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The translation of early Iberian fiction into French had a transformative impact on the learning of vernacular languages and printing. This article explores the impact of Iberian fiction (1525–1550) on the French literary panorama of the mid-sixteenth century. It analyses how the translation of novelas sentimentales and libros de caballerías offered a laboratory for experimentation in three main areas. First, Iberian fiction provided an opportunity for translators to translate directly from Castilian. The translations of Iberian fiction were also an opportunity to promote the French vernacular through the adoption of roman typefaces for the printing of vernacular material. Finally, Iberian fiction translated into French played a key role in the development of book illustration. These innovations would have long-lasting consequences. [ABSTRACT FROM AUTHOR]

This essay studies the cultural consequences that the spread of paper money had in late nineteenth-century Brazil. First, I examine how these tensions are called into question through the analysis of a political scandal that took place in Rio de Janeiro, in 1900, concerning a two thousand reales banknote. Second, I offer a close reading of Machado de Assis' "Anedota pecuniária", a short-story included in Histórias sem data (1884). My goal is to interrogate the relation between paper money and the economy of credit work, and the narrative devices of literary fiction. [ABSTRACT FROM AUTHOR]

This paper combines social fiction and academic analysis to envision hopeful futures for higher education. At the heart of the exploration is Phoebe Wagner's speculative fiction piece, "University, Speaking," which personifies a university grappling with environmental, political, and social change. Phoebe Wagner's first-person narrative highlights the power of collective voice, the importance of centering community, and the urgent need to cultivate resilience and adaptability. Through analysis of key themes, this paper connects Phoebe Wagner's fictional vision to contemporary research on the multi-faceted and complex challenges facing universities today. By integrating artistic and academic perspectives, this paper discusses new possibilities for universities navigating disruption and change.

The years of independence have changed various social, political, and literary realities in Kazakhstan, which has affected the thematic and stylistic expressions of Kazakh writers. Thus, research should identify the ideological, social, and thematic features of modern literary writing produced during the years of independence. In particular, social symbolism's role in transmitting national ideals should be scrutinized simply because such sentiments have various literature, cultural, and educational repercussions. Hence, this paper distinguishes the main issues and ideas revealed in post-independence fiction to give a diachronic analysis of the thematic scope of modern Kazakh literature. Following this, this study discusses the themes and topics found in post-independence Kazakh short fiction to shed light on how these texts can be used pedagogically.

In Keiser's words, "each work depicts, in a knowingly ridiculous manner, a natural philosopher digging into brain matter in the hope of exposing the mechanisms that make the mind tick" (pp. 143-144). Keiser's focus is not on how the nerves and various brain structures appear during a dissection, which is straightforward and verifiable. Locke did not partake in the kinds of fictions Willis, Cavendish, and others were promoting about the nerve spirits. [Extracted from the article]

Chapter 3 focuses on Euhemerus of Messene, following recent scholarly interest in the topic (including Marek Winiarczyk's 2002 monograph, republished in 2013, when Whitmarsh's book first appeared). The book contains four previously unpublished studies: Chapter 2, "The Romance of Genre", Chapter 3, "Belief in Fiction: Euhemerus of Messene and the I Sacred Inscription i ", Chapter 11, "Lucianic Paratragedy", and Chapter 14, "Adventures of the Solymoi", preceded by a brief Introduction. Tim Whitmarsh's collection of essays has seen the light of day at a time when the academic world is again reconsidering "classicism" and modernity's relationship to the "classical.". [Extracted from the article]

This essay reconsiders literary engagements with the figure of the newsboy in terms of their own ambivalences, critiques, and calls for social reform. Taking Horatio Alger's dime novels as a primary case study, this piece explores Alger's sense that the growth of literary business relied too heavily on the exploitation of poverty conditions produced by and disseminated through the medium of popular print. [ABSTRACT FROM AUTHOR]

Representations of higher education in fiction-based sources contribute to forming public perceptions of academia, and so are a form of public pedagogy. Within popular culture representations, understandings of academics are constructed using particular tropes which build shared meanings of the profession. Conferences are one of these tropes and can thus be used as a focus to explore the construction of the academic profession in popular culture representations of higher education. This paper draws on a research project which explored representations of conferences in narrative fiction texts (novels, graphic novels, short stories). In this paper, we analyse references to conferences for what they teach us about the academic profession. The paper is based on analysis of 98 symbolic references to conferences from a sample of 23 fictional texts. Symbolic references are short references which serve as a shorthand to signal aspects of the academic profession, and in this paper, they have been analysed in terms of what they portray and where they position the reader. The paper argues that popular culture representations of academia are pedagogical, in that they show the profession to be desirable to others but encourage a disidentification with academics, reinforcing the exclusionary nature of the profession.

