9 results on '"stylistic change"'
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2. Stylistic Perspective Across Kenneth Fearing’s Poetry: A Statistical Analysis
- Author
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Arnold, Wayne E., Ross, Shawna, editor, and O'Sullivan, James, editor
- Published
- 2016
- Full Text
- View/download PDF
3. ПАНДЕМИЯ КЕЗІНДЕГІ МЕДИАДИСКУРС: СӨЗЖАСАМДЫҚ ҚҰРЫЛЫМДАР
- Subjects
сендіру категориясы ,speech ,ограничение ,жаңалық ,аппарат ,medical drug ,сөзжасамдық құрылымдар ,news ,названия болезней ,device ,тілдік көрініс ,stylistic change ,вирус ,словообразовательные конструкции ,covid ,басылым ,ауру атаулары ,publication ,limitation ,языковое выражение ,пандемия ,изменение стиля ,word formation structures ,медиасөйлеу ,публикация ,pragmatics ,медиатекст ,media speech ,media language ,category of persuasion ,virus ,язык СМИ ,медиамәтін ,media text ,language expression ,names of diseases ,БАҚ тілі ,медицинский препарат ,медиапространство ,прагматика ,pandemic ,media space ,новости ,сөзжұмсам ,медиаречь ,категория убеждения ,медициналық препарат ,речь ,шектеу ,ковид ,медиакеңістік ,стильдік өзгеріс - Abstract
Мақала Қазақстанның бұқаралық ақпарат құралдарында жиі ұшырасатын және жалпыхалықтық қолданысқа еніп кеткен пандемияға қатысты жаңа сөздердің жиілігін тексеру арқылы қолданысқа тез енетін сөзжасамдық құрылымдарды анықтауға арналған ИРН АР14870178 (Мемлекеттік тіркелу номері 0122РК00597) «Қазақ қоғамының тілдік контенті: өзгерістер мен жаңарулар (пандемия кезі; 2020-2022 жж.)» тақырыбындағы ғылыми жоба негізінде жазылды. Электронды БАҚ тілінде ерекшеленген сөзсаптам құрылымдарын және сұхбаттардың, ғаламтордан алынған әртүрлі тақырыптағы бағдарламалардағы қазақ қоғамының психологиялық ахуалын, оның тілдік көрінісін зерттеуге, осы жылдардағы басты тақырыптарды анықтауға және оның себептерін нақтылауға, пандемия кезіндегі медиамәтін ерекшеліктеріне, адресант, адресат факторларына негізделеді. 2019 жылы Қытайда болып, артынша дүниежүзі елдерінде белең алған «Ковид-19» деген атаумен танылған карантиннің пандемияға айналғаны белгілі. Қалай десек те, бүкіл әлем жұртшылығы осы қиын жағдайдан шығатын жолды бірлесіп іздеп, ауызбіршілік танытуға, жаңадан қойылған түрлі талаптарды орындауға, яғни жағдайға қарай бейімделуге мәжбүр болды. Халықтың үйреншікті тұрмыс-тіршілігіне келген осындай өзгеріс оның тілінде ерекше көрініс тапты. Мақалада «Ковид-19»дың тілімізге, сөзқолданысқа тигізген әсері нақты мысалдар негізінде талданады. Тіл маманы ретінде сол өтпелі кезеңде пайда болған, белсенді қолданылған түрлі тілдік бірліктерді жинастырып, оларды құрамына, айтылу мақсатына, тақырыбына қарай топтастыру және саралауды мақсат еттік. Сондай-ақ, жаңа қолданыстардың қоғамдық санаға тигізген оң немесе теріс әсері, тыңдаушының оларды қабылдауы мен түсінуіндегі кедергілер, сол жаңа сөз қолданыстарды сөздік қорда орнықтырудағы БАҚ-тың рөлі, жеке тұлғалардың сөзсаптау ерекшеліктері, тіл дамуының маңызды бір кезеңі ретінде танылды. Бұл қолданыстар постпандемия кезеңінде белсенді жұмсалмағанымен, халықтың басынан өткен саяси жағдай туралы ақпарат беретін тілдік бірліктер ретінде сөздік қордан орын алатыны даусыз. Қалай десек те, ол ХХІ ғасырдағы тіл қолданысының өзіндік бір ерекшелігін көрсететін тілдік дерек немесе факт ретінде тарихтан орын алады. Демек, сөздік құрамның кірме қабатына елеулі өзгеріс енгізген медициналық терминдер, олардың қазақ тіліндегі баламалары зерттеуімізге арқау болады. Бұларды тіл қолданысының әлеуметтік, прагматикалық, психологиялық қырынан бағалануы тиіс бір тілдік материалдар деп танимыз., Статья, направленная на выявление активно входящих в обиход слово- образовательных конструкций, путем частотного анализа регулярно встречающихся в средствах массовой информации Казахстанаи уже ставших общеупотребительными новых слов, связанных с пандемией, написана на основе научного проекта на тему «Языковой контент казахского общества: изменения и обновления (во время пандемии; 2020-2022 г.