Search

Background: Young adults (YA) with cancer often have unmet psychosocial needs. The impact of peer support delivered in an online format to fulfil these needs in the populations of YA with cancer has not been thoroughly examined. Methods: We searched Cochrane Central Register of Controlled Trials, CINAHL, Embase, and Medline databases. We included articles about online peer support interventions for YA cancer survivors between the ages of 18 to 40 years old. Results: Our literature search yielded n = 2,773 articles and we obtained consensus on 12 articles for inclusion. We qualitatively synthesized these articles using data abstraction based on the Template for Intervention and Replication (TIDierR) checklist. Overall, six studies demonstrated correlation between online peer support and improved wellbeing of participants. Thus, online peer support may be useful for young cancer patients. Conclusion: This systematic review summarizes the current state of knowledge regarding the availability and evaluation of online YA peer support programs and reveals the need for further research in this field.

Contexte : Il n’est pas rare que les besoins psychosociaux des jeunes adultes atteints de cancer ne soient pas satisfaits. Peu d’études se sont penchées de manière exhaustive sur l’efficacité des ressources de soutien par les pairs en ligne pour répondre aux besoins de cette population. Méthodologie : Une recherche dans les bases de données Cochrane Central Register of Controlled Trials, CINAHL, Embase et Medline a permis de trouver des articles portant sur les interventions de soutien par les pairs à l’intention des jeunes survivants du cancer âgés entre 18 et 40 ans. Résultats : Cette recherche a fait ressortir 2 773 articles, dont 12 ont été retenus par consensus. Les articles ont fait l’objet d’une synthèse qualitative à partir de données extraites à l’aide de la liste de vérification Template for Intervention Description and Replication (TIDieR; modèle pour la description et la reproduction des interventions). En tout, 6 études ont montré l’existence d’une corrélation entre le soutien par les pairs en ligne et l’amélioration du bien-être. Ce type d’intervention pourrait donc être utile pour les jeunes atteints de cancer. Conclusion : La présente revue systématique résume l’état actuel des connaissances sur la disponibilité et l’évaluation des programmes en ligne de soutien par les pairs à l’intention des jeunes; elle révèle également le besoin d’approfondir la recherche dans ce domaine.

The main work issue is to optimize the manufacturing of hybrid profiles bearing loads defined by the automotive application, based on the monitoring of the production quality using computed tomography (CT). This offers an efficient, accurate and non-destructive inspection of the products in terms of time and costs in order to prove the production quality. The investigated parts consisted of glass mat reinforced thermoplastic (GMT) 3D structures covered by aluminum straps (AA5754) with different thicknesses. They were manufactured at varied process temperatures by compression molding. The profiles quality was evaluated by CT, where the designed and actual dimensions were compared and the porosity and the fiber distribution inside the profiles were examined. In a next step, quasi-static three point bending tests were carried out on the produced profiles in order to evaluate the impact of the production effects on the mechanical behavior. First CT results showed an inhomogeneous distribution of the fibers in the matrix especially for the profiles fabricated at lower tool temperature. Pores were also found in the areas with low concentration of fibers. After bending, the cracks tended to propagate along the fiber orientation. Consequently, the main failure mechanisms consisted in inter fiber fracture and delamination of the aluminum strap.

La première est spécialiste d’histoire de la littérature et du livre au Québec, le second est sociologue. Tous deux ont uni leurs forces et leurs expertises pour examiner l’histoire d’un objet qui leur tient à cœur : le roman sentimental, tel qu’il s’est développé au Québec. Dans un ouvrage fouillé paru aux Presses de l’Université de Montréal et écrit à quatre mains par deux chercheurs issus de disciplines qui n’ont pas pour habitude de collaborer avec ce degré d’étroitesse, ils conjuguent leurs analyses pour rendre compte de cette production médiatique qui en dit long sur les évolutions non seulement d’un secteur – le roman relatant des amours contrariées qui, pourtant, finissent par triompher –, mais plus largement d’une société et de ses transformations depuis le XIXe siècle. Ils s’entretiennent ici avec Gilke Geerearts et David Martens de la teneur de leur travail ainsi que de la nature de leur démarche collaborative.

