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The article announces the winners at the 62nd annual Tony Awards in the category of best theatrical performance by a leading actor including Ben Daniels for the play "Les Liaisons Dangereuses," Laurence Fishburne for the play "Thurgood," and Patrick Stewart for the play "Macbeth."

The article focuses on the experiences of various American actors including Clifford Parks, Jonette Goldstein and Matt Britlen who went to England for supplemental training. Some went there when they were still in college, some already had established careers and others attended programs in succession. All of them took basic courses offered in the drama schools in England.

An excerpt from the discussion of acting teachers Larry Moss, William Esper, and Mary McCann, is presented.

The article presents details on several combined auditions to be held in the U.S. in 2008. It informs that the regular auditions for the Unified Professional Theatre, to be conducted on February 8-11 at Memphis, Tennessee, are full. The Southeastern Theatre Conference's auditions are scheduled for March 5-9 at Chattanooga, Tennessee. The New England Theatre Conference will be held on March 15-17 at Massachusetts.

The article presents suggestions for actors regarding various issues such as headshots and auditions. Regarding a reader's query, it is stated that there are many theatrical agents and director who do not touch hard copies of headshots. The author suggests to a student that he should not audition for anything in which he is not interested. A reader adds that the Equity Membership Candidate Program has an audition benefit for card-carrying Equity Membership Candidates.

The article presents an interview with filmmaker Milos Forman. When asked about why he was surprised at the success of his film "One Flew Over the Cuckoo's Nest," which established him as a director, he said that he was apprehensive of its success because the other American film he made was a flop. He said the film represented hundreds of thousands of young people in Czechoslovakia who lived behind the barbed wire. He said that he has some projects in mind, but has not made any decisions yet.

The article focuses on the need for an aspiring actor to be comfortable with his headshot photographer during the photograph-sessions. According to the author, there is a way for casting directors to decide which actors they should meet in person. It is stated that while an untrained eye may not notice the subtleties of an actor's photo, people who look at them all day can tell whether the actor is anxious and insecure or comfortable and confident.

The article presents an interview with the popular U.S. comedian and film actor Don Rickles. When asked about other comedians whom he influenced, he refers to none. Rickles believes that comedians, including Nathan Lane and Jerry Seinfeld are talented actors. When asked about whether he did live theater, Rickles gave an affirmative answer by saying that he appeared in an Off-Off-Broadway show with Tom Poston.

The article offers a list of trivial questions that need to be answered in preparation for a summer theater job in the U.S. According to the author, sometimes actors have to travel great distances for a summer theater job and thus the necessity to establish an activist mindset by asking questions that could help in dealing with unexpected circumstances. Moreover, the list of questions include an inquiry on salary, accommodations, internet and phone access, transportation, and utilities.

The article presents profiles of several summer theaters offering summer training programs for theater actors in the U.S. According to the author, summer training provides an opportunity for the actor to establish a network and to learn new acting skills. Moreover, included in the list of summer theaters are Sacramento Music Circus in California, The New Harmony Theater in Indiana, and the North Shore Music Theater in Massachusetts.

A list of the nominees for 2006 Screen Actors Guild (SAG) Award in the U.S. is presented. Judi Dench is nominated as best actress, and Cate Blanchett as supporting actress for drama category. Forest Whitaker is also nominated as best actor. A profile of Julie Andrews, recipient of 2006 SAG Achievement Award is featured.

The article presents information on several acting auditions. The Unified Professional Theater Auditions, will be held in Memphis, Tennessee, from February 9 to 12, 2007. Among the Equity theatres registered to attend are the Arkansas Repertory Theatre, Cincinnati Shakespeare Festival, and Kentucky Repertory Theatre, as well as roughly 50 non-Equity companies. The Spring Regional Professional Auditions of the South Eastern Theatre Conference Atlanta will be held from March 7 to 11, 2007.

The article offers spotlight on theater rehearsal spaces in Manhattan, New York City. The Brecht Forum can be found on 451 West Side Highway, between Bank and Bethune streets. The venue has close to 1,000 square feet and offers reasonable rates. If one is closer to TriBeCa, Collective: Unconscious at 279 Church Street offers its space. A 520 Eighth Avenue, home of both Ripley-Grier Studios and the Alliance of Resident Theatres/New York complex houses two unique spaces.

