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The article offers information on Péter Eötvös' new opera "Valuschka," which premiered at the Theater Regensburg. Topics include Eötvös' 80th birthday celebration and his status as one of the most influential contemporary music-theater composers. The article also mentions Eötvös' career as an internationally renowned conductor, including conducting Stockhausen's opera "Donnerstag aus Licht" at La Scala in Milan.

The article presents the discussion on Paris, where Peter Eötvös conducted the inaugural concert of IRCAM and led the Ensemble Intercontemporain for twelve years, could not overlook the eightieth anniversary of one of the most important figures in contemporary music.

The article focuses on the career and artistic journey of Peter Eötvös, a renowned composer and conductor, particularly highlighting his love for literature reflected in his opera "Sleepless." It delves into Eötvös's background, his experiences working with Karlheinz Stockhausen and Pierre Boulez, and his significant contributions to contemporary classical music.

The article offers information on Peter Eötvös's opera "Tri sestry," based on Chekhov's play "Three Sisters," highlighting its melancholic themes and the composer's use of music to reflect the characters' inner lives.

The article reviews the performance of Peter Eötvös' opera "Angels in America" in Bremen, Germany focusing on its interpretation, precise character portrayals, and musical direction under William Kelley, showcasing a compelling blend of Broadway flair, vocal complexity, and orchestral treatment.

The article reviews two operas, including "Sleepless" by Peter Eötvös premiered at the Staatsoper Berlin, Germany, and "Girl with a Pearl Earring" by Stefan Wirth premiered at the Opernhaus Zurich, Switzerland.

The article focuses on the operatic adaptation of Jon Fosse's "Sleepless" by Peter Eötvös, depicting the tragic story of a pregnant woman and her partner's struggle for shelter, resulting in violence and despair. Topics include the departure from Fosse's subtle literary nuances in Eötvös' adaptation, the mismatch between the bleak narrative and Mundruczó's direction, and the operatic rendition's lack of depth in conveying human emotions.

The article offers a review of a premier performance in Frankfurt, Germany of the opera "Der goldene Drache" composed by Peter Eötvös.

An interview with composer and conductor Peter Eötvös is presented. The main focus of the interview is the political situation in Hungary with special attention to the Hungarian right wing party Fidesz. Other topics mentioned in this article include the intellectual life and cultural policy of Hungary, Hungarian president Viktor Orbán, and contemporary music in Hungary.

The article offers music related news brief as of January 2014. Students at the music conservatory in Mannheim, Germany were given the task by the German television channels ZDF and ARTE to compose music for the silent film "Das heilige Schweigen." Composer Peter Eötvos celebrated his 70th birthday on January 2, 2014, and his piece "Paradise reloaded" premiered in Vienna, Austria, in November 2013. The coalition agreement of the German political parties SPD and CDU included cultural issues.

The article profiles Hungarian-born German composer and conductor Péter Eötvös. It details his education in music composition in Hungary and his move to Cologne, Germany, to study conducting in 1966, his subsequent collaboration with German composer Karlheinz Stockhausen, and his penchant for composing operas in several languages. It also discusses his career as a conductor and his activities as a conducting teacher and mentor to young conductors.

The article reports on the life and career of composer and conductor Peter Eötvös. The article provides biographical information about the Hungarian-born Eötvös and his role in contemporary European music. Eötvös is working on a production of the opera "Love and Other Demons" at the Glyndebourne theater in East Sussex, England. Other topics include bel canto opera, the novella, and bilingual talent in collaborating on works of opera.

The article reviews multiple operatic performances held by the Almeida Opera in London, England on July 5, 9 and 13, 2007. Titles include Errollyn Wallen's "The Silent Twins," Peter Eotvos' "As I Crossed a Bridge of Dreams," and Roger Bourland's "Three Water Plays."

The article offers information on a performance of Peter Eotvos' "Angels in America" in Braunschweig, focusing on the production's reception and thematic depth.

The article presents the discussion on Peter Eötvös' chamber opera "The Golden Dragon," based on the play of the same name by Roland Schimmelpfennig. Topics include illegal labor in the gastronomy industry, focusing on a cheap Asian eatery in the Western world bearing the titular name; and suggesting additional settings such as the restaurant's dining area and various apartment interiors.

The article presents the discussion on Russian premiere of Peter Eötvös' opera, based on Anton Chekhov's "Three Sisters." Topics include enveloping Chekhov's characters, reflecting the oppressive weight that still burdens rural life, albeit under different circumstances, nearly 120 years after the play's conception; and disillusionment felt by many as such events become increasingly co-opted by militaristic agendas.