Ball brooches make a difficult research theme in Denmark. This is mainly because very few of the hitherto published specimens were found in a context or under circumstances that help to shed light on their chronology. The most recently published study is a very brief paper by Jesper Laursen on the chronology and typology of ball brooches (Laursen 1984). Laursen’s paper was published at a time when hobby metal detecting was only at its early stages in Denmark. Therefore, this hobby had not yet had its impact on the material. Metal detecting favors objects with much metal and since cultivated soil contains a lot of iron waste most hobby detectorists tend to screen for iron. Consequently, objects of bronze, silver and gold will have a tendency to dominate the finds brought in by these people, and especially massive objects.

Este artigo tem como foco o uso de um recurso tecnológico digital para planejamento de atividades avaliativas em aulas de Literatura. Trata-se, metodologicamente, de uma pesquisa quantitativa, de caráter descritivo, com participação de vinte docentes que atuavam na Educação Infantil. Partiu-se da seguinte questão problematizadora: qual a percepção dos professores de Literatura em relação ao uso do recurso digital Storyboard That, para o planejamento de atividades avaliativas? Objetivou-se discutir as especificidades do uso das tecnologias digitais no processo de ensino e aprendizagem, com ênfase no recurso digital supracitado. Os resultados apontaram que os participantes aprovaram o referido recurso, considerando-o uma boa opção para seu trabalho. Porém sentem-se inseguros em relação ao uso de tecnologias digitais, o que aponta para a necessidade de maior mobilização para a atualização dos envolvidos, nos processos educativos, no que tange às novas tecnologias digitais disponíveis, por meio de cursos de formação continuada.

In this collectively drafted Commentary, we offer some reflections on the past year for CAFS (Canadian Association for Food Stuides), and the state of food studies in general. Note: this is a modified version of the 2021 CAFS Presidential Address, given at the joint CAFS/ASFS/AFHVS/SAFN Conference Just Food: Because it never it just Food on June 10th, 20201.

Despite widespread concerns about household food insecurity experienced by Indigenous peoples, there is limited empirical evidence about the availability and prices of healthy foods in First Nations rural communities located in northern Manitoba, Canada. To fill this research gap, this study examines the availability and affordability of fresh milk, fruits, vegetables, and several other selected food items; investigates the determinants of food prices; and examines the implications of paying higher food prices for individuals and communities in northern Manitoba. The research findings are based on a survey of fifty-two food items conducted in twenty-two communities and six focus group discussions with mothers, service providers, and community leaders. Our research indicates that in addition to limited availability of healthy foods, food prices in First Nations communities were significantly higher than in Winnipeg or non-First Nations urban centers. We conclude by pointing to some policy implications emerging from this research while also signaling the need for a more substantial and profound transformation that includes decolonizing food systems and building Indigenous food sovereignty.

Understanding Indigenous food systems requires positioning ourselves in our own understanding of Indigenous food, culture, and place. The resurgence of Indigenous culture occurring around food, and the protection and revitalization of Indigenous food systems must be documented with a commitment to Indigenous values, worldviews and perspectives. This commentary offers insight into how we can do so.

As a concept and in practice, Indigenous food sovereignty (IFS) offers insights into the social, cultural, and environmental challenges of a deficient food system. The associated poor health outcomes of this system include infant and child health issues such as early childhood caries and childhood obesity, and are a grave concern in many First Nations communities. Extant research has failed to consider the role of infant feeding traditions as an element of Indigenous food sovereignty. Breastfeeding and country food (also called traditional food or cultural food) consumption among infants has been long practiced in First Nations communities, resulting in healthier infants. The research described in this article originated with a research project called the Baby Teeth Talk study (BTT). This is a community-based trial which is testing a pre-natal/post-natal behavioural and preventive intervention for early childhood caries (ECC) among pregnant First Nations women and their infants in urban and on-reserve communities in Ontario and Manitoba. In Norway House Cree Nation, located in northern Manitoba, research participants shared stories on the methods used by caregivers for oral health care, including breastfeeding promotion. This paper reviews the literature relating to IFS, breastfeeding and the introduction of country food to infants. Through the voices of grandmothers in one community in Northern Manitoba, Canada, we connect the introduction of country food and breastfeeding to the larger IFS movement and positive health outcomes for infants, and improve the conceptualization and practice of IFS.

