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Copyright of Acta Comportamentalia is the property of Instituto de Psicologia y Educacion de la Universidad Veracruzana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Sociedade e Estado is the property of Sociedade e Estado and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Philósophos is the property of Revista Philosophos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Pós Ciências Sociais (REPOCS) is the property of Revista Pos Ciencias Sociais (REPOCS) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Pós Ciências Sociais (REPOCS) is the property of Revista Pos Ciencias Sociais (REPOCS) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Intersecoes: Revista de Estudios Interdisciplinares is the property of Editora da Universidade do Estado do Rio de Janeiro (EdUERJ) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Farol - Revista de Estudos Organizacionais e Sociedade is the property of Farol - Revista de Estudos Organizacionais e Sociedade and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Farol - Revista de Estudos Organizacionais e Sociedade is the property of Farol - Revista de Estudos Organizacionais e Sociedade and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The musical genre designated as "metal", contrary to most popular music genres, highlights religious phenomena within its discourse. Controversy, opposition, and transgression of social norms are entangled in its narrative since its inception. Despite its relatively long history, it had until recently received little attention from social scientists. In this article, we analyze the symbolic context of songs from three subgenres - thrash, death, and black metal - that deal with an unusual subject matter: Islam. We argue that, through a specific attitude regarding the autonomy of the artistic field, the deep, derisive, and scathing critiques of social, political, and religious structures reflect public discourse, becoming an emblematic case for various cultural tensions in contemporary society, as it converges against expectations both from the left and from the right. [ABSTRACT FROM AUTHOR]

Copyright of Estudos Sociedade e Agricultura is the property of Revista Estudos Sociedade e Agricultura and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article is an interview with Ignacio Cano, a Spanish sociologist based in Brazil, who discusses his work as a "policologist" and the relationship between academia and public policies in the field of security. Cano talks about the entry of social scientists into this field, the opposition between human rights and the state apparatus, and the irritation of police officers with the presence of experts. He also mentions the need for a preventive approach in public security and the importance of dealing with the epidemic of crime in Brazil. The text discusses the perception that during the military dictatorship in Brazil there was no corruption or violence, and how democratization contributed to delegitimizing democracy. It also mentions the entry of police officers into universities, the increase in education in Brazilian society, and the improvement of dialogue and interaction in the field of public security. Additionally, it addresses the view that technology and management are topics that generate less resistance among police officers, and how the presence of police officers in universities opens up an institution that was previously isolated from society. The text discusses the importance of strengthening the vision of openness within police forces, highlighting that this movement is also relevant for civil society and human rights organizations. The author mentions the resistance of some sectors to engage with the police, but emphasizes the need to create a relationship that can help improve public policy. Furthermore, the text addresses the importance of understanding the difficulties and problems faced by police officers, as well as the sensitivity necessary to deal with these issues. Finally, the author mentions the death of Marielle Franco as a personal loss and highlights the importance of responding to the most urgent questions through activist and academic efforts. The text recounts the author's experience, Ramón Chaves Gomes, in the process of researching and working in the field of public security in Rio de Janeiro. [Extracted from the article]

This article presents a dossier on the work of Brazilian social scientist Fernando Henrique Cardoso. The dossier seeks to critically reassess Cardoso's contributions to Brazilian social sciences, considering different interpretations of his work. The importance of situating Cardoso's perspective in the context of the Marxist debate and national and international intellectual traditions is highlighted. The article discusses the new reception of Cardoso's work in the 2010s, thanks to advances in research in the field of Brazilian social and political thought. The dossier brings critical reflections on the interpretation of Cardoso's work, addressing aspects such as his relationship with Marxism, the articulation between theory, history, and politics, and his academic trajectory in the United States. [Extracted from the article]

This text presents a thematic dossier on racism, contextualizing this phenomenon in time and space. The volume brings together sixteen articles, signed by thirty authors from different scientific areas and institutional affiliations, because it is believed that such plurality can provide a comprehensive view of the phenomenon in order to bring more contributions to its study, framework and confrontation. Fifteen articles are dedicated to the Brazilian context (in general or to specific places such as Curitiba, Mato Grosso do Sul, Santa Catarina, Santa Maria [Rio Grande do Sul] and Sergipe) and one article focuses on the Argentine context (La Plata, Buenos Aires). Some texts expose theoretical reflections, while others are the result of research that analyses the school and training context. The content of this dossier will be useful for social scientists, educators and trainers of children, youth and adults, both in academia and in associations and/or engaged with the causes discussed here. [ABSTRACT FROM AUTHOR]

The 1930 Revolution was a heterogeneous politicalmilitary movement that ended the First Republic (1889-1930) and brought Getúlio Vargas to power. From the 1930s to the present day, the 1930 movement has generated different readings and interpretations from contemporaries and Brazilian specialists, especially historians and social scientists. Our objective is to show, in general lines, some of the main interpretations and analyzes of contemporaries and specialists about 1930 and its consequences. In this way, we hope to contribute to the systematization of 1930's interpretations. [ABSTRACT FROM AUTHOR]

