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Artists both desire and dread reviews of their work by media critics. This article draws upon 66 interviews with Swedish novelists in order to examine their experiences of being publicly reviewed. A ‘successful’ reception creates resonant experiences that can be examined on two levels. On the level of interpersonal responsiveness, the authors’ longing to be genuinely understood through the engagement of others with their work is occasionally reciprocated in the reviewer’s reading of their work, resulting in a profound sense of mutual understanding and resonance. In the second dimension, abstracted positioning of the success of the reception is done using indicators of the importance of their book in literary life. The sense of achievement and prestige of having published something important creates resonance and connectedness to the world of literature. The article suggests that artists, through the reception of their works, can be either resonantly or non-resonantly engaged with reviewers’ reading and the indications of their works’ importance.

Artists both desire and dread reviews of their work by media critics. This article draws upon 66 interviews with Swedish novelists in order to examine their experiences of being publicly reviewed. A ‘successful’ reception creates resonant experiences that can be examined on two levels. On the level of interpersonal responsiveness, the authors’ longing to be genuinely understood through the engagement of others with their work is occasionally reciprocated in the reviewer’s reading of their work, resulting in a profound sense of mutual understanding and resonance. In the second dimension, abstracted positioning of the success of the reception is done using indicators of the importance of their book in literary life. The sense of achievement and prestige of having published something important creates resonance and connectedness to the world of literature. The article suggests that artists, through the reception of their works, can be either resonantly or non-resonantly engaged with reviewers’ reading and the indications of their works’ importance.

Artists both desire and dread reviews of their work by media critics. This article draws upon 66 interviews with Swedish novelists in order to examine their experiences of being publicly reviewed. A ‘successful’ reception creates resonant experiences that can be examined on two levels. On the level of interpersonal responsiveness, the authors’ longing to be genuinely understood through the engagement of others with their work is occasionally reciprocated in the reviewer’s reading of their work, resulting in a profound sense of mutual understanding and resonance. In the second dimension, abstracted positioning of the success of the reception is done using indicators of the importance of their book in literary life. The sense of achievement and prestige of having published something important creates resonance and connectedness to the world of literature. The article suggests that artists, through the reception of their works, can be either resonantly or non-resonantly engaged with reviewers’ reading and the indications of their works’ importance.

Artists both desire and dread reviews of their work by media critics. This article draws upon 66 interviews with Swedish novelists in order to examine their experiences of being publicly reviewed. A ‘successful’ reception creates resonant experiences that can be examined on two levels. On the level of interpersonal responsiveness, the authors’ longing to be genuinely understood through the engagement of others with their work is occasionally reciprocated in the reviewer’s reading of their work, resulting in a profound sense of mutual understanding and resonance. In the second dimension, abstracted positioning of the success of the reception is done using indicators of the importance of their book in literary life. The sense of achievement and prestige of having published something important creates resonance and connectedness to the world of literature. The article suggests that artists, through the reception of their works, can be either resonantly or non-resonantly engaged with reviewers’ reading and the indications of their works’ importance.

Artists both desire and dread reviews of their work by media critics. This article draws upon 66 interviews with Swedish novelists in order to examine their experiences of being publicly reviewed. A ‘successful’ reception creates resonant experiences that can be examined on two levels. On the level of interpersonal responsiveness, the authors’ longing to be genuinely understood through the engagement of others with their work is occasionally reciprocated in the reviewer’s reading of their work, resulting in a profound sense of mutual understanding and resonance. In the second dimension, abstracted positioning of the success of the reception is done using indicators of the importance of their book in literary life. The sense of achievement and prestige of having published something important creates resonance and connectedness to the world of literature. The article suggests that artists, through the reception of their works, can be either resonantly or non-resonantly engaged with reviewers’ reading and the indications of their works’ importance.

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The little theoretical discourse on literary and artistic reviewing has been developed upon a rhetoric of the crisis. This paper proposes to address the criticism’s crisis as a legitimation problem, from a sociological perspective. On the one hand, the tight relation between reviewing and the cultural industry makes it vulnerable to market’s constrictions. On the other hand, criticism is a prescriptive and regulating but scarcely regulated institution. Besides, new technologies and both aesthetic and philosophical discourses seem to question the authority of the art critic. Nonetheless, this paper will put forward the need for reformulation of the function and the validity of criticism, considering the multiplication of the subject of criticism, as well as the reconstitution of its legitimation basis., El escaso discurso teórico sobre la crítica literaria y artística periodística se ha construido en torno a una retórica de la crisis. Este artículo propone abordar desde una óptica sociológica esta crisis como un problema de legitimación. Por un lado, la estrecha relación de la crítica periodística con la industria cultural la hace vulnerable a las constricciones del mercado. Por otro lado, la crítica es que es una institución prescriptiva, reguladora pero escasamente regulada. A su vez, las nuevas tecnologías y el contexto estéticofilosófico parecen poner en entredicho la autoridad del crítico de arte. No obstante, el artículo plantea la necesidad de reformular la vigencia y la función de la crítica, atendiendo a la multiplicación de su sujeto, así como a la reconsideración de la base de su legitimidad.

