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In recent years, there has been an increasing interest in art-design that is a combination of art and design where the conceptual component prevails over the utilitarian value of the object. The works of art-design reflect the author’s artistic concepts and combine aesthetic expressiveness, artistic design and a certain functional load. The objectives of this study are to make a classification of modern interior art-objects and to determine the role of modern industrial equipment in the process of creating designated creative works. The methodology of this work based on the application of empirical and theoretical research methods. The empirical methods, namely experiment, comparison and observation, when studying the characteristics of the manufacture of these creative compositions, are fundamental. To summarize the practical experience and update the curriculum applied theoretical research methods, namely analysis, synthesis and forecasting. The results of the research support the idea that art-objects can be classified: by composition (frontal, three-dimensional, deep-spatial); in terms of components (modular, similar, heterogeneous); in artistic and figurative direction (abstract, associative, naturalistic); by nature of interaction with humans (interactive and static); by materials (wooden, polymeric, metal, glass, mirror, with fabric or combination of several materials in one work); by function (creation of compositional accents or compositional dominant in the interior, identification of separate zones in space, creation of a special artistic-imaginary system in the interior). The analysis of numerical examples of the introduction of art objects in the general design of the object-space environment revealed the criteria that influence the perception of the identified compositions by man: the figurative and stylistic conformity of the art-object to the overall interior design. In this aspect becomes important the question of forming a coherent harmonious space; the compositional arrangement of art-objects in a object-space environment, which depends on the author’s concept, architectural planning and spatial-spatial features of the interior. It was revealed that the creation of art-objects is based not only on the knowledge of the composition, but also on the understanding of the features of modern industrial equipment, which is used in the creation of these objects. To make the interior art-object it is necessary to follow certain stages of the work, namely: analysis of the works of predecessors, formulation of the concept, sketching and the production of the object. To produce elements of an art-object it is necessary to create a computer model of that object; to write a control programs for CNC machine tools production of the details of an art-object in the material; to decorate the surfaces of elements. The present results are significant that the use of innovative technical means requires the ability to work in special graphic computer programs and to understand the physical, artistic and aesthetic properties of materials. The use of CNC machines improves the quality of the compositions and opens new horizons in the field of implementation of the most daring creative concepts and the use of different materials. We conclude that the use of industrial equipment in the process of art-objects creation contradicts the concept of manual production of a work of art-design, but the machine is just a tool in the hands of the artist, whose use doesn’t offset knowledge of composition, understanding of combinatorics. Without professional training and original artistic design, no industrial equipment is able to produce a unique art object., У статті досліджено та систематизовано світовий досвід створення інтер’єрних арт-об’єктів. Встановлено, що виготовлення арт-об’єктів спирається не лише на знання з композиції, а й на розуміння особливостей роботи сучасного промислового обладнання, яке застосовують при створенні означених композицій. Виявлено, що використання інноваційних технічних засобів передбачає вміння і навички роботи у спеціальних графічних комп’ютерних програмах та розуміння фізичних і художньо-естетичних властивостей матеріалів.

In order to improve the humanization and convenience of online art design, this paper applies digital simulation technology to the art online design system and establishes a set of sequential multi-free-form surface design methods. Based on the obtained front free-form surfaces, this paper establishes the relationship between the discrete points on the subsequent free-form surfaces and their spatial solid angles and, through extremely complex theoretical deduction, finally obtains the subsequent free-form surfaces. In addition, by combining the two free-form surfaces to enter the 3D modeling software, we can obtain an optical lens with multiple free-form surfaces to improve the digital simulation effect. Finally, this paper uses the intelligent system constructed in this paper to conduct multiple sets of simulation experiments to evaluate the digital effect and artistic design effect of the system constructed in this paper. From the experimental research, it can be known that the art online design system based on digital simulation technology constructed in this paper basically meets the expected goals of the system constructed in this paper.