This article shares views of several people related to cabaret on the present situation and future of the art. Leading actors Woody Allen, Harry Connick Jr., Bette Midler, and Barbra Streisand started their careers in cabaret. But that was yesterday. Today, even the word itself isn't easy to pin down, though longtime cabaret fans have a clear idea of what they mean when they talk about the art. For Ute Lemper, who's just closed her latest Café Carlyle stay, cabaret is still Kabarett, the 1920s outgrowth of post-World War I optimism and pessimism. Other people who've shared their views include Mark Nadler, Barbara McGurn, and Ann Hampton Callaway.

The article reports on various actors now working in the U.S. share insights into training in Great Britain. For actor Lawrence Merritt, the program would be his first training as a nonmusical actor. Actress Alicia Rae grew up in Britain and received her B.A. in acting from England's Italia Conti Academy of Theatre Arts. Olivia Fox enjoyed a successful career in journalism but always dreamed of becoming an actor. One of her first steps was the training at Birmingham School of Acting where she earned a master's degree.

The article presents a conversation among four famous personalities of theatre and film industry, Erica Jensen, Stacy Baer, Todd Thaler, and Arnold Mungioli. Jensen is a casting associate at James Calleri Casting, which casts films, television, and theatre; Baer is an agent with Leading Artists Agency, a boutique-size firm, and she represents mostly theatre-trained actors for film, television, and theatre. Thaler, of Todd Thaler Casting, casts film and television, working mostly on independent, low-budget projects based in New York; and Mungioli has been in the business for 27 years and has worked as the head of casting for both Livent and Disney Theatrical Productions.

The article focuses on the regional combined auditions in the U.S. Every year, hundreds of professional theatre companies with thousands of roles to fill, both summer-only and year-round, gather at combined auditions from coast to coast to scout for promising new performers to fill their rosters. Many of these auditions also serve as regional job fairs for theatres hoping to find qualified technicians, designers, stage managers, musical directors, and administrators. The "Big 4" combined auditions are: the Unified Professional Theatre Auditions, the Southeastern Theatre Conference, the New England Theatre Conference, and the StrawHat Auditions.

The article presents an interview with George Clooney, an actor, director and producer, exploring his experiences related to media, politics and his film making career. When asked about his mastering the art of publicity and mass media's love for him, he says being son of a journalist and his love and passion for the fourth estate make it possible. He revealed that the torture scene was the most difficult part about making the film "Syriana", both "Syriana" and "Good Night & Good Luck" are passion projects for Clooney. He emphasized for the need of the journalists to be responsible for their actions. When asked how his experiences were related to the television program "Unscripted", he told he was inspired by his former acting teacher Milton Katselas.

Paper Mill Playhouse (Millburn, NJ) is casting Oklahoma! Mark W. Jones, exec. dir.; Mark S. Hoebee, artistic dir.; Alison Franck, casting dir.; Richard Rodgers, music; Oscar Hammerstein III, book & [...]

[NEW] The Paper Moon Players (Sheepshead Bay, NY) is casting its Spring musical revue. Lori Santopetro, dir. Seeking--Men: tenors and baritones; Women: sopranos and mezzos; Narrators: non-singing. Auditions wig be [...]

Paper Mill Playhouse (Millburn, NJ) is casting Pirates! This retelling of Pirates of Penzance modernizes the story by sending it back a few decades to an isolated Caribbean island. In [...]

Theatre Under the Stars (Houston, TX), Paper Mill Playhouse (Millburn, NJ), and North Shore Music Theatre (Beverly, MA) are casting Seven Brides for Seven Brothers. Scott Schwartz, dir.; Tom Helm, [...]

Paper Mill Playhouse (Millburn, NJ) is casting Godspell (Daniel Goldstein, dir.; rehearsals begin Aug. 31; runs Sept. 20-Oct. 22, with a possible extension to Oct. 29) and It's A Wonderful [...]

