Search

Copyright of Journal of Syntax Literate is the property of Ridwan Institute and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of RumeliDE Journal of Language & Literature Research / RumeliDE Dil ve Edebiyat Araştırmaları Dergisi is the property of RumeliDE Uluslararasi Hakemli Dil & Edebiyat Arastirmalari Dergisi and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Slovo a Slovesnost is the property of Academy of Sciences of the Czech Republic, Czech Language Institute and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Syntax Literate is the property of Ridwan Institute and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Transfer: Zeitschrift für Kommunikation & Markenmanagement is the property of Deutsche Werbewissenschaftliche Gesellschaft and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Diyalog Interkulturelle Zeitschrift für Germanistik is the property of Diyalog Interkulturelle Zeitschrift fur Germanistik and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Acta Universitatis Wratislaviensis. Germanica Wratislaviensia is the property of Wroclaw University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Literature & Humanities / Edebiyat ve Beşeri Bilimler Dergisi is the property of Ataturk University Coordinatorship of Scientific Journals and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Linguistic & Literary Studies is the property of International Islamic University Malaysia, Department of Arabic Language & Literature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Neue Zeitschrift für Systematische Theologie und Religionsphilosophie is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Tekst i Dyskurs is the property of University of Warsaw and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of European Journal of Psychotherapy & Counselling is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kulturstudier is the property of Dansk Historisk Faellesraad and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Neue Zeitschrift für Systematische Theologie und Religionsphilosophie is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Tahiti (2242-0665) is the property of Taidehistorian Seura and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Wacana Seni Journal of Arts Discourse is the property of Universiti Sains Malaysia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Linguistic & Literary Studies is the property of International Islamic University Malaysia, Department of Arabic Language & Literature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Characters and characterization are socio-cultural representations that convey meaning and messages to society. According to Fludernik (2009) characters and characterization lead to the construction of meaning. Thus, this article analyzes the symbolism in character and characterization based on the socio-cultural context of Malaysian society through the Ola Bola (2016) film. The article will discuss how the characters and characterization in this film represent the lives of Malaysians of various races. The Semiotic concept by Ferdinand De Saussure's (1857-1931) is used as a research approach to evaluate the portrayal of socio-cultural symbols through the portrayal of characters and characterization in the film. This study found that the Ola Bola (2016) film highlights the importance of interpersonal relationships (unity) through friendship and sacrifice between the characters. The study also found that the dialogue and character's speech convey messages about the importance of religion and the use of native languages such as Malaysia, Tamil and Mandarin. Apart from dialogs and props, the film also shows the acceptance of external elements such as English language in the everyday life of Malaysian society. Overall, the characters and characterization in this film are used to convey a message about the importance of the Malaysian identity. [ABSTRACT FROM AUTHOR]

Copyright of Neue Zeitschrift für Systematische Theologie und Religionsphilosophie is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Code / Kodikas is the property of Narr Francke Attempto Verlag GmbH & Co.KG and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Communication science deals with any informational contact between humans, animals or even machines. Many popular (so-called) communication theories begin their studies with the identification of signals and thus with the clarification of where they came from and under which conditions they were produced by a sender system. However, interpersonal communication does not only imply an activity of a sender in the sense of a mere illustration, but rather a fictional creation based on an intelligible correlation to reality. Thus, communication as a sign-based co-orientation can only be described as a social and hence supra-individual event of specific structure, which is realized and dynamized in interweavings of time, space, semiotic resources, concrete actors and competencies, as well as explicit and implicit normative structures of social fields of practice. All human perceiving, thinking and recognizing is always perceiving, thinking and recognizing in signs. The aim of this paper is therefore to illuminate the research object of communication from the models of information, communication and sign theory and to distinguish communication from non-communication, thus enabling a differentiation of specific forms of communication. [ABSTRACT FROM AUTHOR]

The purpose of this paper is a reflection on the theoretical foundations and the potential usability of the concept of text-image genres. Text-images (pl. 'teksty/obrazy') are in the article defined with Cieszkowski (2014: 41) as such units, which are neither texts nor image, although they demonstrate textuality and pictoriality at the same time. The general tendency to structure the field of research belonging to a certain discipline is apparent e. g. in the text linguistics. The typology related to the language texts stimulates also the attempts to classify the non-language units in a similar way. An example for that is the typology of picture genres by Stöckl (see Stöckl 2004: 139-141), based on the concept of the image linguistics. The article is an attempt to discuss the concept of text/image genres on several examples of text/image in the context of the mass media. However, it rejects the methodologically convenient but simplifying concept that they are an extraordinary type of texts. The enormous dynamicity of this research field justifies also the question if arranging a typology of text-images could contribute to the research of these units. [ABSTRACT FROM AUTHOR]

Copyright of Electronic Turkish Studies is the property of Electronic Turkish Studies and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In the discourse of women's beauty product advertisements, the elements of semiotics are the most important and play a huge role in communicating the concept and message about a product that is to be advertised. Visual image is said to be more effective and more meaningful than a thousand words, simaltenously plays a very important role in attracting the consumers' attention and as a tool to form a dialectical relationship between the discourser and the public. In the homogenous, monolithic and monoethnic Japanese society, research shows that there are interventions of Occidental Caucasian women's image application in the creation of discourse of beauty product advertisements in Japan. This article discusses the mechanism of semiotic elements that is oriented towards Western ideology of beauty which is exploited in 23 texts of women's beauty product advertisements in Japanese language. Analysis is based on Fairclough's framework of discourse analysis. Interpretation shows that the discourser has utilised as maximal as possible, the values, image as well as the positive and prestigious etnocultural stereotypes brought by the Western countries. The enthusiasm of Japanese women in imitating the style of Occidental Caucasian women which is considered as the 'symbol of world culture' and 'universal beauty' in terms of dressing, make up, hair styling, facial and bodily physical features is utilised as best as possible by the discourser in creating, developing and instilling the ideology of occidental beauty in order to influence, and to attract the attention and interest of Japanese women towards a beauty product. [ABSTRACT FROM AUTHOR]

Within the context of the cultural turn in Translation Studies in the 90s we observed the incorporation of non-linguistic aspects in the investigation. Today, culture occupies a generally recognized place in Translation Studies. Nevertheless, a lot of questions still remain unresolved in the methodological and conceptual field. Thus, the term is used in a general and inflationary way. Furthermore, we need concrete models which allow us to operationalize the cultural dimension of the texts for the practice and didactics of translation. The present article deals with the complex interrelation between language, culture and translation, with the objective of presenting a theoretic model for the description of the cultural dimension of texts, which also should be applicable to the practice of translation. The author starts from a semiotic definition of text and culture, because semiotics is considered the adequate base for an interdisciplinary and modern perspective on Translation Studies. [ABSTRACT FROM AUTHOR]

Copyright of Black Sea / Karadeniz is the property of Black Sea / Karadeniz and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This essay aims to review a local artwork that can be classified within the formalism framework. The re-evaluation will use the theory of structuralism, in tandem with the reading of semiotics. More specifically this reading is assumed to expand and widen the reading of the application of tool and technique contained within this formalist artwork. Structuralism in this context is assumed to drive and explain in a more systematic way, the quality of the formalist artwork based on the basic compatibility of both ideological frameworks as well as bringing the work beyond a confining meaning. [ABSTRACT FROM AUTHOR]

Copyright of Psychotherapie Forum is the property of Springer Nature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Der Schmerz is the property of Springer Nature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)