The study is aimed at solving the problem of large measurement errors caused by the binocular camera in traditional 3D art design, which leads to inaccurate 3D information of the target. The contour information extraction in the process of human motion pose reconstruction is easily affected by the noise in the image. Therefore, a binocular stereo vision system is built first and it integrates image acquisition, camera calibration, and image processing. The dedistortion method is used to process the image because it can reduce errors. Second, a three-dimensional human motion pose reconstruction model is implemented, the Gaussian template is used to remove the noise in the image frame, and the change detection template (CDM) is used to solve the problem of background “exposure” and “occlusion.” Finally, simulation experiments are designed to verify the system and model designed. Since the research on the application of pose estimation based on visual sensing technology in art design is still blank, such research has great significance and provides a reference for the research in the field. The literature analysis is used to expound and analyze the application of pose estimation based on visual sensing technology in visual communication design and environmental art design: (1) although the binocular stereo vision system causes some errors in the measurement, the overall error is controlled within 2% and the accuracy is high, which proves that it can be applied to the acquisition of three-dimensional information of the target in art design; (2) there is a high degree of fitting between the video sequence data created by the three-dimensional human motion pose reconstruction model designed and the real motion data, which indicates that this method has high accuracy in processing image sequences and the feasibility of applying it to human pose reconstruction in three-dimensional art design is high; (3) through the analysis of the existing literature, it is found that most of the current visual-based attitude assessment studies are carried out by using network cameras combined with computers, and the quality of the obtained images is low. The combination of binocular stereo sensor and attitude estimation technology can be applied to the design of advertising, animation, games, and packaging, making the behavior of virtual characters in animation and games more vivid. The combination provides convenience for the collection of environmental spatial information and object attitude information, the formulation of a design scheme, and real-time monitoring of construction in environmental art design. The purpose of this study is to provide an important theoretical basis for the technical upgrading of art design.

Four-dimensional (4D) printing technology is an extension of three-dimensional (3D) printing technology that enables a 3D-printed static structure to dynamically change its shape with time. Therefore, the resulting structure can undergo self-folding/unfolding assisted by some stimuli. This technology has made much initial progress in many industrial fields. Aiming to investigate the in-depth application value of 4D printing, this study reviews the recent research and application breakthroughs of 4D printing in several emerging directions, including the simulation of plant and animal behaviors, smart tissue scaffolds and biomedical devices, food printing, digitalization of industrial art design, renewable energy, intelligent communication, soft electronics and robots, vehicle optimization, textile customization, and flexible machinery and mechanical structure. Based on the analyses of specific cases and processes, we present the current obstacles to large-scale applications and the future prospects.

After a lot of literature reading and practical research, the paper uses the parametric modelling method of curve simulation characteristic line to establish the mathematical model of the furniture product leg shape. This article first uses the surface construction method to analyse the composition of the leg size of the industrialised production and manufacture of furniture products, and makes the solid modelling according to the construction method of non-uniform rational spline mathematical curve and surface simulation. At the same time, the parameter function of furniture leg type is set on SolidWorks, and the research results obtained in the paper are found by simulation, which opens up a new research path for the application of mathematical curve model in furniture design.

The purpose of the article is to study the artistic properties of natural materials in modern object design. The focus is on the problems of using the artistic properties of natural materials, as well as their interpretation in morphology and aesthetics. An important element of this interaction is the use of natural materials in design, which today is a current trend not only in the artistic, but also in the commercial context. Thus, natural materials often become the main goal of design practices. They are systematically used by artists to express their symbolic ideas, which explore the properties and content of materials. My personal experience in both design and fine arts allows us to speak about the important role of the analysis of the artistic properties of natural materials. From my point of view, this area of design requires a separate, deeper reflection. It is necessary to study and generalize the system of artistic representation of materials, which is often considered by researchers as a secondary task. As my research showed, an important component in the analysis of the expressive means of natural materials is the subject environment. It is for this reason that natural materials are equally interesting for both designers and artists. Orientation to the subject environment raises the question of the nature of the use of natural and artificial materials, their combination in artworks. The methodology. The purpose and objectives of the study determined the methodology. As the main ones, I used the methods of typology and structural generalization. The results. The study of the artistic experience of European designers, as well as the study of special scientific literature, allows me to mark out two main groups of formal means of expression. They are formed on the basis of the criterion of interaction with the natural properties of natural materials: 1) means of expression that transform the original features of natural materials; this group considers those artistic practices that change the original features of the material under the influence of a general design decision; 2) means of expression, which are the most natural properties and characteristics of the material; this group considers such artistic practices that do not significantly change the basic qualities of natural materials. Each group has its own morphological features, which to some extent affect the artistic integrity of the work. Natural materials are natural carriers of textural and textural qualities, the identification and use of which greatly contributes to the quality of the aesthetic solution. The natural aesthetic properties of, for example, stone or wood have a significant impact on the compositional-plastic and figurative-stylistic features of the work. These features form a more expressive artistic language. The scientific novelty. The article proposes the author’s typology of the use of natural materials in the design of objects., Досліджено художні властивості природних матеріалів у просторі предметного дизайну. У центрі уваги перебуває проблематика наслідування та інтерпретація матеріалів. Виявлено, що вивчення художнього досвіду європейських митців, а також дослідження спеціальної наукової літератури дозволяє виокремити дві основні групи формальних засобів виразності, що виділені на основі критерію взаємодії з природними формами натурального матеріалу: 1)трансформуючі засоби виразності, які, ґрунтуючись на властивостях та характері матеріалу, видозмінюють його під впливом загального художнього рішення; 2)засоби виразності на основі натуральних властивостей та характеристик матеріалу, які суттєво не змінюють його базові якості. У кожному з варіантів існують свої особливості формоутворення, які тією чи іншою мірою впливають на художню цілісність твору. Натуральні матеріали є природними носіями фактурних та текстурних якостей, виявлення та використання яких значною мірою сприяє переконливості задуманого естетичного рішення. Розглянуті нами колористичні та фактурні засоби виразності засвідчують необхідність вивчення художніх властивостей природних матеріалів як невід’ємних елементів загальної естетики твору. Побудова певного колірного або текстурного рішення на основі можливостей використання природних матеріалів дозволяє задіяти художні властивості, які вже самі по собі мають статус самостійним висловлювання. Природні виражальні властивості, наприклад, каменю або дерева істотно впливають на композиційно-пластичні та образно-стилістичні особливості твору, формуючи більш виразну художню мову.

