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[EN] We investigated the issue raised by the art museums on documents of contemporary art, in particular the performance art. Our conceptual universe is based on the theory of the file from Schechner, Phelan, Taylor, and more recently Rebecca Schneider and Renato Cohen points of view. We support the idea of an ontology removed for performance and discuss the concepts of "presence" "relics of performance" and "repertoire"., [ES] Se investigó la cuestión planteada por los museos de arte sobre los documentos de arte contemporáneo, en particular, el performance arte. Nuestro universo conceptual se basa en la teoría del archivo desde el punto de vista de Schechner, Phelan, Taylor, Deleuze y, más recientemente, Rebecca Schneider y Renato Cohen. Apoyamos la idea de una ontología borrada para la performance y discutimos los conceptos de "presencia", "reliquias de performance" y "repertorio"

[EN] We investigated the issue raised by the art museums on documents of contemporary art, in particular the performance art. Our conceptual universe is based on the theory of the file from Schechner, Phelan, Taylor, and more recently Rebecca Schneider and Renato Cohen points of view. We support the idea of an ontology removed for performance and discuss the concepts of "presence" "relics of performance" and "repertoire"., [ES] Se investigó la cuestión planteada por los museos de arte sobre los documentos de arte contemporáneo, en particular, el performance arte. Nuestro universo conceptual se basa en la teoría del archivo desde el punto de vista de Schechner, Phelan, Taylor, Deleuze y, más recientemente, Rebecca Schneider y Renato Cohen. Apoyamos la idea de una ontología borrada para la performance y discutimos los conceptos de "presencia", "reliquias de performance" y "repertorio"

[EN] We investigated the issue raised by the art museums on documents of contemporary art, in particular the performance art. Our conceptual universe is based on the theory of the file from Schechner, Phelan, Taylor, and more recently Rebecca Schneider and Renato Cohen points of view. We support the idea of an ontology removed for performance and discuss the concepts of "presence" "relics of performance" and "repertoire"., [ES] Se investigó la cuestión planteada por los museos de arte sobre los documentos de arte contemporáneo, en particular, el performance arte. Nuestro universo conceptual se basa en la teoría del archivo desde el punto de vista de Schechner, Phelan, Taylor, Deleuze y, más recientemente, Rebecca Schneider y Renato Cohen. Apoyamos la idea de una ontología borrada para la performance y discutimos los conceptos de "presencia", "reliquias de performance" y "repertorio"

[EN] We investigated the issue raised by the art museums on documents of contemporary art, in particular the performance art. Our conceptual universe is based on the theory of the file from Schechner, Phelan, Taylor, and more recently Rebecca Schneider and Renato Cohen points of view. We support the idea of an ontology removed for performance and discuss the concepts of "presence" "relics of performance" and "repertoire"., [ES] Se investigó la cuestión planteada por los museos de arte sobre los documentos de arte contemporáneo, en particular, el performance arte. Nuestro universo conceptual se basa en la teoría del archivo desde el punto de vista de Schechner, Phelan, Taylor, Deleuze y, más recientemente, Rebecca Schneider y Renato Cohen. Apoyamos la idea de una ontología borrada para la performance y discutimos los conceptos de "presencia", "reliquias de performance" y "repertorio"

[EN] We investigated the issue raised by the art museums on documents of contemporary art, in particular the performance art. Our conceptual universe is based on the theory of the file from Schechner, Phelan, Taylor, and more recently Rebecca Schneider and Renato Cohen points of view. We support the idea of an ontology removed for performance and discuss the concepts of "presence" "relics of performance" and "repertoire"., [ES] Se investigó la cuestión planteada por los museos de arte sobre los documentos de arte contemporáneo, en particular, el performance arte. Nuestro universo conceptual se basa en la teoría del archivo desde el punto de vista de Schechner, Phelan, Taylor, Deleuze y, más recientemente, Rebecca Schneider y Renato Cohen. Apoyamos la idea de una ontología borrada para la performance y discutimos los conceptos de "presencia", "reliquias de performance" y "repertorio"

"42 different approaches to transmit the generative source of creativity in live action by internationally experienced practitioners, teachers and theorists of performance art from 21 countries." -- Publisher's website.

"42 different approaches to transmit the generative source of creativity in live action by internationally experienced practitioners, teachers and theorists of performance art from 21 countries." -- Publisher's website.