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The article reviews the art exhibit "Edvard Munch: Trembling Earth," featuring paintings and prints by Munch, at the Clark Art Institute in Williamstown, Massachusetts.

The article reviews the painting exhibition "Alex Katz: Gathering" at the Solomon R. Guggenheim Museum in New York City.

The article reviews the exhibition "Klimt Landscapes" by painter Gustav Klimt at the Neue Galerie in Manhattan, New York City through May 6, 2024.

The article announces the departure of Ray Johnson's early works from his later gritty collages, focusing on his exploration of color, abstraction, and intricate collage techniques in the 1950s and 1960s.

The article reviews the art exhibition "Vertigo of Color: Matisse, Derain and the Origins of Fauvism," featuring paintings by AndréDerain and Henri Matisse, at the Metropolitan Museum of Art in Mnahattan, New York City.

The article reviews the drawing exhibitions "Ways of Seeing: Three Takes on the Jack Shear Drawing Collection," through February 20, 2022 at the Drawing Center in Manhattan, New York, and "Master Drawings New York," through January 29, 2022 at various locations.

The article reviews the exhibition "The Facade Commission: Nairy Baghramian, Scratching the Back" featuring Baghramian's sculpture project at the Metropolitan Museum of Art in New York as of September 2023.

The article highlights the legacy of painter Brice Marden, particularly his retention of Abstract Expressionism amid the rise of popular art and minimalism. Among the inspirations of Marden for his paintings are Greek sculpture and architecture, Idian sculpture and Japanese and Chinese calligraphy. It shows the transition of Marden to making calligraphic marks on his fields of color, improvisation of structures that evoked Cubist versions of grids, and refusal of modernism.

The article focuses on Huma Bhabha's first sculpture show at David Zwirner, titled "Welcome... to the one who came," featuring seven sculptures that depict figures and heads radiating ruination, showcasing Bhabha's expansion of her artistic expression amid troubled times.

The article focuses on artist EJ Hauser's sixth solo show in New York, titled "Grow Room," where she achieves a breakthrough, presenting paintings that convincingly straddle the line between representation and abstraction with a new level of flair.

The article focuses on the artist Vija Celmins, highlighting her career-long meditation on time through her mesmerizing images, particularly her recent focus on semiabstract yet meticulously realistic depictions of natural wonders.

The article focuses on the revelation of the British artist Eileen Agar's diverse talents and her first major solo show in the U.S., titled "Eileen Agar: Flowering of a Wing: Works, 1936-1989," showcasing her skills in painting, collage, sculpture, and photography.

The article reviews the exhibition "Cycladic Art: The Leonard N. Stern Collection on Loan From the Hellenic Republic" at the Metropolitan Museum of Art in Manhattan, New York City.

The article discusses the pop-up group show "I Was Only Dreaming" organized by Club Rhubarb at 1 Ludlow on Dimes Square. Curated by artist Tony Cox, the exhibition features nearly 100 works by over 60 artists, emphasizing a DIY character and showcasing various mediums across different themed floors, providing a grassroots and artist-centric alternative to conventional galleries.

The article focuses on the current exhibitions in various art galleries in New York City, featuring renowned artists such as Robert Ryman, Sagarika Sundaram, Blair Saxon-Hill, and Clintel Steed, showcasing a diverse range of artistic styles and mediums, including felt art, and installations.

The article reviews the exhibition "Alice Neel: People Come First" featuring the works of artist Alice Neel at the Metropolitan Museum of Art in Manhattan, New York until August 1, 2021.

The article reviews the exhibition "Cecily Brown: Death and the Maid" featuring Brown's paintings at the Metropolitan Museum of Art in Manhattan, New York until December 3, 2023.

The article focuses on discussion of artists such as Nicola Tyson, Al Freeman, and Victor Ehikhamenor on how artist Pablo Picasso has been metabolized and reimagined. Topics discussed include views of Tyson on the work "Les Demoiiselles d'Avigno" by Picaso, views of Freeman on experience of seeing the guitar sculptures by the artist, and views of Ehikhamenor on Picasso initiated by ancestors from far when visiting Ethnographic Museum.

In this article the author talks about Rosie Lee Tompkins who was a pseudonym, and adopted by a fiercely private, deeply religious woman, who as her work received more and more attention, and was almost never photographed or interviewed. It mentions that she was born Effie Mae Marrin in rural Gould, Ark., on Sept. 9, 1936, at the time of the show, she was 61 and living in nearby Richmond, cam., just north of Berkeley.

The article focuses on the intrinsic vitality of color, both as a natural phenomenon and as a miraculous and gift-like element in art, with the author reminiscing about vibrant and powerful color experiences in art throughout the year.

The article reviews an exhibition, "Eric N. Mack," at Paula Cooper in Manhattan, highlighting Mack's first significant solo in New York, exploring his diverse artistic practices spanning painting, sculpture, installation, and textile design.

