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The article looks on the efforts of the Museum of Contemporary Crafts (MCC) in New York City to highlight the universal role of artists and craftsmen by featuring theme-oriented exhibitions. Operated by the American Craftsmen's Coincil (ACC) and led by museum director Paul J. Smith, MCC is promoting all types of American crafts. Some of exhibitions that will be featured at MCC are ""Feel It" and Tools - The Stone to the Computer."

The article provides information on Roy Lindstrom, art director and illustrator for the magazine "High Fidelity" and free-lance designer for Vintage Paper Backs and Vanguard. Lindstrom uses different media, including oil and polymer, and also does woodcuts and photography. He was born in Brooklyn, New York and studied at the American School of Design and the Parsons School of Design. His work has been exhibited at the Berkshire Museum, the Peggy Best Gallery and the Albany Institute of History and Art, among others.

The article reviews the exhibition of the greatest drawings in the world held at the Knoedler Art Galleries in New York City in 1961.

The article offers information on the show entitled "Eight Contemporary Artists," assembled by curator Jennifer Licht, at the Museum of Modern Art in New York City. Most of the artists are below 40 years of age and work in the area where conceptual art lays. The more fulfilling groups of work are by Dorothea Rockburne, Jan Dibbets and Brice Marden. Other artists include Italian Alighiero Boetti, the Frenchman Daniel Buren and the Australian Robert Hunter.

The article reviews the exhibition of the works of Ogden Minton Pleissner at Milch Galleries in Manhattan, New York City in November 1953.

The article reviews the exhibition "The Heritage of French Poster Art," curated by Rene Salanon which was held at the IBM Gallery in New York in summer of 1966.

The article reviews the exhibition "Landscape Drawings and Watercolors From Bruegel to Cezanne" at the Pierpont Morgan Library in Manhattan, New York City, in the second week of February 1953.

The article reviews the "Young Designers Series Exhibition" at Gallery 303 in New York City which features the designs of artists Bruno Brugnatelli, Ewald Breuer, Richard Hess, Kenneth Hine and Clarence Lee.

The article discusses developments in the field of art. Artist Doug Anderson created the two-color drawing of the Signs of the Zodiac using a new method. Miami, Florida-based A. E. Holton has commissioned Lumen Winter to create a replica of Leonardo Da Vinci's painting, The Last Supper. Metropolitan Museum of Art consultant Roland McKinney has used paper models in arranging an American Art exhibition at the museum in New York City.

The article presents a calendar of art exhibitions in New York City in April 1974. The landscape paintings of Richard Ahntholz will be exhibited on April 13. The exhibition of Horst Antes' paintings and works on paper of imaginary figures will be held on April 6. On the other hand, the paintings and pastels of figures and landscapes of William Beckman will be displayed on April 27.

The article reviews painting exhibitions by Japanese Sabro Hasegawa at The Contemporaries, Norwegian Per Krogh and Italian Prince Henry of Hesse, Germany in Manhattan, New York City.

The article focuses on the one-man exhibition of watercolor paintings by Adolph Treidler which was held at the Society of Illustrators' gallery in New York in mid-July 1969 and announces the "Artists for Hope" sale and exhibition to be held on October 2-13, 1969 at Midtown Plaza Mall in New York City.

The article discusses several places for new artists to demonstrate their art works. It describes New York as a city where several art galleries can be found and the founding of the Art Dealers' Association of America by 14 uptown Madison Avenue galleries which launched a New Talent Festival. The restoration of the Museum of Modern Art of New Talent exhibitions is also mentioned which showcase talents of unknown artists as well as the Whitney Museum's biennial display of American arts.

The article reviews the exhibition which features the works from several Italian artists, including Leonardo da Vinci, Titian, and Michelangelo at the Metropolitan Museum of Art in New York City in 1961.

The article discusses the role of Metropolitan Museum director Francis Henry Taylor on the success of the museum in New York City. Taylor's showmanship led to an increase in the number of visitors, with 2,263,336 people going to the museum in 1951. To attract more people, the museum holds special exhibitions such as the "Art Treasures of the Metropolitan."