Copyright of Arte & Ensaio is the property of Arte & Ensaio and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Política & Sociedade: Revista de Sociologia Política is the property of Revista Politica & Sociedade and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The relationship between laws and social practices in Brazil has been object of frequent reflexion from social scientists, public authorities and even from common persons. Some analysts point to the malleability of the rules according to the contexts, while others argue in favor of the hardening of the codes. This article intends to present a contribution to this debate, examining these extreme positions in terms of cultural relativism. The research dates from more than a decade and involves fieldwork with application of questionnaires, informal interviews with open questions, and direct ethnographic observation. The main theoretical orientation consists in the consideration of certain social situations as "social dramas" (GLUCKMAN, 1987; TURNER, 1970, 1974, 1975; DAMATTA, 1979, 1985, 1993) in which there is a search for conflicts resolution. Our data demonstrate that the plasticity of the rules in Brazil is a cultural phenomenon, which acts both in the micro and in the macro spheres of the Brazilian society. They confirm also that this malleability is not limited to soften the effects of the laws. Frequently it corresponds to a hardening of them. [ABSTRACT FROM AUTHOR]

Copyright of Sociologia & Antropologia is the property of Sociologia & Antropologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Sociologia & Antropologia is the property of Sociologia & Antropologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Countless urban revitalization or urban renewal projects have been implemented in innumerous cities around the world. The results cause what social scientists call gentrification. There is, however, a great debate about the use of this term. While some criticize its indiscriminate use, others believe it is necessary to make the concept a little more complex. This paper intends to discuss the definitions and the use of the gentrification term. Furthermore, our hypothesis consists that the gentrification is not a collateral effect or a natural catastrophe; it is planned. [ABSTRACT FROM AUTHOR]

Copyright of Educacao e Pesquisa is the property of Faculdade de Educacao da Universidade de Sao Paulo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Sociologia & Antropologia is the property of Sociologia & Antropologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Sociologia & Antropologia is the property of Sociologia & Antropologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Romantic and modernist Brazilian literature tried to tackle the issue of our nationality as a means of self-recognition, a search for national identity. With the rise of post-modernism and especially of cultural studies, the question of national identity and of the representation of the nation is back again; historians, social scientists and literary and visual arts critics have been discussing the theme and we, therefore, see analysis of novels, short stories, poems, paintings, installations, movies and TV series, among others, which deal with how these media try to represent the nation - or if it is still possible to speak in a totalizing way about narratives of the nation and of national identity. Nonetheless, this matter does not seem so compelling in theatre studies. Although there are plays which attempt to narrate a space and its society, whether it be the nation or the city - the latter sometimes representative of an idea of nation -, the debate on what this idea of nation and national identity are is, in theatre studies, limited. Thus, this article aims at analyzing how the nation was imagined and the understanding of national identity in the play BR3, signed by Bernardo Carvalho and staged by the company Teatro da Vertigem. [ABSTRACT FROM AUTHOR]

Copyright of Revista do Serviço Público (Civil Service Review) is the property of Revista do Servico Publico and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Ciências Sociais - Brazil is the property of Revista de Ciencias Socias do Universidade Federal do Ceara and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Starting off from Friedrich Nietzsche's well-known expression “beyond good and evil”, the idea of “beyond the social” is proposed together with the establishment of a dialogue between Nietzsche and the philosopher Spinoza. This notion is developed by showing how it can be connected to Nietzsche’s critique of the sociology practiced at the time, stuck to a “herd instinct”. The domain of the “social”, however, is also recognized, and an effort is made to establish ethnography as a possible connection at the disposal of social scientists between these and other domains with the help of the servitude-liberation pair and the idea of expression as proposed by Gilles Deleuze in contrast with that of representation. [ABSTRACT FROM AUTHOR]

Concerning Brazil, Sébastien Fath, in his text “From the margins to the mainstream: social challenges of the evangelical rise, a transamerican comparison”, rightly reiterates two predominant tendencies: the Catholic decline and the Evangelical growth. This text presents the main reflections produced by social scientists to explain this reconfiguration of the religious landscape, that has been taking place in the country for some decades. In particular, it analyzes the question about the possibility of Evangelicals to supplant Catholics in Brazil, advances hypotheses about the two lines of force mentioned, highlighting that they result from internal and external situations to each of religious and, finally, the text presents some affinities observed in the evangelical fields of Brazil and the United States. [ABSTRACT FROM AUTHOR]

