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Copyright of EURE is the property of Pontificia Universidad Catolica de Chile and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article analysed the implications of gentrification processes in the historical centres of Querétaro and Campeche, Mexico, designated UNESCO World Heritage sites, and their relationship with food practices. From these case studies, we observed tourist offerings' impact on residents' daily lives, as they disrupt a set of procedures and knowledge linked to local food consumption and preparation modes. In the analysed streets, we observed how the food offerings, primarily directed at visitors, present an experience of cosmopolitanism and status focused on the global palate; consequently, the prices of ingredients and food increase, limiting accessibility for residents. The research design employed in this study to analyse gentrification and its impact on food practices was based on ethnography, a strategy derived from anthropology, where participant observation and in situ relationships with interlocutors have been fundamental. [ABSTRACT FROM AUTHOR]

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Copyright of Procesos Urbanos (2500-5200) is the property of Corporacion Universitaria del Caribe (CECAR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

On the Colombian Pacific coast there is a complex of islands and islets with an approximate height of 90 to 338 meters above sea level (masl), declared a World Heritage Site by UNESCO, forged by various geotectonic processes between the Pacific oceanic plates. (current Nazca) and South American; made up of sedimentary, volcanosedimentary and igneous rocks. This research aims to analyze the petrography and diagenesis of the heterolithic clastic sequence associated with the Cretaceous-Paleogene boundary of Gorgonilla Island: a contribution to the geological knowledge of the Colombian Pacific. Leading to the conclusion that the petrography reflects a compositional variation, bimodal behaviors, high affinity with the basement rocks of the island, processes of changes in the source and reworking within the basin. The ease of optical recognition of the constituents that make up these rocks indicate a low degree of alteration, no significant postdepositional changes and early diagenetic processes. [ABSTRACT FROM AUTHOR]

Copyright of DYNA - Ingeniería e Industria is the property of Publicaciones Dyna SL and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Quintana: Revista do Departamento de Historia da Arte USC is the property of Universidad de Santiago de Compostela, Servicio de Publicaciones and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ge-Conservación is the property of Instituto del Patrimonio Cultural and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Espacio, Tiempo y Forma: Serie VI, Geografía is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Iberoamericana de Turismo is the property of Revista Iberoamericana de Turismo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Pasos: Revista de Turismo y Patrimonio Cultural is the property of Universidad de La Laguna, Instituto Universitario de Ciencias Politicas y Sociales and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Pasos: Revista de Turismo y Patrimonio Cultural is the property of Universidad de La Laguna, Instituto Universitario de Ciencias Politicas y Sociales and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Espacio, Tiempo y Forma. Serie VII, Historia del Arte is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The book "Isla de la Pasión llamada de Clipperton" is a comprehensive study on the history of Clipperton Island, which has been the subject of conflicts and international interests over time. The author, Gilberto Urbina Martínez, compiles historical documents and presents an objective analysis of the events related to the island. The importance of guano as a natural resource that sparked the interest of countries like France and the United States is highlighted. The text also addresses the dispute over the possession of the island between Mexico and France, and how it led to international arbitration in which the island was awarded to France in 1931. The importance of studying Clipperton Island due to contemporary environmental issues is emphasized, and it is proposed that it be designated as a World Heritage site for the research of environmental history. [Extracted from the article]

The Côa Valley was inscribed by UNESCO as a World Heritage Site in 1998 and is considered «the most impor tant open-air rock ar t site of the Paleolithic». The study of the rock art of the Côa Valley revealed that its chronology goes from the Upper Paleolithic to the 20th century. The present work was developed within the RARAA project, funded by the Fundação para a Ciência e Tecnologia (FCT) «COA / OVD / 0097 / 2019-Rock Art Open Access Repository», with the aim of studying the Iron Age rock art in the Côa Valley and sharing in open access both the data structure, as well as the project data and metadata, images, 3D models, descriptors and vocabularies. With the publication of the registration methodology and the descriptors used, we seek to contribute to improve the use and reuse of data, as well as the development of Linked Open Data, so that it can be localizable and accessible, using FAIR principles (Hollander et al., 2018), and enhancing the interoperability with national and international platforms. [ABSTRACT FROM AUTHOR]