An interview with Hungarian composer and conductor Peter Eötvös is presented. When asked about a description of him as an ideal type of universal creative musician, Eötvös refers to his grandfather and his mother, who were both music teachers, and his own love for teaching the younger generation. Other topics discussed include the role of music in his childhood, the influence of composer Béla Bartók on his music, and the impact of communism on his musical upbringing. INSET: WIEN MODERN 2013.

The article reviews the opera Tri Sestri by Peter Eotvos, running on March 12, 14 & 17, 2020, at the Wiener Staatsoper in Vienna, Austria.

The article reviews the opera Tri Sestri by Peter Eotvos, running on March 12, 14 & 17, 2020, at the Wiener Staatsoper in Vienna, Austria.

The article reviews a performance of opera "Senza sangue," composed by Péter Eötvös and "Herzog Blaubarts Burg," composed by Béla Bartók at Erkel-Theater in Budapest, Hungary from May 24, 2018.

The article reviews the "Senza sangue" opera by composer Peter Eötvös.

The article reviews the theaterical "Senza Sangue," by composer Péter Eötvös and "Herzog Blaubarts Burg," by composer Béla Bartók at Staatsoper in Hamburg, Germany on November 6, 2016.

The article discusses the Festival Messiaen au pays de la Meije, music festival held in Meije, France from July 28-August 1, 2018, which featured performance of several artists including Daniel Kawka, Péter Eötvös and Thomas Lacôte.

The article reviews a performance of opera "Der goldene Drache," composed by Péter Eötvös at Koblenz Theater in Koblenz, Germany from May 19, 2018.

The article presents a review of a March 21, 2015 performance in the Opernhaus theater in Chemnitz, Germany of the opera "Paradise Reloaded (Lilith)" composed by Peter Eötvös, directed by Helen Malkowsky, Marie-Pierre Roy, Frances Poppas, and Mark Van Arsdale.

The article previews several theatrical performances to be held from March to April 2015 including "Rote Laterne," by Christian Jost in Zurich, Switzerland, "Paradise Reloaded" in Chemnitz, Germany by Peter Eötvös, and "Marilyn Forever" by Gavin Bryars in San Pedro, California.

The article reviews an opera "Der goldene Drache" composed by Péter Eötvös.

The article reviews an orchestra "Multiversum" by composer Peter Eötvös at the Elbphilharmonie concert hall in Hamburg, Germany on October 10, 20 17.

The article presents a review of the world premiere of the opera "Der goldene Drache," composed by Peter Eötvös, at the Bockenheimer Depot theater in Frankfurt am Main, Germany, on June 29, 2014, which was conducted by Eötvös himself, directed by Elisabeth Stöppler, and starred Kateryna Kasper, Hedwig Fassbender, and Simon Bode, among others.

The article reviews the opera "Le balcon" by Peter Eötvös, performed by Elise Chauvin, Shikego Hata, and Guillaume Andrieux at the Théâtre de l'Athénée in Paris, France, on May 20, 2014.

The article presents opera premieres, including "Carmen," by Georges Bizet on January 11, 2014 in Pisa, Italy, "Paradise reloaded (Lilith)," by Peter Eötvös on January 23, 2014 in Budapest, Hungary, and "Der Flaschengeist," by Wilfried Hiller on January 23, 2014 in Munich, Germany.

The article presents an interview with composer Peter Eötvös. The musician discusses the influence of his numerous trips on his compositions, and the dreamlike aspect of his music. The article also focuses on the comparison between Eötvös and Bela Bartok's creations, and their composition systems.

The article is a conversation with the percussionist Martin Grubinger about a piece written for him by composer Bruno Hartl. He discusses his childhood drum lessons from his father and the necessity for a percussionist to stay physically fit. His talents for the drum and other percussion instruments are sought by classical and contemporary musical groups. He is scheduled to premier the drum piece with the Radio-Symphonieorchester Wien directed by Peter Eötvös on June 11, 2010 in Vienna, Austria.

The article presents an interview with composer Peter Eötvös on topics including composer Karlheinz Stockhausen, the history of the character Lilith from the opera "Tragödie des Teufels", and his oratorio "Halleluja". Other topics of conversation include the influence of Stockhausen on Eötvös' opera "Drei Schwestern" and Eötvös' decision to quit the Stockhausen Ensemble music group.