Copyright of Revista Colombiana de Sociologia is the property of Universidad Nacional de Colombia, Facultad de Ciencias Humanas, Departamento de Sociologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Veritas is the property of EDIPUCRS - Editora Universitaria da PUCRS and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Ciência & Saúde Coletiva is the property of Associacao Brasileira de Pos-Graduacao em Saude Coletiva and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Education Policy Analysis Archives / Archivos Analíticos de Políticas Educativas / Arquivos Analíticos de Políticas Educativas is the property of Educational Policy Analysis Archives & Education Review and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The presence of immigrants in the cultural and artistic labor markets has captured the attention of social scientists. However, to this day, an analysis focused strictly on the socio-professional profiles of artists coming from countries outside of the European Union to Portugal is still lacking in the literature. This article presents a comparative analysis between Portuguese, European Union, and non-European Union artists in Portugal taking both their sociodemographic characteristics and their professional situations into consideration. Census data from 2001 and 2011 allow us to identify a number of similarities and differences between these groups, as well as significant changes across the first decade of the XXI century. [ABSTRACT FROM AUTHOR]

Faith is still a topic that generates interest and debate today. This research has as object the faith. The faith has a bibliographical nature, through the systematic and hermeneutical analysis of the thematic, due to several authors. Faith is understood as a human dimension, immanent, but it has also a transcendent perspective for many people. Establishing the relationship and anthropological faith and religious faith today, as well as between faith and meaning off life. It is the focus of this research because faith is a response to the crisis of meaning that contemporary society faces. The faith in this research is analyzed in two ways: religious and anthropological, addressing historically how the concepts of the term have undergone changes in the course of history and how they are explored today. There is the approach to the position of contemporary philosophers and social scientists like Ferry, Gauchet, and Sponville, who reflect on the misconfiguration of the religious and the fallibility of religion. It also discusses the theory of religious crisis, which relates to laicization and secularization, and the phenomena that produce the deinstitutionalization and growth of the "nonreligion", according to the last demographic census, whether atheists or religious faith. One of the importants conclusions shows that there is a re-reading of the patterns of expression of faith, established by the great religious traditions, and an explosion of new ways of experiencing the religious is currently configured. Even atheists experience a non-religious spirituality in search of balance and meaning. It is noteworthy that the meaning of life, which was primarily related to the religious, was affected by contemporary changes and presents itself as a challenge that affects everybody, not only people who have religious faith. [ABSTRACT FROM AUTHOR]

Copyright of Caderno CRH is the property of Universidade Federal da Bahia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

An obituary for social scientist and reformer Fátima Patriarca, who passed away in Lisbon, Portugal, on March 11, 2016, is presented.

Copyright of Revista Ciência & Saúde Coletiva is the property of Associacao Brasileira de Pos-Graduacao em Saude Coletiva and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Ciência & Saúde Coletiva is the property of Associacao Brasileira de Pos-Graduacao em Saude Coletiva and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article discusses several interfaces between memory and history, based on the contribution of the following contemporary authors: Pierre Nora, Michael Pollak, Jacques Le Goff and Roger Chartier, among others. It then investigates how social scientist Gilberto Freyre constructed his historical narrative in a dialogue with the interfaces discussed by these authors. This investigation is oriented by the hypothesis that Freyre undertook his intellectual project (between 1922 and 1926) tracing the borders of memory and of history. We demonstrate how the author proposed a "symbiotic relationship" between history, memory and poetic time based on the conciliation of fields such as science, literature and popular culture. [ABSTRACT FROM AUTHOR]

Copyright of Dados - Revista de Ciências Sociais is the property of DADOS and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Educacao & Sociedade is the property of Centro de Estudos de Educacao e Sociedade and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Sociologias is the property of Universidade Federal do Rio Grande do Sul and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Mana (01049313) is the property of Contra Capa Livraria and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

An interview with Portuguese sociologist Boaventura Sousa Santos is presented. He discusses his political consciousness as social scientist as well as his interest in social problems of the 21st-century society. Particular focus is given to his notion of competent rebellion against conformity. Other topics discussed include the illusion of neutrality in social sciences, his participation in the Fórum Social Mundial, and critics to eurocentrism.

Copyright of Lua Nova is the property of CEDEC and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Sociologia e Política is the property of Revista de Sociologia e Politica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Sociedade e Estado is the property of Sociedade e Estado and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article presents ideas relative to the definition of 'social reality' and 'the social' developed by the social scientists Norbert Elias and Bruno Latour. The presentation of these ideas is guided by the following questions: what is the criticism that the authors make to the sociological assumptions of which they move away?; How do they understand the social reality, society, the social?; What is the discussion and proposal that they do about the relationship individual - society?; What are the differences and similarities between the two proposals?. With the response to these issues, this article makes a connection to the main theoretical suppositions of the Elias's Sociology of figurations and to the Latour's Sociology of associations, as well as makes a presentation of the contributions of the authors to the contemporary sociology. [ABSTRACT FROM AUTHOR]

Copyright of Estudos Ibero-Americanos is the property of EDIPUCRS - Editora Universitaria da PUCRS and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)