The study is devoted to the creative concept of art design in fashion design. The subject of research is design concepts in fashion design. The research topic is the diverse links between art and the fashion industry, which can be considered as the basis for the formation of the concept of art design. The purpose of the study is to identify the features of the interaction of art with the creative practice of fashion design and the reasons for representing the utilitarian object as a work of art. The hypothesis of the study is that the connection between art and the fashion industry can become an effective marketing strategy. The presentation of a design object as a work of art gives it additional symbolic value and increases the social status of its creator. The study applies тa culturological approach, which considers project activities in connection with the realities of the era, and a systematic approach that allows identifying the connection of aesthetic theories with the practice of design, art history and stylistic analysis.

This research aims to examine secondary and higher secondary students' perceptions about career options related to Art & Design studies. A comparative study approach is conducted between the secondary and higher secondary students who opted for Art & Design and the prospective students of Art & Design. Each data set includes 200 respondents from both types of students, making a data set of 400 respondents. Based on constructionism and symbolic, philosophical assumptions, quantitative research methodology has been induced to complete this research. The data is gathered through structured telephonic interviews to analyze the responses. For this research, a checklist was designed that included the same type of questions from both types of students. The results show that the students, specifically in the context of Pakistan, look forward to being employed in a lavish environment through seeking professional degrees apart from whether the field they are choosing would win their interest. This study recommends researching the institutes where Art & design is not a part of the educational programs to transmit the attention of authorities towards it.

This study is a recording of students’ work during the COVID-19 pandemic in the National Art Competition Festival event for Junior High School Students (FLS2N) held by the Ministry of Education and Culture’s National Achievement Center (Puspresnas). Students representing 34 provinces in Indonesia attended this prestigious event. The research was limited to the local dance art, local music art, and design fields, from which three winners were taken respectively. Interviews were conducted with judges, committees, and officials of Puspresnas about the innovation of the work. Observational data documenting the process of the art design were required for validity purposes. Data were analzed using Cougar, Huggins & Mcintyre’s innovation theory, which states that art can be designed through invention, duplication, development, and synthesis. The results were beyond expectations: during the COVID-19 pandemic, local students created beautiful and harmonious dance art, music art, and poster designs that can be enjoyed virtually by people through social media. Keywords: innovation, exploration, art-design, virtual media

Research conducted by the World Health Organisation (WHO) in 2018 demonstrated that the worldwide threat of cardiovascular diseases (CVDs) has increased compared to previous years. CVDs are very dangerous: if timely treatment is not performed, these conditions could become irreversible and lead to sudden death. Prescriptive measures include physical exercises and monitoring of the heart rate (HR). Despite the existence of various HR monitoring devices (or HMDs), a major challenge remains their availability, particularly to people in lower-income countries. Unfortunately, it is also this segment of the population that is the most vulnerable to CVDs. Accordingly, this led the authors to propose the design for an easily constructible state-of-the-art HMD that attempts to provide a highly accessible, lower-cost, and long-lasting solution that would be more affordable and accessible to these low-income communities.