The paper describes an upper-division university course in Mars literature taught online since Fall 2013. The course readings comprise six novels relating to Mars. Authors include H.G. Wells, Edgar Rice Burroughs, Ray Bradbury, Phillip K. Dick, Greg Bear, and Kim Stanley Robinson. After an introduction, sections of the paper discuss course organization and syllabus, Americanist conceptual approaches, anti-colonialism, habitat sustainability, and pedagogical possibilities for future discussion of Mars literature. The paper argues for a fiction-based approach to understanding historical and potential future relationships with Mars and Mars science.

This paper reviews algorithmic or artificial intelligence (AI) bias in education technology, especially through the lenses of speculative fiction, speculative and liberatory design. It discusses the causes of the bias and reviews literature on various ways that algorithmic/AI bias manifests in education and in communities that are underrepresented in EdTech software development. While other recent work has responded to mainstream or private sector technology development, this review looks elsewhere where practitioners, artists, and activists engage underrepresented communities in brainstorming processes to identify and solve tough challenges. Their creative work includes films, toolkits, applications, prototypes and other physical artifacts, and other future-facing ideas that can provide guideposts for private sector development. Acknowledging the gaps in what has been studied, this paper proposes a different approach that includes speculative and liberatory design thinking, which can help developers better understand the educational and personal contexts of underrepresented groups. Early efforts to advocate for fairness and equity in AI and EdTech by groups such as the Algorithmic Justice League, the EdTech Equity Project, and EdSAFE AI Alliance is also explored.

This paper shows how a significant, but short-lived, episode in Scotland's educational history--the rise and decline of Socialist Sunday Schools (SSSs) in the first half of the twentieth century--provoked controversial debates about issues that continue to have relevance today. The first half of the paper explains the origins of SSSs, their links to adult political groups, the form and content of their meetings, and publications designed to advance their agenda. It also describes the criticisms they received from religious leaders and Conservative politicians, on the grounds that they undermined faith and preached revolution. This leads into the second part, which considers whether SSSs might be regarded as agencies of indoctrination, promoting a version of citizenship that sought to subvert existing institutions and disrupt the social order. It is argued that complete neutrality in educational systems is not possible and that a study of the SSS movement has considerable potential as an educational resource, particularly for teachers of history, politics and social studies.

Though modeled on the insistent factuality that had defined prefatory material in fiction a century earlier (what scholars have called the pseudofactual mode), the narrative frame of the found manuscript utilized in early American novels like Unca Eliza Winkfield's The Female American (1767) and Susanna Rowson's Reuben and Rachel (1798) had long been recognized as a "fiction" in itself. Linking this trope to current debates over the "archive" and the "hermeneutics of suspicion" this essay argues that the endurance of the "found manuscript" convention can be traced to the interpretive methodologies of early American antiquarianism and the growing effort to find "among the papers" of the dead and the living a materially stable canon of American letters. Pointing to emerging archives both literally and figuratively, writers of historical fiction such as Washington Irving, Catharine Maria Sedgwick, and John Neal were engaged with an ongoing recovery and reprinting of colonial documents that was coincident with the rise of American historical and antiquarian societies. In dramatizing antiquarian excavation and serendipitous "finds" while also conspicuously citing new histories based on such finds, historical fictions of the early nineteenth century registered the tension between perceiving old "papers" as a body of enduring source material and as a haphazard hoard of mutable ephemera that demanded imaginative reconstruction. Reading historical fictions as an outgrowth of antiquarian research also invites us to reevaluate the legacy of the pseudofactual, and its relationship with emergent discourses of fictionality, by questioning long-standing historicist approaches to early American fiction. [ABSTRACT FROM AUTHOR]

This article reads Salvador Plascencia's The People of Paper (2005) in dialogue with Édouard Glissant's concept of "opacity", an ethical and esthetic stance that values impeding comprehension. This novel's opacity arises from various limiting mechanisms – linguistic, translational, and formal – which both invite and inhibit interpretation, and in so doing open up a space in which readers can think with the text. Bringing The People of Paper and Glissant's thought together shows how Plascencia's text thickens and complicates readerly engagement, and so increases the esthetic purchase of the novel. The People of Paper both invites and deflects the idea that esthetic experience might offer a route to understanding the social or that it provides the foundation of a more ethical relation with others. In parallel, Plascencia's innovative use of the page and his invocation of an intertextual history of such innovation expands the scope of Glissant's theory, by incorporating the physical medium of the book and the workings of genre history as components of an opaque poetics. [ABSTRACT FROM AUTHOR]

