Echavarría, a designer from Bogotá, Colombia, has been immersed in traditional Colombian craft since she was a child. She has worked with craftspeople to create various items using traditional techniques, such as braiding iraca fronds and inlaying werregue weaving. Echavarría's work puts a contemporary spin on these techniques while preserving the traditional colors, motifs, and construction methods. She has also observed shared qualities between her cultural heritage and other cultures' crafts, highlighting the universality of craft. Echavarría's designs can be seen at her solo exhibition in London's Lamb gallery. [Extracted from the article]

This article from Architectural Digest discusses the iconic bone candlesticks designed by Elsa Peretti for Tiffany & Co. Peretti's fascination with bones began during her visits to a 17th-century crypt in Rome as a child. She collected bones over the years and incorporated them into her designs, which have been praised for their universal and utilitarian nature. The candlesticks, reminiscent of early Art Nouveau and Antoni Gaudí, continue to be popular and are seen as relevant to the current interest in handcraft. Peretti's enduring appeal lies in her use of simple, natural forms that do not go out of fashion. [Extracted from the article]

Milliøns, an architecture firm based in Los Angeles, was given the task of redesigning the café at the Everson Museum of Art in Syracuse, New York. The unique requirement for the winning proposal was to incorporate 4,000 ceramic works from the collection of Louise Rosenfield, which patrons would use while dining. Milliøns, known for their research-based approach, created prismatic glass volumes for the atrium that also function as display cases. They also updated the office space, research library, and collection storage, and designed custom tables for the café that allow for different dining experiences. The project was a breakthrough moment for Milliøns, who have other notable projects in progress. [Extracted from the article]

The article discusses the history and popularity of the director's chair, a collapsible, wood-framed chair with a removable canvas seat and back. The chair originated in 1893 with Gold Medal Camp Furniture and was initially used for camping. However, it soon found its way into domestic settings and became a common sight on film sets during the silent film era. The chair has also been used in various interior design styles, from the 1970s to the present day. Its enduring appeal lies in its lack of preciousness and its versatility. [Extracted from the article]

This article from Architectural Digest discusses the innovative modular seating designs of Harvey Probber, a furniture designer who questioned the conventional sofa design in the late 1930s. Inspired by architects and artists, Probber experimented with modular seating systems that allowed for a range of layouts and configurations. Three of his groundbreaking designs, including the 1972 Deep Tuft series, the Cubo Raked, and the 1983 Mayan Sofa, have been reintroduced to the retail market by RH. The article also mentions that Probber's estate has collaborated with furniture distributor M2L to launch reproductions of his designs. [Extracted from the article]

Barbora Žilinskaitė, a Brussels-based artist, is showcasing her functional sculpture, Sunbather, at an art fair in Basel, Switzerland. The piece is part of her ongoing series of anthropomorphic works, which she creates by smearing a mixture of sawdust, glue, and pigment over a plywood skeleton. Sunbather is unique in that it is made of pale yellow concrete to withstand outdoor elements. Žilinskaitė's goal is to give objects a soul and challenge society's tendency to view material objects as disposable. She plans to create larger and more fantastical outdoor pieces in the future. [Extracted from the article]

Nickey Kehoe, a design firm and furnishings brand, has opened a second shop in New York City, returning to the city where the founders first met. The 4,000-square-foot space is located in a historic Greenwich Village townhouse and features tailored upholstery and vintage finds. The store aims to create a welcoming atmosphere for designers and clients, similar to their California location. [Extracted from the article]

This article discusses the history and design of the 1928 lounge chair created by Le Corbusier, Pierre Jeanneret, and Charlotte Perriand. The chair was inspired by Le Corbusier's concept of the home as a "machine for living in" and was designed to allow the occupant to adjust their position from fully upright to fully reclined. The chair has been produced by various manufacturers over the years and has become a staple in both minimalist and ornate interiors. The design continues to be influential and challenges designers to reinvent living spaces. [Extracted from the article]