Traditional art design models are inefficient and difficult to control the modal characteristics of images. Based on the actual needs of artistic design, this paper builds an intelligent model of artistic design image modal analysis based on machine learning technology and image recognition technology, and proposes a feature extraction method based on wavelet transform and fuzzy logic and an art image classification method based on rotating quaternion wavelet transform. Moreover, this paper calculates the activation intensity value corresponding to each fuzzy area in the fuzzy feature space and normalizes these activation intensity values to form the artistic image feature vector. In addition, this paper uses rotating quaternary wavelet transform to decompose the art image, and then calculate the energy and standard deviation of each decomposed sub-band coefficient. Finally, this paper uses support vector machines to recognize artistic images. The experimental research shows that the model constructed in this paper has certain effects.

The three-dimensional intelligent simulation of image art design is an important means of current image art design, which is affected by many factors. The traditional 3D intelligent simulation technology has certain defects, which leads to certain defects in 3D artwork. This paper builds a three-dimensional art design system based on dynamic image detection and genetic algorithm. The system simulates the actual dehazing method, and this paper proposes a dehazing algorithm suitable for this system and proposes to use bilateral filtering instead of median filtering. Because bilateral filtering has good edge retention, it can eliminate the blockiness caused by median filtering. Moreover, this paper uses FMM (Fast Marching Method) algorithm to repair the image. In order to verify the performance of the model, this paper conducts quantitative evaluation through system simulation and user satisfaction survey methods. The research results show that the method proposed in this paper has a certain effect and can be applied to practice.

The aim is to identify the key porcelain works painted by the Honored Artist of Ukraine Angelina Zhdanova during the second half of the 20th century, to reveal the artistic features of her decoration of sculptures, utensils and vases. Research methods – ontological, axiological, hermeneutic, historical-chronological, historical-comparative, cultural, typological, art analysis. Their combination allows us to reveal the specifics of the creative method of Anhelina Zhdanova concerning the design of sculptures of small forms and design development of decors for fine ceramic ware and vases. Novelty comprises the analysis of the artist’s appeals to the Ukrainian in the decoration of the best examples of domestic porcelain sculpture of the third quarter of the 20th century. (first of all, according to the designs of V. and M. Trehubov’s forms) and the use of exquisite Petrykivka painting in the design of vases, dishes, tableware of the second half of the twentieth century, created at Korosten and Svitlovodsk porcelain factories. Conclusions. The milestones of the work of the outstanding Ukrainian artist-designer in the field of porcelain Anhelina Leonidivna Zhdanova are traced. The list of main works in sculpture, vases and utensils, decor projects which she created at Korosten and Svitlovodsk porcelain factories in the 1950s – 1990s is outlined. It is determined that A. Zhdanova is the author of the original painting of the famous sculptures ‘Ukrainian Dance’ and ‘Shoes’, the forms for which were developed by V. Trehubova in the mid – second half of the 1950s. Portraits of Soviet figures on plates and vases, such as party executives, astronauts, foreign ambassadors or the UN Secretary General, are important in the artist’s work. A separate segment of Korosten products by A. Zhdanova consists of paintings with skillfully executed floral ornaments for framing portraits. The paintings are made in a delicate brush technique ‘cat’, the type of Petrykivka paintings.