Several authors have underlined the negative consequences of the COVID-19 pandemic on mental health in several populations, including medical students, such as increases in anxiety, depression and burnout symptoms. Furthermore, previous studies showed that anxiety and depressive symptoms are positively associated with affective empathy and negatively associated with cognitive empathy. Given the adverse pandemic effects highlighted by several authors, the present study sought to determine whether medical students' empathy has been potentially impacted, with higher affective empathy and lower cognitive empathy score in the pandemic cohort compared to pre-pandemic cohorts. Medical students (n = 395) were recruited during the COVID-19 pandemic and completed the "Interpersonal Reactivity Index" (IRI) and the "Basic Empathy Scale" (BES). This cohort was then compared with two pre-pandemic cohorts (one used the BES [n = 1168], and the other used the IRI [n = 342]). Similar results were found on both scales: the pandemic cohort displayed significantly higher scores in affective empathy and personal distress (affective empathy domain) and, surprisingly, significant higher scores in cognitive empathy, fantasy, and perspective-taking (cognitive empathy domains). As stressed by previous studies, we posited that the higher scores in affective empathy, personal distress, and fantasy might indicate emotional difficulties. The paper concludes with the identification of empathy components that should be promoted in the curriculum of medical students.

The mysterious and unspoken secrets of life can be a source of fascination for young people. The bildungsroman quest for identity is often coupled with a protagonist's attempts to decode a range of secrets. Jamaica Kincaid's work of fiction, "Annie John" (1985), illustrates this journey. In this novel, the female protagonist's maturity and character development become possible only through her persistent efforts to decode the secrets of life. This paper discusses how, in a series of adventures, those secrets are embedded into Annie's story and how her coming-of-age mystery is ultimately resolved.

This paper argues that the contemporary climate crises we see around our planet correlate with a colonial crisis of (literary) imagination. The author engages with Caribbean literary scholar Sylvia Wynter and other anti-colonial scholars to trace how the colonial literary imagination is rooted in the euro-western humanism and racial capitalism that governs the west, the stories and literary forms that frame it, and whose logics continue to be rehearsed across the disciplines--particularly in English literatures taught in school. The paper then argues that to understand the histories of this crisis of imagination and its link to climate crises, and perhaps paradoxically access literature's speculative potential to imagine different climate futures, literary educators and scholars need to prioritize literatures and literary critiques that are embedded in a different relationship to the imagination and ecology.

This paper aims to demonstrate the effectiveness of the Conversation Analysis Tool in the context of teaching world literature to senior students majoring in English philology. The authors present their experience of undertaking a three-month online course "Constructive Classroom Conversations: Mastering Language for College and Career Readiness," hosted by Stanford University, and discuss the benefits of applying this tool at universities. The study describes the basic mechanisms of the Conversation Analysis Tool aimed at developing specific communication skills in students of English for Speakers of Other Languages. The central research question is whether this method is as feasible for teaching literature as it is for language classrooms. The authors demonstrate their takeaways from applying this technique in teaching world literature, namely, analyzing literary dialogues in different classroom activities. The research findings indicate that the Conversation Analysis Tool is an efficient method for the formative assessment of senior students in the world literature classroom. This technique helps students reveal the pragmatic features of fiction dialogues, the writer's narrative intentions, and the reader's expected reception. The suggested method also demonstrates students' progress in the studied topics and identifies possible gaps in mastering the educational content. The significance of the study extends beyond the specified context, as the search for novel instruction techniques targeted at improving communication skills in the 21st-century globalized world is relevant for any educational sphere. Consequently, the research findings of this paper can be applied in different teaching settings.

While ChatGPT has recently become very popular, AI has a long history and philosophy. This paper intends to explore the promises and pitfalls of the Generative Pre-trained Transformer (GPT) AI and potentially future technologies by adopting a speculative methodology. Speculative future narratives with a specific focus on educational contexts are provided in an attempt to identify emerging themes and discuss their implications for education in the 21st century. Affordances of (using) AI in Education (AIEd) and possible adverse effects are identified and discussed which emerge from the narratives. It is argued that now is the best of times to define human vs AI contribution to education because AI can accomplish more and more educational activities that used to be the prerogative of human educators. Therefore, it is imperative to rethink the respective roles of technology and human educators in education with a future-oriented mindset.

Superhero themes have been increasingly used in the teaching of a range of topics including business, humanities and science in recent years. Typically, characters from existing popular media are adopted for the teaching activities. On the other hand, customised characters that are developed from scratch allow the educator to have more control of the characters' features so that the learning objectives can be achieved more effectively. In this work, new fictitious characters have been created as cases for students to perform their engineering materials selection assignment. The motivation for using the superhero theme was to increase the students' excitement in the assignment. This paper shares the approach taken and the teaching experience after running the superhero theme with two cohorts of students.