г.) ИРН АР14870178 (Государственный регистрационный номер 0122РК00597). Статья основана на исследованиях речевых конструкций, встречающихся в языке электронных СМИ, на исследовании психологической атмосферы казахского общества на материале интернет программ и интервью на различные темы, ее выражения в языке, на определении главной тематики, выявлении причин, особенностей медиатекстов в период пандемии, описании факторов адресанта, адресата. Известно, что начавшийся в 2019 году в Китае и распространившийся по всему миру вирус, известный под названием «Ковид-19», перерос в пандемию. В любом случае вся мировая общественность была вынуждена совместно искать выход из сложившейся ситуации, проявить единство и выполнять различные требования, приспосабливаться к ситуации. Таким образом, изменения привычного уклада жизни нашли отражение в речи. В статье влияние, которое оказал «Ковид-19» на казахский язык, проанализировано на основе конкретных примеров. Были собраны появившиеся и активно употреблявшиеся в этот переходный период различные языковые единицы, сгруппированы и дифференцированы по составу, по цели высказывания и по тематике. Положительное или отрицательное влияние новых слов на общественное сознание, сложности в их восприятии и понимании слушателями, роль средств массовой информации в закреплении новых слов в лексическом фонде языка, особенности речи отдельных лиц позволили признать этот период важным в развитии языка. Хотя в постпандемический период эти слова используются не так активно, нет сомнений в том, что они прочно закрепились в словарном фонде языка как языковые единицы, которые предоставляют информацию о прошлой политической ситуации. В любом случае они заняли место в истории как лингвистический факт, как факт, свидетельствующий о специфике языка ХХ1 века. Таким образом, предметом нашего исследования стали медицинские термины, заимствования, обусловившие существенные изменения лексического фонда языка, и их эквиваленты в казахском языке. Мы считаем, что этот языковой материал должен получить оценку с точки зрения социальных, прагматических и психологических аспектов языка., This article is dedicated to the results of the research project "Language content of the Kazakh society: changes and updates (during a pandemic; 2020-2022)" funded by the Ministry of Science of the Republic of Kazakhstan.It is also based on the study of the speech structure highlighted in the language of electronic media, the study of the psychological climate of Kazakh society, its language picture in interviews, programs conducted on various topics from the Internet, to identify the main topics of those times and clarify the causes, the peculiarities of media culture during the pandemic, the factors of the addresser, addressee. It is known that the quarantine, known as "Covid-19", which took place in China in 2019 and then spread around the world, became a pandemic. In any case, the whole world public was forced to find a way out of this difficult situation together, show unity and fulfill various new requirments, that is, adapt to the situation. That is, the change in the habitual life of people was also reflected in their language. The article analyzes the impact of "Covid-19" on the language, the use of words on specific examples. As a language specialist, we aimed at gathering various linguistic units that appeared and were actively used during that transitional period, grouped and differentiated them according to their composition, the purpose of the utterance, and topic. Also, the positive or negative impact of new words on public consciousness, obstacles in their perception and understanding by listeners, the role of the media in fixing these new word usages in the vocabulary, and the speech characteristics of individuals were recognized as one of the important stages in the development of speech. Although these words are not actively used in the post-pandemic period, they certainly have a place in the vocabulary as language units that provide information about the political situation experienced by the population. In any case, it takes place in history as a linguistic information or fact that shows a peculiarity of language use in the 21st century. Therefore, our study is based on medical terms, their equivalents in the Kazakh language, which have made significant changes to the vocabulary through borrowings. We recognize these as language materials that should be evaluated from the social, pragmatic, and psychological point of view of the language use., Филологические науки, Выпуск 1 (68) 2023
- Published
- 2023
- Full Text
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4. FRANCISCO VIÑAS Y LA NUEVA CONCEPCIÓN DE LA MÚSICA EN LA CATEDRAL DE JACA (1722-1731).