Until very recently, efforts to preserve industrial heritage in Spain have been almost non-existent. Only in the last few years the appreciation of the historical and cultural value of buildings, machines, and tools, which are the tangible memory of the world of labour. In the case of Almadén, the mining and metallurgical heritage, which is a designated UNESCO World Heritage Site since June 2012, is paired by an urban heritage that undoubtedly deserves to be saved for posterity. The aim of this article is to analyse the changes that Almadén underwent in the second half of the 18th century. During this period, the original hamlet was transformed into the most important mining town in Spain. To this end, the article draws on an exhaustive bibliographic review of works on the history and heritage of Almadén, as well as on research on extant sources from the period, including manuscripts, plans, and drawings, preserved in national archives. Also, different sites in the town have been studied in detail, and images of them have been obtained. The study provides a better appreciation of the effort undertaken in during the Age of Enlightenment to turn Almadén not only into a vital resource for the development of silver mining in the Viceroyalty of New Spain, but also into a modern town where miners and their families could lead a decent life. [ABSTRACT FROM AUTHOR]

Copyright of REiDoCrea: Revista Electrónica de Investigación y Docencia Creativa is the property of REiDoCrea: Revista Electronica de Investigacion y Docencia Creativa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Dearq is the property of Universidad de los Andes and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Lecturas de Economia is the property of Universidad de Antioquia, Facultad de Ciencias Economicas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Patrimônio e Memória is the property of Centro de Documentacao e Apoio a Pesquisa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This work focuses on indigenous communities and tourist actors in the Atacama region, northern Chile, and try to propose a model to develop a tourist offer on the Inca Trail declared a World Heritage Site. The study is part of a regional project that sought to build an innovative offer with a characteristic stamp of the territory, and found as a problem that the indigenous communities present in the area had no links with the tourism sector, however they are the ones that frequent and protect the archaeological and patrimonial sites linked to the Inca trail. The results show that the articulation between tourism actors and indigenous communities allows the incorporation of new approaches and models for the construction of supply, as in this case based on cooperativism and solidarity economy, everyday aspects in these communities that inhabit the territories of the desert. [ABSTRACT FROM AUTHOR]

Copyright of Relaciones Internacionales (1699-3950) is the property of Autonomous University of Madrid, Spain, International Relations Studies Group (GERI) Law Faculty and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Investigium IRE: Ciencias Sociales y Humanas is the property of Editorial Institucion Universitaria Centros de Estudios Superiores Maria Goretti and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of TURyDES is the property of TURYDES and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The Historic Sanctuary of Machu Picchu, an element of the tangible historical heritage of Peru, declared a World Heritage Site by Unesco, is undoubtedly one of the main tourist attractions in South America; which supports high tourist pressure, saturation problems and risk of impact on its conservation. In the present work, an audit of the level of quality in the tourist management of the site is carried out using the Delphi method. The vision of two types of specialists is obtained: academic and professional, in the tourism sector, on measures to mitigate the situation described and thus propose guidelines that aim to improve tourism competitiveness. The points of view and proposals of university researchers and managers of tourism companies is relevant in relation to the future of the Historic Sanctuary of Machu Picchu. The conclusions of the research, depending on the originality of its objectives and methodology, are of interest for the management of this world heritage site. [ABSTRACT FROM AUTHOR]

Tholing Monastery is one of the most important religious monuments in western Tibet, and its murals show the greatest artistic achievement of the Tibetans in the cultural and aesthetic context in the two different periods of Tibetan history. This article first introduces the historical context of this monument, indicating its importance in the development of Tibetan history. Secondly, both the historical and artistic value of the murals of the Tholing Monastery are explained and it is suggested that this monument deserves more attention in preservation and research, and should be included in the UNESCO World Heritage List. Finally, it is considered that the tourist use of the Tholing Monasteries and its Buddhist frescoes could contribute in the future to promote the tourism industry in that area. [ABSTRACT FROM AUTHOR]

The article reports that Yasmin Thayná, director of Kbela was born in 1993 in a rural area of Baixada Fluminense in Nova Iguaçu, State of Rio de Janeiro, several kilometers from Cais do Valongo. Topics include considered that this port was declared a World Heritage Site by UNESCO in 2017 for containing the most important architectural material vestige of the landing of around 900,000 enslaved Africans.