Framed by decolonial theory, this paper explores how language and literacy ideologies, including Anglonormativity, or the expectation that children should be proficient in a standardised version of English and are deficient if not, shape language and literacy practices in South African classrooms. While not legitimised, the use of fluid language practices in classroom discourse in the Global South is well documented. Less explored is the impact of language ideologies on children's written text production. Using the tools of linguistic ethnography, I focus on the literacy practices emergent bilingual children are engaged with in a Natural Science lesson in year 4, the first year of their transition from 'home language' language of instruction (LOI) to monolingual English LOI. A close analysis of the practice of learners making notes in the lesson shows a pretextual gap between the expectations of the activity: that the children will be proficient in the 'English' used for note-making as well as orthography and layout conventions of written notes, and the heterographic writing they are able to produce. I examine the written products of note-making against a contested history of the use of African languages for writing fiction, and the exclusion of African languages from formal education, thus within a context of coloniality of language. I argue that the concept of "ukuzilanda" can inspire the expansion of literacies in African languages in education, enabling us to build from an existing literate and oral tradition.

This paper contributes to a research program within extensive reading (ER) and "Reading in a Foreign Language" using corpora to simulate ER input to develop vocabulary through incidental learning to 9,000 words. This helps researchers/teachers evaluate ER. If corpora indicate no 'pathway' from smaller to larger vocabulary sizes through authentic ER input, with vocabulary recurrence rates sufficient for incidental learning, then graded readers or other pedagogy appear essential. Studies offer different conclusions due to modeling issues. This study replicates previous research on a larger corpus of general fiction, with improved modeling. For every vocabulary size, a substantial amount of comprehensible fiction is found, with enough repetition of vocabulary from subsequent levels that pathways from smaller to larger vocabulary sizes are possible without graded readers. Prior estimates of approximately 3 years to acquire 9,000 words at 1 hour a day are underestimates, with modeling indicating 2 hours a day would be required.

This paper attempts to provide a new understanding of the gutter and how it is used to significant effect in Gene Luen Yang's, Boxers & Saints. This research draws upon the work of Scott McCloud to establish a framework for the theoretical applications of the gutter. Most prior research focuses on the gutter within the page. This article demonstrates how Yang pushes the concept of the gutter further by creating a new type of gutter that moves beyond the pages and across texts. Then the research attempts to demonstrate how the idea of the textual gutter heightens the transnational elements that define Boxers & Saints.

Under the pen-name of A.S. Hardy, Arthur Joseph Steffens was one of the leading writers of boys' football stories in the first decades of the twentieth century. Building upon the work of John Springhall, Kelly Boyd, Ernest Turner, Dave Russell and Ali Melling, this article seeks to broaden our knowledge of how football fiction first developed. It does this by exploring the life and stories of A.S. Hardy, as well as some of his contemporaries at the Amalgamated Press. The principal sources are original boys' papers held at the British Library and census records. The article explores three key areas. Firstly, an overview is provided of Hardy's life and career, placing his work within the wider growth of boys' story papers and the success of the Amalgamated Press in the late nineteenth and early twentieth century. Secondly, it explores how Hardy successfully pioneered the writing of stories placed within the contemporary world of professional football. Finally, it addresses how established conventions of masculine and heroic behaviour were adapted and explored within football stories. It will be argued that Hardy played an important part in developing and popularising the fictional football story in its modern format. [ABSTRACT FROM AUTHOR]

This paper is aimed at interpreting Edgar Allan Poe's 'The Masque of the Red Death' (1842) and its portrayal of death in relation to the Holy Qur'an and Arabic literary heritage. This reading provides new insights into the understanding of the story. The paper argues that Poe's story and its depictions of death allows for a transtextual analysis as it is based, for a significant extent, on stories from the Qur'an, the holy book of Islam, which informs of the inevitability of death. In addition, the anatomic study of the story investigates the influence of Arabic literary heritage and its role in arousing the writer's imagination. Scholarly work notes that Poe's story follows many traditions of gothic fiction and is often analysed as an allegory about the inevitability of death, though some critics advise against an allegorical reading. Apart from scholarly work on the story, the paper is purported at rereading the story and explores the transtextual connections and affiliations between the story's portrayal of death and what Qur'an tells about death. There are striking moments of parallelism between the two sources on the notion of death although the story's oriental and Islamic references to death shine implicitly through and never made explicit nor directly copy the Qur'anic verse or the Arabic literary sources. Therefore, the paper digs deeply into the story to explore how its representations of death are influenced and shaped by the Holy Qur'an and Arabic literary heritage.