- Author
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Escuer Salcedo, Sara
- Subjects
EIGHTEENTH century ,ROMANCE languages ,CATHEDRALS ,ARIA ,VIOLIN ,CANTATAS - Abstract
Copyright of Anuario Musical is the property of Consejo Superior de Investigaciones Cientificas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2018
- Full Text
- View/download PDF
5. Marking Closure.
- Author
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Rendsburg, Gary A.
- Subjects
- *
CLOSURE (Rhetoric) , *STYLISTIC succession , *BIBLICAL scholars - Abstract
The literary device of stylistic change to indicate closure is barely recognized by biblical scholars. Apart from Aharon Mirsky, who wrote the seminal article and monograph on the subject, very few scholars have paid attention to this technique. The present article summarizes the work of Mirsky and two others (with six examples total), and then proceeds to present an additional nineteen examples of this literary device. [ABSTRACT FROM AUTHOR]
- Published
- 2016
- Full Text
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6. Den intima ledaren?: Om ledarartiklar, informalisering och språklig förändring
- Author
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Sanna Skärlund
- Subjects
Subordination (linguistics) ,stylistic change ,Linguistics and Language ,Studier av enskilda språk ,History ,Language change ,language change ,informalization ,Language and Linguistics ,Linguistics ,Specific Languages ,Newspaper ,Style (sociolinguistics) ,Swedish ,Formal language ,Personal pronoun ,Dependent clause ,corpus stylistics ,Period (music) ,opinion articles - Abstract
Public language is generally considered to have become more informal in the Western world in the past few decades. The same holds true for Swedish public language and the language of Swedish newspapers in particular. However, two former studies of opinion articles in five Swedish newspapers revealed that the language used in this genre was surprisingly unchanged during the time period 1945–2000. This article replicates the two former studies by analysing 36 Swedish opinion articles from 2015 from a quantitative perspective. The results of the analysis are then compared to those of the earlier studies to see if, and to what extent, tendencies of informalization have now become noticeable in the opinion articles. It is demonstrated that there are indeed signs of informalization in the articles from 2015. Words and sentences have become shorter, colloquial expressions (such as swear words) are used, and both incomplete sentences and personal pronouns in first and second person are more frequent than before. On the other hand, subordinate clauses are more common in the articles from 2015 than in 1985–2000. Since subordinate clauses in former studies of Swedish have been considered a formal trait, this is quite unexpected. In the article, it is argued that the connection between subordination and formal language is more complex than has sometimes previously been acknowledged –, and that subordinate clauses have different functions, not all of them characterizing a formal style. https://doi.org/10.33063/diva-376235
- Published
- 2019
7. Francisco Viñas and the new conception of music in Jaca Cathedral (1722-1731)
- Author
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Escuer Salcedo, Sara
- Subjects
lcsh:M1-5000 ,stylistic change ,lcsh:Music ,18th century ,catedral ,cathedral ,repertoire ,música sacra ,Francisco Viñas ,Jaca ,Aragón ,incorporation of violins y oboes ,villancico ,lcsh:Music and books on Music ,repertorio ,sacred music ,cambio estilístico ,incorporación de violines y oboes ,circulación ,circulation ,‘villancico’ ,lcsh:M ,siglo XVIII - Abstract
The admission of Francisco Viñas (*Barcelona, 1698; †Calahorra, 1784) as a chapel master at Jaca Cathedral in 1722 marked the beginning of the greatest stylistic change developed in music in that cathedral during the first half of 18th century. During his teaching, new stylistic features influenced by innovative compositional techniques that had begun to arrive in Spain from Italy flourished at Jaca Cathedral. Francisco Viñas is the author of the first compositions located in the Cathedral of Jaca with the presence of violins and oboes, as well as new typologies and sections in the works in Romance language (cantatas, recitatives, arias, overtures...). In that cathedral, where he stayed almost ten years, 80% of the musical production of Francisco Viñas, currently located in six cities of Spain, is preserved. La admisión de Francisco Viñas (*Barcelona, 1698; †Calahorra, 1784) como maestro de capilla de la catedral de Jaca en 1722 supuso el inicio del mayor cambio estilístico desarrollado en la música en la seo altoaragonesa durante la primera mitad del siglo XVIII. Durante su magisterio florecieron en la catedral jaquesa nuevos rasgos estilísticos influenciados por innovadoras técnicas de composición que habían comenzado a llegar a España procedentes de Italia. Francisco Viñas es el autor de las primeras composiciones registradas en la catedral de Jaca con presencia de violines y oboes, así como de nuevas tipologías y secciones en las obras en lengua romance (cantadas, recitados, arias, oberturas...). En esa catedral, en la que permaneció casi diez años, se conserva el 80% de la producción musical de Francisco Viñas, localizada actualmente en seis ciudades de España.