The article focuses on the "Edward Hopper as Puritan" exhibition, which features nine works by the famous American painter from the 1920s, emphasizing his more austere side in non-urban scenes, showcasing changes in Hopper's mark-making and surfaces across different mediums.

The article focuses on the Dutch collective Drift and their performance piece titled "Franchise Freedom," which uses 1,008 synchronized light-emitting drones to create a stunning display over Central Park. Topics include the challenges and red tape faced by the artists in bringing their vision to life, the serenely beautiful nature of the performance, and the use of technology to reconnect humanity with nature.

The article focuses on artist Robert Gober's exhibition "Cows at a Pond," curated from his own possessions and artworks by other artists, showcasing a blend of his sculptures, collected items, and Americana, exploring themes of childhood, family dynamics, politics, and societal issues. Topics discussed include the diverse range of objects, their significance, and the underlying narratives they create.

The article reviews the multimedia exhibition "Wangechi Mutu: Intertwined," featuring photographs, collages, sculptures and videos by Mutu, at The New Museum in Manhattan, New York City.

The article reports that the Metropolitan Museum of Art decided to accept 220 works by the celebrated U.S. painter Philip Guston from the personal collection of his daughter, Musa Guston Mayer. Topics covered include Mayer's donation to establish the Philip Guston Endowment Fund to support Guston scholarship, implications of the decision for the museum and other artists and the plan of the museum to share the wealth of Gustons with extended loans to other museums.

The article discusses the exhibition " Talking Pictures: Camera-Phone Conversations Between Artists" held at Metropolitan Museum of Art.

The article focuses on various contemporary art exhibitions and retrospectives happening in the fall, featuring artists from Los Angeles, New York, and beyond, highlighting their contributions to the art world.

The article focuses on the exhibition "Than Andrew Nguyen: Radiant Remembrance" at the New Museum, which showcases the artist's video installations and sculptures addressing intergenerational trauma of war, particularly the Vietnam War, and how they explore themes of memory, identity, and the effects of colonization and displacement on marginalized communities affected by war.

The article reviews several art exhibitions in various art galleries in New York City 2 in 2019 including "Augusta Savage; Renaissance Woman" at New-York Historical Society, "Eclipse of the Sun: Art of the Weimar Republic" at Neue Galerie and "Monuments to an Effigy" at Queens Musuem.

The article reviews the "Artistic License: Six Takes on the Guggenheim Collection" full-rotunda exhibition that celebrates the 20th-century holdings through the intervention of six contemporary artists, at Solomon R. Guggenheim Museum, New York City through January 2020.

The article reviews exhibition "Camp: Notes on Fashion" held at Metropolitan Museum of Art in Manhattan, New York on September 8, 2019 featuring work of designer Christopher Bailey, Cecil Beaton and Tomo Koizumi.

The article reviews the art exhibition "Hear Me Now: The Black Potters of Old Edgefield, South Carolina," featuring pottery by David Drake, at the Metropolitan Museum of Art in New York City.

The article reviews the exhibition "Really Free: The Radical Art of Nellie Mae Rowe," held through January 1, 2023 at the Brooklyn Museum in New York City.

The article reviews the exhibitions "Barbara Kruger: Thinking of You. I Mean Me. I Mean You" at the Museum of Modern Art in New York until January 2, 2023, and "Barbara Kruger" at the David Zwirner Gallery in Chelsea, New York until August 12, 2022.

The article reviews the exhibition "Art and Race Matters: The Career of Robert Colescott" at the New Museum in Manhattan, New York until October 9, 2022.

The article reviews various art works by artists at different galleries in New York including "Everyday Life" paintings by 21-year-old artist Julian Kent, the works of artists Nachume Miller and Jaime Munoz.

The article focuses on the American artist Bob Thompson and his use of color in his paintings.

The article reviews visual artists Takako Yamaguchi's art work displayed at Ortuzar Project, Manhattan, New York through June 17, 2023.

The article reviews the artwork of American painter Joan Brown characterized by her formal and colorful style displayed at Matthew Marks Gallery in Manhattan, New York through June 17, 2023.

The article focuses on the exhibition of Finnish artist liu Susiraja at MoMA PSI in Queens, New York through September 4, 2023 which explores various contemporary body image issues through photography and videos.

The article reviews the exhibition "Young Picasso in Paris" featuring the paintings of Pablo Picasso at the Guggeinheim Museum in Manhattan, New York until August 6, 2023.

The article focuses on the exhibition of Arthur Bispo do Rosario's artwork, who spent years in mental institutions and created unique embroidered garments, textiles, and assemblages, reflecting his belief that he was Jesus Christ and his meticulous documentation of reality.

The article reviews painter Peter Shear's exhibition at Cheim & Read art gallery, Manhattan, emphasizing the poetic quality of his paintings, their connection to titles, and the diverse elements of color and style, while acknowledging the viewer's subjective engagement in New York city.

The article reviews the exhibition "Georgia O'Keeffe:To See Takes Time" at the Museum of Modern Art in Manhattan, New York, from April 9—August 12, 2023.