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The article offers information related to art exhibition "Mary Weatherford: Canyon-Daisy-Eden" to be held at the Frances Young Tang Teaching Museum and Art Gallery in Saratoga Springs, New York through July 12, 2020 and featuring works of artist Mary Weatherford.

An essay is presented focusing on the concept of slow painting, both in its creation and in its apprehension by viewers, and its practice by some artists including Suzan Frecon, Jessica Dickinson, John Zurier, McArthur Binion, Vija Celmins and Catherine Murphy. Topics discussed include artists' emulation of an anonymous sense of touch that seeks transparency to material and process and descriptions of the painting styles of each artists.

The article profiles painter Frederick Terna. Topics discussed include Terna's career history, the ways in which his experience of being a Holocaust survivor influenced his art and the author's description of Terna's paintings as works influenced by Art Informel Expressionism. Also mentioned is an exhibition of Terna's painting series titled "Portals" at the 321 Gallery in New York City in May 2016.

The article examines the work of the Uruguay-born artist Joaquín Torres García. Particular focus is given to his contributions to the modernist and avant-garde art movements. Additional topics discussed include how his work increased the awareness of Latin American art in the U.S. and Europe, insights on his work in painting, including fresco painting, and his use of imagery and symbolism in his art.

The article profiles American painter Nicholas Krushenick, focusing on his career during the 1960s noted for his production of abstract artwork with comic book forms and colors. Information is provided on his childhood in the New York City borough of the Bronx, education at the Art Student League school, and his experimentation with art forms outside of abstraction. Particular attention is given to his use of shaped canvases and his silkscreen poster designs.

The article focuses on a style of painting that employs flat color and geometric forms called Hard-edge painting, a term that was coined by Jules Langsner, former art critic for the periodical "Los Angeles Times." The article discusses artists who paint in this style such as Karl Benjamin, Oli Sihvonen, Sven Lukin and Ward Jackson. The article goes on to discuss the similarity between young painters who create compositions with grids and Pop-Minimalism.

The article reviews the exhibitions "Michelangelo Pistoletto: From One to Many, 1956-1974" and "Michelangelo Pistoletto: Cittadellarte" at MAXXI, Museo Nazionale delle Arti del XXI Secolo in Rome, Italy from March 3-June 26, 2011.

The article presents a review of the exhibition "Lens Paintings," of work by German painter and photographer Sigmar Polke, at Michael Werner Gallery in New York City.

This article reviews an exhibition of artwork by Lee Ufan at the PaceWildenstein LLC galleries in New York City, which opened in September, 2008.

The article reviews a retrospective exhibition of the work of the artist Louise Bourgeois held at the Guggenheim Museum in New York City in 2008.

The article reviews the exhibit "Neil Welliver: Landscapes," by the painter Neil Welliver at the Alexandre Gallery in New York City from October 25-November 25, 2006.

The article reports on the staging of the art exhibition "James Siena: New Paintings and Gouaches" at PaceWildenstein Chelsea in New York City from November 18, 2005 to January 28, 2006. It includes background information on Siena and a description of his paintings, gouaches and drawings that were featured in the exhibition.

The article presents information on an retrospective of works of artist Elizabeth Murray which has been put up by Museum of Modern Art in New York City. The exhibition highlights Murray as one of the great painters of contemporary times, an artist who is a synthesizer and innovator of the many forms of modernist painting while at the same time developing and expanding imagistic themes of private domestic anxiety and pleasure. The exhibition is also proof that her animating powers are rooted in a sourced in a deep understanding of the Minimalist perception of the painting as an image-object or image-form that is enacted within and against a spatial field.

Features the art works of painter Joe Zucker exhibited at three art galleries in New York City. Formal and historical sensibility of his art works made possible by the materials used; Allusion to cartoon traditions; Combination of drawing and watercolor.

Features the art works of formalism artisan Polly Apfelbaum. Factual background on the career of Apfelbaum; Materials used in her art works; Themes of fortune, ardor, color and repetition evident her style of presentation.

Features New York City exhibitions of James Castle's drawings. Castle's renderings of the interiors and grounds of his family's farm in the exhibition `House Drawings,' at the Drawing Room, the annex gallery of the Drawing Center in SoHo; American Institute of Graphic Arts' `Reputedly Illiterate: The Art Books of James Castle,' an exhibition of Castle's hand-sewn books curated by Tom Trusky.

Offers insight on the paintings of artist Richard Diebenkorn, focusing on his movements between abstraction and figuration. Information on the abstraction `Ocean Park'; Description of the abstraction; What Diebenkorn's three main bodies of gestual abstraction exhibits; Background information on Diebenkorn; Overview of Dienbenkorn's paintings.

Features the traveling retrospective on Lois Dodd's paintings of the New England landscape. Background on Dodd; Paintings featured in the exhibition; Highlights of the retrospective; Organizers of the exhibition.

Profiles abstract painter Mary Heilmann. Canvases exhibited at the Pat Hearn Gallery in New York and `The Broken Mirror' exhibition in Vienna, Austria; Painting=as-object; Biography; Influences on her art; Description of her style.

