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Copyright of Anuario Colombiano de Historia Social y de la Cultura is the property of Universidad Nacional de Colombia, Facultad de Ciencias Humanas, Departamento de Historia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Night Shot (2019), Carolina Moscoso Briceño's film directorial debut, is a self-referential film, heterogeneous in its narrative forms and staging strategies. It is a documentary in which experimental modes are inserted. We asked ourselves about the type of work of the self to which it belongs (autobiography, self-portrait) and focused on the different narrating voices it uses. We also considered the subjectivity of the story and the affective turn that occurs without the story's veracity being altered. We hypothesize that Night Shot is a story that belongs to a work of the self that, from the present, inquires into the near past so that the retrospective exercise serves the author as a way of understanding herself and as a form of denunciation. To build it, she adopts an emotional approach without questioning the veracity. [ABSTRACT FROM AUTHOR]

Copyright of Revista Trabajo Social is the property of Universidad Nacional de Colombia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Question (1669-6581) is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article discusses the history of human emotions in decision making, with a particular focus on the early 20th century through the early 21st century. The author comments on the role of sociologist Georg Simmel in the incorporation of emotions in historical and sociological research, which is referred to as the emotional turn. She also considers the impact of the terrorist attacks in the United States on September 11, 2001, on the relationship between historiography and emotion. The concepts of modernity and rationality in this context are also explored.