[NEW] Paper Mill Playhouse (Millburn, NJ) is casting Godspell (Daniel Goldstein, dir.; rehearsals begin Aug. 31; runs Sept. 20-Oct. 22, with a possible extension to Oct. 29) and It's A [...]

[NEW] The 2004 OOBR Award-winning Paper Moon Players are casting Jake's Women by Neil Simon. Stu Freeman, dir. Runs weekends April 29-May 21. Rehearsals and performances in Sheepshead Bay, Brooklyn, [...]

[NEW] Paper Mill Playhouse (Millburn, NJ) is casting Hello Dolly/ Michael Gennaro, pres.-CEO; Diane Claussen, managing dir.; Mark S. Hoebee, assoc, artistic dir.-dir.; Mia Michaels, choreo.; Tom Helm, music dir.; [...]

The article offers suggestions to actors regarding acting auditions. According to acting coach Deryn Warren, an initial theatre audition would probably require actors to prepare two contrasting monologues. Glenn Alterman, an author recommends that actors should not add words or phrases to the audition text and should wear the same clothes at the time of callback. Casting director Claire Simon of Chicago advises that the best ally of an actor is the casting director.

A calendar of events for the New York City area, to be held from July 17 to 23, 2008 is presented, which includes the musical "Adding Machine," on July 17 at Barnes & Noble in Manhattan, the Fresh Fruit Festival on July 17, and New York International Latino Film Festival on July 22.

The article presents information on several actors who immigrate to the U.S. Actor Ruben E. Flores graduated from the American Academy of Dramatic Arts in New York City, and was offered a student visa and a scholarship. He obtained a special work visa allowing him to work as an actor in the U.S. for one year. Today, Flores is a legal U.S. resident, and he is a member of three actors' unions. However, many actors say that getting work in the U.S. is entirely based on having personal contacts.

The article presents an interview with writer-producer Judd Apatow and filmmaker Jake Kasdan, who are working together on the film "Walk Hard: The Dewey Cox Story." When asked what made Apatow to work with Kasdan, he replied it was just a gut instinct. In an answer to a question which nailed about casting of same actors, Kasdan said not necessarily but it is easier and comfortable to with work with same actors.

The article presents an interview with actor Denzel Washington. When asked how he managed to cast such seasoned actors in his directorial debut "The Great Debaters," he replied that he went back and forth to select them. He shared his audition memories which he experienced during his struggling days. The actor who got a nomination for a Golden Globe and for a Screen Actors Guild Award, does not give any importance to reviews.

An interview with actress Angelina Jolie is presented. Jolie was asked whether growing up as daughter of actors was her foregone conclusion entering entertainment industry. She confessed that her mother encouraged and led her to study at the Lee Strasberg Theatre Institute. She added that she used to work with her mother, whom she considered as the most amazing support for an actor.

The article reports on the trend of forming professional theater groups by college alumni in New York. Arian Moayed along with his classmate started a theatre company called Waterwell with college roots. Stolen Chair Theatre Co. is another company whose ideals and aesthetics of collaboration are part of the curriculum at Swarthmore College. Civilians is yet another New York-based company that emerged from classes taught at the University of California, San Diego, California.

The article reports that actors are finding life sweet in Chicago, Illinois, although it is stated that one cannot become rich and famous here. However, one can become rich and famous as an actor from Chicago as Chicago theatre credits are the gold standard for many directors and casting directors on both coasts. In Chicago, actors are interested in the work and in making each other look good. It is stated that starters don't need an agent and casting directors emphasize that agents are neither necessary nor an advantage.

The article focuses on the growth in the numbers of TV programs being produced in New York City. It is informed that New York's tax-incentive programs have led to an increase in the number of shows being shot in the city. To the five programs currently filmed in and around Manhattan, the city has added "Canterbury's Law," "Cashmere Mafia," "Damages," "Gossip Girl," "The Return of Jezebel James," "Lipstick Jungle," and "New Amsterdam," all of which will premiere between late July and early 2008.