The desire to undertake a special issue on Indigenous Food arose during a conversation that took place between the co-editors following a panel on the same topic at the annual conference of the Native American Indigenous Studies Association in 2015. The panel contained a mixture of conversations that focused on the meanings and relationships of Indigenous peoples with land and food; the efforts and importance of re-knowing and re-defining those relationships through stories centred around community and family; and the ways in which settler colonialism operates to undermine Indigenous food sovereignty at both the structural and epistemological levels.

Nubia constituted the area in the Nile Valley in the present day Sudan, the area which spread from the first cataract up to the place where the White Nile meets the Blue Nile. The area was inhabited by the population using a common language – Old Nubian. In the second half of the sixth century thanks to the missions send by the Byzantine Court, Nubia accepted Christianity as a state religion. Nubia immediately found itself in the area of influence of Byzantine culture. Byzantine administration, liturgy of the Eastern Church and the Greek language were introduced. In 641 the Arab conquest of Egypt took place. Soon after that in 642, the Arab army entered the Nubian territory and from this date centuries of clashes and peace treaties characterized relations between Nubians and Arab peoples. The 13th century marks slow decline of the kingdom of Nubia. Hostile Negro tribes from the South and South-West appear in the Mid Valley of Nile. Fights weaken the kingdom; slow islamization of the country follows, royal rule and Christian faith falls and together with those culture and arts deteriorates. The history of military as well as political or commercial Nubian-Arabic contacts over entire period of existence of Christian kingdom of Nubia undoubtedly had to bring about certain artistic trends in Nubia originating from rich heritage of Muslim culture. The culture of Christian Nubia originally based to considerable extent on Byzantine art, in course of time, subjected to more and more intense Arabic influence, significantly changed. Arabic components seen in Nubian church architecture, wall painting and art crafts became predominant, which over following centuries led to creation of Arabic culture of the contemporary Sudan.

During the current conservation of the Ghent Altarpiece, carried out by a team of KIK-IRPA, a large amount of old overpaint has been discovered. These are studied with a number of innovative analytical techniques. It is argued here that the introduction of these techniques allows for a re-evaluation of the conservation theoretical and ethical dimensions of coping with such phenomena.

In recent decades, the critical role of cultural and creative sectors (CCS) in regional economic development has found increasing recognition. The Brussels-Capital Region also has become aware of these industries and of the need for measurement tools recording and monitoring their impact and activities. This article responds to this awareness by presenting a scoreboard with the Brussels Region as its main focus. Unlike other (theoretical) measurement models it privileges the immediate usability of the scoreboard, through a maximum alignment with existing data providers and Brussels institutions.

In recent decades, the critical role of cultural and creative sectors (CCS) in regional economic development has found increasing recognition. The Brussels-Capital Region also has become aware of these industries and of the need for measurement tools recording and monitoring their impact and activities. This article responds to this awareness by presenting a scoreboard with the Brussels Region as its main focus. Unlike other (theoretical) measurement models it privileges the immediate usability of the scoreboard, through a maximum alignment with existing data providers and Brussels institutions.

Based on a verbal interaction between at least two speakers, the interview frequently involves an encounter between different fields of discourse. From this perspective, the interview appears to be the place where the interlocutors are required to position themselves in order to deal with the discursive heterogeneity produced by this kind of dialogue. For interviewers like Madeleine Chapsal, Jacques Chancel, and Bernard Pivot, respectively working in written press, radio and on television, the negotiation of the interaction between journalistic and literary discourse is an important issue. This article aims to analyze positioning strategies of those interviewers as they are confronted with discourse on literature.

