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This paper presents a new, digital, and interactive list of wounds, deaths, and other acts of aggression in the Iliad. After an introduction, it discusses the state of the art in quantitative approaches to the subject. The following section presents the methodology for compiling the data, briefly establishing the criteria for the distribution of instances in each category. In the discussion, I compare the results with previous similar projects and mention a few examples of the potentiality of the new list – to be published online, not included in the paper –, showing the advantages of the digital format.

The provision of a translator’s paratext offers greater visibility to the translator and a direct source of information on his/her decisions and intentions. Osório de Oliveira, the translator of the Portuguese version of Defoe’s Robinson Crusoe, replaces the author’s original preface with one of his own in which he justifies the alterations to the original text, whilst underlining that it was a Portuguese vessel on its way to Brazil which saved the hero from his desperate plight. This paper proposes to examine the reasons for Oliveira’s emphasis on this particular episode, to the detriment of others which were unquestionably more interesting within the context of the hero’s adventures. The date of publication of the translation – 1940 – and consequently of the paratext, provides the principal key to the answer, as the ideology of the Estado Novo was founded on the exaltation of the Portuguese “Discoveries”, underpinning a colonial policy which supposedly justified the retention of the “Overseas Provinces”. The paper discusses the translator’s reasons for intervening in the target text, whilst attempting to evaluate how far the paratext may have mediated the reception of a final version in which the deeds of past heroes were exploited in an attempt to appropriate Defoe’s story.

Translation assessment is an activity present in many scenarios and the diverse individuals who must deal with it partly explains the variability of such activity. Previous Translation Studies have already profiled and compared both the behaviour and the results of assessments carried out by a variety of evaluators. This paper examines the main contributions concerning this issue, and adds to the field by distinguishing between the contexts in which evaluators carry out their usual work and other less paradigmatic situations. The result is a compendium of the characteristics defining the prototypical evaluator profiles as well as presenting a warning for researchers, professionals, students and teachers on the special conditions that, depending on the circumstances, affect their evaluation and make it look as a different activity. The discussion includes complex formulas characterized by the collaboration of different groups of evaluators, as well as of those whose profile is not defined always by a single role. Therefore, the present paper may serve as an inspiration for new research investigating the profiles of evaluators to open the focus and take into account the circumstances that may affect their alleged habitual activity.

In this paper, we present the activities and products developed during the Ikpeng language documentation project that contributed to the strengthening of the teaching of mother language of this indigenous society at the school, a space in which the use and teaching of the Portuguese language predominates. The Ikpeng linguistic documentation process was set within the Projeto de Documentação de Línguas Indígenas (PRODOCLIN), promoted by Museu do Índio/FUNAI, in partnership with UNESCO, during the period from 2009 to 2012. Among the main contributions of the documentation project are a sociolinguistic diagnosis, the creation of a lexical database, the elaboration of a descriptive grammar of the Ikpeng language, the publication of a monolingual book of traditional narratives and training courses in linguistics for indigenous teachers. The products resulting from the documentation were developed based on the demands of the school context of the Ikpeng society, to preserve and value the language and ancestral memories of this indigenous society. The Ikpeng language is spoken by the homonymous people, who live in the Parque Indígena do Xingu – MT.

This paper aims to understand the correlation between language and discourse identity for Black women through an analysis of Beyoncé’s lyrics across time. Its specific goal is to investigate the occurrence of code-switching between Standard English (SE) and African American Vernacular English (AAVE) in the singer's lyrics within different music domains. So, we analyzed the frequency of five AAVE syntactic structures in different music genres - hip hop and rap - in distinct phases of her career. The results show an overall decrease of SE forms and an increase in the use of AAVE forms, though the singer continues to practice code-switching in her songwriting. This represents a transition in Beyoncé's language use, indicating a correlation between language choice and Black Women discourse identity.

ABSTRACT In this paper, we analyze literacy practices and representations in the comic books genre produced by undergraduates taking the Rural Education degree. The research is based on literacy theories and is situated in the applied field of language. This is a participatory research, with a qualitative-interpretative approach. The corpus consists of texts from six examples of the comic books genre, and (transcribed) excepts from three interviews conducted with research collaborators. Because this genre has a union of different language systems (verbal and non-verbal), the research revealed traces of literacy that students have in their life experiences. As the research collaborators come from different communities located in rural areas, they present diverse and peculiar literacy practices and representations.

VoTec (Vocabulário Técnico Online) is a web environment for terminographic management created by Fromm (2007) with the aim of training undergraduate and graduate students for terminographic and translation practices. Since 2007, it has been used in several research and projects aimed at researchers training and monolingual and bilingual reference works production. This paper aims to present an overview of the projects and research carried out through VoTec between 2007 and 2023, as well as of the updates made on its database and query page. To do so, we describe its initial version (Fromm, 2007), the Terminology in Fiction (Fromm, 2011a) and the Linguistics Vocabulary (Fromm & Yamamoto, 2013) projects, as well as the following terminographic works/proposals: Vocabulary of Historical Linguistics (Yamamoto, 2015), Vocabulary of Business and Events Tourism (Carvalho, 2015), Vocabulary of Theology (Cardoso, 2017), Bilingual Vocabulary of Linguistics (Yamamoto, 2020), Vocabulary of Digital Marketing (Mateus, 2022) and Vocabulary of Angiology and Vascular Surgery (Santos, 2023). This panorama highlights: (i) VoTec's productivity for research and projects in the scope of Terminology, Translation, monolingual, bilingual and multilingual Terminography and Pedagogical Terminography; (ii) its continuous updates allow VoTec to follow latest trends and technologies on online reference works, becoming increasingly robust and multimodal, as well as to approach the needs of current users of online reference works; (iii) due to the possibilities of customizing fields and functionalities, VoTec easily adapts to different types of research and is capable of generating terminographic products with different purposes and target audiences.

In Jane Austen’s novels conversation provides internal evidence of the “moral and social nature of characters” (Morini, 2009, p. 9). Among the interplay of speech presentation forms (Page, 1972/2011), Narrative Report of Speech Acts (Leech & Short, 2007) has drawn less scholarly attention than others, for example Free Indirect Speech. However, NRSA condenses information about two communicative acts and therefore two addressers, namely the reporting narrator and the reported speaker (the character). Investigating this superposition of voices requires an integrative approach combining a speech-act theory analysis of the character’s speech with an analysis of both the character’s and the narrator’s dialogic stance, here set in the system of Engagement in Martin and White (2005). This paper aims to present this approach and to apply it to the description of Mansfield Park and its translations into Spanish and German. A sample of instances of NRSA and their translation solutions is analysed. While the most frequent type is literal translation, with both layers of meaning successfully reproduced, instances of translation shifts have been identified involving illocutionary force (addition, elimination or change of illocutionary features) and/or engagement value, combined with changes in certain cooccurring distancing devices. Such shifts suggest possible distortions to characterization cues.