Since 1919, Buccellati has delighted collectors with its shimmering array of jewel-encrusted baubles and surrealistic tableware. (Think diamond-studded butterfly pendants and silver seafood centerpieces.) A stellar range now appears in “The Prince of Goldsmiths, Rediscovering the Classics,” a survey of the Italian brand at Venice’s Oficine 800, opening on the occasion of the city’s art biennial. buccellati.comPHOTO (COLOR) [Extracted from the article]

In Common With, a lighting studio founded by designers Nick Ozemba and Felicia Hung, has opened a flagship showroom in New York City called Quarters. The space serves as both a store and a gathering place, featuring a full kitchen, dining room, bedroom, and more. In addition to their own designs, In Common With showcases vintage finds and collaborations with other artists. The showroom offers a wide range of customizable pieces, including ceramic fixtures, solid-wood tables, and glassware. The goal of Quarters is to create a community and host people, rather than just selling light fixtures. [Extracted from the article]

Xavier Donnelly, a designer and creative director, has created a dreamy wallpaper collection for Backdrop, a brand known for its paint colors. The collection features four patterns, including panels inspired by a bike ride along Italy's Appian Way and skies filled with mythical figures. The remaining two patterns, sold on rolls, depict diaphanous clouds and twinkling stars. Donnelly drew from his memories and experiences to create designs that can transform a room. [Extracted from the article]

This article from Architectural Digest highlights five favorite arrivals from Milan Design Week. The selections include wall coverings by Colin King in collaboration with Calico Wallpaper, a handmade birch-plywood cabinet by Sebastiano Bottos, porcelain dishes from La DoubleJ's Solar tabletop collection, a reeditioned armchair, pouf, and daybed by Tacchini, and an outdoor table by Rodolfo Dordoni for Cassina. The article provides prices and links to where these items can be purchased. [Extracted from the article]

This article from Architectural Digest explores the enduring appeal of Gio Ponti's wicker armchair, specifically the Continuum model. Ponti, an Italian architect, designed a series of modern wingback chairs in the 1940s, and the Continuum chair was his exploration of the form using bamboo and rattan. The chair's unique construction gives the illusion of being made from one continuous reed. While rare early examples of the chair have sold for high prices at auctions, Bonacina 1889 has continued to produce the chair according to Ponti's specifications for over 60 years. This year, the chair will be reintroduced in a deep, chocolate brown finish by Italian brand Molteni&C. The chair's organic curves and unique design have made it a favorite among designers and collectors. [Extracted from the article]

Paavo Tynell, a Finnish designer known for his lighting fixtures, gained international recognition when he brought his work to New York City in 1948. One of his most famous designs was the brass 1965 pendant, featuring a swooping shade with patterned perforations that allowed light to shine through. Tynell's family stated that it was the most copied piece in the United States at the time. Today, the lamp is still popular and available in various colors. [Extracted from the article]

Fernando Laposse's installation, "Conflict Avocados," at the National Gallery of Victoria in Melbourne, Australia, sheds light on the dark side of Mexico's avocado trade. The installation features a 137-foot-long tapestry that depicts the destruction caused by the avocado industry, including illegal deforestation and violence. Laposse's work aims to raise awareness about the environmental and social costs of the avocado trade, which has become highly profitable but has also led to reduced biodiversity and criminal activity. The tapestry is dyed using avocado waste and marigold, and is accompanied by a documentary and other related artworks. [Extracted from the article]

At the Kohler WasteLAB, materials otherwise bound for the landfill (excess glaze, scraps of clay, iron slag) find new life as household wonders. The program’s latest triumph is Transcendence: a shimmering tile collection by Lebanese designer Nada Debs. Rendered in a crackled finish, its arch motif invokes traditional hammams—places that, fittingly, symbolize renewal and rebirth. annsacks.comPHOTO (COLOR) [Extracted from the article]