Los Estados de bienestar europeos y correlativamente, los derechos sociales y laborales que configuran la ciudadanía democrática y social conocen una ruptura del frágil equilibrio de su funcionamiento y no pueden seguir ignorando sus interdependencias. De la crisis actual, puede emanar un modelo social europeo que constituya una consolidación de los derechos sociales comunes a los Estados miembros que han perdido el control de sus propias políticas económicas. Se trata de encontrar a nivel europeo un modelo social que garantice los elementos fundadores de un Estado de bienestar. Sea cual sea, el camino de evolución de la Unión Europea hará actuar la solidaridad europea. Potencialmente, Europa puede aportar respuestas a los desafíos socioeconómicos impuestos por la crisis y la globalización. PALABRAS CLAVES: Estado de Bienestar. Crisis. Modelo social europeo. Derechos sociales. ABSTRACT The European welfare states and correlatively, social and labor rights, that set social and democratic citizenship, they know a rupture of the fragile balance of their running and cannot keep on ignoring their interdependencies. From the actual crisis can emanate a European social model that constituted a consolidation of social rights common to the Member States that have lost control of their own economic policies. It is about finding as European level, a social model that guarantees the founders elements of a welfare state. Whatever it was, the way of evolution of the European Union, will make to act the European solidarity. Potentially, Europe can provide answers to the socioeconomic defiance imposed by the crisis and globalization. KEYWORDS: Welfare State. Crisis. European Social Model. Social Rrights.

At the end of the 1960s, the urban area of Brussels underwent a modernisation process which deeply transformed certain neighbourhoods. Ten years earlier, Expo 58, the North-South junction and the construction of the state administrative district had already brought modernist architecture to Brussels. The enthusiasm generated by these projects, the very weak reactions on behalf of those who were affected and the strong growth of the Golden Sixties (1960‑1970) kindled a will among certain local politicians, town planners and architects to pursue the large-scale modernisation of the city. Due to the promise of a significant increase in wealth, a coalition of interests was established with money lenders and the destruction of entire neighbourhoods was organised. This led to the appearance of the urban struggles in Brussels such as those in the Marolle and the North Quarter. The former was a victory and allowed the neighbourhood to be saved. The latter, however, was not able to prevent the destruction of 53 ha of urban fabric and the eviction of more than 3 000 families. A comparative analysis of these two events allows a better understanding of the multiple stakes, the strategies of urban stakeholders and the effects of these struggles on the emergence of a new urban and civic “conscience”.

At the end of the 1960s, the urban area of Brussels underwent a modernisation process which deeply transformed certain neighbourhoods. Ten years earlier, Expo 58, the North-South junction and the construction of the state administrative district had already brought modernist architecture to Brussels. The enthusiasm generated by these projects, the very weak reactions on behalf of those who were affected and the strong growth of the Golden Sixties (1960‑1970) kindled a will among certain local politicians, town planners and architects to pursue the large-scale modernisation of the city. Due to the promise of a significant increase in wealth, a coalition of interests was established with money lenders and the destruction of entire neighbourhoods was organised. This led to the appearance of the urban struggles in Brussels such as those in the Marolle and the North Quarter. The former was a victory and allowed the neighbourhood to be saved. The latter, however, was not able to prevent the destruction of 53 ha of urban fabric and the eviction of more than 3 000 families. A comparative analysis of these two events allows a better understanding of the multiple stakes, the strategies of urban stakeholders and the effects of these struggles on the emergence of a new urban and civic “conscience”.

At the end of the 1960s, the urban area of Brussels underwent a modernisation process which deeply transformed certain neighbourhoods. Ten years earlier, Expo 58, the North-South junction and the construction of the state administrative district had already brought modernist architecture to Brussels. The enthusiasm generated by these projects, the very weak reactions on behalf of those who were affected and the strong growth of the Golden Sixties (1960‑1970) kindled a will among certain local politicians, town planners and architects to pursue the large-scale modernisation of the city. Due to the promise of a significant increase in wealth, a coalition of interests was established with money lenders and the destruction of entire neighbourhoods was organised. This led to the appearance of the urban struggles in Brussels such as those in the Marolle and the North Quarter. The former was a victory and allowed the neighbourhood to be saved. The latter, however, was not able to prevent the destruction of 53 ha of urban fabric and the eviction of more than 3 000 families. A comparative analysis of these two events allows a better understanding of the multiple stakes, the strategies of urban stakeholders and the effects of these struggles on the emergence of a new urban and civic “conscience”.