This article reports on the fortieth annual exhibition of the National Academy of Design, New York City, New York. This exhibition is stronger in landscape painting than in any other department of art. George B. Wood's little picture "Clearing off Cold," is an instance minute incident on large canvass. Two years ago Wood exhibited a small painting of Mulleins, and these two pictures are all people know of his work. Charles H. Moore's "Study in the Catskill Valley," is a representation on a very small scale of a very wide range of country. The spectator stands on a slightly rising ground, and looks across perhaps ten miles of low-lying country to the Catskill Mountains beyond.

The article discusses some of the paintings and sculptures of Maurice Sterne to be shown at the Museum of Modern Art in New York City. The statue of the girl sitting in Worcester monument or the Bomb Thrower from the Metropolitan is carved from a block of Greek marble founder in the Tiber. The large canvas of "American in Anticoli," is the masterpiece of the exhibition.

The article reviews the first Alliance Graphique Internationale exhibition in the U.S. on November 8 to December 2, 1966 at the American Institute of Graphic Arts in New York City.

The article offers information on the Business Men's Art Club of New York Exhibit held during the New York World's Fair in June and July 1940 at the International Business Machines (IBM) headquarters.

Reviews the fifth anniversary exhibition of painter and sculpture Pablo Ruiz Picasso held at the Museum of Modern Art in New York City, and directed by Alfred Barr.

No critic, self appointed to safeguard oppressed and undiscovered genius, nor those chosen young vessels themselves - can complain that the artist with a "tendency" has not been offered a fair chance at the exhibition of the National Academy of Design, open in New York City from March 14 to April 18. In groups and singly, on every hand, are examples of all the latest "movements" in art. And after a tour of the galleries one comes away with the memory of things one does not care for. The Academy hitherto has usually excluded works which have been seen before on its walls or in other public exhibitions in the city. This year, however, with a liberality greater than the Academy has been credited with possessing.

At the exhibition of the National Academy of Design there were five large drawings, illustrating designs by artist B.M. Hunt for four entrances to the Central Park in New York City and for a terrace in connection with one of them. Photographs of these drawings are now for sale. It seems, then, that the four southern gateways to the park are to be built after these designs. As the southern wall of the park is nearly completed, and is only waiting for the gateways, and as it is already a very long time since gateways were first talked of and reported about, it is probable that the work will soon be begun. These designs, therefore, demand the notice of all who care about the character of decorative architecture.

Reviews the art exhibition "American Geometric Abstraction of the 1930s," organized by Manhattan, New York City-based Virginia Zabriskie Gallery.

Reviews the art exhibit entitled "Esso Salon of Young Artists," at the IBM Gallery in New York city.

Reviews the exhibition "Recent Painting USA: The Figure," at the Museum of Modern Art in New York, until May 2, 1962.

This section offers art news briefs. The Brooklyn Museum will host an exhibition of the works by Carl Erikson, who died in June 1958, which will run until April 19, 1959. Prominent people and the "American Artist" magazine editorial team attended the opening of the Taubes show at Grand Central Art Gelleries in New York City, where Claire Booth Luce and the Southampton Museum were among the purchasers. The Metropolitan Museum of Art displays the exhibit "People Looking at Art," which features prints, photographs and paintings of people responding to art.

The article reviews the exhibition "50 Years of Graphic Arts in America" at the Chemical Bank New York Trust Co. in New York starting March 1, 1966.

The article reviews the exhibition "Young American Paints" at the Rockefeller Galleries in New York City, organized by Binney and Smith LLC.

The article reviews an exhibition devoted to portrait drawing which was held at the Galleries of Portraits Inc. in New York in the spring of 1966.

The article reviews the fourth exhibition of the Photography in the Fine Arts series at the Metropolitan Museum of Art in New York in Summer 1963 organized by painter and printmaker Ivan Dmitri.

The article reviews the exhibition "The Twentieth Ceramic International" at the Metropolitan Museum in New York City starting January 23, 1959.

The article reviews the exhibition of a collection of travel posters at the Museum of Modern Art in New York City in May 1957.

The article reviews the exhibition "Modern Art in Your Life" at the Museum of Modern Art in New York held in November, 1969.