The aim of this article is to analyze the commercialization process, that is, the enhancement of the cultural heritage located in the Historic Center of Zacatecas (CHZ), since its appointment as a World Heritage Site in 1993 by UNESCO. By acquiring this category, exploitation dynamics have been developed in favor of some individuals and interest groups, thereby generating the dispossession of public spaces, the elitization of cultural consumption in the inhabitants, real estate speculation, and the revenue reallocation in the use of the land. As a result, a transformation process is observed for the tourist service for the benefit of an elite in power and not of the inhabitants themselves. This is evidenced by the analysis of statistical data, maps and bibliographic references. [ABSTRACT FROM AUTHOR]

Monte Albán and Atzompa are two monumental urban components of the most important pre-Hispanic city of Oaxaca, Mexico. Excavated and opened to the public in two historical moments (1928-1957 and 2007-2020, respectively), they represent two ways of approaching archaeological research and conservation, specifically within the complicated social reality that defines daily life in Oaxaca. An analysis is presented of the ways to position, reconcile, and justify understandings of archaeological monuments in the public sphere (by the Mexican state), with special reference to the paradigms that guided these two projects and subsequent development of the Mexican "archaeological zone". Each case is treated within its particular context. The paper concludes by discussing contemporary concerns for surrounding local communities, which so often epitomize contradictions inherent to the "cultural good". [ABSTRACT FROM AUTHOR]

Copyright of Económicas CUC is the property of Corporacion Universidad de la Costa, CUC and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Methaodos: Social Science Journal / Methaodos: Revista de Ciencias Sociales is the property of Departamento de Ciencias de la Comunicacion y Sociologia, Universidad Rey Juan Carlos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Pensamiento Americano is the property of Corporacion Universitaria Americana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

En esta breve contribución se pretende resaltar una de las investigaciones pioneras en la región, en la que se tomaron en cuenta sus valores culturales y naturales, lo que sin duda fue una de las piedras angulares para su inscripción como en la lista del Patrimonio Mundial de la UNESCO. [ABSTRACT FROM AUTHOR]

Copyright of Bitácora Urbano/Territorial is the property of Bitacora Urbano/Territorial and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Loggia, Arquitectura & Restauración is the property of Universidad Politecnica de Valencia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Patrimônio e Memória is the property of Centro de Documentacao e Apoio a Pesquisa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The cultural heritage of each country is characterized by being charged with unrepeatable aspects that denote its unique identity and particular historical trajectory. However, the nature of the threats and the risks faced by assets and patrimonial expressions are quite similar around the world. In this context, the design and implementation of public policies for the protection and safeguarding of cultural heritage face similar challenges at a regional and even global level. The goal of this article is to present the scope of the UNESCO conventions as instruments that frame the issue of heritage from a perspective shared with the signatory states, which seek to lay the foundations for the protection and safeguarding of the cultural heritage through the establishment of commitments and wills shared internationally. [ABSTRACT FROM AUTHOR]

The article presents a detailed vision of the system for the protection of the cultural and natural heritage of humanity, its principles, mechanisms and courses of action. It analyzes the obligations and responsibilities assumed by Peru and the other States that are part of the 1972 Convention. It explains that the system is essentially legal, because beyond the archaeological, architectural, anthropological, geographic, historical and ethnohistorical components that entails the notion of cultural heritage, its protection is regulated and guided by legal norms of a double aspect: those that form a strictu sensu part of the national legislation and those contained in international treaties. Both required in domestic law. When evaluating the application of the system to Peruvian goods inscribed in the world heritage list, the author uses the situation of Machu Picchu as a case study and explains the strengths and vulnerabilities of its management model. [ABSTRACT FROM AUTHOR]

Cultural heritage is a historical legacy that needs to be taken care of and preserved for its creativity, cultural diversity, and because it is an identity factor. From this perspective, the relationship between UNESCO Chairs and heritage conservation is substantial. Their correspondence is analyzed based on the statutory framework of protection approved by UNESCO in 1972, and the adoption of the concept of Outstanding Universal Value (OUV) of the World Heritage. As well as the following conventions, the UNESCO Culture Work Plan for Latin America, the role of Culture, Education and the UNESCO Chairs. And, in particular, the Cultural Heritage of Peru and its twelve cultural assets and sites inscribed on the UNESCO World Heritage List. In this context, the UNESCO Chair Cultural Heritage and Sustainable Tourism of the USMP, contributes to sustainable development from the university, at local, regional and national levels. [ABSTRACT FROM AUTHOR]