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Circa 1515-1520, Josse van Cleve painted a St Jerome in the Wilderness (Muskegon Museum of Art) in which the saint is shown kneeling before an exemplar of the Aracoeli Madonna. Somewhat later, a follower of Barent van Orley introduced a version of the Madonna del Popolo into a representation of the Procession of Pope Gregory the Great (Brussels, Musées royaux des Beaux- Arts). This phenomenon of displaying Byzantine icons in Flemish religious pictures must be investigated in the context of a new pursuit of historical authenticity during the period, something typical of the Italian Renaissance. It also served to legitimize devotion to the Seven Sorrows of the Virgin Mary, a cult recently established in the Netherlands that relied strongly on 'true portraits', believed to have been painted by Saint Luke. Josse van Cleve's Muskegon panel may have been ordered by a member of the Antwerp Confraternity of the Seven Sorrows. [ABSTRACT FROM AUTHOR]

The present article studies several unrecognized aspects of the artistic descendants of Jan van Eyck's Madonna with Canon Van der Paele (1436). Probably in the years before 1500, a painter from Lubeck, Bernt Notke, borrowed from van Eyck the sophisticated design of the majolica pavement, on which his personages are placed. He used it in a Mass of Saint Gregory, destroyed in 1942, a monumental composition in which several figures could also have been inspired by Jan van Eyck's epitaphpanel. In the 1530s-1540s, a painter from Bruges close to Gerard David repeated in a modernized form the Saint Donatian from Jan van Eyck's panel. He is represented in front of a landscape on the right wing of a little known triptych in the Victoria and Albert Museum. Finally in the 19th century, a Belgian neo-Gothic painter (?), perhaps a forger, painted a version of the Madonna with Canon Van der Paele in triptych form. The image emphasizes the divine character of papal authority. The descendants of van Eyck's masterpiece were rich and varied and constitute in themselves a chapter of art history. [ABSTRACT FROM AUTHOR]

The present article discusses a cycle of the life of Saint Gilles painted in Brussels in the first quarter of the 16th century. Components of this cycle were three fragmentary' panels, today in Toledo (Hospital de San Juan Bautista) and in Lille (Palais des Beaux-Arts); a panel was sold in London in 1976; and another divided between the United States and the Netherlands (New Orleans Museum of Art and 's-Heerenberg, Stichting Huis Bergh). The reconstruction proposed, for the most part new, is based on physical, formal, stylistic and iconographie evidence. The ensemble was commissioned through the initiative of a Carmelite (from Brussels?) whose identity is unknown. He must have been the one who developed the iconographical program and composed one of the most complete cycles of Saint Gilles to have survived. He consulted, in particular, the life of the saint drawn up by the Normand cleric Guillaume de Berneville in the second half of the 12th century. The painter seems to have closely followed the instructions, which might have been especially detailed, of the well read "designer." There did exist, it is true, in Brussels, a strong tradition when it came to narrative painting, a tradition established in 1440 by Rogier van der Weyden, whose famous Tableaux de Justice painted for the town hall constituted, until their destruction in 1695, one of the most illustrious works of the ancient Netherlands. [ABSTRACT FROM AUTHOR]

The article retraces the influence of the wooden reliquary dedicated to the Christian saint sainte Ursule entitled "Châsse de sainte Ursule" which contains paintings by 15th century German painter Hans Memling and is conserved at the Hôpital Saint-Jean in Bruges, Belgium. Focus is given to its reputation outside of Bruges from 1604 to 1847 and the role of Belgian painter and poet Carel Van Mander and Belgian sculptor Guillaume Geefs. Mander's mention of the reliquary in his work "Schilder-Boeck" published in 1604, the reproduction of the reliquary's paintings starting in the 19th century, and the sepulchral monument, or cenotaph, entitled "Cénotaphe de saint Hubert" created by Geefs and commissioned by Léopold I, King of the Belgians, in 1844 are discussed.

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The article presents a study which focuses on three triptychs conserved in the reserves of the Musée de Capodimonte in Naples, Italy, painted by Medieval Flemish art historian Maître de la chapelle du Noviciat de Monteoliveto (Maître de Monteoliveto) which were attributed to 14th-15th century Italian painter Antonio Solario, known as lo Zingaro (the gypsy), during the 18th century. The triptychs depict scenes of the Nativity, the Epiphany, and the Pieta. The author notes that the triptychs were first mentioned by Italian painter Bernardo de Dominici in his book "Vite de' Pittori, Scultori, ed Architetti Napoletani," published in 1742.