Six American artists - Alfred Leslie, Joan Mitchell, Norman Bluhm, Michael Goldberg, Grace Hartigan, and Al Held - discuss the influences on their abstract painting done during the "New York School" period of 1955-60, and their more recent work (1960-85).

Two retrospectives in 1975 and 1985 indicate a resurgent interest in American artist Arthur Dove, who drew upon nature and the landscape for his "extractions" and was considered one of the founders of abstraction.

The article discusses the life and works of Ruth Vollmer, whose sculptures were displayed at the Jack Tilton Gallery in New York City in October 1983. It describes that most of Vollmer's art works in earlier 60s named "minimalism," a term that described her artistic discipline and programmatic modernism. Vollmer's sculpture was described as her three-dimensional works which expressed volumetric and aesthetic components. She was also a devoted wife to Dr. Hermann Volmer.

The article reviews the exhibition of works by Jane Wilson, at the DC Moore Gallery in New York City, from January 5 to February 10, 2007.

Critiques an exhibition of works produced by painter-photographer-filmmaker Rudy Burckhardt between his arrival in New York in the 1930s to his death in 1999. Survey mounted by the Tibor de Nagy Gallery in New York and curated by Vincent Katz; Documentary on Burckhardt's work; Inspiration derived by the artists from New York City and rural Maine.

The article examines the intuitional basis of painter Sharon Gold's new artworks. It claims that her acceptance on the importance of intuition is a radical transition in her usual technique. It likewise adds that the progression of her work to a landscape-based imagery depicts a striking development due to her ability to anticipate confusions in the craft. Moreover, it states that Gold's pursuit for pictorial intuitions allows her to create an authentic and imaginative territory.

The article suggests that modernism, in its cultural definition, poses questions which remain basic for society. It discusses the controversies regarding the advances and declines of modernism, and cites John Berger's essay which suggests that art should advance the social rights of humankind. The article argues that the field of cultural critique should not be relinquished to postmodern styles of art and thought.

The article reviews an exhibition featuring painted-wood sculptures created by the American artist George Sugarman in the 1960s, on view at the Gary Snyder gallery in New York City.

The article reviews an exhibition featuring works by the American artist Kim MacConnel, on view at the Salomon Contemporary gallery in New York City.

The article reviews a 2011 art exhibition featuring the artwork of Nicholas Krushenick held at the Gary Snyder gallery in New York City.

The article reviews the art exhibition by Alberto Burri at Mitchell-Innes & Nash in New York City.

Reviews the art exhibition of Frank Stella at Paul Kasmin Gallery in New York City.

Reviews the art exhibition of Willem de Kooning at the Gagosian, Mitchell-Innes & Nash, and Richard Gray galleries in New York.

Highlights the exhibition featuring art works by painter Suzanne McClelland at K.S. Arts in New York City. Art pieces included in the exhibition; Materials and techniques used by the artist; Reaction of the audience to the show; Contact information.

Features the exhibition of visual artist Barbara Schwartz at the Saint Peter Church in New York City. Chosen theme of the entire exhibition; Materials used to convey the artist's thoughts, personal and social significance; Observation on conspicuous artistic elements and other technical merits.

Features a painting exhibition by Jane Wilson held in New York, New York. Materials used in the art works; Manipulation of color; Artistic elements evident in the presentation.

Reports on the art exhibit at the New York City-based M-13 art gallery featuring works by artist Fred Franzen. Career background; Factors that influenced career and style; Description of works on display.

Investigates the evolution of Robert Grosvenor's artistic style from a minimalist to expressionist assemblage. Inagistic invention; Appreciation for everyday materials; Mature art.

Features artist Richard Long's wall paintings combining gesturalism with elemental materials. Painted walls as a place of contact between the collective world of myth and everyday human affairs; Long's style of wall painting; Description of the artist's work.

Reviews the exhibit of painter Juan Usle at the John Good gallery. Work strutured by grids.

Reviews an art exhibit featuring Judy Pfaff at Max Protetch, New York.

The article reviews the exhibition of sculptures by David Racker from January 4-February 1, 1986 at the Annie Plumb Gallery in New York City.

The article reviews the sculpture exhibition by Marisol at the Sidney Janis Gallery in New York City from May 18-June 8, 1984.

The article provides information on abstract painting. According to the author, it is a conservative, reactionary move by a troubled industry to get back to basics after a prolonged period of self-indulgence. It also represents a search among a disparate community of artists for which there are no alternate means of expression. Furthermore, it is about the renewal of imagery through each artist's willingness to begin again at the beginning.

The article reviews the exhibition of Merrill Wagner and Peter Brown's works at Harm Bouckaert gallery in New York from December 9, 1982 to January 8, 1983.

The article discusses the artistic talent and style of Martha Diamond who began to paint cityscapes of New York. According to the author Diamond's painting allows her to exploit fresh angles of vision along with vigorous drawing and giving a view of the city. In addition, there is a fusion in her work between realism and wild poetry as a metaphysical view of the world.

The article reviews the art exhibition on the works of Don Hazlitt at the Barbara Gladstone Gallery in New York on January 7-31.

Reviews an exhibition featuring the work of painter Robert Mangold from an exhibition at the PaceWildenstein gallery in New York.