The aim is to identify the key porcelain works painted by the Honored Artist of Ukraine Angelina Zhdanova during the second half of the 20th century, to reveal the artistic features of her decoration of sculptures, utensils and vases. Research methods – ontological, axiological, hermeneutic, historical-chronological, historical-comparative, cultural, typological, art analysis. Their combination allows us to reveal the specifics of the creative method of Anhelina Zhdanova concerning the design of sculptures of small forms and design development of decors for fine ceramic ware and vases. Novelty comprises the analysis of the artist’s appeals to the Ukrainian in the decoration of the best examples of domestic porcelain sculpture of the third quarter of the 20th century. (first of all, according to the designs of V. and M. Trehubov’s forms) and the use of exquisite Petrykivka painting in the design of vases, dishes, tableware of the second half of the twentieth century, created at Korosten and Svitlovodsk porcelain factories. Conclusions. The milestones of the work of the outstanding Ukrainian artist-designer in the field of porcelain Anhelina Leonidivna Zhdanova are traced. The list of main works in sculpture, vases and utensils, decor projects which she created at Korosten and Svitlovodsk porcelain factories in the 1950s – 1990s is outlined. It is determined that A. Zhdanova is the author of the original painting of the famous sculptures ‘Ukrainian Dance’ and ‘Shoes’, the forms for which were developed by V. Trehubova in the mid – second half of the 1950s. Portraits of Soviet figures on plates and vases, such as party executives, astronauts, foreign ambassadors or the UN Secretary General, are important in the artist’s work. A separate segment of Korosten products by A. Zhdanova consists of paintings with skillfully executed floral ornaments for framing portraits. The paintings are made in a delicate brush technique ‘cat’, the type of Petrykivka paintings., Мета – визначити ключові твори фарфору, розписані заслуженою художницею України Ангеліною Ждановою упродовж другої половини ХХ ст., розкрити художні особливості її оздоблення скульптури, посуду та ваз. Методи дослідження – онтологічний, аксіологічний, герменевтичний, історико-хронологічний, історико-порівняльний (компаративний), культуротворчий, типологічний, мистецтвознавчого аналізу. Їх сукупність дозволяє розкрити специфіку творчого методу Ангеліни Жданової щодо проєктування оформлення скульптури малих форм і розробок дизайну декорів тонкокерамічних посуду і ваз. Новизну складає аналіз звернень художниці до україніки в оздобленні кращих взірців вітчизняної фарфорової пластики третьої чверті ХХ ст. (насамперед, за розробками форм В. та М. Трегубових) і застосування вишуканого петриківського розпису в оформленні ваз, блюд, посудних сервізів другої половини ХХ ст., що створювались на Коростенському фарфоровому та Світловодському фарфоровому заводах. Висновки. Простежено віхи творчості видатної української художниці-дизайнерки в галузі фарфору Ангеліни Леонідівни Жданової. Окреслено перелік основних творів у скульптурі, вазах та посуді, проєкти декору яких розроблялися нею на Коростенському і Світловодському фарфорових заводах у 1950-х – 1990-х рр. Так, визначено, що А. Жданова є авторкою оригінального розпису відомих скульптур «Український танець» та «Черевички», форми для яких розробляла В. Трегубова у середині – другій половині 1950-х рр. Важливими у доробку мисткині є портрети радянських діячів на тарелях і вазах, як, наприклад, діячів виконавчих органів партії, космонавтів, іноземних послів чи генсека ООН. Окремий сегмент продукції Коростеня А. Жданової становлять розписи сервізів з майстерно виконаним рослинним орнаментом для обрамлення портретів. Розписи виконані у тонкій делікатній пензлевій техніці «кошачкою», штибу петриківських розписів.

Founded during 1919 in Weimar, Germany, the Bauhaus was a revolutionary art and design school that integrated various art forms and collaborated with modern industry to radically transform the cult...

Despite the development of intelligent technology, there are many problems in the improvement of teaching ability of professional courses in art design, namely, the impact from multiple factors, the imperfectness of the evaluation index system, and the lack of quantitative analysis. To solve the problems, this paper probes deep into the connotations and influencing factors of the teaching ability of the said courses in the context of intelligent technology. Through theoretical analysis, several strategies were presented to improve the teaching ability of the said courses. To effectively evaluate the ability, the authors set up a robust evaluation index system from multiple angles, and provided a quantitative analysis model. The research results provide a good reference for art design teachers to improve their teaching ability.

With the continuous development of informatization, digital video is increasing sharply every moment. Multimedia information represented by video streams has gradually become the main form of information media in the field of information processing. This paper proposes a method of directly extracting I-frames in the compressed domain, which overcomes the shortcomings of traditional video retrieval algorithms that decompress video files before processing. From the point of view of the scene, it discusses how to synthesize the scene summary using I frames to obtain the smallest computer-aided unit in the video. The new model promotes the information transformation of art design activities, provides excellent theoretical tools for the extension of digital network to art design, and creatively brews a digital network learning platform based on network sharing. The new model applies the advantages of computer technology to the design of art categories, promotes the sound and orderly development of art design, and improves the professional level of art designers and producers. The new model was tracked and analyzed by means of work research and judgment, and the results showed that the effect of computer-aided art design and production model design was significant.

The article focuses on the inclusion of the external image of a person in communication practices. The authors study variants of art activities aimed at adapting the existing external image of a person to various socio-cultural situations. Communicative practices of using art design in shaping the external image of a person are positioned as" flexible " image models recommended for communication in different communities. The external image of a person is considered as a means that provides instant information exchange between communicants of various social groups. The visual components of the external image of a person that affect the translation of socio-cultural information, such as clothing and hairstyle, are indicated. The methods of art design in modern culture are defined as creative, contributing to the formation of a visual image that participates in the unification of social groups. It is established that the methods of art design, in the context of designing the external image of a person, affect the purposeful formation and adaptation of an image that translates belonging to a social group. Based on the results of the research, recommendations are presented for the choice of art design methods in the process of designing the external image of a person, taking into account the communication goals of representatives of different social groups.