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Copyright of Revue Nouvelle is the property of Revue Nouvelle and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article presents an artistic criticism of the painting "Sacrilège de Cambron," by an anonymous painter, from the beginning of the 17th century, which is on display at the Musée de la Chartreuse in Douai, France. The author presents an interpretation of the painting in which the images are those of Jewish people. According to the author, people in the painting, who were previously considered to be Protestants or Turks, were, in fact, Jews. The author argues that the painting makes reference to anti-Jewish myths and legends from the medieval period.

This article discusses a proposed plan to promote diversity in institutions of higher education. The proposal targets women, foreign students, disabled persons, and victims of discrimination due to religious preferences or sexual orientation. In the article, the author uses the backdrop of two situations at Katholieke Universiteit Leuven in Belgium that address this issue, the 1950s and 1960s, and contemporary debates over students of foreign background. Three aspects considered include the admission of students from working class backgrounds, the involvement of new groups in the decision-making processes, and the role of the university in political and social problem solving.

The article presents information about a stained glass window depicting the Petitdé family coat of arms in a cathedral in Moulins, France. It is noted that this stained glass window is generally dated to the period between 1480 and 1490. Similarities are described between the cathedral window representation of the Virgin Mary surrounded by angels, and a work by Dutch painter Rogier van der Weyden. Comments are given about the window's purported commissioning by 15th century Dutch aristocrat Nicolas Petitdé. The possibility that the window's maker was Dutch is also examined.

The Petit Palais museum, Paris, has in its keeping two panels of the same style and size — one depicting Saint Sebastian, the other Saint Michael. In 1962, Josep Gudiol Ricart attributed the first to Bartolomeo Bermejo, the second to one of his collaborators. Specialists of Spanish art in the Middle Ages showed some reserve concerning this attribution, but no doubt as to their date of origin seems to have been published in the Press or elsewhere. Yet an examination of the sources used by the author of both these panels leads one to the conclusion that they are modem imitations, most likely produced later than 1905. The donor's portrait of Saint Michael is a patchwork of elements borrowed from The Man with the Turban by Jan van Eyck (headgear and lower part of the face), from Philippe de Croÿ by Regior do Ia Pasture (eyes, nose, hands, colour of the doublet) aad from the portrait of Elisabeth Borluut, featured on the back of the right-hand voIet of the Agneau Mystique (the drapé). This last item proves fatal for the forgerer who thus gives female attire, characterised by a high waist just below the breast, to a male figure. During the lifetime of the Van Eyck brothers, men in the Netherlands wore their belts much lower than did women, a fact of which the author of these panels appears to have been ignorant. [ABSTRACT FROM AUTHOR]

The Madonna between two angels by Hans Memling (1440-1494) conserved in the Uffizi gallery in Florence (No 1024) has always been regarded as a separate work. In actual fact, it is the central panel of a triptych comprising side panels portraying respectively John the Baptist and Saint Laurence, well-known to specialists. These panels have been the property of the National Gallery, London, since 1865 (No 747). Not only do the measurements tally (Florence 57 x 52 cm; London 59 x 19 cm) but, more importantly still, the architectural background on the panels in London is a continuation of the one in Florence. To mention one example, the pavement in the London John the Baptist panel reappears in the bottom left-hand corner of the Florentine Madonna. By many of its features, the "Hugford-Sano" triptych (named after the last two private owners of the central panel and of the side panels) resembles the one in the Kunsthistoriches Museum, Vienna. This family likeness gives additional support to the proposal to reunite the different parts of the triptych. [ABSTRACT FROM AUTHOR]

In spite of an article by F. Bologna (1954). the Bientina triptych (Museo nazionale di San Martino, Pisa), painted by the Master of the Legend of St Godelieve, is still unrecognized. Yet it is a representative work of this «Minor Master» from Brugge, at the end of the 15th Century. who enjoyed interpreting in his own, supremely vernacular language, certain works of his most famous forerunners. Taken as a whole, the Bientina triptych is a paraphrase of the famous Crucifixion altarpiece by Robert Campin. Although the original of Campin's work has been lost, a copy in Liverpool gives a very fair idea as to what it was like. In addition, the figure of Mary Magdalene in the central panel comes straight from Roger de Ia Pasture. [ABSTRACT FROM AUTHOR]

Copyright of Revue Francaise d'Allergologie is the property of Elsevier B.V. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)