The article presents information related to the importance of self promotion for actors. Ava Shevitt, a commercial casting director in Los Angeles, California says that one of major problems is that actors do not understand what really happens during the day-to-day casting process. According to Las Vegas, Nevada-based producer-director-coach Michael Chapman, when it comes to self-promotion, performers do not necessarily have to wait for the perfect opportunity to share their talents.

The article presents information on the plays of the 19th and early-20th century, in which the 21st century actors find it challenging to act. After actor David Lamb was cast in a revival of Dion Boucicault's "The Octoroon," he made a trip to the New York Public Library for the Performing Arts, and read several books related to the play. There was no formal training for actors in the 19th century. Actors learned through imitation, and by looking at the work of other actors. INSET: Expressions of Glee: Performing Early Musical Theatre.

The article discusses why actors turn out to be awful screenwriters. Although actors are well acquainted with the fine threads of writing a script but they are ignorant about the basics of this trade. Screenwriter-script consultant Bill Lundy said that writing requires discipline and training. There are many difficulties in achieving success as a screenwriter. Actors should keep in mind that it takes a lot of efforts to become a successful screenwriter.

The article focuses on actors Justin Bond and Kenny Mellman. They are popular as a pair of cabaret artisans called Kiki and Herb. They gave their first performance together in 1989. They were seen together in 2004 in the concert "Kiki & Herb Will Die for You," at Carnegie Hall. Bond was raised in Maryland and studied music at the University of California.

The article profiles actor Gillian Murphy. The Irish actor erupted onto the scene in the post apocalyptic sleeper hit 28 Days Later. As Jim, a bike courier who awakens from a coma after London has been wiped out by a deadly infection, the largely unknown 24 year old found himself as the lead in Danny Boyle's poetically terrifying film. He followed that with a turn as Jackson Rippner, a mysterious stranger who traps hotel manager Lisa (Rachel McAdams) into an assassination plot in Wes Craven's Red Eye.

Paper Mill Playhouse (Millburn, NJ) is casting Disney's High School Musical, based on a Disney Channel original movie written by Peter Barsocchinni. Mark Jones, exec. dir.; Mark S. Hoebee, artistic [...]

Paper Mill Playhouse (Millburn, NJ) is casting Disney's High School Musical, based on a Disney Channel original movie written by Peter Barsocchinni. Mark Jones, exec. dir.; Mark S. Hoebee, artistic [...]

Paper Mill Playhouse (Millburn, NJ) is casting Disney's High School Musical, based on a Disney Channel Original Movie written by Peter Barsocchinni. Mark Jones, exec. dir.; Mark S. Hoebee, artistic [...]

Paper Mill Playhouse (Millburn, NJ) is casting Disney's High School Musical, based on a Disney Channel original movie written by Peter Barsocchinni. Mark Jones, exec. dir.; Mark S. Hoebee, artistic [...]

Paper Mill Playhouse (Millburn, NJ) is casting Disney High School Musical, based on a Disney Channel Original Movie written by Peter Barsocchinni. Mark Jones, exec. dir.; Mark S. Hoebee, artistic [...]

Paper Mill Playhouse (Millburn, NJ) is casting Disney's High School Muscical, based on a Disney Channel original movie written by Peter Barsocchinni. Mark Jones, exec. dir.; Mark S. Hoebee, artistic [...]

Paper Mill Playhouse (Millburn, NJ) is casting Disney's High School Musical based on a Disney Channel Original Movie written by Peter Barsocchinni. Mark Jones, exec. dir.; Mark S. Hoebee, artistic [...]

Paper Mill Playhouse (Millburn, NJ) is casting Disney's High School Musical, based on the Disney Channel original movie written by Peter Barsocchini. Mark Jones, exec. dir.; Mark S. Hoebee, artistic [...]

[NEW] Paper Mill Playhouse (Miltburn, NJ) is casting Disney's High School Musical, based on the Disney Channel original movie written by Peter Barsocchini. Mark Jones, exec. dir.; Mark S. Hoebee, [...]

Paper Mill Playhouse (Millburn, NJ) is casting Disney's High School Masical, based on the Disney Channel original movie written by Peter Barsocchini. Mark Jones, exec. dir.; Mark S. Hoebee, artistic [...]