CliNCare is a digital educational game which aims to improve clinical reasoning skills in the delivery of nutrition care of third year dietetic students. From a game art point of view, it was important to decide on the graphical style that would be appealing to users and best support the achievement of the overall aim of the game by providing an authentic learning experience. Photorealism is a common art style applied to contemporary simulation games, however, we wanted to investigate the use of 3D cel-shading and 2D illustration as an alternative, more affordable art style and its ability to provide an engaging and authentic digital learning experience using design-based research principals. This paper discusses the reasoning behind art design choices made in the CliNCare game, presents findings on students feedback of the game fidelity, experience, and usability, as well as draw conclusions on art styles for future digital simulation games.

The diglyceryl phthalate epoxy resin contains a benzene ring in its molecular structure, and its molecular weight is small. In addition to the generality of epoxy resins, it also has the advantages of low viscosity, moderate reactivity, high adhesion, good compatibility, excellent electrical insulation and ultra-low temperature, and good weather resistance. It has good adhesion with carbon fiber, and it is suitable to make carbon fiber composite material. Based on this background, this article mainly focuses on the seat art design, and uses the wrapping method to analyze the preparation of the carbon fiber composite resin matrix. The optimal reaction conditions are determined by changing the reaction during the preparation of the thermoplastic resin matrix. / PA = 1.9, esterification time 120min, cyclization time 70min, reaction temperature 110 °C, amount of promoter water 6g, concentration of cyclizing agent sodium hydroxide solution 30%. The resin synthesized in this case is a light-yellow transparent liquid with an epoxy value of 0.51 (mol / 100g).

Summary Internet-connected clothing/textiles is a promising but underexplored option for future personalized health care. Here, we report a textile-based sensor (TS) system with art design for wearable biomonitoring and interacting over the Internet. The TS is capable of delivering a sensitivity up to 3.88 V/kPa for ambient tiny pressure sensing. Made of durable materials, the TS exhibits remarkable robustness after more than 80,000 cycles of continuous operation. A wireless biomonitoring system (WBS) has been developed for timely processing of the acquired human pulse wave signals, wirelessly transmitting and displaying the patient’s health data via an APP interface onto a smartphone. The WBS was used to effectively diagnose obstructive sleep apnea-hypopnea syndrome during a whole night of sleep even with body movements. The textile-based wireless biomonitoring system represents a solid step toward constructing a body area network for personalized health care in the era of the Internet of Things.

Purpose: This study aims to present creative and original nail art design through ideas inspired by the formulation of minimalism and maximalism. Methods: For nail design production that utilizes minimalism and maximalism, we conducted both empirical and theoretical research through literature review and case studies. Moreover, through prior and empirical researches, photos were obtained for classifying and analyzing design cases that demonstrate how minimalism and maximalism are expressed. Result: Through analyzing design cases portraying the formulation of minimalism and maximalism, the works produced under the theme of a woman's life were selected and produced through the following stages: birth, growth, marriage, parenting, and twilight. Conclusion: This study confirms that nail design can be used as an important production material in the developmental and planning processes in various fields, because it is not limited to the nail art field but has become a trend in life. Furthermore, it can be used as a concept associated with various techniques and creative and original designs can be created through storytelling.

Chicago enjoyed a flourishing of design-related events and exhibitions in 2018 and 2019, much of it produced with the funds and support of the Terra Foundation’s Art Design Chicago initiative. Amon...

The place and the role of stereoimage in art-design are defined. In the research, stereoobjects of designing are generalized and structured in accordance with kinds of design practices. The model of the art-design in the field of stereopolygraphy is proposed, which might facilitate developing scientific and methodological basis of design.

For the problem of parametric design of anisotropic curves and cambers in the practical application field of environmental landscape design, in this exploration, the modeling of design object is carried out through computer parametric technology. It is based on the information collection and data extraction of design object and the formulation of logical relationship between parametric variable factors related to design. For nonlinear systems, a necessary condition to judge parameters is proposed. This criterion is a natural extension of the PBH criterion, which makes it easy to identify the parameters of the pseudo-linear system in the generalized case, and avoids a lot of complex operations; at the same time, a parametric design method of dynamic environment landscape is proposed systematically. In the first order, second order, high order and generalized nonlinear model, the complete parametric optimization method of environmental landscape design is established. The [Formula: see text] search function in MATLAB optimization toolbox is used to solve the generalized nonlinear system. The performance of the algorithm is tested by the examples of pseudo velocity, pseudo velocity uniformity and parameter optimization of the parametric curve called by the software environment. The results show that system dynamic process to simulate the dynamic environmental changes in landscape design by using the optimized parameter method is faster than that by using the unoptimized method. Meanwhile, the optimization method in this exploration can reduce the amplitude of change when external factors interfere, which shows that the optimized parametric design model has better transient performance; the curve generated by calling the drawing function provided in this exploration is smoother when the number of drawing points is the same.