The little theoretical discourse on literary and artistic reviewing has been developed upon a rhetoric of the crisis. This paper proposes to address the criticism’s crisis as a legitimation problem, from a sociological perspective. On the one hand, the tight relation between reviewing and the cultural industry makes it vulnerable to market’s constrictions. On the other hand, criticism is a prescriptive and regulating but scarcely regulated institution. Besides, new technologies and both aesthetic and philosophical discourses seem to question the authority of the art critic. Nonetheless, this paper will put forward the need for reformulation of the function and the validity of criticism, considering the multiplication of the subject of criticism, as well as the reconstitution of its legitimation basis., El escaso discurso teórico sobre la crítica literaria y artística periodística se ha construido en torno a una retórica de la crisis. Este artículo propone abordar desde una óptica sociológica esta crisis como un problema de legitimación. Por un lado, la estrecha relación de la crítica periodística con la industria cultural la hace vulnerable a las constricciones del mercado. Por otro lado, la crítica es que es una institución prescriptiva, reguladora pero escasamente regulada. A su vez, las nuevas tecnologías y el contexto estéticofilosófico parecen poner en entredicho la autoridad del crítico de arte. No obstante, el artículo plantea la necesidad de reformular la vigencia y la función de la crítica, atendiendo a la multiplicación de su sujeto, así como a la reconsideración de la base de su legitimidad.

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Ressenya del llibre: Manual de enfermedades importadas

Resenya del llibre: Brièveté des Gastrocnémiens. De l’Anatomie au traitement

Resenya dels llibres: Cáncer de mama, trabajo y sociedad de F. Bandrés Moya, S. Delgado Bueno y M. T. Vicente Herrero (coords.), Oftalmología clínica de Jack J. Kanski y Brad Bowling

Ressenya del llibre: Uso racional de la píldora postcoital de Rafael Ceballos Atienza

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Ressenya dels llibres: Lumbalgias. Prevención, valoración del daño laboral y rehabilitación. de Mª Teófila Vicente Herrero (coord.) Harrison. Manual de medicina de Anthony Fauci, Eugene Braunwald, Dennis Kasper, Stephen Hauser, Dan L. Longo, J. Larry Jameson, Joseph Loscalzo (Eds.)

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Ressenya del llibre: Publicación científica biomédica. Cómo escribir y publicar un artículo de investigación, de J. Jiménez Villa; J. M. Argimon Pallàs; A. Martín Zurro; M. Vilardel Tarrés

Ressenya del llibres: Ciril Rozman. El Reto Asumido, de Juan Maldonado, Miquel Rutlant (coords.), La obra científica de Guillermo Colom Casasnovas (1900-1993)

Ressenya del llibre: Uso racional de la píldora postcoital de Rafael Ceballos Atienza

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Ressenya del llibre: Inmunología celular y molecular de Abdul K. Abbas, Andrew H. Lichtman i Shiv Pillai

Ressenya del llibre: Dues revistes espanyoles d’història de la ciència, al Citations index

Since its national debut in 1987, Fresh Air with Terry Gross has been a highly acclaimed and much adored weekday magazine among public radio listeners. Each week, nearly 4.8 million people turn to Peabody Award-winning host Terry Gross for insightful conversations with the leading voices in contemporary arts and issues. The renowned program reaches a global audience, with over 620 public radio stations broadcasting Fresh Air, and 3 million podcast downloads each week. Fresh Air has broken the mold of 'talk show' by weaving together superior journalism and intimate storytelling from modern-day intellectuals, politicians and artists alike. Through probing questions and careful research, Gross's interviews are lauded for revealing a fresh perspective on cultural icons and trends. Her thorough conversations are often complemented by commentary from well-known contributors. Fresh Air is produced at WHYY-FM in Philadelphia and broadcast nationally by NPR., 1.) ANTONIO JUHASZ ('YOO-hoss') is a leading expert on oil industry, international trade, and finance policy. She is a fellow with Oil Change International and the Institute for Policy Studies. Her new book is 'The Tyranny of Oil: The World's Most Powerful Industry—And What We Must Do to Stop It' (William Morrow). She says that the Commodity Futures Modernization Act deregulation that is partially to blame for the current economic crisis also loosened up regulation on the trading of oil futures. Juhasz writes, 'The futures market has replaced OPEC as the principal determinant of the priced of crude oil. It is largely unregulated and prone to excessive speculation and manipulation.' [THIS INTERVIEW CONTINUES INTO THE SECOND HALF.] (2.) Novelist FRANCINE PROSE. Her work includes the novels 'A Changed Man,' 'Blue Angel,' and the nonfiction book, 'Reading Like a Writer.' Her newest novel 'Goldengrove,' is about a young, thirteen year old girl dealing with the loss of her older sister.

Ressenya del llibre: Les principes de l’éthique biomédicale, de Tom L. Beauchamp & James F. Childress Joan March Noguera

Resenya del llibre: Ruido y Salud Laboral de Ferran Tolosa y Francisco José Badenes Ángel Arturo López González

Ressenya del llibre: Éthique, Médecine et Societé. Comprende, réfléchir, décidir. de, E. Hirsch, dir. Joan March Noguera

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Ressenya del llibre: Toxinología clínica, alimentaria y ambiental de M.A. Capó y cols.

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Postprint (published version)

Postprint (published version)

Book review of Carpentaria by Alexis Wright.

Ressenya del llibre: La obra científica de Guillermo Colom Casasnovas (1900-1993) G. Mateu