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Media communications are not horizontal processes, but the reception evidences the power of reflection, transformation and creation by people regarding the contents, which enriches the cultural matrices. This article offers an analysis of the sociality (Martín-Barbero, 2010) of the television microprogram El Súper Andino, broadcast between 2008 and 2009 by Aupan TV, a community channel from the municipality of Andes, Antioquia, Colombia. It was approached from participatory and active methodologies, which integrated conversation and debate to generate argumentation. The contrast between the purposes of the series and the reception allowed us to understand that all communicative practice is mediated by a cultural negotiation that changes over time. [ABSTRACT FROM AUTHOR]

The tavern has always been a space for sociability, a place where wine and also some food are consumed, but where people also played games, discuss ideas and entice prostitutes. The documentation of the Feitos Findos, kept in the Arquivo Nacional da Torre do Tombo (Lisbon), offers us a picture of the physical and verbal violence involving women who worked as tavern keeper in Lisbon at the end of the Ancien Regime. If some were prevaricators, others emerge as victims. We studied eighteen cases dated between 1805 and 1833. [ABSTRACT FROM AUTHOR]

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Copyright of Revista Anuario de Historia Regional y de las Fronteras is the property of Universidad Industrial de Santander and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of HiSTOReLo: Revista de Historia Regional y Local is the property of Universidad Nacional de Colombia, Centro Editorial Facultad de Ciencias Humanas y Economicas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Colombiana de Sociologia is the property of Universidad Nacional de Colombia, Facultad de Ciencias Humanas, Departamento de Sociologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The wellbeing in organizations stems from the internal climate that exists there. Employee satisfaction and motivation depends on intraorganizational relationships. Sociability in organizations is crucial for a positive business climate through the interaction and integration of employees. The Home Office and Telecomputing boosted by COVID-19 led to a physical removal of workers. With the analysis of real cases, we found that the use of digital media in the scope of Strategic Management of Internal Communication surprised society in general and the business community, causing a greater affective approach to the company and to the workers. [ABSTRACT FROM AUTHOR]

Copyright of Anuario Colombiano de Historia Social y de la Cultura is the property of Universidad Nacional de Colombia, Facultad de Ciencias Humanas, Departamento de Historia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anuario Colombiano de Historia Social y de la Cultura is the property of Universidad Nacional de Colombia, Facultad de Ciencias Humanas, Departamento de Historia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Psychology (UNLP) / Revista de Psicología (UNLP) is the property of Facultad de Psicologia Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this article I analyze the worker-student alliance in the city of Córdoba, Argentina, during the sixties. I argue that the closeness between workers and students was not only built and deployed through their political and union ties. Since the working class was not isolated from the students and the community, their union also had a substantive articulation in everyday life, through innovative educational experiences, family and neighborhood ties that enabled a common sociability. With that idea, I explore the participation of workers in those experiences that were part of the social transformation processes that began in the '50s and that I understand as facilitators of additional connections with students. [ABSTRACT FROM AUTHOR]

Copyright of HiSTOReLo: Revista de Historia Regional y Local is the property of Universidad Nacional de Colombia, Centro Editorial Facultad de Ciencias Humanas y Economicas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Revista Colombiana de Sociologia is the property of Universidad Nacional de Colombia, Facultad de Ciencias Humanas, Departamento de Sociologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Mouseion (19817207) is the property of Editora Unilasalle and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Grafía is the property of Universidad Autonoma de Colombia, Facultad de Ciencias Humanas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Aura. Revista de Historia y Teoría del Arte is the property of Aura Revista de Historia y Teoria del Arte and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Procesos: Revista Ecuatoriana de Historia is the property of Universidad Andina Simon Bolivar, Sede Ecuador and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Avances en PsicologÍa Latinoamericana is the property of Colegio Mayor de Nuestra Senora del Rosario and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The quality, pertinence and internationalization of graduate programs have become a necessity to be competitive in a globalised society, this has sued the legitimacy of public policies and developed various mechanisms to evaluate its performance, through quantitative indicators that demonstrate compliance with academic excellence. However, the desired quality, without academic life is an understatement, because this involves the interaction of the actors in the tutorials and school practices. The specificity of the forms of relationship is the condition for intellectual production. [ABSTRACT FROM AUTHOR]