- Published
- 2018
- Full Text
- View/download PDF
8. Den intima ledaren? : Om ledarartiklar, informalisering och språklig förändring
- Author
-
Skärlund, Sanna and Skärlund, Sanna
- Abstract
Public language is generally considered to have become more informal in the Western world in the past few decades. The same holds true for Swedish public language and the language of Swedish newspapers in particular. However, two former studies of opinion articles in five Swedish newspapers revealed that the language used in this genre was surprisingly unchanged during the time period 1945–2000. This article replicates the two former studies by analysing 36 Swedish opinion articles from 2015 from a quantitative perspective. The results of the analysis are then compared to those of the earlier studies to see if, and to what extent, tendencies of informalization have now become noticeable in the opinion articles. It is demonstrated that there are indeed signs of informalization in the articles from 2015. Words and sentences have become shorter, colloquial expressions (such as swear words) are used, and both incomplete sentences and personal pronouns in first and second person are more frequent than before. On the other hand, subordinate clauses are more common in the articles from 2015 than in 1985–2000. Since subordinate clauses in former studies of Swedish have been considered a formal trait, this is quite unexpected. In the article, it is argued that the connection between subordination and formal language is more complex than has sometimes previously been acknowledged –, and that subordinate clauses have different functions, not all of them characterizing a formal style., https://doi.org/10.33063/diva-376235
- Published
- 2018
- Full Text
- View/download PDF
9. Examining Contrasting Expressive Content within First and Second Musical Themes
- Author
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Warrenburg, Lindsay Alison
- Subjects
- Music, musical themes, music theory, contrast, corpus study, stylistic change, perception
- Abstract
Musical themes offer some of the most memorable parts of a musical work and have been a subject of interest in the study of music theory for centuries. In this thesis, contrasts between first and second musical themes are discussed, drawing from ideas in music theory and empirical musicology. The aim is to examine the construction of first and second musical themes. The thesis begins with a discussion of musical themes from the perspective of music theory. Next, a corpus study of over one thousand musical works was conducted, which chronicles differences between pairs of first and second themes. Features examined include the use of structural expressive features such as mode, rhythmic smoothness, interval size, articulation and dynamic markings, and durational pace. The results of the corpus study are consistent with the hypothesis that musical themes that appear first in a piece of music are more likely to be strong or energetic than are musical themes that appear second. In order to test whether listeners are sensitive to these structural differences, a perceptual study was conducted to examine whether musicians could discriminate between pairs of musical themes outside of the original musical context. The study was designed as a two-alternative forced-choice task and used both recorded and notated excerpts. The results are consistent with the hypothesis that listeners are able to differentiate between first and second themes using surface level features of the musical stimuli. The results of the task therefore provide some insight into which musical and acoustic factors are perceived by musicians in both visual and auditory settings. The study concludes with a discussion about how the results might contribute to the conversation about musical themes from the perspective of music theory and musicology.
- Published
- 2016
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