The article reviews the exhibit of contemporary international book illustration from 1935-1945 at the Pierpont Morgan Library in New York City.

The article discusses the Juan Gris exhibition at New York City's museum of modern art. The earliest painting in the show is a still life and reveals the cezanne link more clearly than the later cubism of Gris or anyone else. A kettle, a pot, a cup and a book are grouped at the edge of a table and all display the geometrical basis the older artist saw in mountains, apples, bathers and country architecture. Almost at once, though, other things begin happening in Gris's work and it seems increasingly unlikely, as the show proceeds, that cubism was such a hot name after all.

Focuses on an art exhibition at Whitney Museum of American Art in New York City. Information about shows on gestural abstract art; Type of American art displayed in the exhibition.

Provides information on the exhibition of paintings of the artist, Kandinsky Wassily in Guggenheim Museum, New York. Arrangement of the art work in chronological order; Feature of visual intricacy depicted in paintings of Kandinsky; Information related to abstract painting and monochrome painting made by Kandinsky.

Soho, the area of New York City South of Houston Street, has a new art building at 429 West Broadway. There are four galleries stacked up the way studios are on the floors of neighboring buildings— Leo Castelli, Andre Emmerich, Sonnabend and John Weber. The first commercial gallery in the area the Park Place Gallery. At 420 West Broadway, the opening exhibitions show, on a larger scale, what the galleries offer uptown. Emmerich has a, group of abstract paintings by gallery artists, hung among vistas and projecting walls to make them look as if they were already in the executive suite.

The large exhibition of artist Paul Cezanne at the Wildenstein Galleries contains many paintings never shown before in New York City. The exhibition is for the benefit of the National Organization for Mentally Ill Children. The significance of Cezanne is something that the critics keep trying to explain: they repeat each other and their explanations overlap and insist, in the same way that Cezanne insisted on his contours. His contemporaries who rejected him were repelled by his clumsiness. Cezanne insisted on the reality of things, which the impressionists denied insofar as for them there existed only one sensation.

Reviews an exhibitions of paintings held at the Whitney Museum in New York City.

Presents information about the new building of Museum of Modern Art in New York City named as Whitney. Description of the architectural aspects of the building of the museum; Information about several items exhibited at the museum; Description of various sculptures showcased at the museum; Comparison of the building of the museum with that of the Phillips Gallery in Washington.

The author provides her commentary on various art-related events and trends. She notes the stirring of provocative thinking during the exhibition of early Christian and Byzantine art held at the Baltimore Museum of Art to commemorate the Bicentennial anniversary of Princeton University. She offers a retrospective on the life and contribution of the late African-American painter Horace Pippin, and mentions the opening of the Pepsi-Cola Opportunity Art Gallery on November 1, 1947 in New York City.

The article reviews the exhibition "A New National Print Annual Exhibition" at the Brooklyn Museum in New York City, on view as of June 1947.

Focuses on various art exhibitions in New York City. Theme of paintings designed by European artist Karl Hagendern; Material used by painter William Perehudoff in his paintings; Style of painter Archie Peltier.

The article reviews a product exhibition sponsored by the National Alliance of Art and Industry at the Art Center in New York City in 1933.

The article discusses the situation of women artists and practical measures undertaken to improve this situation in the U.S. The survey "Sex Differentials in Art Exhibition Reviews: A Statistical Study" showed that men receive more space in press coverage than women. Women Artists in Revolution and Feminists in the Arts got a 5,000-U.S.-dollar grant from the New York State Council on the Arts for a Women's Interart Center in New York. A new cooperative venture known as Artist in Residence will start in September 1972 in New York.

The article reviews the 25th Annual Exhibition of Advertising and Editorial Art held in April 1946 in New York City.

Reviews the painting exhibition "Twenty-Two Realists," at the Whitney Museum in New York City.

Reviews the painting exhibition "Twenty-Two Realists," at the Whitney Museum in New York City.

A calendar of events for New York City in October 1939 is presented which includes the exhibitions "Oils," by the National Association of Women Painters and Sculptors, "Oils, Water Colors, Sculpture," by the Gallery Group, and "New Water Colors and Drawings," by Andrew Wyeth.