This paper discusses two pilot projects in Art and design education at the teacher training at Western Norway University of Applied Sciences. In the second round of drafts for the new curriculum of Art and design digital knowledge is described as stretching from using simple digital resources to master and shape your own digital products. It is no longer limited to two dimensional visual modelling as previously drafted. This is in our view a new approach in a subject where making, tinkering and designing allows for explorations in both 2D and 3D. Given that we want to encourage the use of the digital together with the use of physical materials, the pilot case studies demonstrate the importance of bringing coding and the material aspects of tinkering, making, and creating into play. The BBC Micro:bit was used to make coding and mechanical control part of projects made with traditional material. Further research and development should be undertaken to bring such practices into classrooms in primary and lower secondary schools.

State-of-the art design methods for a stacker crane rail/wheel system use unrealistic load collectives. Therefore, the results of these design methods are often inaccurate. The BS EN 13001-3-3 introduces a more realistic load collective, called the contact force spectrum factor. However, in practice the contact force spectrum factor is difficult to compute, since all contact forces over the considered stacker crane's life cycle need to be known. One way to overcome this obstacle is to run a simulation. However, this approach is computationally expensive. Therefore, this paper introduces machine learning models for predicting the contact force spectrum factor. For data generation a simulation model is used. The presented machine learning models are compared to the standard approach for computing load collectives. In comparison to this standard approach the machine learning models' predictions are significantly more accurate. The presented results make it possible to predict realistic load collectives for the rail/wheel system of stacker cranes. Hence, with this paper's results the efficient application of the BS EN 13001-3-3 for stacker cranes becomes possible.

With the rapid development of information technology, the construction of social informatization has become an important part of all walks of life in the process of reform and development, and the construction of teaching resources is an important part of realizing educational informatization. At the same time, with the rise of digital art craze, the demand for digital talents is very urgent, and training high-quality digital talents has become an issue of great concern to the society. For the purpose of improving teaching efficiency, this paper designs an art design teaching information system based on multimedia technology, which realizes the functions of user management, course management, homework management and online practice module. Using multimedia technology and database technology to build an open art design teaching information system. In order to better serve the education, teaching and educational administration of art design specialty, and promote the informationization process of school teaching.

Machine learning is the most important part of artificial intelligence, and the difference between artificial intelligence and ordinary big data analysis lies in its characteristics of machine learning. It is the only way to promote the development of theory and practice of technology and art in their respective fields to study the dynamic development relationship between technology and art in the specific era background and humanistic environment. Based on the machine learning algorithm, this paper analyzes the influence of artificial intelligence on art design, and demonstrates that the combination of artificial intelligence and art design can provide a more intelligent, stylized and commercialized development path for future art design with the promotion of innovation of ideas and tools. Combining with the development trend of artificial intelligence technology in the future, this paper predicts the future development of artificial intelligence art from the aspects of art content concept, art form and art media, and obtains a series of characteristics of artificial intelligence art in the future, such as micro-art form, strong ethical concept and new art media.

As public art gradually walks into People's Daily life, people also pay more and more attention to the cultural requirements of public space. Due to regional differences and obvious cultural differences, people's aesthetic orientation is changing constantly, and the degree of understanding of traditional culture is also deepening. All these factors force us to constantly explore new ideas of combining traditional culture and modern public art design. Due to the lack of systematic theoretical guidance and practical experience, there are some problems in the field of public art design in China.