During the second half of the XXth century, Argentina went through the last attempts at a policy of long time tradition, known as agricultural colonization. Usually, lands in the pampa zone were selected, with a traditional productive and agro-export relevance. Nevertheless, certain periurban areas of the cities of Buenos Aires and La Plata became of interest because of their highly productive soil, their location near major urban centers, and their capacity to house families. These areas have not been studied carefully and need to be explored. With this study we look into the situation of the families that lived in this specific context, addressing their multi-ethnic origins, trajectories, work methods, and social practices. With this purpose, we selected two communities: "La Capilla" (Florencio Varela, southern zone, Gran Buenos Aires) and "Justo José de Urquiza" (La Plata, capital city of the province). We found that these communities were consolidated by the formation of formal and informal societies, characterized by the participation of the families and subjects who contributed to the community through their roles and practical knowledge. It was found that children played a particularly important role as social subjects, articulating the different spaces in which their families lived. [ABSTRACT FROM AUTHOR]

Copyright of Lusitania Sacra is the property of Universidade Catolica Portuguesa, Centro de Estudos de Historia Religiosa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The study compared the performance of shelter dogs and family pets in a battery of behavioral temperament tests, in order to evaluate whether there is an association between the living conditions in shelters (social and spatial restriction) and alterations of behavior. Thirty half-breed house dogs were given a battery of four temperament tests: sociability and interspecific fear, trainability, interspecific aggression, and non-social fear. Results show that, compared to family pets, shelter dogs remained close to the experimenter for a longer period during the sociability test and their scores were significantly higher in the non-social fear test. [ABSTRACT FROM AUTHOR]

Copyright of Polis (07176554) is the property of Polis - Revista Academica Universidad Bolivariana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper develops a reflection on the elements that concurred in the late nineteenth century in Bogotá to form the notion of aesthetic canon. For the analysis of documentary sources we will refer to two illustrated publications: El Papel Periódico Ilustrado (Illustrated Newspaper), managed by Alberto Urdaneta, and the Revista Ilustrada (Illustrated Magazine), managed by Pedro Carlos Manrique. Such publications define themselves as platforms for the formation of taste and, within a set of political, religious and cultural conditions, allow us to see new processes in the formalisation of specialised culture through institutions such as the Escuela Nacional de Bellas Artes (National School of Fine Arts). The contribution of these illustrated publications becomes a reference to what will be the relation between art critique and the public, formulating notions of aesthetic appreciation and taste that we understand as programmatic in a project of civilisation. [ABSTRACT FROM AUTHOR]

The concept of political sociability has been widely spread and assumed as a valid and pertinent analytical tool for studying the processes of construction of political modernity. However, it is a problematic concept, at least in terms of addressing its use. The present article has the fundamental objective of carrying out a theoretical examination of political sociability, as well as proposing some lines of analysis regarding the application of this category to the study of Colombian cultural manifestations of the 19th century. [ABSTRACT FROM AUTHOR]

Copyright of Polis (07176554) is the property of Polis - Revista Academica Universidad Bolivariana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Polis (07176554) is the property of Polis - Revista Academica Universidad Bolivariana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The paper discusses some topics of Kant's Critique of Judgment in order to highlight the unitary structure of the work and its innovative contribution. Within this inquiry, it specifically focuses on the Kantian reflections on the public value of aesthetic judgments and shows the epistemological, social, and ethical implications of analyses of art, technology and culture in Kant's text. [ABSTRACT FROM AUTHOR]

Copyright of Revista FAMECOS - Mídia, Cultura e Tecnologia is the property of EDIPUCRS - Editora Universitaria da PUCRS and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)