The article is devoted to the study of the basis for determining the methods of design - designing the interiors of the premises of cinemas in the style of postmodernism.The features of postmodernism in this context include humor, a combination of styles, vibrant colors, metaphor. On the basis of the studied data, the features and specific properties of the postmodernism style, the features of its use in the design of movie theater interiors, and the ideas of creating receptions are determined. The analysis used the possibilities of applying some of the three trends within the postmodern movement: marginal modernism; metaphorical, humorous, entertaining, gaming. Of the additional considered: deconstructive; non-authentic, eсlectic; parody. The primitivization of the use of classical forms with the activation of the cinemas indicated on the exterior is noted.The analysis of the premises of cinemas and the style of postmodernism was implemented. Among the mandatory elements there is a need for decoration in the postmodern style of the following movie theater premises: a cash register lobby with ticket rooms, an entrance lobby, a lobby or distribution lobbies, a buffet with utility rooms, sanitary facilities, a demonstration complex, an auditorium and a director’s office. The holistic interior of the auditorium, entrance lobby and foyer requires the greatest attention.A brief historiographic analysis of the development of cinemas, the requirements for their design.Scientific novelty: The main ideas of the techniques of the conceptual design of the cinema in the postmodernism style are identified: The main ideas of the methods of the design of the cinema in the postmodernism style are introduced: the game with stylistic formulas; connection of a real i conditionally gaming; hyperbolization, the effect of distortion of the object; play with space; interpretation of environmental composition as a scene; ironic replay of traditions, the use of second-level irony: play of irony, play over irony; game genre models in a certain historical interval., Стаття присвячена дослідженню базису визначення прийомів дизайн - проектування інтер'єрів приміщень кінотеатрів в стилі постмодернізм.До особливостей постмодернізму в даному контексті належать гумор, поєднання стилів, яскраві кольори, метафоричність. На основі вивчених даних визначено особливості та специфічні властивості стилю постмодернізм, особливості його використання в дизайн-проектуванні інтер'єрів кінотеатрів, ідеї створення прийомів. При аналізі використовувалися можливості застосування деяких з тенденцій всередині постмодерністського руху: маргінальний модернізм; метафоричний, гумористичний, розважальний, ігровий. З додаткових розглядалися: деконструктивний; неовернакулярний, еклектичний; пародійний. відзначено примітивізація використання класичних форм з активізацією вказаного на екстер'єрі кінотеатру.Проведено аналіз приміщень кінотеатрів і стилю постмодернізм.Серед обов’язкових приміщень є необхідність оформлення в стилі постмодернізм наступних приміщень кінотеатру: касовий вестибюль з приміщеннями кас, вхідний вестибюль, фойє або розподільні кулуари, буфет з підсобними приміщеннями, санітарні вузли, приміщення демонстраційного комплексу, глядацька зала, кабінет директора. Найбільшої уваги потребує цілісність інтер'єрів глядацькой зали, вхідного вестибюля та фойє. Проведено короткий історіографічний аналіз розвитку кінотеатрів, вимог до їх проектування. Наукова новизна: Визначено основні ідеї прийомів концептуального дизайн-проектування кінотеатру у стилі постмодернізм: гра стилістичними формулами; поєднання реального і умовно ігрового; гіперболізація, ефект спотворення об'єкта; гра з простором; трактування середовищної композиції як сцени; іронічне обігрування традицій, використання іронії другого рівня: ігри іронії, гри над іронією; гра жанровими моделями в певному історичному інтервалі.

The trend of initiating art design carrying wayang as the theme, is an attempt initiated by young generation that is worth-appreciated. However, the process of at design-making itself mostly does not genuinely pay attention to the essentials that each wayang figure has. Omitting or replacing one of the elements of Wayang Purwa could possibly change the values of wayang itself. This study is conducted to arrange a representative figure of Wayang Purwa, which is, Pandawa gagrak Surakarta as the principle of the design making without excluding the meanings and identities of the character. The method used in this study is qualitative, obtained from various references, such as; books, articles, and journals related to the Pandawa gagrak Surakarta figure, and interview with Bambang Suwarno, as a puppeteer as well as a leather wayang crafter. The result of this research is a reference of the Pandawa Lima and Gatotkaca figures design, as mostly used in various media.

© 2019 NSEAD and John Wiley & Sons Ltd What role does writing play in secondary art & design education? In the context of current debates on access and participation in the visual arts, the nature of art discourse and the value of creative subjects within the curriculum, what impact do the existing requirements have on students, teachers and the broader arena of the visual arts? This article presents the findings-to-date of an ongoing pilot study which set out to explore these questions. Drawing on interviews with teachers and exam board representatives, and a review of student texts and exam board documents and resources, the study found that even though writing is only a minor part of what is an essentially practice-based subject, it was a source of significant concern and confusion. A marked disconnect was revealed between intent and practice, which in turn highlighted a series of underlying values and beliefs that seemed to further drive this disconnect. The study calls for a wider discussion of the way writing is framed, used, supported and assessed in the art & design classroom, and the need to ensure that any pedagogy and resources developed align with the values as well as curriculum of art & design. It also previews how strategies created in the context of developing more inclusive and flexible writing skills among curators and other art museum professionals may offer a useful model. The study is part of a larger investigation into the discourse/s of the visual arts, with a focus on issues of access and participation.